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JONATHAN SWIFT AND THE EIGHTEENTH-CENTURY BOOK
EDITED BY PADDY BULLARD and JAMES McLAVERTY
CAMBRIDGE UNIVERSITY PRESS IOO Pat Rogers
3 http://digitalmiscellaniesindex.org/ (accessed 25 July 2012). The editors of the Index kindly allowed the data in this chapter to be checked against a CHAPTER FIVE pre-publication version of their database. It is already clear that the Digital Miscellanies Index will show that Swift's poems were more widely reprinted Swift's Tale of a Tub and the mock book than has previously been apparent. 4 Johns, Piracy, pp. 42-4, III. Marcus Walsh 5 Cyprian Blagden, 1he Stationers' Company: A History I40J-I959 (London: Allen & Unwin Ltd, 1960), pp. 153-77. 6 Johns, Piracy, p. 111. 7 See Baines and Rogers, Curll, pp. 7, 140, 289-90. 8 Swift to Tooke, 29 June 1710, and Tooke to Swift, 10 July 1710, Woolley, Corr., vol. I, pp. 282-4. Jonathan Swift had no general objection to books and texts. He believed in, 9 Falconer Madan and W. A. Speck, A Critical Bibliography of Dr. Henry and wrote that he believed in, the possibility of plain meanings, embody Sacheverell (Lawrence, KA: University of Kansas Libraries, 1978), item 992 ing 'the Author's Intentions', and worthy of 'candid Interpretation'. He (but see ESTCT50892). Some ofMorphew's publications on the Sacheverell affair were actually really Curll's handiwork, and at least three were written approved of texts that, like the Father's Will that is the New Testament, by him; see ibid. items 107, 319-25, 339, 341-6, 350, 408-9, 606, 627, 645-6. consisted of 'certain plain, easy Directions'. His sermons in particular fu Marcus Walsh notes, by the date of the Apology to A Taleof a Tub, 'King's exemplify the dear text, embodying and communicating a plain mean pro-Sacheverell, anti-Marlborough, high-Church Tory writings had made ing. He did not, however, value endless controversions of dangerous mat Swift think more favourably of him' (CW]S, vol. I, p. 323). ters, and deeply resented a merely commercial proliferation of writing, 10 Karian, Print and Manuscript, pp. 65-6. agreeing with the humanist King of Brobdingnag, as Paddy Bullard has II See Baines and Rogers, Curll, pp. 60-8. suggested in his chapter, that a library of a thousand volumes was suffi 12 Baines and Rogers, Curll pp. 132-8. cient to represent the curriculum of worthwhile knowledge. Swift abomi 13 See Pope's note to Dunciad, book II, line 66 (TE, vol. V, p. 106); Henry Cromwell to Pope, 6 July 1727, Pope, Correspondence,vol. II, pp. 439-40; nated obscure writings, including allegories and hermetica, all texts so Baines and Rogers, Curll, pp. 171-3. dark as to require and invite commentary, the impedimenta literarum of 14 See Stephen Karian, 'Edmund Curll and the Circulation of Swift's Writings', commentary itself, and the jargons of pedantry, law and scholasticism. in Munster (2008), pp. 99-129. This is the most thorough investigation of the He objected fiercely to the deliberate wresting of the words of Holy topic to date. Scripture, and indeed to the forcing of any texts to 'Interpretations which 15 See Pat Rogers, 'The Case of Pope v. Curll', 1he Library, 5th ser., 27 (1972), never once entered into the Writer's Head'. These positions and values 326-31. were wholly natural to an English or an Irish churchman and man of let ters in the opening decades of the eighteenth century. They are positions and values shared too with many a literary humanist before Swift, before the new professionalizing philological humanism that he so abhorred was ushered in by Richard Bentley, and Bentley's continental forebears and contemporaries. 1 Swift's Tale of a Tub, however, like so many of his published writings, is by no means a plain and straightforward text. If it presents, as Swift asserted in his Apology, 'the Author's Intentions', it does so in indirect and ironic ways. It is a commented text, and explicitly and repeatedly invites and requires commentary. It is full of dark matter. To many con temporaries of Swift, and to many modern critics, it has seemed a danger ously unstable, wrestable text. Swift desiderated in his Apology, however,
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is is 106 106 108 Marcus Walsh Swift's Tale of a Tub and the mock book 109 Royal Society and the publications of dissent are all lampooned. In the De antiquitate Tjpographia, to shew, that Printing or Pressing was as antient Introduction to the Tale, a disparate selection of productions of Grub as Grandfather Adams, learnedly put home by Henry Hills Printer, to the Taylors wife in Black-Priers. Street are subjected to a process of metamorphic enumerative bibliog raphy, with both general and particular targets: a chapbook Dr Faustus At this date Henry Hills was a member of a Particular Baptist church, as a work of alchemy, written by Artephius, the mythic and wondrously already printer to the council of state, and notoriously living with the wife long-lived Adeptus; 'Whittington and his Cat', described as a work of of Thomas Hams, a Blackfriars tailor. 20 'Pressing' and 'put[ting] home' Talmudic commentary (here the voice is recognizably Bendeian, turning have appropriate plural senses here. the great classical philologist into a critic of chapbooks); the Catholic con Animadversions and Corrections of St. Paul's Epistles, and specially of that vert John Dryden's 1he Hind and the Panther as 'a compleat Abstract of sentence, Godliness is great gain; whereas it should be, Gain is great godliness; sixteen thousand Schoolmen from Scotus to Bellarmin'; the chapbook tale as is clearly proved by William Kijfin, Broaker of the Word. of 'The Wise Men of Gotham, cum Appendice' as 'a just Defence of the Modern Learning and Wit', referring to the second edition of Wotton's Kiffin was a Particular Baptist minister, a hugely wealthy merchant in leather and cloth, and energetic sponsor the parliamentary cause. Reflections (1697) with Bentley's Dissertation printed as an appendix, and of applying the 'immense Erudition' of the Reverend William Wotton, FRS, He celebrated his material success as evidence of divine favour: 'it pleased God so to bless our endeavours, that, from scores of pounds, to a fool's tale (CW]S, vol. I, p. 43). Catalogues, like all forms of the list, are highly susceptible to parodic he brought it to many hundreds and thousands of pound: giving me 21 and imaginative reorderings, imitations and revaluations, and Swift had more of this world than ever I could have thought to have enjoyed'. a few possible parodic predecessors. One, with which he was certainly The compact ironies of the characterizing phrase 'Broaker of the Word' familiar, was Rabelais's catalogue of the library of St Victor. All Rabelais's anticipate Swift's exploitations of the links of 'trade' and dissent. A later lists are powered (and supercharged in Sir Thomas Urquhart's translation) mock bibliography attacked William Sherlock and other senior juring clergymen, with the form and tide A Catalogue books the new by an almost endless poetic fertility. Here five pages of inventive tides pil of of of est fashion to be sold by auction at the Whiggs Coffee-House ... near the lory (mostly) the ancient learned professions: deanry of St. Paul's (1691). Its items provide a framework for a series of The Codpiece of the Law. satiric portraits: Cacatorium medicorum. 6. Non magna loquimur sed, &c. By the pious Author and religious The Chimney-sweeper of Astrology. Practiser of the Letter to the dying Lord Russ-I, addressed chiefly to his The Kiss breech of Chirurgery. Arch-Brother and quondam Pupil Dr. Sh[erlock], as an Antidote against 'Of which library', we are told, 'some books are already printed, and the rest Shame and Remorse. are now at the Presse'. 19 Thomas Browne's Musaeum clausum or Bibliotheca 9. Dux ffEmina facti: Conquest the best Tide to Body and Conscience, Abscondita (posthumously published in 1684), not demonstrably known by Dr. Sh-k's Wife, dedicated to her Humble Servant her Husband ... to Swift, listed among other fictitious curiosities 'remarkable Books ... of several kinds, scarce or never seen by any man now living'. The 'pious Author' is John Tillotson, who had argued, in his letter to the At least two parodic bibliographies of the post-Restoration period condemned Lord Russell in 1683, 'the unlawfulness of taking arms against are not only closer in time to Swift, but closer to Swift's methods, and the king in any case'. Early in 1691 Tillotson was appointed to the see certainly closer to his political and religious principles. The anonymous of Canterbury by King William, who had come to the throne through Bibliotheca fonatica: or, 1he phanatique library being a catalogue of such revolution. William Sherlock, one of the leading Anglican controversial books as have been lately made and by the authors presented to the co/ledge of ists of the time, dramatically turned his coat from public and determined Bedlam (1660) invented dozens of book tides, and helpfully provided brief nonjuring to take the oath in August 1690, under the influence, many summaries of them, to mock or allege the doings of a wide cast of sectar believed at the time, of his Xanthippean wife. Swift had, then, one or ians and parliamentarians: two forerunners in the satiric exploitation of the form of the bookseller's IIO Marcus Walsh Swift's Tale of a Tub and the mock book III or library catalogue, not much less inventive than his own, and yet more translation of Plutarch's Moralia (1603), for example, substantial blocks of contemporary and urgent. asterisks in some places denote innocent lacunae in the copy: Swift's satire draws too upon book conventions at the typographical level. The Tale of a Tub and its associated texts are frequently interrupted * * * * * * * * * * * In this place a great defect and breach there is in the Greeke originall, by blanks, characteristically and almost invariably marked by multiple which can not be made up and supplied without the helpe of some ancient 22 lines of asterisks. The Apology is followed by a Postscript, which claims co pie, not yet extant. 2 5 that 'The Gentleman who gave the Copy to the Bookseller' was 'a Friend of the Author', and used 'no other Liberties besides that of expunging In other places in this book asterisks are made to stand for obscuranda: '.And yet peradventure it were not amisse in this place to resound and pro certain Passages where now the Chasms appear under the Name of nounce aloud those verses of Empedocles, *. For under covert tearmes Desiderata'. The existence and identity of that Gentleman, and indeed * * he doth allegorize ... '; in yet others, asterisks are a device to avoid the of the passages alleged to have been expunged, are of course uncer writer's duty of clarification: 'these Philosophers onely have perceived tain; the Postscript's claim is more likely to be fiction than fact. The this duplicity, this composition and ambiguitie; whereby every one of us first block of asterisks frustrates our expectation that the adequacy of are two subjects, the one being substance, the other * *'. 26 Thus tacitly in 'the Ladder' as 'an adequate Symbol of Faction' will be explained, the this text, as in Swift's Tale, the knotty Point is unravelled, and the clear second supplants the Hack's promised explanation of the uniform effect Solution reached.27 of different vapours. A particularly substantial block of asterisks, in the the use of asterisks in classical texts and translations is limited, the 'Discourse Concerning the Mechanical Operation of the Spirit', stands If parody-editorial use of asterisks is much rarer. may be found, however, for the intended deduction and explanation of 'the whole Scheme of It in one seventeenth-century book at least, an anonymously published spiritual Mechanism' - 'but it was thought neither safe nor convenient piece of university wit, Naps upon Parnassus (London, 1658), attributed to print it'. Briefer sequences of asterisks politely avoid stipulating that to the royalist painter and poet, and (from 1668) FRS, Thomas Flatman. ecclesiastical, as well as civil and military, offices might be appropriately Here the satirical poem titled 'The Common Fire', addressed to the poet's staffed by recruits from the madhouse, and politely avoid saying that muse, is presented as a found and incomplete text. Editorial explanations, the spiritual ecstasies of the Quakers are frequently accompanied by a in a second voice, accompany the piece. The lines on certain poets who matching physical ecstasy: 'shake off their Mam's old clothes, as fetters I But *petticoat themselves with in the Height and Orgasmusof their Spiritual exercise it has been frequent different Letters', for example, are marginally glossed: '*I think he means with them * * * * *; immediately after which, they found the Spirit [effeminated], a difficult place this!' The poem ends in asterisks and emp to relax and flag of a sudden with the Nerves, and they were forced to has tiness, the Ghost of Wit, delighting to walk after the Death of its Body: ten to a Conclusion. I may not bless Him, as I've blest the rest; Blanks and asterisks enable in fact a multitude of prevarications, parodic For he holds nought in Common with the rest. ally enacting scholarly inadequacy, mendacity, prudishness and bad faith. 23 * * * * * * * * * * * * * * They are represented in the Taleas enabling devices for a variety of abuses * * * Caetera desiderantur. * * *lll of learning. In the seventeenth-century book multiple asterisks were not infre As in this instance from Flatman, the Tale of a Tub's gaps, and their aster quently used as Swift would use them in A Tale ofa Tub, as graphic markers isks, are regularly glossed by tags in learned Latin. 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Chrysostom Chrysostom
not not
upon upon
Swift's Swift's
possible possible
save save
and and
substantially substantially
England England God God
that that
the the
Church, Church,
left left
is is
main main
have have
is is
a a
St. St.
in in
if if
dubio, dubio,
old old
formal formal
wanting. wanting.
of of
left left
of of
is is
position: position:
locus locus
century, century,
it it
same.3
the the
it it
typographies typographies
like, like,
quibusdam quibusdam
of of
conventions, conventions,
Dunciad Dunciad
the the
falsified falsified
Tub Tub
codicibus... codicibus...
authority, authority,
Truth, Truth,
are are
the the
of of
hie hie
the the
Romanist Romanist
the the
a a absq; absq;
the the
demonstrating demonstrating
parts parts
comes comes
W:Ord W:Ord
in in
predominantly predominantly
personated personated
in in
way way
Constantine Constantine
and and
doubt, doubt,
are are
between between
the the
Specifically, Specifically,
does does
of of
Passage Passage
in in
it it
have have
of of
Roman Roman
heart heart
so so
Totus Totus
things things
no no
of of
Pope's Pope's
are are
out out
how how
Bell, Bell,
evidence evidence
bookish bookish
Chrysostom Chrysostom
their their
downe downe
only only
nor nor
veteribus veteribus
scholarly scholarly
the the
Tale Tale
as as
the the Books', Books',
Presumption Presumption
later later
prominent prominent
Written Written
But But
seth, seth,
doth doth
St. St.
whole whole
Quoniam Quoniam
in in
set set
found found
find find without without
many many
in in
Bentley Bentley
nonnulla nonnulla
such such
course course
Chrysostom: Chrysostom:
means means
the the
argument argument
The The
the the
most most
dubious dubious
moderns moderns
worthy worthy
model, model, and and
no no
of of
degree degree
unt unt
scripture. scripture. neutral neutral
of of
On On
(second (second Romanists Romanists
ing ing themselves). themselves). Grand Grand
to to
Much Much
against against Donation Donation
n4 n4
the the Thomas Thomas
a a
By By
......
'In 'In
are are
Six Six
pp. pp.
117 117
Part Part
847, 847,
were were
very very
Their Their
parts, parts,
Swift's Swift's
(1599), (1599),
Second Second
(1650), (1650),
his his
Creech Creech
as as
Norris, Norris,
General General
refined, refined,
Syllable Syllable
Genius, Genius,
pp. pp.
Thomas Thomas
thus thus
Holland Holland
followed followed
examples examples
a a
World World
(London, (London,
Instructed Instructed
Christians Christians
making making Poems. Poems.
a a
1658), 1658),
the the
Taken Taken
in in
is is
(two (two
fragmented fragmented
to to
epigram epigram
from from
Author Author
John John
of of
used used
more more
a a
for for
great great
Tub'. Tub'.
Verses, Verses,
Not Not
Grys Grys
1600), 1600),
Fashion Fashion
the the
ne're ne're
of of
Thomas Thomas
a a
Lucretius Lucretius
further further
Conteyning Conteyning Soberly Soberly
of of
'The 'The
Clarastella Clarastella
Le Le
Philips, Philips,
of of
of of
Edward Edward
World World
tr. tr.
very very
Motive Motive
dashes, dashes,
Philemon Philemon
learned learned
(London, (London,
Have Have
Intelligible Intelligible
For For
of of
137; 137;
Caveat Caveat
which which
a a
have have
developed developed
156-7. 156-7.
Method Method
by by
Tale Tale
Newest Newest
line line
or or
note: note:
Asterisks Asterisks
parody parody
tr. tr.
p. p. 385-6. 385-6.
Copies Copies
in in
the the
book book
(London, (London,
Heath, Heath,
a a
Books, Books,
Robert Robert
Leander Leander
1171. 1171.
Strong Strong
pp. pp.
and and
up up
Christian Christian
that that
doubt doubt
of of
one one
and and
Death Death
consequently consequently
pp. pp.
'The 'The
A A
tr. tr.
890. 890.
Katherine Katherine
Have, Have,
30. 30.
Five Five
Intelligible Intelligible
and and
no no
1656), 1656),
mock mock
jovial jovial
discovers discovers
ro53, ro53,
40, 40,
Cut Cut
and and
and and
cf. cf.
only only p. p.
Seasonable Seasonable
and and
chapter chapter
Universities Universities
Robert Robert
Morals, Morals,
marginal marginal
(1616), (1616),
713, 713,
or or
his his
Pages, Pages,
Holland Holland
that that
Theory Theory
broken broken
Swift's Swift's and
[1705?]), [1705?]),
a a
the the
and and
Hero Hero
22; 22;
Catholick Catholick
91; 91;
u52, u52,
Life Life
the the
note note
and and
pp. pp.
Historie, Historie,
The The
after after All All
the the
Ideal, Ideal,
A A
of of
considers considers
p. p.
Hiatus Hiatus
p. p.
short short
Oldest Oldest
1664), 1664),
of of
D'Urfey D'Urfey
and and
Ideal Ideal
with with
explicit explicit more
itself itself
164. 164.
by by
cf. cf.
classics: classics:
(London, (London,
and and
a a
or, or,
Religion Religion
ro45, ro45,
is is
"Text", "Text",
Manilius Manilius
the the
Good Good
Part Part
the the
elaborate elaborate
this this
375. 375.
in in
more more
Philemon Philemon
Tub Tub
66, 66,
160, 160,
(London, (London,
549, 549,
Romane Romane
Voluntary Voluntary
(1648), (1648),
(1628), (1628),
in in
A A
Called, Called, WITS WITS
sizable sizable
uo6; uo6;
a a
of of
towards towards
Parts Parts
In In
and and
1035, 1035,
tr. tr.
Deplorable Deplorable
p. p.
56, 56, dashes, dashes,
82). 82).
D'Urfey D'Urfey
'Text, 'Text,
intervenes intervenes
his his
learned learned
(London, (London,
lacuna lacuna
I, I,
of of
Romish Romish
335, 335,
the the
p. p.
those those
of of
Second Second
575, 575,
pp. pp.
Such Such
The The
World World
P. P.
156-8, 156-8,
Poem Poem
Wilrre Wilrre
good good
my my
Determined Determined
396, 396,
4. 4.
Essay Essay
of of
the the
Eight Eight
the the
the the
Edition Edition
in in
AiW. AiW.
vol. vol.
cf. cf.
Theory Theory
Here Here
a a
Commended, Commended,
K K
Tale Tale
......
162-3). 162-3).
Wilson, Wilson,
The The
be be
pp. pp.
the the
in in
of of
see see
to to
78, 78,
Historie, Historie,
129, 129,
An An
Norris. Norris.
IIO. IIO.
judiciously', judiciously',
to to
wholly wholly
nunnu!la nunnu!la
in in
some some
from from
958; 958;
the the
Philosophy: Philosophy:
Epigrammes Epigrammes
Commonlie Commonlie
that that
Paterculus Paterculus
(pp. (pp.
use use
Mrs. Mrs.
8. 8.
pp. pp.
p. p.
40, 40,
Hubert, Hubert,
(1598), (1598),
Second Second
John John
Aeneid, Aeneid,
CW]S, CW]S,
p. p.
Excellent Excellent
(Manilius, (Manilius,
up up
1704). 1704).
I, I,
I, I,
Swift's Swift's
wit wit
Charity Charity
p. p.
Unnatural Unnatural
from from
display'd display'd
pp. pp.
from from
an an
Romane Romane
Cf. Cf.
no no
confined confined
as as
is is
I, I,
Parnassus. Parnassus.
Desunt Desunt Hiatus, Hiatus,
them' them'
vol. vol.
vol. vol.
satiric satiric
from from
in in
Philosophy Philosophy Velleius Velleius
burlesque burlesque
towards towards
made made 19-20. 19-20.
Necessary Necessary
discussion, discussion,
1700) 1700)
1603), 1603),
Philosophie, Philosophie,
1701, 1701,
Weever, Weever,
Late Late
Retractive Retractive
Francis Francis
The The
Epicurean Epicurean
Dedicatorie', Dedicatorie',
or or
B1'. B1'.
Fortunes Fortunes
on on
of of
(1648), (1648),
A4'. A4'.
example example
vol. vol.
well well
A A
The The
pp. pp.
Collop,] Collop,]
receiv'd receiv'd
of of
upon upon the the
being being
what what
Philosophic, Philosophic,
understands understands
1214; 1214;
page page
as as
(where (where
wholly wholly
fuller fuller
CW]S, CW]S, Archetypally Archetypally
CW]S, CW]S,
for for
Essay Essay
John John
JI. JI.
Incomparable, Incomparable,
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in in
a a
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The The
(1667), (1667),
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For For
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Beard, Beard,
Further Further 'Epistle 'Epistle
(London, (London,
B8v B8v
(London, (London,
C£ C£
than than
there there
Titum'); Titum'); lately lately
quotation quotation Plutarch, Plutarch,
p. p.
Pardon Pardon D'Urfey's D'Urfey's
See See
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London, London,
m4, m4,
not not Problemes Problemes
See See
Books Books Naps Naps
History History
30, 30, See See the the
well well see see
written written
1632), 1632),
An An
31 31
35 35
33 33
32 32
37 37
36 36
34 34
25 25
30 30 29 29 28 28
27 27
26 26
a a
at at
of of
of of
in in
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only only
con
been been
some some
not not
to to
1694); 1694);
Fellows Fellows within within
Added, Added,
Shewed Shewed
edition edition
Auction Auction
rising rising
Thomas Thomas
109-10, 109-10,
Preface, Preface,
not not
Brethren Brethren
has has
Poligamy Poligamy
is is
Smith, Smith,
(Richard (Richard
Catalogue Catalogue
upon upon
later later
denote denote
be be with with
by by
number number
1668); 1668);
the the
Everyman's Everyman's
Stanley, Stanley,
a a
Sir Sir
Rendered Rendered
Catalogue Catalogue
pp. pp.
and and
Tub Tub
186. 186.
made made
......
to to
of of
potter, potter,
and and
Set Set
the the
Answer Answer
a a
John John
a a
by by
a a
1689), 1689),
tr. tr.
first first the
(London, (London,
be be
......
would would
of of
179, 179,
mark'd mark'd
an an
by by
7, 7, or, or,
been been
Eighteenth-Century Eighteenth-Century
to to
case case
Confessing Confessing
was was
and and
1699), 1699),
(Oxford, (Oxford,
witnesses' witnesses'
chasm; chasm;
Toronto: Toronto:
Whereunto Whereunto
Thomas Thomas
in in
Catholicism, Catholicism,
Tale Tale
......
and and
of of
164, 164,
Hills Hills ch. ch.
had had
with with
Eloquence, Eloquence,
Appear, Appear,
Catalogue Catalogue
Commentary Commentary
......
'Asterisms 'Asterisms
1687. 1687.
to to
ten ten
the the
London London
A A
Poets; Poets;
and and
2, 2,
(London, (London,
of of
which which
Raileries Raileries
lxxx; lxxx;
A A
(1710) (1710)
Concubinage Concubinage
in in
160, 160,
of of
in in
Print Print
A A
of of
discussed discussed
Town Town
College College
may may
in in
II II
Latin Latin
p. p.
blank, blank,
bk bk
n3-26. n3-26.
Society Society
Thericles Thericles
than than
(1690). (1690).
of of
is is
(London, (London,
or, or,
158, 158,
the the
As As
Phalaris Phalaris
convert convert
1691); 1691);
Colledge Colledge
left left
London London
and and
called called
and and
Height Height
pp. pp.
of of
Same Same
I I
that that
Part Part
particular, particular,
of of
uses, uses,
......
Copy; Copy;
Physicians, Physicians,
157, 157,
1652), 1652),
Out-cry Out-cry
398. 398.
Testament Testament
asterisks asterisks
fewer fewer
279-80. 279-80.
are are
largeness largeness
the the
1625-1688/9). 1625-1688/9).
Loving Loving
1685 1685
Company Company
Boyle Boyle
of of
In In
its its
the the
Billingsgate Billingsgate
p. p.
of of
Libel Libel
York, York,
of of
Greek Greek
2on), 2on),
(c. (c.
A A
156, 156,
An An
'no 'no
in in
Walsh Walsh
Balliol Balliol
the the
Bowes, Bowes,
of of
V. V.
Libel Libel
Pantagruel, Pantagruel,
New New
Appearance Appearance
Second Second
378. 378.
pages pages
use use
of of
(London, (London,
to to
or, or,
and and
volumes volumes
with with
Epistles Epistles
the the
original original
the the
213-14, 213-14,
1755). 1755).
and and
129, 129,
(New (New
Balliofergus, Balliofergus,
vol. vol.
the the
insistence insistence
the the
The The
(1616-1701). (1616-1701).
of of
Press, Press,
Charles Charles
(London, (London,
in in
and and
Colledge Colledge
of of
of of
1698). 1698).
senior senior
the the
410, 410,
Heads Heads
quotes quotes
of of
u3, u3,
Stationers' Stationers'
Lies, Lies,
Longinus Longinus
Marcus Marcus
his his
TE, TE,
whole whole
Swift's Swift's
loss loss
Candle Candle
Ajfaires Ajfaires
Esq; Esq;
Ouldman, Ouldman,
Mendacious Mendacious
the the
Scurrilous Scurrilous
of of
Flint, Flint,
together together
Kiffin Kiffin
the the
and and
408, 408,
Royal Royal
Text Text
no, no,
upon upon
Hills, Hills,
a a
Cuckolds: Cuckolds:
of of
edition edition
according according
by by
Savage, Savage,
Motteux Motteux
England, England,
a a
570, 570,
(London, (London,
H. H.
all all
of of
and and
the the
pp. pp.
xxxiv-xxxv, xxxiv-xxxv,
the the
Catalogue Catalogue
(London, (London,
40, 40,
of of
University University
Le Le
lists lists
J J
of of
quotations quotations
Gargantua Gargantua
Miscellanea, Miscellanea,
79-80). 79-80).
of of
line line
Inch Inch
upon upon
A A
Dionysius Dionysius
Honourable Honourable
of of
Villainous Villainous
193· 193·
15, 15,
pp. pp.
By By
being being
Thomas Thomas
Henry Henry
sometimes sometimes
support support
second second
hiatus; hiatus;
William William
by by
or or
Asterism, Asterism,
IV, IV,
Henry Henry
I. I.
master master
p. p.
(pp. (pp.
the the
as as
Pierre Pierre
in in
pp. pp.
an an and and
or or Contented Contented
(17n). (17n).
s.v. s.v.
but but
Grammar Grammar
multiplied multiplied
the the
s.v. s.v.
Founders Founders
Notes Notes
Christopher Christopher
Church Church
I, I,
Bentley Bentley
edition, edition,
Dissertation Dissertation
of of
JB.B.D. JB.B.D.
vol. vol.
Sold Sold
......
is is
or or
of of
1691); 1691); Ill Ill
History History
Temple's Temple's
[1685?]); [1685?]);
and and
book book
Members Members
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Catalogue Catalogue
in in
A A
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1994), 1994),
the the
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Stars' Stars'
be be
(Cambridge (Cambridge
in in
vol. vol.
lines, lines,
become become
OriginalL OriginalL
1697 1697
Hypsous}, Hypsous},
to to
of of
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instance: instance:
asterisk, asterisk,
other other
ODNB, ODNB,
ODNB, ODNB,
to to
example, example,
CW]S, CW]S,
Printer's Printer's
text. text.
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the the
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volume volume
Critical Critical
CW]S, CW]S,
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omission, omission, last last
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Library, Library,
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of of
Catologue Catologue
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Disproved Disproved
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For For
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Foundation, Foundation,
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See See
In In
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the the
Bentley, Bentley,
magistrate, magistrate,
127). 127).
Printed Printed
Swift Swift
of of
Af. Af.
A A
23 23
21 21
24 24
18 18
15 15
19 19
22 22
II II
13 13 16 16
20 20
17 17 14 14
12 12
IO IO 116 116 u8 Marcus Walsh
38 The Catholique Triumph: . . . Wherein is euidently prooued, that Poperie and the Doctrine now professed in the Romish Church, is the New Religion; And that the CHAPTER SIX Fayth which the Church of England now mayntaineth, is the ancient romane Religion (1610), p. 35. The tag is used in a more scholarly context by William Perkins, Problema de Romanae Fidei Ementitio Catholicismo (Cambridge, Epistolary forms: published correspondence, 1604), p. 5+ letter-journals and books Abigail Williams
Jonathan Swift wrote thousands of familiar letters during his lifetime, but unlike his friend and correspondent Alexander Pope, he did not engineer the publishing of his correspondence.' A discussion of Swift's letters and the printed eighteenth-century book could, then, be a short one: Swift did not publish his letters himself, and the ways in which they were issued can tell us little about his concern for his works in printed form. But an examination of Swift's letters in print has a lot to tell us about Swift's text ual afterlives, and about the role of public and private documents in a rapidly commercializing literary marketplace. In this essay I shall explore how some of the early printings of Swift's letters shaped his identity in the period immediately after his death. Different collections of letters pre sented competing versions of Swift: man of letters, jest-book joker or pol itical loyalist. These publications not only reveal the relationship between the editing of Swift and the construction of his literary afterlife, but they also illuminate contemporary understanding of the nature of private and public material. The editors and booksellers who issued his letters knew that they did so without his sanction, and their editorial justifications found for publishing what was not intended to be published are both ingenious and revealing. In negotiating the competing demands of 'curi osity' and propriety, their prefatory defences provide antecedents to mod ern debates about the role of the press and the nature of public interest.
Swift and letters as works No single collection of authorized correspondence appeared during Swift's lifetime. The one collection that Swift had any involvement in was the edition of letters between himself, Pope, Bolingbroke and Gay that appeared in 1741, Letters Between Dr. Swift, Mr. Pope, &c. From the Year r7r4 to r738 (TS 60 and 62B), largely orchestrated by Pope.' This collec tion, which Pope had been planning since the early 1730s, began to take
n9