Issue Id: 2013/B/23 Annual Returns Received Between 05-Jun-2013 and 11-Jun-2013 Index of Submission Types
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
DAVE SCHEIDT and KATHRYN HUDSON Trolls Graphic Novels #5: "Critter Appreciation Day"
CHARMZ • FEBRUARY 2018 JUVENILE FICTION / COMICS & GRAPHIC NOVELS GREG TESSIER AND AMANDINE Chloe #3: "Frenemies" Chloe and Alexandre do the long distance thing. Can their love survive? Collecting another quirky cute installment of stories in this hit series from France, Chloe Blin continues her quest to figure out love, popularity, and herself. This time Chloe must work with her nemesis, Anissa, at a new job with a cantankerous old woman doing makeovers! She’s not quite ready for all the trouble Anissa will cause and has to deal with conflict in more constructive ways. Then, Chloe must contend with her love, Alexandre, going FEBRUARY abroad after being in boarding school all year. It’s a disaster Charmz of epic proportions! Chloe must rally and manage her Juvenile Fiction / Comics & Graphic Novels disappointment, jealousy, and loneliness. On Sale 2/20/2018 Ages 10 to 14 GREG TESSIER has been writing stories since childhood. While Trade Paperback , 112 pages 9 in H | 6 in W at school, he studied history and cultural development, and today Carton Quantity: 90 he oversees public reading projects in France. His first comic ISBN: 9781629918587 series, CHLOE, has been very well received in France and is now $9.99 / $13.99 Can. being translated in English for the first time. AMANDINE first came to the comics scene in 2006 with her work in Violet's Wings, based on a screenplay by Sarabelle. She attended the University of Paris VIII, where she studied comic arts. When she is not working on the CHLOE series, she continues to seek out new projects and visit French schools. -
Jeff Whitman, Veronica Fish & Jolyon
SUPER GENIUS • APRIL 2018 COMICS & GRAPHIC NOVELS / NONFICTION / BIOGRAPHY & MEMOIR JULIAN VOLOJ AND THOMAS CAMPI Truth, Justice, and the American Way: The Joe Shuster Story An inside look at the creator of Superman from the author of the acclaimed GHETTO BROTHER. Everyone knows Superman, but not everyone knows the story of two youngsters from Cleveland who created Superman. Based on archival material and original sources, "Truth, Justice, and the American Way: The Joe Shuster Story" tells the story of the friendship between writer Jerry Siegel and illustrator Joe Shuster, and puts it into the wider context of the American comicbook industry. APRIL Born in Germany to Colombian parents, writer and photographer Super Genius Julian Voloj explores identity and heritage in his work. He is the Comics & Graphic Novels / Nonfiction / Biography & author of GHETTO BROTHER from NBM, which was named one Memoir of BOOKLIST's top 10 graphic novels of 2016. He lives in New York On Sale 4/3/2018 Trade Paperback , 180 pages City. 9 in H | 6 in W Carton Quantity: 25 ISBN: 9781629917764 $19.99 / $27.99 Can. 2 SUPER GENIUS • APRIL 2018 COMICS & GRAPHIC NOVELS / NONFICTION / BIOGRAPHY & MEMOIR MARKETING Distribution to Jewish press and journalists who covered GHETTO BROTHER. Mailings for regional coverage in Cleveland and Toronto and national Canadian press coverage. Feature article in ALTER EGO (comics history magazine), ARC distribution at Fall Regional bookseller shows. Regional signings in NYC area. 3 SUPER GENIUS • APRIL 2018 COMICS & GRAPHIC NOVELS / NONFICTION / BIOGRAPHY & MEMOIR JULIAN VOLOJ AND THOMAS CAMPI Truth, Justice, and the American Way: The Joe Shuster Story An inside look at the creator of Superman from the author of the acclaimed GHETTO BROTHER. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Let's Go Luna!
LET’S GO LUNA! Bios Joe Murray Creator and Executive Producer of LET’S GO LUNA! Joe Murray is an award-winning artist, animator and book author. He is the creator and executive producer behind the new upcoming PBS KIDS series, LET’S GO LUNA!, through 9 Story Media, set for release in fall of 2018. Joe Murray is also known for his groundbreaking 90’s Nickelodeon series Rocko’s Modern Life, for which he recently completed an hour special, rebooting the series for a new legion of fans. Hailing from San Jose, California, Murray is also the creator and producer of the highly rated Camp Lazlo which aired on Cartoon Network. With a combined experience of creating, directing, writing and producing over 100 hours of television, his work has garnered him two Primetime Emmy Awards, as well as, a host of international awards. He is also an award-winning independent filmmaker, with his animated films showing at Sundance, Annecy, Ottawa and other prestigious festivals. Murray resides in Southern California with his wife and four children, where he runs Joe Murray Studios. Erik Messal Cultural Anthropologist and Educational Consultant, LET’S GO LUNA! Erik Messal is an educational consultant with extensive training in cultural anthropology, experience in ethnographic fieldwork, and an M.Ed. in Multicultural Education. In addition to his degrees in cultural anthropology and multicultural education, Erik spent a semester-abroad in Egypt, and completed a year of ethnographic fieldwork in Turkey. Dual-credentialed in both English Language Arts and Social Sciences, Erik brings fifteen years of teaching experience to his current position as the educational consultant for LET’S GO LUNA! Press Contacts: Lindsey Horvitz, WNET, 212.560.6609, [email protected] Maryellen Mooney, Goodman Media International, Inc. -
Universidad Politécnica De Valencia
UNIVERSIDAD POLITÉCNICA DE VALENCIA ESCUELA POLITÉCNICA SUPERIOR DE GANDÍA Grado en Comunicación Audiovisual “Hora de aventuras como estandarte de la nueva animación televisiva en Cartoon Network” TRABAJO FINAL DE GRADO Autor/a: Francisco Javier López Gea Tutor/a: Fernando Luis Macías Pintado Gandía, 2020 Resumen: Este trabajo pretende mostrar las claves estilísticas y las propuestas temáticas presentes en la obra de la generación de animadores surgida en Cartoon Network a principios de la década de 2010, a raíz del lanzamiento de Hora de aventuras en ese mismo año. Para ello, analizaremos cómo esta serie ha supuesto una suerte de factoría de nuevos talentos y averiguaremos qué rasgos comunes podemos encontrar en estas nuevas sensibilidades que se han asentado en la animación tradicional para televisión. Con este objetivo nos valdremos, aparte de la serie de Pendleton Ward, de Steven Universe y Más allá del jardín para mostrar un ejemplo de dos animaciones creadas por miembros de la plantilla de Hora de aventuras. En INGLÉS: This work wants to show the stylistic keys and the thematic proposals present in the work of the generation of animators that emerged on Cartoon Network in the early 2010s, following the launch of Adventure Time that same year. In order to elaborate this work, we will analyze how this series has been a kind of factory for new talents, and we will also find out what common traits we can detect in these new sensibilities that have settled in television‟s traditional animation. In order to achieve this goal, we will use, aside from the Pendleton Ward series, other shows such as Steven Universe and Over the Garden Wall for the purpose of showing an example of two animations created by members of the Adventure Time‟s staff. -
Animation Magazine
ANIMATION MAGAZINE CONTENIDO VOLUME 24, No. 6 SEPTEMBER 2010 4 FRAME-BY-FRAME August Animation planner….Books We Love FEATURES 8 A Son’s Seaworthy Effort. Goro Miyazaki’s adaptation of Ursula K. LeGuin’s Earthsea series finally makes it’ s debut in the U.S. 10 What’s Cooking at Sony? Osher and Hannah Minghella discuss the studio’s exciting animation pipeline. Television 14 Dogged Pursuits. Toon mastermind Butch Hartman chats about the making of his new Nickelodeon show T.U.F.F. Puppy and shares a few creative secrets of the trade. Ramin Zahed. 18 Mad Science. Dino Stamatopoulos’ cool new slice of stop-motion heaven features a time- traveling Dr. Frankenstein and a cast of Xerox-faced celebrity puppets. Ramin Zahed. 20 Can You Say Gran Exito? Nick celebrates Dora the Explorer’s 10th anniversary with a big birthday special and a fun documentary in August. Ramin Zahed. 22 Creating Animated Cartoons with Character. The man behind Rocko’s Modern Life and Camp Lazlo dispenses some invaluable advice about creating interesting characters. Joe Murray. HOME ENTERTAINMENT 25 Back to Cool Toon School on DVD. Sharpen your animation education with the Simpsons. Batman, Bugs & Daffy, Rocky & Bullwinkle and Mr. Selick’s peachy James. Mercedes Milligan. SIGGRAPH’ 10 26 Full Digital Immersion Ahead. SIGGRAPH 2010 promises to deliver five days of fantastic CG-animated shorts, inspiring vfx panels and the chance to see the latest innovations in the world of tech imagery and design. 28 Eight Things to Do at (or around) SIGGRAPH. Make room in your hectic schedule for these top toon schedule for these top toon and vfx picks (plus some suggestions for unwinding from them). -
Outstanding Animated Program (For Chris Clements, Directed by Programming Less Than One Hour) Matt Selman, Written By
Scott Brutz, Animation Timer Outstanding Animated Program (for Chris Clements, Directed By Programming Less Than One Hour) Matt Selman, Written by Avatar: The Last Airbender • City Of Walls And Secrets • South Park • Make Love, Not Warcraft • Comedy Central • Nick • Nickelodeon Animation Studio Central Productions Michael Dante DiMartino, Executive Producer Trey Parker, Executive Producer/Directed by/Written by Bryan Konietzko, Executive Producer Matt Stone, Executive Producer Eric Coleman, Executive Producer Anne Garefino, Executive Producer Aaron Ehasz, Co-Executive Producer/Head Writer Frank C. Agnone II, Supervising Producer Tim Hedrick, Written by Kyle McCulloch, Producer Lauren MacMullan, Directed by Eric Stough, Director of Animation Yu Jae Myoung, Animation Director/Timing Director SpongeBob SquarePants • Bummer Vacation / Wig Struck Robot Chicken • Lust For Puppets • Cartoon Network • • Nick • Nickelodeon Animation Studio in association with ShadowMachine Films United Plankton Pictures, Inc. Seth Green, Executive Producer/Writer/Directed by Stephen Hillenburg, Executive Producer Matthew Senreich, Executive Producer/Writer Paul Tibbitt, Supervising Producer Keith Crofford, Executive Producer Tom Yasumi, Animation Director/Timer Mike Lazzo, Executive Producer Alan Smart, Animation Director/Supervising Director/Timer Corey Campodonico, Producer Casey Alexander, Storyboard Director/Written by Alex Bulkley, Producer Chris Mitchell, Storyboard Director/Written by Tom Root, Head Writer Luke Brookshier, Storyboard Director/Written by -
48 JAN | FEB 2017 the PENNSYLVANIA GAZETTE WHAT KIDS WANT (To Watch)
48 JAN | FEB 2017 THE PENNSYLVANIA GAZETTE WHAT KIDS WANT (to watch) Twenty-five years after she helped launch the original Nicktoons, Linda Simensky is still deciding what millions of kids watch on TV—and teaching Penn students who grew up loving the shows she developed. By Molly Petrilla he Powerpuff Girls were fighting again. at Cartoon Network since 1995. Rather Guided by gut instinct and personal Voices squeaking and cartoon eyes than sketching characters or writing taste, she’s made a career out of divining Tbulging, Buttercup, Bubbles, and scripts, as an executive she helped creators what kids want to watch. Her work at Nick Blossom flew at a bad guy, throwing out refine their ideas, test out their pilots, and and Cartoon in the ’90s helped coax teens kicks and punches. ultimately put their shows on TV. and adults back to cartoons and made ani- Linda Simensky C’85 and her two-year- Simensky loved making kids laugh, but mation zeitgeisty again. At PBS, she’s man- old son, Ethan, watched from the couch. she hadn’t thought much about how else aged to keep kids’ attention despite the The superhero sisters weren’t just on cartoons might affect them. How a kid siren calls of Netflix and iPads and XBox. the family TV back then. They were all who hears Ren call Stimpy a stupid idiot She also has a pretty cool office. over the house—splashed across posters, enough times might think that’s a good printed on T-shirts, molded into action nickname for a friend. -
The Collecting of Family Guy
Edith Cowan University Research Online Theses : Honours Theses 2006 That's freakin' sweet: The collecting of Family Guy Matthew Knight Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Broadcast and Video Studies Commons Recommended Citation Knight, M. (2006). That's freakin' sweet: The collecting of Family Guy. https://ro.ecu.edu.au/theses_hons/ 1390 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1390 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Use of Thesis This copy is the property of Edith Cowan University. However the literary rights of the author must also be respected. If any passage from this thesis is quoted or closely paraphrased in a paper or written work prepared by the user, the source of the passage must be acknowledged in the work. If the user desires to publish a paper or written work containing passages copied or closely paraphrased from this thesis, which passages would in total constitute an infringing copy for the purpose of the Copyright Act, he or she must first obt~1n tl-a written permission of the author to do so. -
10-Year Review of Gender and EMMY Nominations
INVESTIGATION: 10-YEAR REVIEW OF GENDER & EMMY NOMINATIONS womensmediacenter.com WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonpro!t organization endeavoring to raise the visibility, viability and decision-mak- ing power of women and girls in media and, thereby, ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of intercon- nected channels and platforms to transform not only the media landscape but also a culture in which women’s and girls’ voices, stories, experiences and images are neither suf!ciently ampli!ed nor placed on par with the voices, stories, experiences and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spot- light gender and racial bias in news coverage, entertainment !lm and television, social media and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Guide to Covering Reproductive Issues”; and the Women’s Media Center’s annual “The Status of Women in the U.S. Media” report. Our WMC Women Under Siege project investigates sexualized violence. Our original content channels — WMC Features, WMC FBomb, WMC Speech Project and the “Women’s Media Center Live with Robin Morgan” radio program — provide women’s perspectives on both headline stories and timely events that are ignored, not wholly captured or misrepresented in the mainstream media. -
BENJAMIN FOSSELMAN [email protected] | (901) 600-9294 Glendale, CA 91205
BENJAMIN FOSSELMAN [email protected] | (901) 600-9294 Glendale, CA 91205 STORYBOARD ARTIST & ANIMATOR Portfolio Website: www.stoopiddrawingz.com Instagram: @stoopiddrawingz SKILLS Storyboard Pro, Toon Boom Harmony, Maya, Adobe Animate, Adobe Photoshop, Illustrator, AfterEffects, Premiere, Clip Studio Pro, Final Cut Pro WORK HISTORY Storyboard Artist | Joe Murray Studios - Glendale, CA 05/2018 - Current "Let's Go Luna" is a board-driven show about Luna the moon, who guides three friends - a wombat, a butterfly and a frog - as they visit new places around the world. Applied knowledge of cinematography, staging and shot flow to put together easy-to-follow, relevant boards. Utilized character knowledge to show diverse range of emotions for all manner of dramatic and comedic scenes. Pitched and wrote episodes and dialogue based on notes from directors. Animator, Storyboard Artist | Magnetic Dreams - Nashville, TN 05/2012 - 07/2019 During my 6 year tenure at Magnetic Dreams my primary role was animator. I did 2d/3d based animation with various styles and software. Clients include Marvel, Nickelodeon, Coca-Cola, M&Ms, HBO, Chick-Fil-A, Mother Goose Club, and Qpeas. In addition to animating, I also served as a storyboard artist, character/background/asset designer, director, and pitched show concepts. Studio and Project Highlights: Nickelodeon - MechChamps (animation), Spongebob Squarepants (animation) , pitches (visual development, storyboards) Youtube - The Wingfeather Saga (animation), I Love My Country (animation, storyboards, backgrounds, character design) Sesame Street - The Magical Wand Chase* (animation), The Cookie Thief (background assets), Elmo and Taye Diggs Go for a Drive (animation), various shorts (character designs, pilot script, storyboards). EDUCATION Edinboro University of Pennsylvania - Edinboro, PA 2011 Bachelor of Arts: Animation.