Cypro-Archaic Bird Iconography: Types, Uses, and Meanings
Cypro-Archaic Bird Iconography: Types, Uses, and Meanings Alicia Marie Dissinger Marysville, Pennsylvania Bachelors of Art, College of Wooster, 2008 Masters of Arts, University of Texas at Austin, 2010 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia March, 2017 _________________________ _________________________ _________________________ _________________________ © 2017 Alicia Marie Dissinger Abstract Images of birds became common in the art of Cyprus during the Archaic period, ca. 750- 475 BC, and this study explores the types of birds created, the use of the images, and ultimately, the meanings imbedded in the representations. Despite their prevalence, most scholars have noted the birds in passing, and interpreted them as added decoration. A majority of scholarship about the decipherment of avian images in the ancient Mediterranean focuses on the Greek world, the Near East, and Egypt, while Cypriot bird portrayals lack in-depth analyses. Therefore, this project has three goals: first, to create a typological system for identification of bird images and objects, based on bird types; second, to establish a representative sample of known Cypro- Archaic bird images; third, to elucidate the cultural connotations associated with bird portrayals during the Cypro-Archaic period. This investigation begins by providing an introduction to how avifaunae and their images were perceived during antiquity in the eastern Mediterranean. In two subsequent chapters, the sculpted and painted birds are discussed separately, and are analyzed based on their classified bird type, as derived from the typological system created. Birds of prey, songbirds, and waterfowl have been identified in the Cypriot artistic repertoire.
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