Pandora's Box the Creation of the World Is a Problem Naturally Fitted To
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
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Please Continue on Back If Needed!
DARK HORSE DC: VERTIGO MARVEL CONT. ANGEL AMERICAN VAMPIRE DEADPOOL BPRD ASTRO CITY FANTASTIC FOUR BUFFY FABLES GHOST RIDER CONAN THE BARBARIAN FAIREST GUARDIANS OF THE GALAXY HELLBOY FBP HAWKEYE MASSIVE SANDMAN INDESTRUCTIBLE HULK "THE" STAR WARS TRILLIUM IRON MAN STAR WARS - Brian Wood Classic UNWRITTEN IRON PATRIOT STAR WARS LEGACY WAKE LOKI STAR WARS DARK TIMES IDW MAGNETO DC COMICS BLACK DYNAMITE MIGHTY AVENGERS ACTION COMICS DOCTOR WHO MIRACLEMAN ADVENTURES OF SUPERMAN G.I. JOE MOON KNIGHT ALL-STAR WESTERN G.I. JOE REAL AMERICAN HERO MS MARVEL ANIMAL MAN G.I. JOE SPECIAL MISSIONS NEW AVENGERS AQUAMAN GHOSTBUSTERS NEW WARRIORS BATGIRL GODZILLA NOVA BATMAN JUDGE DREDD ORIGIN II BATMAN / SUPERMAN MY LITTLE PONY PUNISHER BATMAN / SUPERMAN POWERPUFF GIRLS SAVAGE WOLVERINE BATMAN & ---- SAMURAI JACK SECRET AVENGERS BATMAN 66 STAR TREK SHE HULK BATMAN BEYOND UNIVERSE TEENAGE MNT CLASSICS SILVER SURFER BATMAN LIL GOTHAM TEENAGE MUTANT NINJA TURTLES SUPERIOR FOES OF SPIDERMAN BATMAN: THE DARK KNIGHT TRANSFORMERS More Than Meets Eye SUPERIOR SPIDERMAN BATWING TRANSFORMERS Regeneration One SUPERIOR SPIDERMAN TEAM-UP BATWOMAN TRANSFORMERS Robots in Disguise THOR GOD OF THUNDER BIRDS OF PREY IMAGE THUNDERBOLTS CATWOMAN ALEX & ADA UNCANNY AVENGERS CONSTANTINE BEDLAM UNCANNY X-MEN DETECTIVE COMICS BLACK SCIENCE WOLVERINE EARTH 2 BOUNCE WOLVERINE & THE X-MEN FLASH CHEW X-FORCE GREEN ARROW EAST OF WEST X-MEN GREEN LANTERN ELEPHANTMENT X-MEN LEGACY -
Phosphorus, Derived from the Greek, Bearer
MASTERCLASS ARCHETYPES OF THE MATERIA MEDICA Aurum by David Lilley Argentum Phosphorus Ferrum PHOSPHORUS – THE ELEMENT OF LUCIFER Cuprum Magnesium carbonate Phosphorus Photo: Andrew Lambert Photography/Science Photo Library Thuja Lac caninum In this series of masterclasses, I will be considering eight major remedies from a symbolic, mytho- logical and homeopathic perspec- tive to better penetrate the unique genius of each substance and reveal The Spirit of Night Light which his celebrity depended, Krafft its emotional, psychological and On a historic Saturday night, the 15 declined both requests, but could not spiritual healing power. Studying September 1677, at the home of Robert resist giving a cryptic clue to his eminent homeopathic remedies in this way Boyle in England, Johann Krafft of host: “It was,” he said, “somewhat that Dresden performed a unique experiment belonged to the body of man.” For a opens the mind and heart to the before members of the Royal Society. mind like Boyle’s, this was sufficient and mysteries of life and the cosmos and He demonstrated the luminescence and in 1680 he produced a scientific paper imprints the healing images at the spontaneous combustion of a remark- on the isolation of the glowing material, deepest level. The use of the words able “new” element, which had been which he called aerial nocticula: “the he or she in these articles refers first prepared in 1669, from the residue spirit of night light”. to the male or female principles of evaporated urine, by an alchemist, Henning Brand of Hamburg. The light-bearer present in all of us and is not rel- At the time, Boyle, himself a back- It became known as Phosphorus, derived ated to gender. -
Helen and Pandora: a Comparative Study with Emphasis on the Eidolon Theme As a Concept of Eris
SOTEROULA CONSTANTINIDOU HELEN AND PANDORA: A COMPARATIVE STUDY WITH EMPHASIS ON THE EIDOLON THEME AS A CONCEPT OF ERIS "In a small-scale society myth tends to be viewed as the encoding of that society’s concept of truth; at the same time, from the viewpoint of We stern civilization, myth has become the opposite of fact, the antithesis of truth” (Gregory Nagy, Foreword to R.P. Martin, The Language of Heroes. Speech and Performance in the Iliad, Ithaca and London 1989, ix) *. This work is a comparative study of the myths of Helen and Pan dora* 1 with emphasis on the eidolon theme as a concept of eris and on the interaction between mytkos and logos. My aim is to read this theme in a different perspective, i.e. as a device of strife; as such, the eidolon- eris concept is personified in Helen’s heroic figure and gives heioic saga a stimulating version about the Cause of the Trojan War! More over, the idea of the association of Helen and Pandora is put forward here, as both figures acquired the mythical details of an image, of a phantom, although each one with essential discrepancies: for example, Pandora’s existence was confined to that of a phantom, a false creation rather than a human being, from the very beginning, whereas Helen’s ccanti-myth” makes her trespass from the world of the real to that of the eidola, of the imitation of the real. Thus, the two mythologi ♦ I wish to thank Professors Deborah Boedeker and Kurt Raaflaub for their useful comments on a much earlier and brief version of this work presented at the Center for Hellenic Studies in Washington D.C., in the summer of 1999. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Pandora and the Decorative Program of the Parthenon
Pandora and the Decorative Program of the Parthenon The inclusion of the image of Pandora on the base of the statue of Athena Parthenos has puzzled scholars for generations: why this “sinner” in the triumphalistic shrine to Athens’ victory over the Persians? Is she the disobedient “anti-Athena”? A warning to the women of Athens? In fact, considering some possible reasons for the Pandora may shed a more nuanced light on the entire decorative scheme of the Parthenon. In this paper I would like to propose that Pandora – gift of the gods, the first wife, and mother of the human race-- represents civilization, the polis, conceived in the same feminized language as the entire Parthenon schema. It is fitting that the temple of Athena the Virgin expresses a civic and even militaristic message through the language of the female body, since Athena herself expresses the glory of war in the service of the polis in her feminine person. Pandora must be seen in the context of the entire Parthenon decorative program, which intertwines several themes that may be summarized here: • Gift; • Birth; • Civilization or civic spirit, frequently envisioned in terms of the female body; • Victory; • Gift of the peplos to Athena at the Panathenaia; With these images in view, one enters the naos and confronts the statue of Athena Parthenos, adding the following themes: • Virgin; • Victory; • Civilization/civic spirit, again envisioned in terms of the female body. Into this visual context is set the Pandora frieze that adorns the base of Athena’s statue. The virgin Pandora is a subordinating gift on the part of the gods, a condign punishment, in fact, for man’s “attack” on the hegemony of the gods, not so different from that of the giants (Hes. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
Tine Statue of Athena in the Parthenon
REMARKS UPON THE COLOSSALCHRYSELEPHAN- TINE STATUE OF ATHENA IN THE PARTHENON INTRODUCTION IT is not to be expectedthat even fragmentsof the gold and ivory colossal statue of Athena in the Parthenon should have survived the ravages of time. However, a good deal is known about the statue from small copies in the round and from coins, plaques, gems and the like; also, the famous statue is mentioned by ancient writers, sometimes at considerable length. Consequently we have a fairly good idea of her appearance. And when we come to consider the pedestal on which the statue stood, we find that there are data which can be studied to advantage. Obviously the importance of the statue called for a carefully designed pedestal. Thus it is desirable that all existing data concerning the pedestal be recorded. Let us, then, make a few remarks not only about the colossal statue, but also about the pedestal on which the statue stood. I ATHENA PARTHENOS, THE CLIMAX OF THE PANATHENEA Figure 1 shows the position of the colossal statue (often referred to as the Parthenos) in the east cella of the temple. The blocks which give the position of the statue are toward the west end of the nave and on the axis of the temple. They are poros blocks of the type used for foundations. They are flush with the marble pave- ment of the nave, and they are in situ. The poros blocks, thirty in number, cover an area so extensive that they at once tell us that the statue which stood above them was of colossal size (Figs. -
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling.