Helen Barrett
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“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
01539 725133
Sep - Dec 2017 breweryarts.co.uk | 01539 725133 NEW! Sound of the Sirens - Thu 7 Dec 01 Sep - Dec 2017 Box Office: 01539 725133 For full listings and to book online: breweryarts.co.uk WELCOME TO A NEW! SEASON AT THE BREWERY Welcome to The Brewery, NEW Website South Lakeland’s home of culture and entertainment! We are pleased to announce that we are currently developing a new Not only is this autumn our website which is scheduled to go biggest season, we’ve worked live early in the autumn. hard to bring you an exciting The new site will provide visitors with a smooth selection of brand new bands, booking process and up-to-date information artists and shows and we’ll be about everything going on at the Brewery and telling you a bit more about it will also be fully compatible with mobile them in this brochure. devices, phones and tablets. Stay tuned for announcements… exciting times! Take a look at all the great stuff coming up! We’re very excited NEW Work and are sure you will be too! For the autumn, we have commissioned three pieces of dance as part of a new dance project. Entitled Journey, the event will take over all of The Brewery’s main spaces for a day in September during which visitors can experience a broad range of styles from clogging to popping! See page 15 for details! Follow us on twitter: @BACKendal | facebook: facebook.com/breweryartscentre Welcome 02 NEW Classes NEW Menu The Brewery is known Our Head Chef Mark for its inspiring and Robson has been busy diverse classes and sourcing the best local workshops for young ingredients to add a new people and adults. -
Youth Folk Opportunities Around England 2020
Youth Folk Opportunities around England 2020 Directory collated and produced by the English Folk Dance and Song Society. This directory is produced as part of the English Folk Dance and Song Society’s National Youth Folk Ensemble programme, which aims to promote, develop and link youth folk music activities across England. There are lots of ways to get involved in folk music through a wide range of organisations in England. Here we share a selection of regional and national opportunities for young people who play or are interested in exploring folk and traditional music. These include folk bands, summer schools, competitions, courses, bursaries, and creative learning projects. If you would like to add to this directory in the future, or if you’re interested in finding out more about youth folk music, please contact [email protected] You can download a PDF of this directory from efdss.org/youth-folk-opportunities National pages 3–5 London pages 5–6 North East page 6–7 North West page 7 South East page 8 South West pages 8–9 West Midlands page 9 Yorkshire and the Humber pages 9–10 These listings were compiled before the Coronavirus pandemic. Since then, many events have been postponed or cancelled. Please contact the organisations directly to find out more The English Folk Dance and Song Society has compiled these listings in good faith. However it cannot guarantee the accuracy of any information listed here, or the quality and safety of the activities. Please contact individual organisations for information about their programmes and safeguarding policies. EFDSS is the national folk arts development organisation for England. -
1.50 Mardles
February – April MARDLES 2016 The Folk Magazine for East Anglia Suffolk, Norfolk, Cambridgeshire and Essex News, Reviews and Listings Step Dancers at SamFest Oxjam ~ Folk Evenings With a Difference ~ Norfolk Folk Association ~ SamFest Roy Dommett ~ The Secret Language of Fans Published Quarterly by Suffolk Folk ~ Free to Members ~ £1.50 www.suffolkfolk.co.uk 2 Advertising in Mardles, List of Advertisers..........................................4 Contact Details for Mardles and The Suffolk Folk Committee........5 Stirrings — Editorial, Letters and Opinions.........................................6 Editorial...............................................................................6 Letter....................................................................................7 News and Information About Suffolk Folk.........................................8 Report from the Snug — Jill Parson.................................8 Newsreel .............................................................................................14 Opening of Milkmaid Folk Arts Centre........................14 On-Y-Va Returns..............................................................14 Come and Join The Band Workshop.............................15 New Squeezebox Session................................................16 Christmas Carols at the Wild Man................................16 Christmas Carols at the Mendlesham King’s Head....16 SqueezEast Concertinas...................................................17 What’s A Mardle?.............................................................18 -
Chiltina Clarion 2004
2 o o 4 Current contents: Page 2 Editorial Page 4 Harry Scurfields Chiltina Workshop/ Geoff Thorp Page 8 Anglos in Bristol / Jenny Cox Page 12 Wheatstone Bicentennial Concert / David Lee Page 15 Folk Jottings / David Lee Page 17 Cecil Sharp Centennial Festival/ Geoff Thorp Page 19 Concertinas in Hungary/ Jane Bird Page 21 Giving up "Angling" / Rob in Tims Page 27 Kilve Autumn Concertina Weekend?Martin Henshaw Page 30 So you want to participate in Folk Sesslons/ Geoff Thorp Page 32 Son Accompaniment / Martin Henshaw Page 41 Stop Press: Song Accompaniment for English Concertina Dick Miles Page 44 Visit to Sotherbys/ Horniman / Martin Henshaw Page 47 Tailpiece / Editor Page 48 Bo lton English Concert ina.,. Band Pic. Jenny Cox Editorial .. off at the terminal - one colleague waS kind enough to gi ve me a li st of things Ok - it's late ... Okl Okl - look time to say and do if the boss caught me passes - and as you get older yo u stop asleep at the desk - of which my fa noticing that a little more has slipped vourite was simply to sit up and soya out of the door. I know I'm sitting very pious "AM EN!". though I don't here with apparently all the time in the think I ever foo led anyone! world to get all these things done - I mean - that IS what being retired is But how time does fly - the mirror supposed to mean isn't it? Eh? Putting starts to tell an unpalatable truth - the feet up , playing gentle lulling melo and the children are suddenly older dies on the leather ferret - reading and wiser. -
Investigating the Health of the UK Folk Club Dr Stephen Henderson Senior
Investigating the health of the UK folk club Dr Stephen Henderson Senior Lecturer Leeds Metropolitan University UK Centre for Events Management Room 216 Bronte Hall Headingley Campus Leeds LS6 3QS United Kingdom Telephone: 0113 812 5514 Email: [email protected] Abstract This research addresses the conflicting views of the health of folk music by way of interviewing artists, agents, and folk club organisers/promoters. Exploring the more homogenous formats of performance observed as singarounds (including sessions), ‘open mic’ and concert clubs, it is concluded that the concert club is struggling to survive whilst the other formats are still offering opportunities to folk artists. However, the latter are finding both the formal venues such as arts centres and the emergence of young promoters provides compensatory opportunities for performance. 1. Aim of Research For many years, folk clubs have provided places of congregation for those of like musical mind to discuss, perform, enjoy and share their music. This paper explores the state of health found within the UK folk club scene where the phrase ‘folk revival’ seems to be mentioned as often as concerns are raised about the future of the folk club. In considering the state of the folk club, this work concentrates on the business models represented by different folk club formats and their relative health as opposed to the complex ethnomusicology behind the folk music format. 2. Methodology In order to address the health of the folk club, the author has interviewed twelve individuals including the artists who play these clubs, agents who book out the artists across the many venues and organisers/promoters who book the artists into these venues. -
Folkeast 15Th, 16Th and 17Th August Glemham Hall, Suffolk 2014 PROGRAMME
FolkEast 15th, 16th and 17th August Glemham Hall, Suffolk 2014 PROGRAMME Eccentric, eclectic and essentially Suffolk A WORD FROM OUR PATRONS: We are extremely happy and proud to have been asked to be patrons of FolkEast. The fact that they chose us is only proof that the organisational team are obviously remarkably savvy and intelligent people, and that the festival is in very safe hands. I'll let you make your own minds up as to whether that was tongue-in-cheek or whether we are just massively egotistical. But we are truly thrilled to be patrons, and we're looking forward to debuting various new and exciting projects and performances at the festival over the years.” David Eagle, Michael Hughes and Sean Cooney We are proud to announce, Teeside-based, The Young’uns as our first-ever patrons of FolkEast and we are even more delighted (and relieved) that they accepted after Becky threw coffee at them (accidentally) before they took to the stage at the Cromer Folk Festival (sorry). Celebrating 10 years performing together, Sean, Michael and David have gained a reputation as being one of the most entertaining live acts on the folk scene and have released four albums, the most recent being the thoughtful, “Never Forget”. We look forward to their involvement in FolkEast for years to come, working with us to inspire , as only they can, young people to engage with folk as a living tradition . We will all look forward to them performing an annual Patrons set for FolkEast. Welcome aboard! From Everyone at FolkEast CONTENTS WELCOME GLEMHAM HALL SUNSET BROAD ROOTS & BROAD ROOTS CLUB GET ON THE SOAPBOX THANK YOU CHURCH OF ST. -
English Fiddle Symposium Programme
English Fiddle Symposium Thursday 30th April - Friday 1st May 2015 Northern Rock Foundation Hall, Sage Gateshead Co-Directed by: Catriona Macdonald, Head of Performance, ICMuS, Newcastle University Eliza Carthy, Folkworks Artistic Associate, Sage Gateshead The English Fiddle Symposium aims to bring together a wide range of expertise, thinking and performance, to discover the ‘state of the nation’ for the fiddle in traditional English music. Two days of discussions and performances with leading fiddle players and academics aim to document and provide a meeting place for further dialogue about regional styles, repertoire, belonging and mediation of traditional English music. A wide range of practitioners and academics have expressed interest at presenting papers and leading discussions. Dr Alan Jabbour will give the keynote speech on Friday. Tickets: £30 for full 2 day conference – including tea/coffee throughout each day. £18 for a single day including tea/coffee (a booking fee of £1.50 per ticket applies). Available from Sage Gateshead Ticket Office on 0191 443 4661 or www.sagegateshead.com. English Fiddle Symposium Page 1 English Fiddle Symposium th Thursday 30 April 2015, Northern Rock Foundation Hall, Sage Gateshead. Time Name Paper Title 9am - Registration and Welcome 9:30am Geoff Bowen (Yorkshire Dales The repertoire and playing styles of Yorkshire fiddlers Workshops) (including the extensive repertoire in the 1798 Jackson Manuscript from North Yorkshire and recorded Yorkshire Dales traditions) 10am Dr Vic Gammon (Newcastle Traditional -
Changes in the Teaching of Folk and Traditional Music: Folkworks and Predecessors
Changes in the Teaching of Folk and Traditional Music: Folkworks and Predecessors Thesis M. Price Submitted in fulfilment of the degree of PhD Newcastle University November 2017 i Abstract Formalised folk music education in Britain has received little academic attention, despite having been an integral part of folk music practice since the early 1900s. This thesis explores the major turns, trends and ideological standpoints that have arisen over more than a century of institutionalised folk music pedagogy. Using historical sources, interviews and observation, the thesis examines the impact of the two main periods of folk revival in the UK, examining the underlying beliefs and ideological agendas of influential figures and organisations, and the legacies and challenges they left for later educators in the field. Beginning with the first revival of the early 1900s, the thesis examines how the initial collaboration and later conflict between music teacher and folk song collector Cecil Sharp, and social worker and missionary Mary Neal, laid down the foundations of folk music education that would stand for half a century. A discussion of the inter-war period follows, tracing the impact of wireless broadcasting technology and competitive music festivals, and the possibilities they presented for both music education and folk music practice. The second, post-war revival’s dominance by a radical leftwing political agenda led to profound changes in pedagogical stance; the rejections of prior practice models are examined with particular regard to new approaches to folk music in schools. Finally, the thesis assesses the ways in which Folkworks and their contemporaries in the late 1980s and onward were able to both adapt and improve upon previous approaches. -
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pring brings the promise of new life and A recent Ofsted report found that only a minority rejuvenation. All around our patch, Morris of pupils now receive a good-quality music sides are girding their loins for a new education, suggesting that in future folk music dancing season, and in this issue our roving may have more difficulty in passing the baton to reporter looks into Morris on May Day, tracing the next generation. One established and highly its history back to its origins in ancient fertility effective way of passing on the techniques and rituals. Folk music itself continually needs new the ethos of folk music is informal coaching blood, and in our last issue we took pride in at the local club, but we also need to replace the healthy state of recruitment – the Radio 2 at least some of the formal tuition previously Folk Awards, where emerging talents competed provided by schools. on broadly equal terms with more established artists, justified our optimism. Many of you already participate in training schemes, some of which involve working with Folk music has benefited from an education schools (as EFDSS does), while others are led system which provided a steady stream of by private concerns like the Stables, by music recruits, many with a good general grounding, trusts and foundations such as Folkstock, or by some with advanced musical proficiency. the many independent teachers in our region. We However, student numbers in formal music believe that education and training will become a education – GCSE and A-level, instrument continuing strand in Unicorn, and we begin with grades, youth orchestras and bands – have some thoughtful observations from readers (see been steadily falling. -
Properganda 0
Properganda 0 Properganda 0 SERENADE_PROPERGANDA_ART_A4-F.in1 1 8/8/08 01:19:00 Page 4 Main Features Original Spin with Kerfuffle Ralph McTell CONTENTS 5 Folk Reviews 6 Fellside Records featuring Rachel & Lillias Jack McNeill & Charlie Heys and The Maerlock 7 Drever, McCusker, Woomble Megson Folk Reviews Country/Americana Reviews elcome to the autumn/winter issue of Properganda, our 4 W first ever push-me-pull you edition. We had so much to tell Joan Baez you about that we had to put a cover at either end. This is the Art Garfunkel 5 month that Bellowhead and Also Drever, McCusker, Woomble Catherine Maclellan 6 release new albums into the world. In DMW’s case it’s their debut Signature Sounds and Six Shooter and we are lucky to have John McCusker Roddy Woomble as our 7 Up Round Review Hot Club Of Cowtown guest contributors for this issue. 8 Mile Miracle Hightone featuring Dave Alvin, We had a great summer around various festivals giving Properganda Buddy Miller and Tom RussellUp Round Review 0 out to the assembled masses and hopefully there will be a few Country/AmericanaWoomble Roddy Reviewsfrom Editorial Guest 4 more of you out there looking forward to this issue. It’s the usual Selection Track Muskers John 5 HELLO action packed affair, with even more pages than before. Even, if Blues Caravan and Rich Man’s War Man’s Rich and Caravan Blues 6 your picking up an issue for the first time you are most welcome. Blues Reviews Blues 7 As well as 48 individual reviews, there are more exclusive interviews The Portico Quartet Portico The 8 than ever before and some new contributors have signed up to The BBC Jazz Awards Jazz BBC The 9 bring you even wider coverage of the world of specialist music. -
Jan-Mar 2018 Date & Time Category Event Page
Theatre Music Art Film Word Heritage JAN-MAR 2018 www.thecornhall.co.uk DATE & TIME CATEGORY EVENT PAGE Thur 4 Jan, 7.30pm Theatre Sherlock Holmes – Common Ground 4 Weekly Tues evening & Sat morning Jan-May Workshops Community Workshops – Drama, Singing, Art 4 10 Jan-17 Feb, Box Office Hours Art Exhibition Eileen Cooper – Night Music 5 10 Jan-19 Feb, Art Exhibition in Box Office Hours the Upper Gallery Designmakers@21 – Printmaking in Action 5 Weds 10 Jan, 10.30am Matinee 7.30pm Evening Film The Sense of an Ending (15) 5 Fri 12 Jan, 7pm Screen Arts NT Live – Young Marx 6 Tues 16 Jan, 7.15pm Screen Arts ROH – Rigoletto 6 Weds 17 Jan, 10.30am Matinee 7.30pm Evening Film Dunkirk (12A) 6 Thur 18 Jan, 7.30 or 8pm Music Kate Dimbleby – Songbirds 7 Sat 20 Jan, 8pm Comedy Lee Hurst – Mucking About 7 Weds 24 Jan,10.30am Toddlers Film Peppa Pig – My First Cinema Experience 7 Weds 24 Jan, 7.30pm Evening Film My Cousin Rachel (12) 8 Sat 27 Jan, 7.30pm Music Viva Neil Diamond 8 Weds 31 Jan, 7.30pm Evening Film A Man Called Ove (15) 8 Sat 3 Feb, 7.30pm Word Dan Cruickshank 9 Weds 7 Feb, 7.30pm Evening Film Churchill (PG) 9 Thur 8 Feb, 7.30pm Music Diss Jazz Club – Jo Harrop 9 Sat 10 Feb, 7.30pm Music The Marriage of Figaro – Merry Opera Company 10 Tues 13 Feb, 7.15pm Screen Arts ROH – Tosca 10 Weds 14 Feb, 10.30am Matinee 7.30pm Evening Film La Belle et la Bête (PG) 10 Fri 16 Feb, 10.30am Film Family Flicks – Captain Underpants (U) 11 Weds 21 Feb, 10.30am Matinee 7.30pm Evening Film Victoria and Abdul (PG) 11 Thur 22 Feb, 7pm Screen Arts NT Live – Cat