Social Norms (1): Norms and Deviance
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Contemporary Social Theory
CONTEMPORARY SOCIAL THEORY General Editor: ANTHONY GIDDENS This series aims to create a forum for debate between different theoretical and philosophical traditions in the social sciences. As well as covering broad schools of thought, the series will also concentrate upon the work of particular thinkers whose ideas have had a major impact on social science (these books appear under the sub-series title of 'Theoretical Traditions in the Social Sciences'). The series is not limited to abstract theoretical discussion - it will also include more substantive works on contemporary capitalism, the state, politics and other subject areas. Published titles Tony Bilton, Kevin Bonnett, Philip Jones, Ken Sheard, Michelle Stanworth and Andrew Webster, Introductory Sociology Simon Clarke, Marx, Marginalism and Modern Sociology Emile Durkheim, The Division of Labour in Society (trans. W. D. Halls) Emile Durkheim, The Rules of Sociological Method (ed. Steven Lukes, trans. W. D. Halls) Boris Frankel, Beyond the State? Anthony Giddens, A Contemporary Critique of Historical Materialism Anthony Giddens, Central Problems in Social Theory Anthony Giddens, Profiles and Critiques in Social Theory Anthony Giddens and David Held (eds), Classes, Power and Conflict: Classical and Contemporary Debates Geoffrey Ingham, Capitalism Divided? Terry Johnson, Christopher Dandeker and Clive Ashworth, The Structure of Social Theory Douglas Kellner, Herbert Marcuse and the Crisis of Marxism Jorge Larrain, Marxism and Ideology Ali Rattansi, Marx and the Division of Labour Gerry -
Dramaturgy Handbook
Marat/Sade Emerson Stage 2007-08 Photo Brendan Koons DRAMATURGY STUDENT HANDBOOK Compiled by Magda Romanska, Ph.D. Head of Theatre Studies and Dramaturgy Advisor Emerson College Department of Performing Arts 120 Boylston St Boston, MA 02116 [email protected] 2 TTAABBLLEE OOFF CCOONNTTEENNTTSS WHAT IS DRAMATURGY? ........................................................................... 4 DRAMATURGY AND THE LIBERAL ARTS ............................................... 6 INSTITUTIONAL DRAMATURGY .............................................................. 7 PRODUCTION DRAMATURGY ................................................................. 9 AMERICAN VS. EUROPEAN DRAMATURGY ........................................ 13 DRAMATURGY PORTFOLIO .................................................................... 14 RECOMMENDATION LETTERS ............................................................... 15 DRAMATURGY CAREER RESOURCES ............................................... 17 INTERNSHIPS ......................................................................................... 17 GRADUATE PROGRAMS - M.F.A. /Ph.D. ............................................... 24 JOURNALS ......................................................................................................28 CONFERENCES & ORGANIZATIONS .................................................... 49 OTHER CAREER RESOURCES ............................................................. 53 DRAMATURGY BEYOND THEATRE DRAMATURGY FOR FILM SCRIPTS..................................................... -
Symbolic Interactionism Mark V
English Technical Reports and White Papers English 2015 Symbolic Interactionism Mark V. Redmond Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/engl_reports Part of the Interpersonal and Small Group Communication Commons Recommended Citation Redmond, Mark V., "Symbolic Interactionism" (2015). English Technical Reports and White Papers. 4. http://lib.dr.iastate.edu/engl_reports/4 This Book Chapter is brought to you for free and open access by the English at Iowa State University Digital Repository. It has been accepted for inclusion in English Technical Reports and White Papers by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Symbolic Interactionism Communication Context Interpersonal, Small Group, Cultural. Questions It Addresses in Our Every Day Lives: 1. How our interactions with others affect our sense of self. 2. The importance of symbols/language to society. 3. Where our mind and humanness comes from. Theory in a Nutshell ● We acquire symbols from interactions with society/other people. ● Acquiring symbols allows us to develop a sense of self and a mind (we think by way of symbols). ● Societies exist because people are able to interact with each another through symbols. Visualization of Symbolic Interaction Theory Mind Symbol Self Society “Symbols include words and many objects, and almost all acts around others contain a symbolic element. Words are the most important symbols, making human thinking possible.” Joel M. Charon (2007, p. 58). Introduction and Overview Let’s start with a simple definition of what a symbol is. A symbol is a stimuli that is abstract and arbitrary to which meaning is applied. -
Chapter 2: Understanding Theory
UNDERSTANDING THEORY Kathleen S. Lowney We all have perspectives or ways of seeing the world, but few of us are aware of alternative points of view. © iStockphoto.com/Simondistribute Dannhauer or CHAPTER 2 CHAPTER post, copy, not Do Copyright ©2021 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. LEARNING QUESTIONS because of social solidarity, or the moral order of society. Why and how do sociologists use Families, religion, education, and other institutions teach 2.1 theoretical perspectives? individuals to help society function smoothly. 2.2 What is structural functionalism? CONSIDER THIS 2.3 What is a conflict perspective? Do you believe anyone can “make it” in society if they 2.4 What is symbolic interaction? just work hard enough? Or do you think some have more advantages than others? How have your life How do structural functionalism, conflict perspectives, and symbolic interaction work experiences influenced the “glasses” you use to see 2.5 together to help us get a more complete the world? view of reality? Durkheim and Types of Societies Émile Durkheim, writing in the early 1900s, examined What Is Theory? social solidarity throughout history. In smaller, preindus- trial societies, social solidarity derived from the similarity 2.1 Why and how do sociologists use of its members, what Durkheim referred to as mechanical theoretical perspectives? solidarity. Most diddistribute similar types of labor (working the land) and had similar beliefs (based on religion). Children often will try on another person’s glasses. -
Centennial Bibliography on the History of American Sociology
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 2005 Centennial Bibliography On The iH story Of American Sociology Michael R. Hill [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Hill, Michael R., "Centennial Bibliography On The iH story Of American Sociology" (2005). Sociology Department, Faculty Publications. 348. http://digitalcommons.unl.edu/sociologyfacpub/348 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Hill, Michael R., (Compiler). 2005. Centennial Bibliography of the History of American Sociology. Washington, DC: American Sociological Association. CENTENNIAL BIBLIOGRAPHY ON THE HISTORY OF AMERICAN SOCIOLOGY Compiled by MICHAEL R. HILL Editor, Sociological Origins In consultation with the Centennial Bibliography Committee of the American Sociological Association Section on the History of Sociology: Brian P. Conway, Michael R. Hill (co-chair), Susan Hoecker-Drysdale (ex-officio), Jack Nusan Porter (co-chair), Pamela A. Roby, Kathleen Slobin, and Roberta Spalter-Roth. © 2005 American Sociological Association Washington, DC TABLE OF CONTENTS Note: Each part is separately paginated, with the number of pages in each part as indicated below in square brackets. The total page count for the entire file is 224 pages. To navigate within the document, please use navigation arrows and the Bookmark feature provided by Adobe Acrobat Reader.® Users may search this document by utilizing the “Find” command (typically located under the “Edit” tab on the Adobe Acrobat toolbar). -
Levine Georgetown 0076M 12
ERVING GOFFMAN AND YOU A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Sara Levine, B.A. Washington, DC April 1, 2014 Copyright 2014 by Sara Levine All Rights Reserved ii ERVING GOFFMAN AND YOU Sara Levine, B.A. Thesis Advisor: Wayne H. Osborn, Doctor of Philosophy. ABSTRACT Erving Goffman and You is an animated web series that explores the main tenets of sociologist Erving Goffman’s The Presentation of Self in Everyday Life. Goffman is best known for using theatrical terminology to analyze mundane interactions. Goffman explained his theories with anecdotal examples, but his anecdotes are not as relatable as they were when the book was published. Erving Goffman and You reboots Goffman’s concepts through six modern day examples. The web series relies on a knowledge base that includes both Goffman’s work and the work of Goffmanian scholars. The combination of updated examples and visually engaging content provides a fresh take on dramaturgical analysis for newcomers and fans of Goffman alike. iii Table Of Contents 1. Introduction .................................................................................................................. 1 2. The Presentation of Self in Everyday Life ................................................................... 2 2.1 Dramaturgical Analysis ............................................................................................ -
Alec Campbell [email protected] Office Hours M 8-9 AM and by Apt Office A242
Introduction to Sociology SOC 101 | Fall 2015 C164 | TTh 12:30-2:40pm Alec Campbell [email protected] Office Hours M 8-9 AM and by apt Office A242 Course Outcomes: After completing this class, students should be able to: Critically examine the social landscape in which you live and how life experiences differ according to race, class, gender and sexuality. Identify the ways in which cultural and social institutions shape the everyday experiences of individuals, groups and communities. Describe fundamental sociological concepts, and theories, and apply them to real-life situations. Texts There is no textbook for this class and no books to purchase. All class resources can be accessed through canvas or will be provided by the professor. Policies Student Attendance: Attendance is essential to your success in this course. I will take attendance every day and you will receive 10 points if you are in class on time and 5 points if you arrive late. There are 22 class meetings and a maximum of 200 attendance points so it is possible to miss two classes and still receive full credit for attendance. I will make accommodations for college sanctioned events (athletic contests, artistic performances, conferences) provided that you inform me of your anticipated absence in a timely fashion. An example of timely notification can be found in the tentative schedule. I will be attending a college sanctioned conference on November 5th and class is cancelled on that day. In any case, you will be responsible for material covered in your absence and for turning in any work due on the day of your absence. -
Sociology and Poetry: an Introduction Michael R
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 2006 Sociology and Poetry: An Introduction Michael R. Hill University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Hill, Michael R., "Sociology and Poetry: An Introduction" (2006). Sociology Department, Faculty Publications. 356. http://digitalcommons.unl.edu/sociologyfacpub/356 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Hill, Michael R. 2006. “Sociology and Poetry: An Introduction.” Sociological Origins 4 (Spring): 66-68. THE SOCIOLOGY OF POETRY: A SYMPOSIUM Sociology and Poetry: An Introduction 1 Michael R. Hill OETRY IS A SOCIOLOGICAL REALITY. It has an institutional location within society, plays an important part in everyday social interaction, and promises very real results as a site Pfor conceiving and explicating alternative social constellations. Simultaneously, poetry is sometimes difficult to grasp by those of decidedly a prosaic bent, and this includes too many sociologists. As poetry shapes — and is in turn shaped by — the active -
Resituating Erving Goffman: from Stigma Power to Black Power
Resituating Erving Goffman: From Stigma Power to Black Power Abstract This paper offers a critical re-reading of the understanding of stigma forged by the North American sociologist Erving Goffman in his influential Stigma: Notes on the Management of a Spoiled Identity (1963). One of the most widely read and cited sociologists in history, Goffman was already famous when Stigma was published in 1963. His previous books were best-sellers and Stigma alone has sold an astonishing 800,000 copies in the fifty years since its publication. Given its considerable influence, it is surprising how little sustained engagement there has been with the historicity of Goffman’s account. This paper resituates Goffman’s conceptualisation of stigma within the historical context of Jim Crow and the Black freedom struggles that were shaking “the social interaction order” to its foundations at the very moment he crafted his account. It is the contention of this paper that these explosive political movements against the ‘humiliations of racial discrimination’ invite revision of Goffman’s decidedly apolitical account of stigma (Robinson, 2000, p. 318). This historical revision of Goffman’s stigma concept builds on an existing body of critical work on ‘the relationship between race, segregation and the epistemology of sociology within the United States’ (Bhambra, 2014). Throughout, it reads Goffman’s Stigma through the lens of “Black Sociology”, a field of knowledge that here designates not only formal sociological scholarship, but political manifestos, journalism, creative writing, oral histories and memoirs. It is the argument of this paper that placing Goffman’s concept of stigma into critical dialogue with Black epistemologies of stigma allows for a timely reconceptualisation of stigma as governmental technologies of de-humanisation that have long been collectively resisted from below. -
Goffman, Parsons, and the Negational Self Prof
Goffman, Parsons, and the Negational Self Prof. James J. Chriss, PhD Department of Sociology and Criminology, Cleveland State University, Ohio, USA Abstract Erving Goffman’s emphasis on impression management in everyday life means that for the most part persons offer only partial or incomplete glimpses of themselves. Indeed, under specifiable conditions self-presentations may take the form of a negational self. If negational selves exist at the person or individual level, then they must also exist at the collective level (that is, if we are to take seriously such notions as the social mind, collective representations, or even culture). Understandings of how this negational self appears and is produced at various analytical levels (micro, meso, and macro) can be anchored via a conceptual schema which merges Goffman’s own identity typology with the three-world model of Jürgen Habermas by way of Talcott Parsons. Keywords: negational self; indentity; Goffman; Parsons; Habermas; self; me and I; three worlds theory Introduction The negational self is a self by default, in that public social encounters rarely afford persons the opportunity to positively affirm their own selves (Chriss 1999a). Rather, for the most part persons are busily framing themselves from view, offering only limited glimpses of a “true” self through indirect and sometimes obfuscatory devices and strategies such as role distance, deference, modesty, accommodation, face and face- saving, and body glosses to name a few. The first part of the paper will summarize the symbolic interactionist perspective on the self. Although many observers suggest that Goffman falls squarely in the Meadian line regarding the social psychology of the self, through this brief survey it will be demonstrated that Goffman’s work is imbued with enough structuralist and functionalist elements to render such an easy alignment with standard social psychology problematic. -
FOUNDATIONS of SOCIOLOGY Sociology 470 – Spring 2007, Michael A
FOUNDATIONS OF SOCIOLOGY Sociology 470 – Spring 2007, Michael A. Toth, Ph.D. Office: 217T Cramer Hall, Office Hours: 3:30 – 5:00, Weds. Office Phone: (503) 725-3620, email: [email protected] READING AND COURSE SCHEDULE This reading schedule is available on the web at: http://web.pdx.edu/~tothm/theory. It contains links to all of the web-sited readings listed below and additional resource sites re: the theorists. KEY: Those materials marked with a ► (in the Allan text or, in several instances, on line via the Dead Sociologists Index) or a (in the reading packet) are required readings. There are supplemental materials in the packet, especially charts or graphs, not all listed. You should plan to read the materials marked with an below; these are available on- line via the course webpage. I have also identified additional resources that I strongly recommend. These are listed in the “Additional Materials” column of the course website. You are invited to read relevant materials available online via the Dead Sociologists Index and there are more on-line resources listed at the bottom of the course webpage. In addition, serious students of the discipline are encouraged to read the sections on Marx, Durkheim, and Weber in the two Raymond Aron volumes noted below. APRIL 4 - INTRODUCTION What This Course is All About Sociological Caveats Society and Illusion Randall Collins & Michael Makowsky (The Discovery of Society , pp. 1-15) ► Imagining Society Allan, Chapter 1 APRIL 11 – AUGUSTE COMTE & HERBERT SPENCER ► Organic Evolution—Herbert Spencer -
Jacques Rancière and the Dramaturgy of Law
UCB Townsend Working Group on Law & Contemporary Theory, 3 April, 2017. Jacques Rancière and the Dramaturgy of Law Julen Etxabe, Helsinki Collegium for Advanced Studies The following is a draft of book-chapter due to appear in an edited volume entitled “Rancière and Law,” coedited by Mónica López Lerma and myself, and forthcoming in Routledge’s series on Critical Legal Thinkers. The chapter is still in a draft format (not even English- proofread) and still misses the conclusion. I have left the provisional title of the last section in place. As a real work-in-progress, I would welcome comments about all the paper, but in particular about what it still would be needed as a way of conclusion. 1 JACQUES RANCIÈRE AND THE DRAMATURGY OF LAW When it comes to the appreciation of a thinker, there are two levels of investigation. One can examine his/her ideas, test their consistency, compare them with other thinkers’ ideas and judge the good or bad effects that they can produce when going from ‘theory’ to ‘practice’. But, at another level, one examines the way these ‘ideas’ are produced, the issues they address, the materials they select, the givens they consider significant, the phrasing of their connection, the landscape they map, their way of inventing solutions (or aporias), in short their method. Jacques Rancière1 I. The Method of Jacques Rancière: Setting the Scene In the remarkable essay “A few remarks on the Method of Jacques Rancière,” the reader and critic Jacques Rancière writes about the well-known philosopher and author Jacques Rancière in the third person, trying to elucidate what might be distinctive about the latter’s method.