Communicating Friendships: a Case Study of Women in an Australian „Seachange‟ Town

Total Page:16

File Type:pdf, Size:1020Kb

Communicating Friendships: a Case Study of Women in an Australian „Seachange‟ Town COMMUNICATING FRIENDSHIPS: A CASE STUDY OF WOMEN IN AN AUSTRALIAN „SEACHANGE‟ TOWN A thesis in fulfilment of the requirement of the Degree of Doctor of Philosophy (PhD) written and submitted by Orit Rivka Ben Harush Master of Arts, Tel Aviv University Bachelor of Arts, The Hebrew University Media and Communication Creative Industries Faculty Queensland University of Technology Brisbane, Australia 2011 Principal Supervisor: Dr. Christina Spurgeon Associate Supervisor: Dr. Lynda Andrews Communicating friendships: A case study of women in an Australian ‗seachange‘ town Keywords Friendworks; adult women; Australia; across-media communication; mobility; population mobility; seachange communities; communication use; friends; friendships; face-to- face; fixed-telephone; internet; mobile phone; Byron Shire; social network; social support; spatial proximity; women‘s work Page i Communicating friendships: A case study of women in an Australian ‗seachange‘ town Abstract This thesis proposes ‗friendworks‘ as an important sub-group of social networks, comprised of networks of friends. It investigates friendworks of a particular group of adult Australian women as a way of understanding neglected aspects of social networking practices. Friendworks are contextualised to highlight two main themes of interest: population mobility and communication practices. The impact of relocation on individuals, local communities and the wider society is explored through a case study of female friendworks in a seachange community. Research findings point to the importance of friendworks in building and cohering social and emotional support, well-being, belonging and senses of place and community. Different types of communication methods were used by research participants for mediating different kinds of social ties within the friendworks considered here. Communication patterns were influenced by geographical proximity to friends, and the type of social support required of them (emotional, instrumental or companionship). Most findings were consistent with broader social patterns of communication. For example, face-to-face interactions were the dominant and most favoured communication method between local friends, regardless of whether they were weak or strong ties. The fixed-telephone and the internet were commonly in use to maintain old and geographically distant social ties, while mobile phones were used the least among friends in comparison with other communication methods. The key finding of this thesis is that friendworks are an extremely important solid network in contemporary society, providing mooring relations in a mobile world. Paradoxically, however, for women in this study, the mobile phone, which is popularly perceived as a flexible, multi-purpose communication technology for people on the move, was the least versatile of all technologies for maintaining friendworks. The cost of services was the main inhibitor here. The internet was found to be the most versatile communication technology and was used to support various types of social ties: strong, weak, local and distant. This thesis also highlights the value of the concept of friendworks as well as networks for communication research and policy investigating individuals‘ motivations and practices. Page iii Communicating friendships: A case study of women in an Australian ‗seachange‘ town Table of Contents Keywords .................................................................................................................................................i Abstract ................................................................................................................................................. iii Table of Contents .................................................................................................................................... v List of Figures ........................................................................................................................................ix List of Tables .........................................................................................................................................xi Glossary of abbreviations and acronyms .............................................................................................. xii Statement of original authorship ......................................................................................................... xiii Acknowledgements ............................................................................................................................... xv 1 CHAPTER 1: FROM FIXED-PHONES AND SOCIAL NETWORKS TO MOBILITY AND FRIENDWORKS ................................................................................................................................. 1 1.1 What is the research in this thesis about? ..................................................................................... 3 1.2 The conceptual framework........................................................................................................... 4 1.3 Women‘s work ............................................................................................................................. 5 1.4 The research questions ................................................................................................................. 6 1.5 Methodology ................................................................................................................................ 7 1.6 Thesis main findings .................................................................................................................... 8 1.6.1 Seachanging ...................................................................................................................... 8 1.6.2 Friendworks ...................................................................................................................... 9 1.6.3 Communication within friendworks ............................................................................... 10 1.6.4 Women and mobile phones............................................................................................. 11 1.7 The significance of the study ..................................................................................................... 12 1.8 Thesis outline ............................................................................................................................. 14 2 CHAPTER 2: FRIENDWORKS IN THE NETWORK SOCIETY ............................................ 17 2.1 The network society ................................................................................................................... 18 2.1.1 The space of flows .......................................................................................................... 21 2.2 Social networks .......................................................................................................................... 22 2.2.1 Social capital ................................................................................................................... 24 2.2.2 Affective labour .............................................................................................................. 25 2.2.3 Social and emotional support .......................................................................................... 26 2.2.4 Local communities.......................................................................................................... 28 2.2.5 Spatial proximity ............................................................................................................ 31 2.2.6 Social proximity: The impact of technology .................................................................. 31 2.2.7 Women and social networks ........................................................................................... 33 2.3 Why friendwork? ....................................................................................................................... 35 2.3.1 What is a friendwork? ..................................................................................................... 36 2.3.2 What do we mean by friend? .......................................................................................... 37 2.3.3 Virtual acquaintances ...................................................................................................... 39 2.3.4 Types of social networks ................................................................................................ 41 2.4 Implications ............................................................................................................................... 46 3 CHAPTER 3: MOBILITY IN THE NETWORK SOCIETY ..................................................... 47 3.1 Mobility ..................................................................................................................................... 47 3.2 The new mobilities paradigm ..................................................................................................... 49 Page v Communicating friendships: A case study of women in an Australian ‗seachange‘ town 3.3 Mobility and affection ............................................................................................................... 51 3.4 Population mobility: Relocation in seachange communities ..................................................... 51 3.4.1 Self and social identity: A sense of belonging in relocation situations ........................... 53 3.4.2 Immigration
Recommended publications
  • Winterwinter June10june10 OL.Inddol.Indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents |
    BBarNewsarNews WinterWinter JJune10une10 OL.inddOL.indd 1 33/6/10/6/10 111:46:191:46:19 AMAM | Contents | 2 Editor’s note 4 President’s column 6 Letters to the editor 8 Bar Practice Course 01/10 9 Opinion A review of the Senior Counsel Protocol Ego and ethics Increase the retirement age for federal judges 102 Addresses 132 Obituaries 22 Recent developments The 2010 Sir Maurice Byers Address Glenn Whitehead 42 Features Internationalisation of domestic law Bernard Sharpe Judicial biography: one plant but Frank McAlary QC several varieties 115 Muse The Hon Jeff Shaw QC Rake Sir George Rich Stephen Stewart Chris Egan A really rotten judge: Justice James 117 Personalia Clark McReynolds Roger Quinn Chief Justice Patrick Keane The Hon Bill Fisher AO QC 74 Legal history Commodore Slattery 147 Bullfry A creature of momentary panic 120 Bench & Bar Dinner 2010 150 Book reviews 85 Practice 122 Appointments Preparing and arguing an appeal The Hon Justice Pembroke 158 Crossword by Rapunzel The Hon Justice Ball The Federal Magistrates Court 159 Bar sports turns 10 The Hon Justice Nicholas The Lady Bradman Cup The Hon Justice Yates Life on the bench in Papua New The Great Bar Boat Race Guinea The Hon Justice Katzmann The Hon Justice Craig barTHE JOURNAL OF THE NSWnews BAR ASSOCIATION | WINTER 2010 Bar News Editorial Committee ISSN 0817-0002 Andrew Bell SC (editor) Views expressed by contributors to (c) 2010 New South Wales Bar Association Keith Chapple SC This work is copyright. Apart from any use as permitted Bar News are not necessarily those of under the Copyright Act 1968, and subsequent Mark Speakman SC the New South Wales Bar Association.
    [Show full text]
  • Sacred Nature and Profane Objects in Seachange
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Osbaldiston, Nick (2008) Sacred nature and profane objects in seachange. In Warr, D, Chang, J S, Lewis, J, Nolan, D, Pyett, P, Wyn J, J, et al. (Eds.) Reimagining Sociology. The Australian Sociological Association (TASA), Melbourne, Australia, pp. 1-15. This file was downloaded from: https://eprints.qut.edu.au/18341/ c Copyright 2009 The Author This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.tasa.org.au/ home/ index.php QUT Digital Repository: http://eprints.qut.edu.au/18341 Osbaldiston, Nick (2009) Sacred nature and profane objects in seachange.
    [Show full text]
  • JAS Style Guide and Submission Requirements 2020
    JAS Style Guide and Submission Requirements The Journal of Australian Studies (JAS) is a fully refereed, multidisciplinary international journal. JAS publishes scholarly articles and reviews about Australian culture, society, politics, history and literature. Contributors should be familiar with the aim and scope of the journal. Articles should be between 6,000 and 8,000 words, including footnotes. An abstract, title and at least five keywords will be requested during the online submission process. Titles and abstracts should be concise, accurate and informative to enable readers to find your article through search engines and databases. JAS’s style and referencing system is based closely on Chicago footnoting, with some occasional deviations (e.g. Australian date format). Please refer to the complete Chicago Manual of Style (17th edition, or online at https://www.chicagomanualofstyle.org/home.html) for issues that are not covered by the following instructions. Format Use a standard font—such as Times New Roman, Arial or Calibri—in 12-point size. Use double line spacing and indent the first line of each paragraph (but not at the beginning of the article, or a new section, or following an image, table or indented quote). Insert a single line break between sections, but not between paragraphs or footnotes, and not following headings or block quotations. Avoid extra space or blank lines between paragraphs. If you do want a break to appear in the printed version, indicate this explicitly with three asterisks set on a separate line. Sub-headings can improve the flow and cohesion of your article. Use a maximum of two levels: first- level headings should appear in bold type, and second-level headings should appear in italics.
    [Show full text]
  • Australian Television, Music and Place
    Screen Sound n1, 2010 SOUNDING EAST OF EVERYTHING Australian Television, Music and Place Liz Giuffre Abstract East of Everything is a contemporary Australian television drama series shot on the New South Wales North Coast in and around the popular tourist destination of Byron Bay. In addition to utilising the region’s visual beauty – a cinematographic technique commonly employed in Australian drama – East of Everything has harnessed the musical culture that has developed in the area over time. The series relies on its soundtrack to create a sense of place and illuminate the program’s dramatic progression. This article will explore the use of music to ‘place’ East of Everything, examining the incorporation of pre-existing and specially commissioned material. I will show that the sonic representation of place through music has been key to the program’s success, and that place in the Australian drama is revealed sonically to be as diverse, emotive and striking as the region’s visual landscape. Keywords Television, Soundtrack, Australian music, Byron Bay, Surfing Culture Introduction Billingham (2000) argues that television drama often relies on the creation of ‘geo- ideological’ relationships to attract audiences. As part of his evaluation of various contemporary British and American television drama series, he suggests that many successful programs created a “dialectic of literal notions of place and location, transposed with their ideological marking, signing and delineation” (2000: 1). For Billingham the depiction of place was central to the success of these television texts, with the program’s target audience engaged as visuals and sound worked in “symbiotic tandem” to create an “imagined city” (2000: 119).
    [Show full text]
  • In This Issue
    Spring 2014 Edition IN THIS ISSUE The Gold Coast’s Residents shine biggest backyard at the Annual What’s Hot: Seachange is now at Check out our Art & Craft Seachange! new website! Exhibition DIRECTORS WELCOME David Pradella Managing Director I recently attended the Seachange Art and Craft Exhibition and was privileged to witness our community at work – what a wonderful experience it was. At its core Seachange was built Five years on and this platform that was no more evident than to be an active adult community, at Seachange has made it one of seeing how the social committee inspired by villages in Florida - Australia’s premier active adult and their support team of over the retirement capital of the USA. communities for over 50’s. The one hundred volunteers regularly Our goal was to create a platform people who live in this community host events such as the Art and where people can interact deliver our ‘vision’ that makes it Craft Exhibition that makes meaningfully at a number of successful. an active adult community the levels encompassing the mind, It’s people that make antithesis of a retirement village. body and soul. organisations great and for me Life really begins at 50! 5-Star Country Club Floodlit Tennis Courts Quite a turnout at the Arts & Craft Expo Residents shine at the annual Seachange Art & Craft Exhibition New residents tell how the decision to move to Seachange was an easy one Resident recommendations generate strong family response Latest News Seachange residents love their home’s view over SPRING 2014 the community’s enormous 69ha ‘backyard’ Choosing where you live can Over 50.
    [Show full text]
  • Fat Tony__Co Final D
    A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison.
    [Show full text]
  • Jayne Russell
    CURRICULUM VITAE JAYNE RUSSELL 8/3 WOONSOCKET COURT, ST KILDA VIC 3182 PH: 03 9534 6332 MOBILE: 0417 584 982 EMAIL: [email protected] EMPLOYMENT HISTORY : CREDITS BASTARD BOYS FLYING CABBAGE PROD/ABC TV 4 PT Mini Series ART DEPT CO-ORDINATOR June - Oct 2006 Producer: Brett Popperwell Designer: Paddy Reardon JOHN CURTIN STORY APOLLO FILMS/ABC TV Tele-movie DECORATOR May 2006 Producer: Andrew Wiseman Designer: Chris Kennedy BOYTOWN BOOM PICTURES P/L Feature Film ART DIRECTOR Oct – Dec 2005 Producer : John Molloy Designer : Penny Southgate THE SECRET PRIME TIME PRODUCTIONS 2 hr TV special ART DIRECTOR Sept 2005 Producer : Rhonda Burns DRIVE TIME CRACKERJACK PRODUCTIONS 30 min TV PILOT ART DIRECTOR August 2005 Producer : Jason Stephens LET LOOSE LIVE RUBY ENTERTAINMENT “live sketch comedy” ART DIRECTOR April – June 2005 Producer : Mark Ruse Director : Ted Emery GET NICKED GRANDA PRODUCTIONS TV Pilot : Nick Giannopoulos ART DIRECTOR April 2005 Producer : Leonie Lowe Director : Ted Emery SENSING MURDER PRIME TIME PRODUCTIONS 6x (1 hr) doco-drama ART DIRECTOR Mar – Sept 2004 Producer : Rhonda Burns YOU & YOUR STUPID MATE MONDAYITIS PRODUCTIONS Feature Film 35 mm ART DIRECTOR Nov 2003 – March 2004 Producer : Marc Gracie Designer : Penny Southgate KATH & KIM (SERIES II) ABC TV/RUBY ENTERTAINMENT 8x EP TV comedy series ART DIRECTOR April – July 2003 Producer : Mark Ruse Director : Ted Emery DREAMS FOR LIFE MUSIC DANCE ART 75 min film (AFC) PRODUCTION DESIGNER Super 16 mm film Producer : Anya Whitehead Dec 2002 – March 2003 Director Anna
    [Show full text]
  • Download the Press
    Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera.
    [Show full text]
  • LOG Community-Brochure V4 DIGI September2019.Pdf
    LIFESTYLE OCEAN GROVE OUR STORY Managing Director James Kelly and homeowners. When planning your retirement, we think having more At Lifestyle Communities, honesty, trustworthiness time and money to do more of the things you enjoy and transparency are a central part of our culture. is important. These values underpin the wonderful peace of mind and sense of community that our homeowners enjoy. Since we began Lifestyle Communities over 14 years ago, our mission has always been to enable working, We’d love you to come join us. semi-retired and retired people over 50 to enjoy a bigger life at a truly affordable price. We help you take control of your finances by downsizing to a modern, low-maintenance home that suits your needs, with resort facilities to enjoy every day in a secure James Kelly community of like-minded people enjoying life. Co-Founder & Managing Director So far, we’ve helped over 2,200 happy homeowners across Victoria discover the many upsides to downsizing to a bigger life at a Lifestyle Community. 1 LIFESTYLE OCEAN GROVE SEA’S THE DAY At Lifestyle Ocean Grove, enjoy new opportunities for fun, friendship and a great new lifestyle in a secure community of working, semi-retired and retired people over 50. Experience the freshness of seaside living at Lifestyle Ocean Grove. Offering 5-star resort-style living for over 50s, Lifestyle Ocean Grove is the perfect choice for those seeking an affordable seachange on the Bellarine Peninsula. Surrounded by bay and ocean beaches and close to fishing spots on the Barwon River, Lifestyle Ocean Grove offers a beautiful coastal experience while only 30-minutes’ drive from Geelong’s shops and services.
    [Show full text]
  • Inquiry Into the Australian Film and Television Industry
    Australian Broadcasting Corporation Submission to the House of Representatives Standing Committee on Communications and the Arts Inquiry into the Australian Film and Television Industry March 2017 1 ABC Submission on the House of Representatives Inquiry into the Australian Film and TV industry ABC Submission to the House of Representatives Standing Committee on Communications and the Arts Inquiry into the Australian Film and Television Industry March 2017 Executive Summary The ABC is a proud investor in and contributor to Australian screen content, and regards this commitment as fundamental to the Corporation’s Charter and a key tenant of its social contract with the Australian public. Over the last 60 years, the ABC’s contribution to the screen industry has delivered significant cultural and economic benefit to Australia. Today, the Corporation is an integral part of the Australian television and film environment; fostering creative talent, working in close partnership with the production industry, and creating and commissioning programs that resonate with the Australian people. Over the last two decades the ABC, along with media organisations worldwide, has borne witness to increasingly rapid technological change, greater competition from international players, rising production costs and audience fragmentation. All of these elements have coalesced to have an impact on the economics of producing Australian content, which threaten the growth and sustainability of the industry. In turn, without recourse this situation will ensure there will be further diminution of Australian voices and content on Australian screens. 1 ABC Submission on the House of Representatives Inquiry into the Australian Film and TV industry A flourishing artistic and cultural environment helps sustain a distinctive and cohesive society.
    [Show full text]
  • Law & Disorder
    LAW & DISORDER RAKE LAW & DISORDER RAKE SERIES FOUR / 8 X ONE HOUR TV SERIES THURSDAY MAY 19 8.30PM STARRING RICHARD ROXBURGH WRITTEN BY PETER DUNCAN & ANDREW KNIGHT PRODUCED BY IAN COLLIE, PETER DUNCAN & RICHARD ROXBURGH ESSENTIAL MEDIA & BLOW BY BLOW MEDIA CONTACT Kristine Way / ABC TV Publicity T 02 8333 3844 M 0419 969 282 E [email protected] SERIES SYNOPSIS Last seen dangling from a balloon road leading straight to our dark drifting across the Sydney skyline, corridors of power. Cleaver Greene (Richard Roxburgh) Twisting and weaving the stories of crashes back to earth - literally and the ensemble of characters we’ve metaphorically, when he’s propelled grown to love over three stellar through a harbourside window into the seasons, Season 4 of Rake continues unwelcoming embrace of chaos past. the misadventures of dissolute Cleaver Fleeing certain revenge, Cleaver Greene and casts the fool’s gaze on all hightails it to a quiet country town, the levels of politics, the legal system, and reluctant member of a congregation our wider fears and obsessions. led by a stern, decent reverend and ALSO STARS Russell Dykstra, Danielle his flirtatious daughter. Before long Cormack, Matt Day, Adrienne Cleaver’s being chased back to Sin City. Pickering, Caroline Brazier, Kate Box, But Sydney has become a dark Keegan Joyce and Damien Garvey. place: terrorist threats and a loss of GUEST APPEARANCES from Miriam faith in authority have seen it take a Margolyes, Justine Clarke, Tasma turn towards the dystopian. When Walton, John Waters, Simon Burke, Cleaver finally emerges, he will be Rachael Blake, Rhys Muldoon, Louise accompanied by a Mistress of the Siversen and Sonia Todd.
    [Show full text]
  • Welcome to Over 50'S Lifestyle Living at Seachange
    Welcome to over 50’s lifestyle living at Seachange The Location Where the Murray River meets the Southern Ocean Set in the holiday and retirement centre of Goolwa, Seachange is situated on 26 acres of level land, and only a short walk to the beach and river. This friendly, well-designed lifestyle community offers easy access to essential services too. Seachange is the perfect place to start living your new life. Sea Change Goolwa Ideally located: » Victor Harbor » South Coast Hospital » Main Street and Shopping Centre Natural surrounds: » Goolwa and Middleton Beach Connectivity: » Adelaide Airport Sea Change Goolwa The Lifestyle Relaxed coastal living with everything you need Start your day with a gentle 20-minute walk down to Goolwa Beach or join neighbours and satisfy your green thumb in the vegetable garden. Have fun playing bingo, table tennis and indoor bowls or if you want to enjoy an outing, grab some friends and make a day of it at Hindmarsh Island Marina. At Seachange you’re free to fill your day with as much adventure or relaxation to suit your needs. Sea Change Goolwa The Lifestyle Everything you need and more: Work up a sweat, We welcome pets, get healthy and some rules apply stay active Work your green Get lost in thumb in our a good book community garden Connect with Enjoy a game of residents at social bocce, get active activities and enjoy and socialise the community bus Space to store Get creative and your caravan start a new hobby or boat Sea Change Goolwa The Homes Homes designed for living Get everything you need and more from one of our pre-loved homes.
    [Show full text]