Youth Folk Opportunities Around England 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE FREE WESSEX ARTS and CULTURE GUIDE EVOLVER May and June 2019 EVOLVER 111:Layout 1 23/04/2019 18:50 Page 2
EVOLVER_111:Layout 1 23/04/2019 18:49 Page 1 THE FREE WESSEX ARTS AND CULTURE GUIDE EVOLVER May and June 2019 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 2 2 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 3 EVOLVER 111 EXHIBIT A ZARA MCQUEEN: ‘AS THE CROW FLIES’ Mixed media (120 x 150 cm) ARTIST’S STATEMENT: “Drawing and painting is part of who I am. It is how I respond to my world. I am driven by mood and intuition. I always begin outside. In that sense I am a landscape painter. Seasonal changes catch my attention and I can rarely resist the changing colours and textures of the natural year. I sketch and paint in watercolour, charcoal or oil then return to the studio where I make larger mixed media pieces guided by memory and feeling. Work gets cut down, torn up, collaged and reformed. Fragments of self portraits often lay hidden in fields, branches or buildings.” ‘DRAWN IN’ 11 May - 15 June: Bridport Arts Centre, South Street, BRIDPORT, DT6 3NR. Tuesday - Saturday 10am - 4pm. 01308 424204 / bridport-arts.com. zara-mcqueen.co.uk EVOLVER Email [email protected] THE WESSEX ARTS AND CULTURE GUIDE Telephone 01935 808441 Editor SIMON BARBER Website evolver.org.uk Assisted by SUZY RUSHBROOK Instagram evolvermagazine Evolver Writer Twitter @SimonEvolver FIONA ROBINSON www.fionarobinson.com Facebook facebook.com/EvolverMagazine Graphic Design SIMON BARBER Published by EVOLVER MEDIA LIMITED Website OLIVER CONINGHAM at AZTEC MEDIA Pre-Press by FLAYDEMOUSE Front Cover 01935 479453 / flaydemouse.com JEREMY GARDINER: ‘WEST BAY IV’ Printed by STEPHENS & GEORGE (Painting) Distributed by ACOUSTIC See page 4. -
Download PDF Booklet
“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
01539 725133
Sep - Dec 2017 breweryarts.co.uk | 01539 725133 NEW! Sound of the Sirens - Thu 7 Dec 01 Sep - Dec 2017 Box Office: 01539 725133 For full listings and to book online: breweryarts.co.uk WELCOME TO A NEW! SEASON AT THE BREWERY Welcome to The Brewery, NEW Website South Lakeland’s home of culture and entertainment! We are pleased to announce that we are currently developing a new Not only is this autumn our website which is scheduled to go biggest season, we’ve worked live early in the autumn. hard to bring you an exciting The new site will provide visitors with a smooth selection of brand new bands, booking process and up-to-date information artists and shows and we’ll be about everything going on at the Brewery and telling you a bit more about it will also be fully compatible with mobile them in this brochure. devices, phones and tablets. Stay tuned for announcements… exciting times! Take a look at all the great stuff coming up! We’re very excited NEW Work and are sure you will be too! For the autumn, we have commissioned three pieces of dance as part of a new dance project. Entitled Journey, the event will take over all of The Brewery’s main spaces for a day in September during which visitors can experience a broad range of styles from clogging to popping! See page 15 for details! Follow us on twitter: @BACKendal | facebook: facebook.com/breweryartscentre Welcome 02 NEW Classes NEW Menu The Brewery is known Our Head Chef Mark for its inspiring and Robson has been busy diverse classes and sourcing the best local workshops for young ingredients to add a new people and adults. -
Chiltina Clarion 2004
2 o o 4 Current contents: Page 2 Editorial Page 4 Harry Scurfields Chiltina Workshop/ Geoff Thorp Page 8 Anglos in Bristol / Jenny Cox Page 12 Wheatstone Bicentennial Concert / David Lee Page 15 Folk Jottings / David Lee Page 17 Cecil Sharp Centennial Festival/ Geoff Thorp Page 19 Concertinas in Hungary/ Jane Bird Page 21 Giving up "Angling" / Rob in Tims Page 27 Kilve Autumn Concertina Weekend?Martin Henshaw Page 30 So you want to participate in Folk Sesslons/ Geoff Thorp Page 32 Son Accompaniment / Martin Henshaw Page 41 Stop Press: Song Accompaniment for English Concertina Dick Miles Page 44 Visit to Sotherbys/ Horniman / Martin Henshaw Page 47 Tailpiece / Editor Page 48 Bo lton English Concert ina.,. Band Pic. Jenny Cox Editorial .. off at the terminal - one colleague waS kind enough to gi ve me a li st of things Ok - it's late ... Okl Okl - look time to say and do if the boss caught me passes - and as you get older yo u stop asleep at the desk - of which my fa noticing that a little more has slipped vourite was simply to sit up and soya out of the door. I know I'm sitting very pious "AM EN!". though I don't here with apparently all the time in the think I ever foo led anyone! world to get all these things done - I mean - that IS what being retired is But how time does fly - the mirror supposed to mean isn't it? Eh? Putting starts to tell an unpalatable truth - the feet up , playing gentle lulling melo and the children are suddenly older dies on the leather ferret - reading and wiser. -
Investigating the Health of the UK Folk Club Dr Stephen Henderson Senior
Investigating the health of the UK folk club Dr Stephen Henderson Senior Lecturer Leeds Metropolitan University UK Centre for Events Management Room 216 Bronte Hall Headingley Campus Leeds LS6 3QS United Kingdom Telephone: 0113 812 5514 Email: [email protected] Abstract This research addresses the conflicting views of the health of folk music by way of interviewing artists, agents, and folk club organisers/promoters. Exploring the more homogenous formats of performance observed as singarounds (including sessions), ‘open mic’ and concert clubs, it is concluded that the concert club is struggling to survive whilst the other formats are still offering opportunities to folk artists. However, the latter are finding both the formal venues such as arts centres and the emergence of young promoters provides compensatory opportunities for performance. 1. Aim of Research For many years, folk clubs have provided places of congregation for those of like musical mind to discuss, perform, enjoy and share their music. This paper explores the state of health found within the UK folk club scene where the phrase ‘folk revival’ seems to be mentioned as often as concerns are raised about the future of the folk club. In considering the state of the folk club, this work concentrates on the business models represented by different folk club formats and their relative health as opposed to the complex ethnomusicology behind the folk music format. 2. Methodology In order to address the health of the folk club, the author has interviewed twelve individuals including the artists who play these clubs, agents who book out the artists across the many venues and organisers/promoters who book the artists into these venues. -
Spring 2019 Pg 1
Magazine of the Hertfordshire Folk Association John Dipper leading the Playford Day Musicians April 2019 40p Where Issue 74 April - July sold Pg 15 GDPR & Membership renewal Pg 16 Useful information Pg 1 ContentsContents Pg 17 HFA Committee information Pg 2 Photos from HFA Playford Day Pgs 18 & 19 Diary dates Pgs 3 - 5 HFA Playford Day Pgs 20 & 21 Affiliated Clubs & Groups Pgs 5 & 6 Ash Vale longsword continued Pgs 24 - 29 - Anne Daye - “a conversation about The English Pgs 7 & 8 Cyril Jones remembered Dancing Master by John Playford 1651 Pg 9 Adrian Hilton remembered Pg 30 Sidmouth Folk Festival Pg 10 Stanstead Abbotts Ceilidhs Pg 31 Whitby Folk Festival# Winchmore FDC and St Albans Festival Pg 32 Hitchen Folk Club & Halsway Pg 11 Royston Pageant Manor 12th Night Revels Pg 12 Kimpton Folk Festival Pg 33 Friday Fol k Pg 13 Editorial & Pg 34 St Albans Folk News Herts Early Dance May Revels Pg 35 New Forest Folk Festival Pg 14 Wheathampstead Annual Vilage Day Pg 36 Folk by the Oak Photos of Herts Folk Association Playford Day 2 The Hertfordshire Playford Day on Saturday November 17th, 2018 Or Playful/Playing with Playford. John Playford. The Dancing Master 1651. Playford Balls. Cecil Sharp’s ‘rediscovery’ of Playford. Zesty Playford. Oh yes, we all ‘know’ a bit about Playford, or do we? There certainly can’t be one Playford, can there? The promise of a whole day of playing music for Playford, dancing Playford dances and learning from three expert teachers of Playford in a trio of workshops proved to be an event not to miss – for almost seventy folk dancers from far and wide who attended the recent Hertfordshire Playford Day. -
2018 Booking Form 180508
WELCOME TO FOLKWEEK Booking Form Free ticket offers... For 2018… Family Ticket Offer: Buy at least one Adult ticket and pay for one Youth (12-17) or Child (6-11) and the next Child ticket is Free. 5s and unders also Free. (If booking by post, Bulverton in One GROUP DISCOUNT: see note below on how to apply for this offer.) We’re keeping this extra value option for group bookings introduced last year – Discount ticket offers... buy 6 for the price of 5!! • Student Concession: over 20% off the Adult price for both students and unpaid interns (18+). Season Tickets • For young people: big discounts for Youth (12-17) & All Student, Youth & Child Season prices are at Child (6-11) tickets - and FREE for 5s and under! standstill from 2017! • Groups: 10 tickets for the price of 9 on All in One, All in One Weekend, Week & Weekend seasons, 6 tickets Camping for the price of 5 on BiOs. All camping prices are also at standstill! • All the above are available Online or on the Booking form below. All ages as on 3 August 2018. Ongoing Offers • Sidmouth Residents Discount Scheme: To qualify See opposite for our continued commitment to a great you need to live within the Sidmouth Town Council range of family, group, student, young people and area. The scheme covers Ham afternoon and evening resident discount offers! concerts, Bulverton evening and LNE events and Pre- Festival concerts. Available only at the TIC Box Office: apply in person with identifying documents. How To Book Online at www.sidmouthfolkweek.co.uk. -
Festival Spaces and the Visitor Experience 1
CORE Metadata, citation and similar papers at core.ac.uk Provided by Bournemouth University Research Online see queries p. 4 and p. 12 Festival Spaces and the Visitor Experience 1 FESTIVAL SPACES AND THE VISITOR EXPERIENCE Michael Morgan School of Services Management, Bournemouth University Introduction A festival implies a special use of space for both the organiser and the visitor. On the practical level of events management, it is a series of temporary per - formance venues presenting special organisational problems. For the festival- goers, it is a space set apart to which they come seeking an extraordinary experience. This experience can have an emotional and symbolic significance, which they then come to associate with the place itself. For this reason, festivals and special events are increasingly used as part of strategies to regenerate or reposition urban areas or coastal resorts. Events attract additional visitors, creating economic benefits for retail, leisure and other businesses. The publicity can be used for place marketing aimed not only at attracting visitors but also new businesses and investment to the area (Jago et al., 2003; Morgan et al, 2002). They can also give a boost to the cultural or sporting life of the residents and increase local pride and self- esteem. Festivals are part of the area’s ‘experience economy’ to use Pine and Gilmore’s (1999) term, creating a temporary ‘creative space’ which can attract visitors (Richards and Wilson, 2006). But how should that space be designed to optimise the experience of the festival-goers and contribute to the success of the event? Answering this question requires an awareness of how festival-goers perceive the impact of the location and its layout on their enjoyment of the event. -
The English Folk Dance and Song Society
Company number: 297142 Charity number: 305999 The English Folk Dance and Song Society Report and financial statements For the year ended 31 March 2020 The English Folk Dance and Song Society Contents For the year ended 31 March 2020 Reference and administrative information .................................................................................... 1 Directors’ annual report ............................................................................................................... 4 Independent auditor’s report ...................................................................................................... 22 Statement of financial activities (incorporating an income and expenditure account) .................. 25 Balance sheet ............................................................................................................................. 26 Statement of cash flows .............................................................................................................. 27 Notes to the financial statements ............................................................................................... 28 English Folk Dance and Song Society Reference and administrative information For the year ended 31 March 2020 Company number 297142 Charity number 305999 Registered office and Cecil Sharp House operational address 2 Regent’s Park Road London NW1 7AY Web address www.efdss.org E-mail address [email protected] Trading Names English Folk Dance & Song Society folkshoponline President Shirley Collins MBE Vice President -
Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020: an Examination of Non-Specialist English Social Folk Dance
Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020: An Examination of Non-Specialist English Social Folk Dance Chloe Elizabeth Middleton-Metcalfe MA, BA (Hons) A thesis submitted in partial fulfilment of the requirement for the degree of PhD Department of Dance University of Roehampton 2021 1 Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020 CEMM Abstract This thesis is a genre-centred investigation of one dance form which is known by a variety of names including: barn dance, ceilidh, country dance, and (English) folk dance. A hitherto academically neglected dance genre, this thesis takes a mixed diachronic and synchronic approach to explain and contextualise the developments of English social folk dance from the mid-twentieth century. In so doing it contributes to an under-studied area of research: the experiences of occasional, or novice adult dancers. In order to answer the central question of ‘why do people hold English social folk dances?’ this thesis examines the genre’s recent history. The approach of Douglas Kennedy, head of the English Folk Dance and Song Society (EFDSS) from 1924-1961 is examined. Consideration is given to the influence of other dance genres (in particular square dance and old time) on the formation of an English folk repertoire. The neo-traditionalist approach of the ceilidh movement in the 1970s and the quest for an English sound and dancing style is examined. Folk dance in English schools is charted, providing a counter- story to modern educational dance centred histories. The second half of this thesis utilises ethnographic fieldwork from thirty dance events (2017-2018), supplemented with interviews and questionnaire data. -
Folkeast 15Th, 16Th and 17Th August Glemham Hall, Suffolk 2014 PROGRAMME
FolkEast 15th, 16th and 17th August Glemham Hall, Suffolk 2014 PROGRAMME Eccentric, eclectic and essentially Suffolk A WORD FROM OUR PATRONS: We are extremely happy and proud to have been asked to be patrons of FolkEast. The fact that they chose us is only proof that the organisational team are obviously remarkably savvy and intelligent people, and that the festival is in very safe hands. I'll let you make your own minds up as to whether that was tongue-in-cheek or whether we are just massively egotistical. But we are truly thrilled to be patrons, and we're looking forward to debuting various new and exciting projects and performances at the festival over the years.” David Eagle, Michael Hughes and Sean Cooney We are proud to announce, Teeside-based, The Young’uns as our first-ever patrons of FolkEast and we are even more delighted (and relieved) that they accepted after Becky threw coffee at them (accidentally) before they took to the stage at the Cromer Folk Festival (sorry). Celebrating 10 years performing together, Sean, Michael and David have gained a reputation as being one of the most entertaining live acts on the folk scene and have released four albums, the most recent being the thoughtful, “Never Forget”. We look forward to their involvement in FolkEast for years to come, working with us to inspire , as only they can, young people to engage with folk as a living tradition . We will all look forward to them performing an annual Patrons set for FolkEast. Welcome aboard! From Everyone at FolkEast CONTENTS WELCOME GLEMHAM HALL SUNSET BROAD ROOTS & BROAD ROOTS CLUB GET ON THE SOAPBOX THANK YOU CHURCH OF ST. -
English Fiddle Symposium Programme
English Fiddle Symposium Thursday 30th April - Friday 1st May 2015 Northern Rock Foundation Hall, Sage Gateshead Co-Directed by: Catriona Macdonald, Head of Performance, ICMuS, Newcastle University Eliza Carthy, Folkworks Artistic Associate, Sage Gateshead The English Fiddle Symposium aims to bring together a wide range of expertise, thinking and performance, to discover the ‘state of the nation’ for the fiddle in traditional English music. Two days of discussions and performances with leading fiddle players and academics aim to document and provide a meeting place for further dialogue about regional styles, repertoire, belonging and mediation of traditional English music. A wide range of practitioners and academics have expressed interest at presenting papers and leading discussions. Dr Alan Jabbour will give the keynote speech on Friday. Tickets: £30 for full 2 day conference – including tea/coffee throughout each day. £18 for a single day including tea/coffee (a booking fee of £1.50 per ticket applies). Available from Sage Gateshead Ticket Office on 0191 443 4661 or www.sagegateshead.com. English Fiddle Symposium Page 1 English Fiddle Symposium th Thursday 30 April 2015, Northern Rock Foundation Hall, Sage Gateshead. Time Name Paper Title 9am - Registration and Welcome 9:30am Geoff Bowen (Yorkshire Dales The repertoire and playing styles of Yorkshire fiddlers Workshops) (including the extensive repertoire in the 1798 Jackson Manuscript from North Yorkshire and recorded Yorkshire Dales traditions) 10am Dr Vic Gammon (Newcastle Traditional