Action Toolkit Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Action Toolkit Table of Contents BreakthroughU: Action Toolkit Table of ConTenTs Introduction ......................................................................................................................3 Glossary ............................................................................................................................4 Characters ........................................................................................................................6 Sites of Culture The Home ...................................................................................................................8 The Locker Room ..................................................................................................... 11 The Hallway ..............................................................................................................14 The Bathroom ..........................................................................................................17 The Counseling Center ............................................................................................20 Concept Briefs Intersectionality .......................................................................................................23 Gender Norms and Violence ...................................................................................25 Culture Change ........................................................................................................28 Puppets, Media, & Culture (or, why puppets?)............................................................32 Resources .......................................................................................................................34 2 InTroduCTIon What is BreakthroughU? BreakthroughU follows four college students, Sam, Norma, Norm, and Oscar, as they navigate their lives, identities, relationships, and activities on campus. A three-part narrative video series, BreakthroughU uses puppets to explore intersectionality, gender norms, and culture change. These concepts are central to Breakthrough’s mission and theory of change. By unpacking these broad, theoretical concepts using relatable themes, the series empowers its audience to take action to change the culture of violence in their communities. In addition to bringing the concepts of intersectionality, gender norms, and culture change to life within the specifc campus environment at BreakthroughU, the videos explore instances of gender based discrimination and violence as they commonly occur in college life. By playing out these scenarios involving Norm, Norma, Sam, and Oscar, the videos address a range of issues, including intimate partner violence (in heterosexual and LGBTQ couples); non-consensual image sharing; sexual harassment; discrimination against gender nonconforming and transgender people; hypermasculinity; and gender policing. These videos connect the dots between the culture we learn, practice, and create; gender norms; and the individual and collective power we all have to challenge and transform culture and create change in our communities. Why a toolkit? We created this toolkit for YOU. It’s a guide for students, facilitators, organizations, and partners with ways you can use the BreakthroughU video series to navigate complex conversations around gender norms, intersectionality, and culture change. This toolkit supplements the narrative and characters from the videos by offering discussion questions, interactive activities with simple instructions for facilitators of all levels, and a menu of actions to create change in your communities. The toolkit is organized into sections that correspond to common locations on college campuses in order to encourage students and facilitators to break down the silos separating issue areas, and instead look holistically at the way our culture supports and enables all forms of gender- based violence. You’ll also fnd a glossary of terms and a list of resources Breakthrough offers to support you in your next steps. These include an action hotline to support your activism, a digital storytelling platform (THE G WORD), and a curated action center on our website. For those looking for an in-depth analysis of Breakthrough’s perspective on intersectionality, gender norms, and culture change, this toolkit also includes comprehensive essays on these subjects. Please do let us know how you’re using this toolkit to enact change and spark powerful conversations in your community by emailing us at [email protected] or contacting us on Twitter at @BreakthroughUS. What is Breakthrough? Breakthrough is a global human rights organization that uses media, art, and technology along with community mobilization and leadership development to make gender-based violence unacceptable. We invest in young people’s capacity to create iconic, disruptive change to the cultures, language, attitudes, and everyday actions that perpetuate gender-based violence in college life. We view students as experts, and work with them to identify and design challenges to the norms and practices considered most harmful in a given campus culture. Breakthrough’s methodology works by shifting individual hearts and minds, and emboldening people to transform norms and practices in their homes, communities, and the institutions to which they belong. Breakthrough uses culture to change culture in order to end gender-based discrimination and violence. 3 Glossary In this toolkit, we use quite a few terms related to gender that we would like to go over now, so we can all be oriented from the same understanding. This is not an exhaustive list of terms, so feel free to add to them as you lead your own workshops or discussions. Biological Sex Think the “sex of the person” assigned at birth. A medical term designating a certain combination of gonads, chromosomes, external gender organs, secondary sex characteristics and hormonal balances. Common terms are “male,” “female” and “intersex.” [Source] Culture Culture is the set of distinctive spiritual, material, intellectual, and emotional features of a society. It’s lifestyles, value systems, beliefs, and practices. It’s the narrative we’re immersed in every day. It’s how we make sense of the world. It’s our stories, our humor, our collective experiences, and understanding of our world. And none of us inhabits just one culture: you might swim in a tasty soup of your religious culture, your urban/suburban/rural culture, your school or workplace culture, your country’s culture, and the culture(s) of your hobbies and interests: cooking, cricket, Comic Con. But culture is not static. We don’t just passively consume it. We create it. So we also have the power to change it. Culture drives the way we treat each other: what’s “normal,” what’s acceptable. And sometimes we need to change that. And when we do, we can build homes, families, communities, and institutions where dignity, equality, and justice—the core values of human rights—carry the day. We can begin in our own spheres. That’s why, and how, human rights start with you. [Source] You can learn more about how we all can change culture in our essay on page 28. Gender Gender refers to the attitudes, feelings, and behaviors that a given culture associates with a person’s biological sex. Behavior that is compatible with cultural expectations is referred to as gender-normative; behaviors that are viewed as incompatible with these expectations constitute gender non- conformity. [Source] Genderfuid Genderfuid is an umbrella term for transsexuals, cross-dressers (transvestites), transgenderists, genderqueers, and people who identify as neither female nor male and/or as neither a man or as a woman. Genderqueer Genderqueer refers to a person whose gender identity is neither man nor woman, is between or beyond genders, or is some combination of genders. This identity is usually related to or in reaction to the social construction of gender, gender stereotypes and the gender binary system. Some genderqueer people identify under the transgender umbrella while others do not. [Source] Gender Expression Simply put, gender expression is the way in which a person expresses their gender identity through clothing, behavior, posture, mannerisms, speech patterns, activities and more. This can 4 change over time – day by day and even hour by hour. These gender expressions sometimes have descriptive names like “femme” or “masculine” or “soft butch” to correspond with how they are perceived and distinguished socially and culturally. Gender Identity An individual’s internal sense of gender, which may or may not be the same as one’s gender assigned at birth. Some gender identities are “woman,” “transman,” and “agender,” but there are many more. Since gender identity is internal, it isn’t necessarily visible to others. Additionally, gender identity is often confated with sex, but they are separate concepts. [Source] Gender Norms Gender Norms refer to social attitudes about what behaviors, preferences, products, professions, or knowledge are appropriate for women and men. Gender norms draw upon and reinforce gender stereotypes, which are widely held, idealized beliefs about women and men, femininities and masculinities. Gender norms and behaviors are produced through social institutions (such as families, schools, workplaces, laboratories, universities, or boardrooms) and wider cultural products (such as textbooks, literature, flm, and video games). [Source] To learn more about gender norms and how they affect our culture, check out our essay on page 25. Intersectionality
Recommended publications
  • Voting for Love & Justice
    VOTING FOR LOVE & JUSTICE WITH WONDER WOMAN FORWARD BY LYNDA CARTER Forty-five years ago, I was asked to bring one of my childhood heroes to life on screen. As a little girl growing up in Phoenix, Arizona, I would flip through the pages of Wonder Woman comics and find myself immersed in Diana Prince’s extraordinary adventures. For women and girls of my generation, Diana Prince was THE media representation we had in the world of fantasy and comics. It’s now hard to imagine a world without Dana Scully, Hermione Granger, or Princess Shuri, yet even in 1975, studio executives had little faith that a Wonder Woman TV show would attract an audience. Of course, they were proven wrong! I have been asked many times over the years why I think the character of Wonder Woman is such an enduring icon. While her superhuman strength, agility, and lasso of truth come to mind, I believe that the wisdom and humanity behind the character is why she will remain beloved for the ages. Diana Prince is an Amazonian princess, but in my portrayal I focused on everything that connected her to humanity. Diana’s love and empathy for the people around her empowers her to fight for love and justice at every turn. With kindness, she sets examples that change minds and hearts when you least expect it. Diana also brings intellect and wisdom to the table, reminding us that there’s nothing you can’t do with both a kind heart and a brilliant mind. Throughout her story, she is more than just a superhero in satin tights: she is everything from a devoted civil servant to a savvy businesswoman.
    [Show full text]
  • Program Book, As Appropriate
    GRIGNI Table of Contents From the Con Chair ........................................................ 1 Convention Staff ......................................................... 2 Harassment Policy ................................................. 2 Rules of the Convention ...................................................... 3 Photography Policy ....................................................... 4 Statement on Inclusion ............................................ 4 Hawaiian Shirt Friday (in Memorium) ............................. 4 Featured Guests ............................................................ 5 Guests’ Bios ................................................................. 6 Map of the Con Site .................................................... 20 Event Descriptions Friday .......................................................... 22 Saturday ......................................................... 28 Sunday ........................................................... 35 Dealer Room Hours & Exhibitor List ......................... 40 Signings Schedule .................................................. 40 From the Con Chair Welcome to ConGregate 5! First thing I want to do is thank everyone who came together to make this convention work; and by that I mean volunteers, dealers, guests, hotel staff… everyone! Next I’d like to call out one of the newest features we have at ConGregate this year… the ConGregate Cantina. The Kittinger Ballroom has been converted into a coffee shop, of sorts. In that room, you will find
    [Show full text]
  • Congregate 1 Program Book
    Table of Contents Convention Staff ......................................................... 2 Harassment Policy ................................................. 2 Rules of the Convention .............................................. 3 Photography Policy ....................................................... 3 Featured Guests ............................................................ 4 Guests Bios ................................................................. 5 Map of the Con Site .................................................... 20 Event Descriptions Friday .......................................................... 22 Saturday ......................................................... 24 Sunday ........................................................... 30 Masquerade Rules (Costume Contest) ................... 29 Auction Procedures ................................................... 31 Book Readings and Signings Schedule ............................. 36 From the Con Chair Wow! What a wild ride the last 28 months have been. We stand here at the culmination of the efforts of a lot of people… a whole lot of people. It all started with an exploratory gathering a friends in March of 2012, to see if we thought we could pull off running a relaxacon, and ended with the launching of a brand new, full blown SF convention. Along the way, our journey included the discovery that no hotel in the area would offer a small relaxacon terms that we could meet and also the discovery that the fans, dealers, pros and even other con runners had the
    [Show full text]
  • The Case of Harry Potter
    Reimagining Religion in a Contemporary Context: The Case of Harry Potter Natania Bloch Program in Jewish Studies November 3, 2020 Thesis Advisor: Elias Sacks, Program in Jewish Studies & Department of Religious Studies Honors Council Representative: Samuel Boyd, Program in Jewish Studies & Department of Religious Studies Committee Members: Susan Kent, Department of History Samira Mehta, Program in Jewish Studies & Department of Women and Gender Studies “After all, to the well-organized mind, death is but the next great adventure.” -Albus Dumbledore For Athena-- Thank you for lighting my divine spark. זיכרונו לברכה 1 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................................................. 3 PREFACE ......................................................................................................................................................................... 4 INTRODUCTION .............................................................................................................................................................. 5 CHAPTER ONE: A JEWISH PERSPECTIVE ON RELIGION ................................................................................................. 10 INTRODUCTION......................................................................................................................................................... 10 JUDITH PLASKOW ....................................................................................................................................................
    [Show full text]
  • The Contradictory Communities of Wizard Rock
    Identity, Rhetoric and Behavior: The Contradictory Communities of Wizard Rock by Kelli Rohlman, B.M. A Thesis In MUSICOLOGY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Approved Dr. Christopher J. Smith Chair Professor Angela Mariani Dr. Thomas Cimarusti Ralph Ferguson Dean of the Graduate School December, 2010 Copyright 2010, Kelli Rohlman Texas Tech University, Kelli Rohlman, December 2010 ACKNOWLEDGMENTS In the December 2003 issue of O Magazine, American critic and writer Bell Hooks said “Life-transforming ideas have always come to me through books.” The Harry Potter book series is one that many would claim has changed their lives in one way or another, and I am no exception. I would first like to thank, with the utmost respect and admiration, author J.K. Rowling for her literature that has inspired such a flourishing, creative, and beautiful community of fans. I would then like to register my complete gratitude to each of my informants; without their cooperation, generosity, and eagerness to share their incredible talents and expertise, this thesis would not have been possible. I would like to thank the hundreds of “wizards” that I have met or communicated with along my journey for their undying enthusiasm. I would also like to thank, specifically, Dinah Russell of the Wizrocklopedia.com for her assistance in general community support for my research. Thank you to Melissa Anelli of The Leaky Cauldron website and Pottercast for her accessibility and for answering all of my questions about Harry, A History on multiple occasions.
    [Show full text]
  • The Feminist Side of the Force: Women Negotiating Feminism and Star Wars / Doctor Who Fandoms
    The Feminist Side of The Force: Women Negotiating Feminism and Star Wars / Doctor Who Fandoms A thesis submitted to the University of Manchester for the degree of Doctor in Philosophy in the Faculty of Humanities, School of Social Sciences 2019 Neta Yodovich Department of Sociology List of Contents Abstract ..................................................................................................................................... 5 Declaration ................................................................................................................................ 6 Copyright Statement ................................................................................................................. 7 Acknowledgments ..................................................................................................................... 8 Chapter 1: Introduction ............................................................................................................. 9 1. Introducing the Field ..................................................................................................... 12 2. Research Motivations .................................................................................................... 14 3. Research Questions and Method ................................................................................... 15 4. Thesis Outline ............................................................................................................... 17 Chapter 2: Literature Review .................................................................................................
    [Show full text]
  • Invisible City: Covid-19'S Unseen Spaces
    FREE. WEEKLY. VOLUME 75—ISSUE 24—APRIL 1, 2021 INVISIBLE CITY: COVID-19’S UNSEEN SPACES, PHYSICAL & VIRTUAL UNIVERSITY OF WINNIPEG AND DOWNTOWN COMMUNITY NEWSPAPER ON THE COVER The cover of this year’s Urban Issue was illustrated by Austin Boulton. Read more on page 6. INVISIBLE WINNIPEG THOMAS PASHKO THOMASPASHKO MANAGING EDITOR Another publishing year is coming to an end. This issue of The Uniter is our final weekly publication of the 2020-21 aca- demic year. For the past 13 years, this final issue has been dubbed “The Urban Issue,” a themed edition of the paper exploring af- fairs concerning people across Winnipeg, centred around a particular topic. This year is no different, and our theme is “Invisible Winnipeg.” It’s an oppor- tunity for our staff to take a look at the unseen spaces, both physical and virtual, that Winnipeggers have had to consider during the COVID-19 pandemic. Physical spaces have been dramati- cally impacted by the pandemic. Many, like restaurants, venues and places of worship, have spent the past year in total or near-total emptiness, depend- ing on the regulations and capacity restrictions of the moment. Others, like public transit, have become fraught with tension over masks, physical distancing measures and the very real dangers of exposure and infection. Virtual spaces, on the other hand, have had to fill that void while Winni- peggers stay home. Online forums have become the venues not just for certain jobs, religious services and arts orga- nizations, but also for social and leisure activities like gaming, streaming and other fandoms.
    [Show full text]
  • Community and Gift Economy in Harry Potter Fanfiction
    Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Theses, Dissertations, and Other Capstone Theses, Dissertations, and Other Capstone Projects Projects 2020 Comments, Gifts and Kudos: Community and Gift Economy in Harry Potter Fanfiction Deanna Almquist Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Social and Cultural Anthropology Commons Recommended Citation Almquist, D. (2020). Comments, gifts and kudos: Community and gift economy in Harry Potter fanfiction [Master's thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/963/ This Thesis is brought to you for free and open access by the Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. COMMENTS, GIFTS AND KUDOS: COMMUNITY AND GIFT ECONOMY IN HARRY POTTER FANFICTION By Deanna Almquist A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science In Applied Anthropology Minnesota State University, Mankato Mankato, Minnesota May 2020 i November 4, 2019 Comments, Gifts and Kudos: Community and Gift Economy in Harry Potter Fanfiction Deanna Almquist This thesis has been examined and approved by the following members of the student’s committee. Dr. Rhonda Dass___________________ Advisor Dr. Susan Schalge__________________ Committee Member Dr.
    [Show full text]
  • “Harry – Yer a Wizard” Exploring J
    Wissenschaftliche Beiträge aus dem Tectum Verlag Reihe Anglistik Wissenschaftliche Beiträge aus dem Tectum Verlag Reihe Anglistik Band 6 Marion Gymnich | Hanne Birk | Denise Burkhard (Eds.) “Harry – yer a wizard” Exploring J. K. Rowling’s Harry Potter Universe Tectum Verlag Marion Gymnich, Hanne Birk and Denise Burkhard (Eds.) “Harry – yer a wizard” Exploring J. K. Rowling’s Harry Potter Universe Wissenschaftliche Beiträge aus demT ectum Verlag, Reihe: Anglistik; Bd. 6 © Tectum Verlag – ein Verlag in der Nomos Verlagsgesellschaft, Baden-Baden 2017 ISBN: 978-3-8288-6751-2 (Dieser Titel ist zugleich als gedrucktes Werk unter der ISBN 978-3-8288-4035-5 und als ePub unter der ISBN 978-3-8288-6752-9 im Tectum Verlag erschienen.) ISSN: 1861-6859 Umschlaggestaltung: Tectum Verlag, unter Verwendung zweier Fotografien von Schleiereule Merlin und Janna Weinsch, aufgenommen in der Falknerei Pierre Schmidt (Erftstadt/Gymnicher Mühle) | © Denise Burkhard Informationen zum Verlagsprogramm finden Sie unter www.tectum-verlag.de Bibliografische Informationen der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available online at http://dnb.ddb.de. Contents Hanne Birk, Denise Burkhard and Marion Gymnich ‘Happy Birthday, Harry!’: Celebrating the Success of the Harry Potter Phenomenon ........ 7 Marion Gymnich and Klaus Scheunemann The ‘Harry Potter Phenomenon’: Forms of World Building in the Novels, the Translations, the Film Series and the Fandom ................................................................. 11 Part I: The Harry Potter Series and its Sources Laura Hartmann The Black Dog and the Boggart: Fantastic Beasts in Joanne K.
    [Show full text]
  • An Ethnography of Harry Potter Fans
    UNIVERSITY OF CALGARY Trust, Friendship and Hogwarts Houses: An Ethnography of Harry Potter Fans by Heather Victoria Dunphy A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ANTHROPOLOGY CALGARY, ALBERTA September 2011 © Heather Victoria Dunphy 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre refdrence ISBN: 978-0-494-81404-8 Our file Notre r6f6rence ISBN: 978-0-494-81404-8 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Voting for Love & Justice
    VOTING FOR LOVE & JUSTICE WITH WONDER WOMAN FORWARD BY LYNDA CARTER Forty-five years ago, I was asked to bring one of my childhood heroes to life on screen. As a little girl growing up in Phoenix, Arizona, I would flip through the pages of Wonder Woman comics and find myself immersed in Diana Prince’s extraordinary adventures. For women and girls of my generation, Diana Prince was THE media representation we had in the world of fantasy and comics. It’s now hard to imagine a world without Dana Scully, Hermione Granger, or Princess Shuri, yet even in 1975, studio executives had little faith that a Wonder Woman TV show would attract an audience. Of course, they were proven wrong! I have been asked many times over the years why I think the character of Wonder Woman is such an enduring icon. While her superhuman strength, agility, and lasso of truth come to mind, I believe that the wisdom and humanity behind the character is why she will remain beloved for the ages. Diana Prince is an Amazonian princess, but in my portrayal I focused on everything that connected her to humanity. Diana’s love and empathy for the people around her empowers her to fight for love and justice at every turn. With kindness, she sets examples that change minds and hearts when you least expect it. Diana also brings intellect and wisdom to the table, reminding us that there’s nothing you can’t do with both a kind heart and a brilliant mind. Throughout her story, she is more than just a superhero in satin tights: she is everything from a devoted civil servant to a savvy businesswoman.
    [Show full text]
  • File 770 #140
    1 2 --------------------------- I America or surface mail rates overseas. 140 Air printed matter rate is $2.50. File 770:140 is Telephone: (626) 305-1004. edited by Mike Glyer E-Mail: [email protected] at 705 Valley View Art Credits Ave., Monrovia CA Tarai: Cover, Back Cover 91016. File 770 is Alan White: 4, 12 available for news, Bill Rotsler: 2, 8, 25, 26 artwork, arranged Kurt Erichsen: 16, 24, 31 trades, or by Teddy Harvia: subscription. Grant Canfield: Subscriptions cost $8 Keith Stokes: (photos) 3, 10, 11 for 5 issues, $15 for Sue Mason: 10 issues, mailed first Julia Morgan-Scott: 6, 9 class in North Vince Docherty: (photos) 15 gradually work their way as many first place votes as the nearest compe­ along the shore. Paddling tition. Some writers were outraged that a non- energetically, they leave a sf book won, referring to the result as “Harry surprisingly large wake and Potter and the Hugo of Shame.” Although the collectively look like a Hugo rules allow the award to be given to fleet of landing craft ap­ works of sf or fantasy, one can understand proaching the beach. how this could be forgotten, since fantasy as The domestic geese practiced by Tolkien, Lovecraft, Moorcock, Editorial Notes by Mike Glyer swim in shallow water and pick at the bottom etc. has never won before. Other writers, and The Hills Are Alive With The Sound of Fa- like the rest, until someone walks onto the fans too, were upset that someone who doesn’t nac: This fanzine is coming to you from the landing behind our home.
    [Show full text]