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The Goon Show: the Sahara Desert Statue
THE GOON SHOW: THE SAHARA DESERT STATUE First broadcast on November 3, 1958. Script by Spike Milligan. Produced by John Browell. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Debby Stark, corrections by Peter Olausson. Greenslade: This is the BBC Secombe: Stop! Spriggs: Ohm, I will stop. Secombe: What's this approaching? It's a lorry driven by a Rolls Royce, isn't it? Yes, it is! It's that great thespian star of brouhaha-ha-ha, Berebohm Sellers! FX: [Considerable cheers] Spriggs: Oh, he's not as popular as he used to be! I'll sing that bit, folks. [Sings] He's not as popular as he used to beeee! Sellers [Heavy actor accent]: Aye [inaudible] pruns. Noxt week I shall be appearing in "The Impotence of Being Ernest," by Oscar Wilde, the blaggard of Redding Jail. Yours, Neddy. Secombe: Ta. Omnes: [Several, each in turn saying Ta, Tee, Ti, Toe, Tuu!] Sellers: All together! Omnes: Tooooo! Sellers: Oh, what it is to have friends! Spriggs: I know, I once... I express sympathy. Secombe: "Dear sir: My wife has just made a pancake thirty foot round. Is this a record?" Voice: I don't know, try playing it on the gramaphone. Sellers: Together, the band. Orchestra: [Shout] Ta-da 1 Sellers: Ah! Caught with their instruments down! Secombe: And now folks! Take us off slack while we unwrap this brown paper parcel. Look! Ah, look! Voice: What a [inaudible] Secombe: It's a life-sized Goon Show in imitation plastic! Spriggs: Oh! And what are these little round things? Secombe: Gad, it's a set of spare glass jokes! Sellers: Let us hear one, Tom. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Nashville of the North
THE COUNTRY OF LIVERPOOL: NASHVILLE OF THE NORTH The Soundtrack of America……on the streets of Liverpool The Country of Liverpool Welcome to this FREE excerpt from my book, “The Country of Liverpool: Nashville of The North”. My name is David Bedford - I hope you enjoy this glimpse into my book and the unique subject of country music in Liverpool. Nashville of the North? It is generally accepted that the epicentre of country music is in Liverpool, a city better known for its association with The Beatles and the Merseybeat sound that put Liverpool on the international musical map. Many of the groups that emerged in the ‘60s, including John Lennon’s first group, The Quarrymen, had their roots not just in skiffle music, but in country music too. Musicologist Alan Clayson wrote: “Within the area abounded more such artists than anywhere outside Nashville. On a given weekend, you could guarantee that plenty of the three-hundred-odd venues affiliated to the Liverpool Social Club Association had booked The Dusty Road Ramblers, the Hillsiders, The Ranchers and any others from a legion of outfits playing the kinda music folk liked tappin’ a foot to.” In the 1950s, it was very much a white, working-class movement of groups, predominantly male, and semi-professional or amateur. Only a few, like the Hillsiders and Phil Brady and the Ranchers made it out of Liverpool and were signed by record labels. Records were available across the city, though the most famous country specialist record stores were owned by Pat and Gerry Allen, who had stores on Lodge Lane, and Aigburth Road, Liverpool. -
Carol Sloane Marc Cary Gianluigi Trovesi Willie Smith
JULY 2016—ISSUE 171 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM CYRO BAPTISTA PERCUSSION TRAVELER SPECIAL FEATURE HOLLYWOOD JAZZ WILLIE CAROL MARC GIANLUIGI “THE LION” SLOANE CARY TROVESI SMITH Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JULY 2016—ISSUE 171 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Carol Sloane 6 by andrew vélez [email protected] Andrey Henkin: [email protected] Artist Feature : Marc Cary 7 by donald elfman General Inquiries: [email protected] On The Cover : Cyro Baptista 8 by john pietaro Advertising: [email protected] Encore : Gianluigi Trovesi by ken waxman Calendar: 10 [email protected] VOXNews: Lest We Forget : Willie “the lion” Smith 10 by scott yanow [email protected] LAbel Spotlight : Gearbox by eric wendell US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Special Feature : Hollywood Jazz 14 by andrey henkin Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, CD Reviews 16 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Miscellany 37 Andrew Vélez, Ken Waxman Contributing Writers Event Calendar 38 Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Wilbur MacKenzie, Mentorship is a powerful thing and can happen with years of collaboration or a single, chance Eric Wendell, Scott Yanow encounter. -
The Goon Show: the Goons and More Guests Volume 18 Pdf, Epub, Ebook
THE GOON SHOW: THE GOONS AND MORE GUESTS VOLUME 18 PDF, EPUB, EBOOK Spike Milligan | 1 pages | 30 Nov 2000 | BBC Audio, A Division Of Random House | 9780563553427 | English | London, United Kingdom The Goon Show: The Goons and More Guests Volume 18 PDF Book Who dats behind dat bush? Wot you a doin' of then. Although my home is smoke-free , I don't know the origins of most of the items I sell. Retrieved February 18, Unfortunately our dinner is at the menders. Back to home page Return to top. See all condition definitions - opens in a new window or tab. Books Video icon An illustration of two cells of a film strip. George Orwell Trilogy. The Fear of Wages [11]. This part was also played by Ray Ellington e. Software Images icon An illustration of two photographs. To celebrate the th anniversary of Burns, Cuts and Bruises, we go over to the Krutty-Crab ridden seashore of the Scotland. MAX : What about me boy? They lay there kipping Row after row and Archived from the original on May 27, The following is a List of The Goon Show episodes. These were usually the subject of complaints by, surprisingly, elderly ladies. Relevant discussion may be found on the talk page. Volume 2. This item can be requested from the shops shown below. The following list of episodes of The Goon Show includes any "specials" and all episodes made for the BBC Transcription Service unaired domestically at the time and therefore listed at the date of their recording. August Learn how and when to remove this template message. -
The Goon Show: World War One
THE GOON SHOW: WORLD WAR ONE First broadcast on February 24, 1958. Script by Spike Milligan. Produced by Charles Chilton. Announced by Wallace Greenslade. The orchestra was conducted by Wally Stott. Transcribed by Christopher Gray, corrections by Paul Webster and Peter Olausson. Greenslade: This is the BBC Home Service. [Sings] But they call it Ireland! Sellers (Australian): Mmmmermm. I don't like what he's doing, Pat, I don't like it. We oughta have a meeting about it. Grams: [Many sheep] Secombe: Whilst that record of sheep is being played, hear the remains of a Goon Show washed up on a Brighton beach near Croydon. Sellers: Yes, oh yes! And in faded writing, we see that the title is... mmuurrshyyuurrrr... hhuuurrrrlurrrveerrjurrrr. Part one. Orchestra: [Martial theme] Sellers: 1917. England was at war. Secombe (French accent): France was at war. Eccles: I was at lunch! Ha ha! It's going to be tough... Sellers: 1917 and here is an impression of it. Grams: [Heavy shelling] Secombe: Next an impression of the inside of Gilbert Harding. Grams: [Chemistry lab - bubble and boil] Grams: [Bugle fanfare] Greenslade: Mon Dieu! Ze Retreat! Grams: [Panicked fleeing with screams] 1 Sellers: 1917. British Chiefs of Staff call meeting. Grams: [Barrel-roll piano] FX: [Tea cups clattering, whistling] Sellers: Yes, alright, that's enough, that's enough. After all, enough is as good as a feast. Yes! Secombe: No, no! I haven't had enough. I haven't had enough. Sellers: Oh, haven't you? Secombe: No. Sellers: Well, swallow this obstacle. Secombe: Hup! [Gulps] Grams: [Pop, ahhhhh! Secombe: Oh ho delicious! What was it, eh? Sellers: It was enough. -
Keith Says Some Stuff Find out About Ray Ellington Sister Rosa Helps Another Perplexed Woodie We
June 2018 June 103 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK A busy couple of months coming up for TFTW Will we see you at any of these events in June and July? It would be great if you could make it to any of them. Keith says some stuff Find out about Ray Ellington Sister Rosa helps another perplexed Woodie We “borrow” a USA trip from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 2 'Monsewer' Eddie Gray says “You may think I'm crazy gang, but a funny thing happened on the way to the forum so you'd better HOLD THE THIRD PAGE! ” Greetings Gang to our Summer edition of Tales From The Woods Magazine, Issue 103. As I type, amazingly just 27 days away is the longest day. I know we have more than a few pagans among our membership, and no doubt a casual reader or two will be celebrating the summer solstice. Maybe more importantly however to many, just three days after we shall be at the 100 Club for, without fear of contradiction, the most important historical show Tales From The Woods has ever promoted in its rich diverse twelve years of regular promotions - three doo-wop legends from the USA, on stage together for the first time since 1957. As it says upon the flyer below, we are bringing the world famous Apollo New York of the 1950s to the stage of our very own iconic venue, the legendary 100 Club Oxford Street. -
The Goon Show: the Crazy People
THE GOON SHOW: THE CRAZY PEOPLE First broadcast on February 5, 1952. Script by Spike Milligan and Larry Stevens, edited by Jimmy Grafton. Produced by Dennis Main Wilson. Announced by Andrew Timothy. The orchestra was conducted by Stanley Black. Transcribed by anon, corrections by Peter Olausson. [The first part of the show missing] Hern (Sellers): ...Yessirree, land of plenty and fun, the good ole USA, Uncle Sam's country, have a cigar, complements of Miles J. Fringe [???], straight from the dollar country. Captain Pureheart (Bentine): [Laughs] You can't fool me. You're an American! Hern: Er... Now, captain, what the Americans would like to know is, will the Crystal Palace make money? Pureheart: Money? What's that? Hern: Oh, just an old American word. Pureheart: Well, I hope the Crystal Palace will help do away with our poverty. Hern: Poverty? What's that? Pureheart: Just an old English word. Now, gentlemen of the press, you've come here for a story. Reporters: Yes, yes, yes. Pureheart: Right. Now, once upon a time, there were three bears. A big bear, a little bear, and a teeny- weeny... Orchestra: [Music link] Timothy: And so the Crystal Palace project was started. Pureheart spent the first few weeks playing around with a model. Pureheart: Yes. The frontage is very good, but these sides should curve a little more, and this bit here needs attention. There... Model (Sellers): Oooh! You artists are all the same. Pureheart: Yes... 1 Timothy: Yes... Construction on the Crystal Palace soon commenced. Hyde Park was chosen as the site. -
Black and Asian Theatre in Britain
Black and Asian Theatre in Britain ‘An important and long overdue book on the huge contribution that Black and Asian artists have made and continue to make to Britain’s theatrical landscape.’ – Meera Syal Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twentyfirst century. Figures and companies studied include: • Ira Aldridge • Indian Art and Dramatic Society • Henry Francis Downing • Temba • Paul Robeson • Edric and Pearl Connor • Errol John • Tara Arts • Mustapha Matura • Yvonne Brewster • Dark and Light Theatre • Tamasha • The Keskidee Centre • Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Colin Chambers was Kingston University’s first Professor of Drama. Formerly a journalist and theatre critic, he was Literary Manager of the Royal Shakespeare Company from 1981 to 1997. His books include The Story of Unity Theatre (1989), the awardwinning biography Peggy: The Life of Margaret Ramsay, Play Agent (1997), The Continuum Companion to Twentieth Century Theatre (editor, 2002), Inside the Royal Shakespeare Company (2004) and Here We Stand (2006). -
Downloadable In
DOWNBEAT Best CDs of 2012 The Bad Plus /// Pete Christlieb JOHN MCLAUGH JOHN L IN /// T HE BA D P L US /// PETE PETE Gerald C HRIST Clayton Blindfolded L IE B Reflects on Mahavishnu, /// BEST Shakti and The 4th C SPECIAL SECTION DS OF 2012 Dimension /// JAZZ SCHOOL JAZZ JAZZ S CHOO Pat Metheny’s L Jazz Camp John Patitucci’s Online Bass School Manhattan School of Music 30 Years of Jazz JANUARY 2013 U.K. £3.50 J ANUAR Y 2013 Y DOWNBEAT.COM JANUARY 2013 VOLUme 80 – NUMBER 1 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Maggie Glovatski Cuprisin 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
U.S. Archives of
U.S. Archives of . Updated December 13, 2018 Dick Baker, USA Archivist Quality Legend A – excellent B – good C – acceptable D – poor I – incomplete—music edited out Version Notes Beginning with the Fifth Series in 1954, Goon Show studio sessions were recorded simultaneously by the Light Programme and Transcription Service departments. At LP the show’s producer edited the recording for airplay a few days later (this version is abbreviated Orig here, so as not to be confused with commercial LP disc releases). At TS, a staff producer edited the recording for overseas use (TSO here, but the O is for original), shortening the shows up to two minutes (generally excising topical comments that might confuse and wog jokes that might offend). Then, in the 1960s, TS mounted an extensive reissue series (TSR here) called “Pick of the Goons” for overseas radio stations. This is the series that has been played on many NPR stations in the U.S., although confusion was caused when TS sent 20 shows from the TSO series to NPR labeled “Pick of the Goons” using numbers that would later be reused for their TS Reissue series. The TSR shows evidently were reedits of the original recordings, since in many cases lines are present that had been cut from the original TS release. In general, though, TS again was on the lookout for topical comments and wog jokes. In recent years, demon audio engineer Ted Kendall has done near-perfect restorations of many shows, pulling together all extant sources to produce recordings that are sometimes even more complete than the original UK broadcast.