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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Black Metal and Brews
Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record. -
Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence". -
Dag Nasty Wig out at Denkos Mp3, Flac, Wma
Dag Nasty Wig Out At Denkos mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Wig Out At Denkos Country: US Released: 1987 Style: Hardcore, Punk MP3 version RAR size: 1868 mb FLAC version RAR size: 1240 mb WMA version RAR size: 1751 mb Rating: 4.4 Votes: 350 Other Formats: AC3 MP3 MP4 MPC DMF AIFF AUD Tracklist A1 The Godfather A2 Trying A3 Safe A4 Fall A5 When I Move B1 Simple Minds B2 Wig Out At Denkos B3 Exercise B4 Dag Nasty B5 Crucial Three Companies, etc. Copyright (c) – Dischord Records Phonographic Copyright (p) – Dischord Records Produced At – Inner Ear Studios Recorded At – Inner Ear Studios Pressed By – MPO Credits Bass – Doug Carrion Drums – Colin Sears Engineer – Don Zientara Graphics – Cynthia Connolly Guitar – Brian Baker Photography By – Ken Salerno, Tomas Squip Producer – Don*, Ian* Songwriter – Dag Nasty Vocals – Peter Cortner Notes Includes black and white insert with lyrics one the one and a photo on the other side Produced at Inner Ear Studios. Recorded at Inner Ear Studios. This album is $5. postpaid from Dischord Records. c & p 1987 Dischord Records. Made in France. Barcode and Other Identifiers Matrix / Runout (Runout A [etched]): DISCHORD 26 A-1 MPO Matrix / Runout (Runout B [etched]): DISCHORD 26 B-1 MPO Other versions Category Artist Title (Format) Label Category Country Year Dag Wig Out At Denkos Dischord Dischord 26 Dischord 26 US 1987 Nasty (LP, Album) Records Wig Out At Denko's Dag Dischord DIS26CD (CD, Album, RE, DIS26CD US 2002 Nasty Records RM) Dischord Dischord 26, Dischord 26, Dag Wig Out At Denkos Records, Dischord Dischord US Unknown Nasty (LP, Album, RP) Dischord Records 26 Records 26 Records Dag Wig Out At Denkos Dischord Dischord 26 Dischord 26 UK 1987 Nasty (LP, Album, TP) Records Dischord Records, Wig Out At Denkos 26, dis26v, Dag Dischord 26, dis26v, (LP, Album, RM, US 2009 Dischord 26 Nasty Records, Dischord 26 RP) Dischord Records Related Music albums to Wig Out At Denkos by Dag Nasty 1. -
Making Company of Darkness Joshua Evan Borgmann Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1999 Making company of darkness Joshua Evan Borgmann Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Borgmann, Joshua Evan, "Making company of darkness " (1999). Retrospective Theses and Dissertations. 7097. https://lib.dr.iastate.edu/rtd/7097 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Making company of darkness by Joshua Evan Borgmann . A thesis submitted to the graduate faculty in partialfulfillment of the requirements for the degreeof MASTER OFARTS Major: English (Creative Writing) Major Professor: Neal Bowers Iowa State University Ames, Iowa 1999 11 Graduate College Iowa State University This is to certify that the Master's thesis of Joshua Evan Borgmann has met the requirements ofIowa State University Major Professor For the Major Program For the Graduate College m TABLE OF CONTENTS I. INSALUBRIOUS BIFURCATIONS 1 Family Portrait at 23 2 Family 3 Family Spirit 4 Insalubrious Bifurcation ofthe Post-Nuclear Family Schema 5 Christmas Eves 6 Holiday Edge 7 Food, Football, Family 9 Wal-Mart Christian 11 Devil's Advocate 13 Religion in Ice 14 Deicide 15 Suicide Poem # 23 16 Suicide Poem # 24 17 23 to 2 18 Sadistic Auto-Masochistic Persecution 19 Random SelfIndulgent Shit 20 High School High Via the Lost Highway 23 Forgetting '87 24 Thirteen 25 Absence ofLight 26 Windows 27 The House 28 Old Woman 29 In the Night 30 Goathoms 31 H. -
Weirdo Canyon Dispatch 2018
Review: Roadburn Thursday 19th April 2017 By Sander van den Driesche It’s that time of the year again, the After Yellow Eyes it’s straight to the much anticipated annual pilgrimage to Main Stage to see Dark Buddha Rising Tilburg to join with many hundreds of perform with Oranssi Pazuzu as the travellers for Walter’s party at Waste of Space Orchestra, which is Roadburn. As I get off the train the another highly anticipated show, and in heat kicks me right in the face, what a this case one that won’t be played massive difference to the dull and rainy anywhere else (as far as I know). What morning I left behind in Scotland. This happened on that big stage was is glorious weather for a Roadburn phenomenal, we witnessed a near hour Festival! Bring it on! of glorious drone-infused psychedelic proggy doom. In fact, it felt a bit too early for me personally in the timing of the festival to experience such an extraordinarily mind-blowing set, but it was a remarkable collaboration and performance. I can’t wait for the Live at Roadburn release to come out (someone make it happen please!). Yellow Eyes by Niels Vinck After getting my bearings with the new venues, I enter Het Patronaat for the first of my highly anticipated performances of the festival, Yellow Eyes. But after three blistering minutes of ferocious black metal the PA system seems to disagree and we have our first “Zeal & Ardor moment” of 2018. It’s Waste of Space Orchestra by Niels Vinck not even remotely funny to see the On the same Main Stage, Earthless Roadburn crew frantically trying to played the first of their sets as figure out what went wrong, but luckily Roadburn’s artist in residence. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Komplette Ausgabe Als
JONES VERY HEISSEN JETZT M L_ L U f UND S/ND IM JUNI / JULI MIT FOLGENDER BESETZUNG AUF TOUR : VIC BOND! ( EX ARTICLES OF FAITH) / COLIN SEARS ( EX DAG NASTY ) / PAT MAHONEY ( EX UNIFORM CHOICE ) UND ROGER MARBURY ( EX DAG NASTY ) INFO GOLIATH 040 382674 AKTUELLE LP: RADIO WAVE LP / CD MAKE IT STOP LP / CD 14 BRANDNEUE HITS DER LEGENDE AUS INDIANAPOLIS MIT TOXIC REASONS / DATURA’S SEEDS MITGLIEDERN - TOUR IM MAI ’92 !! - ARTICLES OF FAITH INFO GOLIATH 040 382674 3 WÖCHIGE TOUR AB 10. MÄRZ IN DER ORIGINALBESETZUNG /// AB 03.1992 ( VIELLEICHT...): ARTICLES OF FAITH CORE C D + 3 BONUSSONGS DAG NASTY BLACK MARKET BABY CD CONTAINS BOTH LP’S " 85 - 86 " BLACK MARKET BABY LP / CD / 7 " BOX SET " BABY ON BOARD " LP - NUR ALS US PRESSUNG ERHÄLTLICH - REFLEX FROM PAIN REEPERBAHN 63 f l 2000 HAMBURG 36 H " BLACK AND W HITE 7" KATALOG G IB T E S FÜ R 1, - D M IN B R IEFM A R K E N JOIMES VERY 7" BITTE NICHT IN 5 PFENNIG STÜCKEN SCHICKEN !! Hi TRUST ! gedacht, hab das ganze aber dann tollen Ersatztermin kriegen. Was einem unabhängigem Jugendzentrum Tut mir mal ’nen Gefallen und fragt doch nicht so gewichtet. dann 3 Monate später mit erwarte. Und nicht wie von einem die zu interviewenden Gruppen Generell sei hier gesagt das es nicht Loudspeaker stattfmden sollte. O.K. reinen Kommerzladen. Ach, sagt er, möglichst am Anfang, des unsere Aufgabe sein kann Wir bemerkten aber drei Wochen vor die Zeit der Ideale sei für ihn vorbei, Interviews, wie ihre Einstellung zu "Probleme" die Y mit Z hat zu dem Termin, daß irgendwer unsere er müsse proffesionell denken. -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
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Rthe BIG 18SUE ISSUES I· · I I I I I Stden Ts to Lobby in Aban
Vol. XIX No. 14 Slap My Hind With A Melon Rind, But That's My Penguin State 0' Mind April 15, 1998 Nine out of ten goofy floating heads agree.. rTHE BIG 18SUE ISSUES I· · I I I I i Stden ts to Lobby in Aban By Michael Yeh posals to regulate the practices of utility compa- believe that stronger standards, faster action, and nies. NYPIRG plans to propose a $400 million more citizen participation are needed for the pro- Campus environmental activists plan to clean energy fund that will expand renewable gram to be effective. join other lobbyists in an annual pilgrimage to energy programs and increase the state's energy Lobbyists will be addressed by represen- Albany on Monday, May 11 to encourage support efficiency. Several members of the State Assembly, tatives from the Citizens' Environmental Coalition for earth-friendly legislation. including former Stony Brook professor Steven and. Environmental Advocates, as wells as the The "Earth Day, Lobby Day" event orga- Englebright, have introduced the Ratepayer chairs of the Senate and Assembly Environmental nized by the New York Public Interest Research Protection And Utility Competition Act Of 1998. Conservation Committees. After the lobby meet- Group (NYPIRG) allows students a chance to meet This act shall replace the Long Island Power ings, Governor George Pataki will host a question key legislators and to voice their concerns. "The Authority Board with an elected board in order to and answer session. dt.A ^. d-..- f .,,l*r d«/*/ o t h^^r^1P.<7 n i T-T rI\ UU=sents anIU Lac.uIty Lneeit t ltpreventl i$/llt mi1nion LILUL But for the students, this meeting with make sure that their interests bailout that may result in lawmakers offers a rare glimpse into the world of are being represented up in higher electricity rates. -
Universal Congress of Sparkling Fresh Mp3, Flac, Wma
Universal Congress Of Sparkling Fresh mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Sparkling Fresh Country: Germany Released: 1997 Style: Jazz-Rock, Jazz-Funk MP3 version RAR size: 1946 mb FLAC version RAR size: 1470 mb WMA version RAR size: 1560 mb Rating: 4.7 Votes: 439 Other Formats: MP1 VOX FLAC VQF ADX DXD ASF Tracklist Hide Credits 1 Barbecue 0:22 Small World 2 3:27 Written-By – Shannon Jackson* Almost Positive 3 5:11 Written-By – Lines* 3 And 4 4 5:15 Written-By – Baiza*, Gaeta* Full Bodied Naked Hug 5 4:57 Written-By – Baiza*, Moss* Kyle's Theme 6 4:28 Written-By – Pope* Uh Huh 7 4:24 Written-By – Baiza*, Gorodetsky* Freight Train 8 4:01 Written-By – Baiza*, Gorodetsky* Bermuda Blues 9 10:53 Written-By – Threadgill* Cleo's Mood 10 2:43 Written-By – Jr. Walker* Marginal 11 3:18 Written-By – Baiza*, Gorodetsky* Mousetrap 12 4:40 Written-By – Gaeta* Mud Man Blues 13 2:53 Vocals, Blues Harp – Steve MossWritten-By – Baiza*, Moss* Companies, etc. Distributed By – EFA – EFA 22224-2 Mixed At – Hazelwood Studios Mastered At – Hazelwood Studios Credits Bass – Steve Gaeta Co-producer – Christian Bornitz Drums – Paul Lines Engineer – Gordon*, Onkel* Guitar – Joe Baiza Painting [Cover Painting] – Jan Schmelcher Producer – Gordon Friedrich, Joe Baiza Tenor Saxophone – Steve Moss Vocals – Joe Baiza (tracks: 5, 7, 8, 11) Notes Recorded live in 1996, mixed and mastered 1997 at Hazelwood-Studio-Frankfurt ℗ Hazelwood 1997 Barcode and Other Identifiers Barcode (Text): 7 18752 22242 6 Barcode (String): 718752222426 Matrix / Runout: 37221 ART BEAT 01 @@@ 9 01 Mastering SID Code (Mirrored): IFPI L533 Mould SID Code: IFPI 121C Rights Society: GEMA Label Code: LC 2599 Related Music albums to Sparkling Fresh by Universal Congress Of Douglas Hazelwood - Fragile Kool Ade Acid Test - ...On The Trail Of Dr.