Siddha Mahavir Temple at Puri
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General Introduction to Odishan Temple Architecture
Odisha Review May - 2012 General introduction to Odishan Temple Architecture Anjaliprava Sahoo INTRODUCTION Sastras recognize three main styles of temple architecture known as the Nagara, the Dravida Temple is a ‘Place of Worship’. It is also called 1 the ‘House of God’. Stella Kramrisch has defined and the Vesara. temple as ‘Monument of Manifestation’ in her NAGARA TEMPLE STYLE book ‘The Hindu Temple’. The temple is one of Nagara types of temples are the typical the prominent and enduring symbols of Indian Northern Indian temples with curvilinear sikhara- culture: it is the most graphic expression of religious spire topped by amlakasila.2 This style was fervour, metaphysical values and aesthetic developed during A.D. 5th century. The Nagara aspiration. style is characterized by a beehive-shaped and The idea of temple originated centuries multi-layered tower, called ‘Sikhara’. The layers ago in the universal ancient conception of God in of this tower are topped by a large round cushion- a human form, which required a habitation, a like element called ‘amlaka’. The plan is based shelter and this requirement resulted in a structural on a square but the walls are sometimes so shrine. India’s temple architecture is developed segmented, that the tower appears circular in from the Sthapati’s and Silpi’s creativity. A small shape. Advancement in the architecture is found Hindu temple consists of an inner sanctum, the in temples belonging to later periods, in which the Garbha Griha or womb chamber; a small square central shaft is surrounded by many smaller room with completely plain walls having a single narrow doorway in the front, inside which the image is housed and other chambers which are varied from region to region according to the needs of the rituals. -
The Temple Architecture in Odisha
ISSN 0970-8669 Odisha Review The Hindu temple architecture reflects a synthesis is concentrated in the city of Bhubaneswar where of arts, the ideals of religion, beliefs, values and there are over thirty of them. the way of life cherished under Hinduism. The temple is a place for pilgrimage. All the cosmic The main temples of this style consist of elements that create and celebrate life in Hindu the Lingaraja Temple at Bhubaneswar th pantheon are present in a Hindu temple from fire (11 century), the Jagannath temple at Puri th to water, from images of nature to deities, from (12 century) the Great Sun Temple at Konark the feminine to the masculine, from karma to (13th century), Rajarani Temple (10th century), artha. The form and meanings of architectural Mukteswar (10th Century), Parshuram Temple elements in a Hindu temple are designed to (8th Century) etc. function as the place where it is the link between The Kanlingan style consists of three man and the divine, to help his progress to spiritual distinct types of temples Rekha Deula, Pidha knowledge and truth, his liberation is called Deula and Khakhara Deula. The former two are Moksha. associated with Vishnu, Surya and Shiva temples The Temple Architecture in Odisha Sujata Routray The Indian temples are broadly divided while the third is mainly with Chamunda and Durga into Nagara, Vesara, Dravida and Gadag styles temples. The Rekha Deula and Khakhara Deula of architecture. However the temple architecture houses the sanctum sanctorum while the Pidha of Odisha corresponds to altogether a different Deula constitutes outer dancing and offering halls. -
Iasbaba's 60 Days Plan – Day 35 (History)
IASbaba’s 60 Days Plan – Day 35 (History) 2018 Q.1) Consider the following pairs. Sculpture Material made from 1. Mother goddess Stone 2. Bearded priest Terracotta 3. Dancing girl Copper Which of the above pairs is/are correctly matched? a) 1 and 3 only b) 3 only c) All the above d) None Q.1) Solution (d) Terracotta: Terracotta figures are more realistic in Gujarat sites and Kalibangan. Toy carts with wheels, whistles, rattles, bird and animals, gamesmen, and discs were also rendered in terracotta. The most important terracotta figures are those represent Mother Goddess. Stone Statues: Stone statues found in Indus valley sites are excellent examples of handling the 3D volume. Two major stone statues are: Bearded Man (Priest Man, Priest-King) and Male Torso Bronze Casting: Bronze casting was practiced in wide scale in almost all major sites of the civilization. The technique used for Bronze Casting was Lost Wax Technique. Dancing girl and bull from Mohenjo-Daro. Do you know? Thousands of seals were discovered from the sites, usually made of steatite, and occasionally of agate, chert, copper, faience and terracotta, with beautiful figures of animals such as unicorn bull, rhinoceros, tiger, elephant, bison, goat, buffalo, etc. Some seals were also been found in Gold and Ivory. THINK! 1 IASbaba’s 60 Days Plan – Day 35 (History) 2018 Harappan pottery. Q.2) Arrange the following parts of stupa from top to bottom. 1. Yasti 2. Harmika 3. Chatras 4. Anda Select the correct answer using the codes given below. a) 3-1-2-4 b) 3-2-1-4 c) 2-3-1-4 d) 2-1-3-4 Q.2) Solution (a) Stupa dome is called as Anda. -
Sri Ramakrishna & His Disciples in Orissa
Preface Pilgrimage places like Varanasi, Prayag, Haridwar and Vrindavan have always got prominent place in any pilgrimage of the devotees and its importance is well known. Many mythological stories are associated to these places. Though Orissa had many temples, historical places and natural scenic beauty spot, but it did not get so much prominence. This may be due to the lack of connectivity. Buddhism and Jainism flourished there followed by Shaivaism and Vainavism. After reading the lives of Sri Chaitanya, Sri Ramakrishna, Holy Mother and direct disciples we come to know the importance and spiritual significance of these places. Holy Mother and many disciples of Sri Ramakrishna had great time in Orissa. Many are blessed here by the vision of Lord Jagannath or the Master. The lives of these great souls had shown us a way to visit these places with spiritual consciousness and devotion. Unless we read the life of Sri Chaitanya we will not understand the life of Sri Ramakrishna properly. Similarly unless we study the chapter in the lives of these great souls in Orissa we will not be able to understand and appreciate the significance of these places. If we go on pilgrimage to Orissa with same spirit and devotion as shown by these great souls, we are sure to be benefited spiritually. This collection will put the light on the Orissa chapter in the lives of these great souls and will inspire the devotees to read more about their lives in details. This will also help the devotees to go to pilgrimage in Orissa and strengthen their devotion. -
Folklore Foundation , Lokaratna ,Volume IV 2011
FOLKLORE FOUNDATION ,LOKARATNA ,VOLUME IV 2011 VOLUME IV 2011 Lokaratna Volume IV tradition of Odisha for a wider readership. Any scholar across the globe interested to contribute on any Lokaratna is the e-journal of the aspect of folklore is welcome. This Folklore Foundation, Orissa, and volume represents the articles on Bhubaneswar. The purpose of the performing arts, gender, culture and journal is to explore the rich cultural education, religious studies. Folklore Foundation President: Sri Sukant Mishra Managing Trustee and Director: Dr M K Mishra Trustee: Sri Sapan K Prusty Trustee: Sri Durga Prasanna Layak Lokaratna is the official journal of the Folklore Foundation, located in Bhubaneswar, Orissa. Lokaratna is a peer-reviewed academic journal in Oriya and English. The objectives of the journal are: To invite writers and scholars to contribute their valuable research papers on any aspect of Odishan Folklore either in English or in Oriya. They should be based on the theory and methodology of folklore research and on empirical studies with substantial field work. To publish seminal articles written by senior scholars on Odia Folklore, making them available from the original sources. To present lives of folklorists, outlining their substantial contribution to Folklore To publish book reviews, field work reports, descriptions of research projects and announcements for seminars and workshops. To present interviews with eminent folklorists in India and abroad. Any new idea that would enrich this folklore research journal is Welcome. -
UPSC Notes [GS-I] Topic: Temple Architecture in India
UPSC Civil Services Examination UPSC Notes [GS-I] Topic: Temple Architecture in India- Part II [Art and Culture Notes for UPSC] Nagara Style in Various Regions: – (Contd.) East India North-East, Odisha and Bengal. Each region produced a distinct type of architecture. Terracotta was the main medium in Bengal and north-east until the 7th century. Assam There is evidence of Gupta influence from a sculpted door frame dating to the 6th century CE from DaParvatia near Tezpur; and sculptures from Rangagora Tea Estate near Tinsukia. The Gupta influence is seen till the 10th century. By 12th to 14th centuries, a distinct Ahom style developed in the region around Guwahati. This style evolved from the mixing of the style brought to the area by the Tais of Upper Burma with the Pala style of Bengal. Example: Kamakhya Temple – a Shakti Peeth dedicated to Goddess Kamakhya built in 17th century. Bengal Regions: West Bengal, Bangladesh, Bihar Style between 9th and 11th centuries – Pala Style. The Palas were patrons of Buddhist monastic styles. The temples in this region showcased the local Vanga style. Style of temple architecture from the middle of the 11th century to middle of the 13th centuries – Sena style. Siddheswara Mahadeva temple in Barakar in Burdwan District – 9th century; tall curving Shikhara crowned by a large amalaka – early Pala style. Many temples were located at Telkupi in Purulia District – 9th to 12th century but were submerged due to dam construction. These temples showed all the Nagara sub-styles prevalent in the north. Some temples survive. Made of black to grey basalt. -
Search a Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015
search A Journal of Arts, Humanities & Management Vol-IX, Issue-1 January, 2015 DDCE Education for All DDCE, UTKAL UNIVERSITY, BHUBANESWAR, INDIA Prof. S. P. Pani, Director,DDCE, Utkal University, Bhubaneswar. Dr. M. R. Behera Lecturer in Oriya, DDCE, Utkal University, Bhubaneswar. Dr. Sujit K. Acharya Lecturer in Business Administration DDCE, Utkal University, Bhubaneswar. Dr. P. P. Panigrahi Executive Editor Lecturer in English, DDCE, Utkal University, Bhubaneswar. ISSN 0974-5416 Copyright : © DDCE, Utkal University, Bhubaneswar Authors bear responsibility for the contents and views expressed by them. Directorate of Distance & Continuing Education, Utkal University does not bear any responsibility. Published by : Director, Directorate of Distance & Continuing Education, Utkal University, Vanivihar, Bhubaneswar – 751007. India. Reach us at E-mail : [email protected]. 91-674 –2376700/2376703(O) Type Setting & Printing: CAD 442, Saheed Nagar Bhubaneswar - 751 007 Ph.: 0674-2544631, 2547731 ii History is TRUTH and TRUTH is God. History is a search for the ultimate truth , an understanding which would end the search for any further explanation. Many of you may feel disturbed with such a content. In fact, many of you may feel this statement to be very subjective. Indeed you may opine that history is all about alternative explanations, choice of one explanation over the others with justification. In this short editorial an attempt is being made to explore, ‘History as Truth’. History like any other discipline can never be dealt in isolation; however, it may seem so. It is not even a distinct part of the whole, it is indeed the whole itself- both temporally and spatially. Why all search in history may be partial yet the partial search always can be of the whole only. -
Tourism Under RDC, CD, Cuttack ******* Tourism Under This Central Division Revolves Round the Cluster of Magnificent Temple Beaches, Wildlife Reserves and Monuments
Tourism under RDC, CD, Cuttack ******* Tourism under this Central Division revolves round the cluster of magnificent temple beaches, wildlife reserves and monuments. Tourism specifically in Odisha is pilgrimage oriented. The famous car festival of Puri Jagannath Temple has got the world wide acclaim. It holds attraction of all domestic, national and international tourists, Sea Beaches like Puri, Konark, Astarang of Puri District, Digha, Talasari, Chandipur of Balasore, Siali of Jagatsinghpur District keeps the beholder at its clutch. Wild life reserves like Similipal of Mayurbhanj, Bhitarkanika of Kendrapara along with scenic beauty of nature makes one mesmerized and gives a feeling of oneness with nature, the part of cosmic power. BALASORE KHIRACHORA GOPINATH TEMPLE: Khirachora Gopinatha Temple is situated at Remuna. It is famous as Vaishnab shrine. Remuna is a Chunk of Brindaban in Orissa. It is a little town located 9 k.m east of Balasore. The name Remuna is resulting from the word Ramaniya which means very good looking. "Khirachora" in Odia means Stealer of Milk and Gopinatha means the Divine Consort of Gopis. The reference is to child Krishna's love for milk and milk products. (Khirachora Gopinath Temple) PANCHALINGESWAR TEMPLE: Panchalingeswar is located on a top of a hillock near the Nilagiri hill which is popular for its natural surroundings. The main attraction of this place is a temple having five lingas with a perennial stream, which is regularly washes the Shivalingas as it flows over them. So, to reach to the temple one has to lie flat on the rock parallel to the stream to touch and worship the lingas inside the water stream. -
Aureole of Gods and Goddesses
Chitrolekha International Magazine on Art and Desig, (ISSN 2231-4822), Vol. 6, No. 2, 2016 DOI: http://dx.doi.org/10.21659/chitro.v6n2.05 www.chitrolekha.com © AesthetixMS Study on the Prabhavalaya: Aureole of Gods and Goddesses Prasanna E. Khamitkar1 Abstract Most stand-alone Hindu sculptures of the murtis are supported with a prabhavalaya behind which means a “Luminous circle, an Aureole or a Nimbus " that is the ornate arch, made of stone, wood or metal that stands just behind and above deity images in temples. To analyze the various images of prabhavalaya the author refers to the content extracted from various resources, sculptures of various temples and the most remarkable sculptures from some museums. The author will try to make an effort to classify the visual understanding of the prabhavalayas found in various parts of India that forms as a screen to enhance the importance of various god and goddesses. Key Words: iconography, principle deity, motif, evolution, background, symmetry Introduction Prabha means the halo and valaya is the aura. Hence prabhavalaya or the Luminous circle is an ornate arch, made of stone, wood or metal that stands just behind the principle deity in shrines evolved over the period of time from the concept of a ‘ halo ‘. These arches have intricacy of floral patterns. Most important is the depiction of elements in connection with the main deity represented. The arches behind images pedestals generally bear similar symbols a makhara at the top, vyala or leogryph at the sides, vehicles at the base, ultimately referring to the ultimate, celestial or terrestrial realms respectively. -
Temples of Odisha- the Geometry of Plan Form
IJIRST –International Journal for Innovative Research in Science & Technology| Volume 2 | Issue 10 | March 2016 ISSN (online): 2349-6010 Temples of Odisha- the Geometry of Plan Form Rinku Parashar Dr Abir Bandyopadhyay Assistant Professor Professor & Head Department of Architecture Engineering Department of Architecture Engineering NIT, Raipur, 492010, India NIT, Raipur, 492010, India Abstract The Indian temple architecture depicts clearly their evolution, following the original ancient models, which were derived from religious consideration and this practice is further being followed, since many centuries. These temples are actually, the place of transcendence where man crosses over from world of illusion, to the world of truth. The main style of Hindu temple architecture in India had its modest beginning precisely from the Mauryan rule i.e 3rd century BC. The Indian Silpasastras recognize mainly three categories of the temple style, the Nagara, Dravida and Vesara, but there was also another style very prominent, known as the Kalinga style, which is very distinguished all over the world for their unique characteristics, that existed between 6th century A.D to 16th century A.D in Odisha. The aim of the paper is to describe the Kalinga style of architecture and the basic characteristics of the temples of this style, eventually concluding with interpretation of the plan forms of the temples, to be following a scientific and methodical path of evolution. Keywords: Evolution of Temple, Hindu temple, Kalinga architecture, Odishan style, plan from _______________________________________________________________________________________________________ I. INTRODUCTION The temple forms the focal point for all aspects of life in the Hindu community - religious, cultural, educational and social (Batchelor, 1997). -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
Annual Activity Report 2011-12
Annual Activity Report-2011-12 Eco-Club Programme, Odisha Annual Activity Report 2011-12 Nodal Agency Centre for Environmental Studies Forest & Environment Department Government of Odisha, Bhubaneswar 1 Annual Activity Report-2011-12 2 Annual Activity Report-2011-12 PREFACE There are 9500 eco-clubs functioning in the State Odisha. 7500 eco-clubs have been setup in the State @250 eco-clubs in each district under the financial support of Ministry of Environment & Forests, Govt. of India. Under the financial budget of 2011-12, additional 2000 eco-clubs have been formed with financial support of Forest & Environment Department, Government of Odisha. New eco- clubs have been established in educational institutions those are close to eco- sensitive area. This report is based on the activity reports received from respective District Implementation & Monitoring Committees (DIMCs). Centre for Environmental Studies (CES) with the help of experienced staff and District Environment Societies have also visited some eco-clubs time to time to encourage eco-clubs for better activities. Most of the eco-clubs are organizing plantation programme, rallies, school level competitions etc. Besides, most of the eco-clubs are observing important days by conducting various programmes. Like last year this year also some eco-clubs and eco-club teachers-in-charge have received State Level Environment Awards such as Prakruti Mitra and Prakruti Bandhu Awards for their outstanding work in the field of environment. This report has been prepared on the basis of information received from districts & monitoring conducted by DIMC & Nodal Agency during the financial year 2011-12. District Implementation & Monitoring Committee of Bhadrak, Boudh, Ganjam, Jagatsinghpur, Jajpur, Kendrapara, Khurda, Koraput Nayagarh & Mayurbhanj district are regularly publishing quarterly newsletter on their eco-club activities.