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Stéphane Grappelli – a Life in the Jazz Century“
Anmerkungen zu „Stéphane Grappelli – A Life in the Jazz Century“ DVD 2002 Regisseur: Paul Palmer Mitwirkende: Stéphane Grappelli, Django Reinhardt, Yehudi Menuhin, Nigel Kennedy, Martin Taylor, George Shearing, Joe Venuti, Eddie Lang, The Paul Whiteman Orchestra, Diz Disley, John Etheridge, Bing Crosby and the Rhythm Boys, Gregor et ses Gregoriens, Lew Grade, Michael Parkinson, Duke Ellington, Art Tatum Vorbemerkungen: Stéphane Grappelli (* 1908 in Paris; † 1997 in Paris) war ein französischer Jazz- Violinist. Er gilt als einer der besten Jazzgeiger in der Geschichte des Jazz. Paul Palmer - ein englischer Journalist, Drehbuchschreiber und Dokumentarfilmer – traf 1996 den Geiger zu einem Gespräch. Das Interview mit Grappelli in der Rue de Dunkerque 87 in Paris, seiner letzten Wohnung, war die Basis für die DVD. DVD-Cover 1 Paul Palmer & Stéphane Grappelli 1996 Filminhalt: Die DVD beginnt mit der Swing-Nummer „Night and Day“ mit Stéphane Grappelli (Violine), Martin Taylor (Gitarre), Louis Stewart (Gitarre) und Jack Sewing (Bass). Vermutlich stammt die Aufnahme aus dem Grand Opera House 1986 in Belfast. 2 Martin Taylor, Stéphane Grappelli, Jack Sewing, Louis Stewart 1986 Belfast Aus den Zeitperioden 1920 – 1990 laufen dann Fotos ab, die den musikalischen Werdegang des Geigers und seine Kooperation mit vielen Musikgrößen beschreibt. Grappelli wurde im Hôpital Lariboisière (damals Armenhospital) 1908 in Paris als Sohn eines italienischen Einwanderers und einer Französin geboren und auf den Namen Stefano getauft. Er verlor seine Mutter im Alter von vier Jahren. Da sein Vater 1914 zur italienischen Armee eingezogen wurde, musste sich sein Vater überlegen, wo er seinen sechsjährigen Jungen unterbringen konnte. Stefano fand zunächst Unterschlupf bei einer Tanzpädagogin, die Kinder unterrichtete. -
Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
Red Hot Songs
Red Hot Songs 1 2 4 5 A B C D E F G H I J K L M N O P Q R S T U V W Y Z Red Hot Songs - ['] Song Title Artist/Group or Commentary 'Lasses Candy Original Dixieland Jass Band 'Round My Heart Coon Sanders Nighthawks Orchestra 'S Wonderful 'Tain't Clean Boyd Senter Trio http://cij-assoc.com/jazzpages/alphasonglist.html [2003-02-19 00:49:52] The Red Hot Jazz Archive - Songs Red Hot Songs - [1] Song Title Artist/Group or Commentary 1-2-1944 (intro, song - "Valencia") 12-24-1944 (intro, Bing, Pops & The King's Men) 12-28-1938 (intro) 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Rag Richard M. Jones 18th Street Stomp Fats Waller 18th Street Strut The Five Musical Blackbirds 18th Street Strut The Bennie Moten's Kansas City Orchestra http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (1 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs 1919 Rag Kid Ory's Creole Orchestra 1943 (Gracie's "Concerto for Scales and Clinker") 19th Street Blues Dodds And Parham http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (2 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs Red Hot Songs - [2] Song Title Artist/Group or Commentary 29th And Dearborn Johnny Dodds and his Chicago Boys 29th And Dearborn Richard M. Jones' Three Jazz Wizards http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/2.html [2003-02-19 00:51:05] The Red Hot Jazz Archive - Songs Red Hot Songs - [4] Song Title Artist/Group or Commentary 47th Street Stomp Jimmy Bertrand's -
The Very Best of Acker Bilk, Chris Barber, Kenny Ball) Mp3, Flac, Wma
Various The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) Country: Italy Released: 1987 Style: Dixieland MP3 version RAR size: 1379 mb FLAC version RAR size: 1951 mb WMA version RAR size: 1802 mb Rating: 4.2 Votes: 324 Other Formats: WAV TTA MP1 DTS ADX AIFF MOD Tracklist A1 –Kenny Ball When The Saints 3:08 A2 –Acker Bilk Marching Through Georgia 3:14 A3 –Chris Barber Petite Fleur 2:43 A4 –Kenny Ball At The Jazzband Ball 5:06 A5 –Acker Bilk Easter Parade 2:42 A6 –Chris Barber Bill Bailey Won't You Please Come Home 3:43 A7 –Kenny Ball When I'm 64 2:37 A8 –Acker Bilk Dardanella 3:40 A9 –Chris Barber Everybody Loves My Baby 3:15 A10 –Kenny Ball Green Leaves Of Summer 2:46 B1 –Acker Bilk Franklin Street Blues 3:06 B2 –Chris Barber I Can't Give You Anything But Love 3:50 B3 –Kenny Ball Bourbon Street Parade 3:44 B4 –Acker Bilk Carry Me Back 3:08 B5 –Chris Barber April Showers 5:50 B6 –Kenny Ball Muskrat Ramble 4:04 B7 –Acker Bilk Willie The Weeper 3:07 B8 –Chris Barber Beale Street Blues 2:10 B9 –Kenny Ball Someday 2:16 B10 –Acker Bilk Sweet Gerogia Brown 4:13 Related Music albums to The Kings Of Dixieland (The Very Best Of Acker Bilk, Chris Barber, Kenny Ball) by Various Mr. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
ISSUE 22 ° May 2011
Ne w s L E T T e R Editor: Dave Gelly ISSUE 22 ° May 2011 Ready for the Second Round We have now success- packs on the theme ‘The fully completed the devel- Story of British Jazz’, empha- opment phase of the sising the people and places Simon Spillett Talkin’ (and Access Development involved, and also the wider Playin’) Tubby Project for the Heritage social and cultural aspect of A celebration of the Music, Life Lottery Fund bid. Working the times. Some of these are NATIONAL JAZZ ARCHIVE JAZZ NATIONAL and times of the late, great British with Essex Record Office touched on in the Archive’s and Flow Associates, our exhibition at the Barbican jazz legend Tubby Hayes education and outreach Music Library (see below). With John Critchinson (piano), consultants, we have Alec Dankworth (bass) and developed our plans to Clark Tracey (drums) apply for the second NJA Exhibition Saturday 23 July 2011 round – funding of £388,000 opens at Barbican 1.30 - 4.30pm, at Loughton Methodist Church for a three-year delivery Music Library project. Tickets £10 from David Nathan at The Archive’s exhibition the Archive (cheques payable to This will involve building at the Barbican Music Library National Jazz Archive) on what we have so far is set to open on Tuesday 3rd See also Pages 5 & 6 achieved in increasing access May. It presents the people, to our collections during the places, bands and great jazz development phase - con- events, portrayed in rare serving, cataloguing, digitis- photos, posters, books, ing, developing outreach magazines and ephemera facilities, and collaborating from our fast-growing on projects with those who collection. -
The Duality of the Composer-Performer
The Duality of the Composer-Performer by Marek Pasieczny Submitted for the Degree of Doctor of Philosophy School of Arts Faculty of Arts and Social Sciences Supervisors: Prof. Stephen Goss ©Marek Pasieczny 2015 The duality of the composer-performer A portfolio of original compositions, with a supplementary dissertation ‘Interviews Project: Thirteen Composers on Writing for the Guitar’. Abstract The main focus of this submission is the composition portfolio which consists of four pieces, each composed several times over for different combinations of instruments. The purpose of this PhD composition portfolio is threefold. Firstly, it is to contribute to the expansion of the classical guitar repertoire. Secondly, it is to defy the limits imposed by the technical facilities of the physical instrument and bring novelty to its playability. Third and most importantly, it is to overcome the challenges of being a guitarist-composer. Due to a high degree of familiarity with the traditional guitar repertoire, and possessing intimate knowledge of the instrument, it is often difficult for me as a guitarist-composer to depart from habitual tendencies to compose truly innovative works for the instrument. I have thus created a compositional approach whereby I separated my role as a composer from my role as a guitarist in an attempt to overcome this challenge. I called it the ‘dual-role’ approach, comprising four key strategies that I devised which involves (1) borrowing ‘New Music’ practices to defy traditionalist guitar tendencies which are often conservative and insular; (2) adapting compositional materials to different instrumentations; and expanding on (3) the guitar technique as well as; (4) the guitar’s inventory of extended techniques. -
May Orove Üseiut, They Are Tlew Note/Pinnacle on 0689 77884 and Öuäiiräi Music On-0] 836 3646 These Sources Will Be Relevant Onlv for UK Subscribers
CIIRT§ «§h BARBER concert The BBC Radio recording of the Fairfield Hall Anniversary ,iir-uä liänin'iit.a on-Radio 2 on Saturdav october 21st' in the ;äiiu-rlisrrt' senies on both Medium Wave and ullF' ********************************************************** Durino a break in June Chri s Barber takes a 'busman's ho1 iday ä;; ;üp;.;t-ii special guest with the Rod Mason band in iä""i"iü.nru.k) än June-9th. and then t,.liesbaden and Cologne in'W.ti-eäi*ony on June lOth and 11th' respectively' There i;;i;; ä-concärt in Dusseldorf with the Rod Mason band on ,lunä isttr.. Full venue details from l.lim l^ligt Productions' ********************************************************** make We are delighted to announce that PAUL JONES will further soecial quelt appearances with the band during September'.. ilii a.täitt wiil follow later but The Royal concert Hall' rlättinqÄi* isunday September l0th.) and The Marlowe Theatre' Cäni".6r.v iuonaay Sei:tember 11th') are confirmed' ****************************x***************************** Furiher Anniversary concerts l"eaturing or"iginal band members will take p1 ace in-the second half of the year' ön Friday §eptember lst. Ben Cohen, Alex Revill etc" from ihe ts4g"uanh w.i1l appear as guesti at The Gaiety Theatre,Douglas Isle of Man. ön friday December 1st. Monty Sunshine wil1 guest at Bedford !chool , Burnaby Road Bedford' ö^-ru.iauy Augüst 29th. there will be an Anniversary concert.at i'h. H;*;a;t i6eatre,Reading,Berks with guests to be announced 'I ater. if.lä-iö+S 'legends' will appear at The Royal Festival Half in London on June 29th. -
( R.3O P.M. ) Sat Aug 24 : Burnett Arms: Banchory: Kincards: Scotland (8.30 P.Rn
e,44?€( WCGTBBONS 46, ALL SNNTS OREDN sr. ry8§ ,,UNIINODOJV clü&§. PEIT 4YY TEL: (0480) 6569ö chris Barber appears as feat*red soroist at rhe Barbican on Tuesday August 13th in the London Symphony Orchestrars Series of Jazz & Classics presentations. Guest cond.uctor is John Dankworth and ticket detairs for the complete season are published regularly in The Daily Mail who ar.e sponsoring the event. The Band is now enjoyi,g the annuar holiday and the next U.K. tour commences on Friday August ZJrd at Edinburgh. Fu11 dates: Fri Aug 2l : McCewans Jazz Festival: Edinburgh: Scotland Sat Aug 2d : Aberdeen petroleum Club: Aberdee: Scotland ( r.3o p.m. ) Sat Aug 24 : Burnett Arms: Banchory: Kincards: Scotland (8.30 p.rn. ) \- Mon Aug 26 : The Gig: Blairgowrie: pethshire: Scotland playhouse Tue Aug 2/ : L'heatre: Whitl.ey Bay: Tyne & Wear Wed Aug 28 : 100 Club: Oxford Street: London Wl Thu Aug 2! : The Trorley stop: Grafton centre: cambridge There are then dates in Belgium (30th) and W. cermany (3fst) - flyi-ng back to resume at Sun Sep I : Key Theatre, peterborough: Cambs Mon Sep Z : Queents Theatre: Hornchurch: Essex Tue Sep 3 : Rye Festival: Thomas peacock School: Rye: Sussex. Wed Sep 4 Beck Theatre: Hayes: Middlesex Thu Sep 5 Bonnin[Jton Theatre: Arnold: Nottingham Fri Sep 6 Intimate Theatre: Palmers Gree: London Sat Sep / W. Germany Sun Sep 8 W. Germany Mon §cp 9 Me r.c ur,y 'l'lrrraLrt': Colcho'st,ot.1 Essox The Band then J Oans forces with the bands of Kenny Ball and Acker Bil.k for the first-ever tour by the Three Brsrr. -
OFFERS INVITED by Mark Berresford Rare Records the Chequers, Chequer Lane, Shottle, Derbyshire, DE56 2DR, England
OFFERS INVITED by Mark Berresford Rare Records The Chequers, Chequer Lane, Shottle, Derbyshire, DE56 2DR, England. Tel: (+44) 1773 550275 Email: [email protected] Postage and packing in purpose-built new boxes extra. Winners only notified. Condition, as ever, guaranteed. Minimum bid unless stated £8/$10, however I reserve the right to refuse bids I consider unrealistic. AUCTION CLOSES MIDNIGHT 18th FEBRUARY 2018 HOW TO BID Basically, there are two ways of bidding; first is the simple Straight Bid - you offer a fixed amount for an item and if yours is the high - est bid, you win. Secondly, and easier for those more familair with internet auctions, and for those collectors unsure of what to offer, is the Maximum Bid. You offer a bid to a maximum amount, which will be increased in 10% increments over the nearest bid up to your maximum amount. For example, you bid to a maximum of $100 on an item, but the next highest bid is $20 - you will pay $22, i.e. 10% over the the next highest bid. In the event of a tie the fixed bidder, or earliest-placed bid wins. IMPORTANT! Please make clear the system of bidding you are using and currency you are bidding in (Pounds Sterling, Euros or US Dollars). If you have a maximum budget to spend, please advise with your bids. Please also double check your item numbers when bidding - I do not use titles or issue numbers on my auction spreadsheet, so if you bid on the wrong number and win it, it’s yours! NOTE: Some of the categorisation of certain instrumental-based artists has been, by necessity, arbitrary so please check all sections. -
Chick Willis Uk £3.25
ISSUE 163 WINTER 2020 CHICK WILLIS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by CHRISTMAS STOCKING FILLERS Merlin Daleman CHICK WILLIS pictured at the Birmingham Jazz Festival. Chick makes an appearance in a new feature for Jazz BIG BEAR RECORDS CD OFFER Rag. We link up with Henry’s Blueshouse in Birmingham to EXCLUSIVELY FOR READERS OF THE JAZZ RAG present Henry’s Bluesletter (pages 32-33) ALL CDS £8 EACH OR THREE FOR £16 INCLUDING P&P 4 FESTIVAL IN TIME OF PLAGUE Birmingham, Sandwell and Westside Jazz Festival goes ahead 5 THE VIRUS IN NUMBERS JAZZ CITY UK VOLUME 2: THE JAM SESSIONS 6 ‘A TRUE NEW ORLEANS CHARACTER’ Coroner/trumpeter Frank Minyard Howard McCrary Various Artists Various Artists Lady Sings Potato Head 7 I GET A KICK OUT OF… Moments Like This Jazz City UK Volume 2 Jazz City UK Volume 1 The Blues Jazz Band Promoter John Billett Laughing at Life Stompin’ Around 8 COMPETITION: LOUIS ARMSTRONG 9 GOODBYE TO A STAR Roger Cotterrell on Peter King 11 BBC YOUNG JAZZ MUSICIAN OF THE YEAR 12 SUPERBLY SWINGING Alan Barnes remembers Dick Morrissey Remi Harris Trio Tipitina King Pleasure & Nomy Rosenberg Django’s Castle 14 FRENCH BOOGIE STAR Ninick Taking Care of The Biscuit Boys Nomy Rosenberg Trio with Bruce Adams Ron Simpson profiles Ben Toury Business Live At Last Swing Hotel du Vin 16 50 BY LOUIS Scott Yanow’s choice FIND US ON FACEBOOK 18 ROY WILLIAMS IN PICS The Jazz Rag now has its own Facebook page. For news of upcoming festivals, gigs and releases, 20 REFLECTING DREAMS Marilyn Mazur interviewed by Ron Simpson features from the archives, competitions and who knows what else, be sure to ‘like’ us.