DOCSLIB.ORG

Vcuarts I Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vcuarts I Music vcuarts I music VCUARTS DEPARTMENT OF MUSIC GUEST ARTIST AND FACULTY RECITAL Richard Demy, euphonium Philippe Brunet, trumpet Magdalena Adamek, piano Tuesday, October 4, 2019 at 5 p.m. Sonia Vlahcevic Concert Hall I W. E. Singleton Center for the Performing Arts 922 Park Avenue I Richmond, Va. Cascades Allen Vizzutti (b. 1952) Richard Demy, euphonium Fantasy Variations Ito Yasuhide (b.1960) Richard Demy, euphonium and Magdalena Adamek, piano Legende Georges Enesco (1881-1955) Philippe Burnet, trumpet and Magdalena Adamek, piano The Fox and the Wolf Richard Demy (b. 1983) Richard Demy, euphonium and fixed media La Mort de L'aigle (Death of an Eagle) for Solo Trumpet in C Michael Blake Watkins (b. 1948) Philippe Brunet, trumpet Necroterror Ian Lester (b.1994) Richard Demy, euphonium and fixed media Concert for 2 Trumpets Erik Morales (b. 1966) Mvm. I Boldly Mvm. II Rubato Mvm. Ill Allegro Philippe Burnet, trumpet, Richard Demy, euphonium and Magdalena Adamek, piano Sponsored in part by vcuarts I music About the Artists Richard Demy is an international award-winning musician who has performed all over the world. Richard won the 2012 Leonard Falcone Euphonium Artist Solo Competition and is a Willson Sponsored Artist. He was a finalist in the National Symphony Orchestra Concerto Competition and the International Tuba Euphonium Conference Euphonium Artist Division. He graduated from the University of North Texas with his DMA under Dr. Brian Bowman and has studied with Dr. Joseph Skillen, Don Palmire, and others. He performed a solo recital at the Kennedy Center as well as with wind bands across the United States and Europe. He has performed with symphonies and given over 100 recitals and master classes across the USARichard has worked hard to expand performance opportunities on the euphonium. He plays a specially built quarter tone euphonium made by Willson to play traditional Arabic music. He has published articles promoting lesser-known genres featuring the euphonium, such as the Porro tradition of San Palejo, Colombia. Richard has presented recitals on historical instruments at The US Army Band Conference and the International Euphonium-Tuba Institute on Serpent and Ophicleide. He also performs regularly on electro-acoustical media, such as the heavy metal cover band N.A.M.E, and experimental projects that use audience biometrics to render a real-time musical composition.Richard currently lives in Washington DC and is an assistant professor of low brass at NOVA Community College. He actively solos, gives clinics and performs in the Baltimore Brass Quintet. Richard Demy plays exclusively on a Willson 2900 Euphonium. Philippe Brunet, D.M.A. has been an active performer and educator all across North America and Europe appearing as an orchestral musician, chamber musician, and soloist. He has performed with the Kennedy Center Opera House Orchestra, Baltimore Symphony Orchestra, the Knoxville Symphony Orchestra, The Florida Orchestra, The Naples Philharmonic, the Southwest Florida Orchestra, and for four seasons as a member of the Miami City Ballet Orchestra. He has also been heard at prestigious festivals such as the Cabrillo Festival for Contemporary Music, the Aspen Music Festival, the Dartington International Music Festival, the Center for Advanced Musical Studies at Chosen Vale, and the Atlantic Music Festival. Philippe is also a member of the Parkway Brass, an innovative brass quintet that performs in the mid Atlantic region and is the ensemble in residence at Christ Lutheran Cathedral in Baltimore, Maryland. As an advocate for New Music and soloist, he has performed and often memorized works by Stockhausen, Berio, Erickson, Gruber, Henze, Rabe, and many others. He has also collaborated with several composers on creating over a dozen new works including a commissioned trumpet concerto for chamber ensemble and soloist, Fanfares for The Apocalypse by Rome Prize winning composer, Ken Ueno. In 2009 he was presented with the VCU School of the Arts highest honor, the Award of Excellence, and he has been awarded the 2011 Theresa Pollack Prize for Excellence in the Arts. The Pollack Prize selectors wrote: "Richardson stands at the vanguard of jazz, classical and contemporary American music. As his star has risen internationally, he's maintained a clear commitment to education. He is an extraordinary musician.". A native of Poland, Magdalena Adamek currently serves as Assistant Professor of Collaborative Piano at Virginia Commonwealth University in Richmond, VA, where she participates in various performance projects with Faculty and students and teaches chamber music, including her own Advanced Chamber Music course. For the past four years, Adamek has been on the Faculty at Global Summer Institute of Music (Richmond, VA), both as an instructor and a pianist-collaborator. She has also been active as a solo, chamber music performer, clinician, and adjudicator. Her future, and prominent engagement includes serving as a pianist-collaborator during the Yehudi Menuhin International Competition (Richmond, 2020). Magdalena holds Master of Arts (Piano Performance) from the Chopin Academy of Music in Warsaw and Doctor of Music in Piano Performance from the University of Alberta. Being a versatile pianist, she enjoys performing both as a solo recitalist and in chamber music settings. Her performing career includes recitals across Poland, Germany, Austria, Lithuania, France, China, USA, and Canada. Her long-term artistic project involves promoting piano music by composers from her native country: Chopin, Szymanowski, Maria Szymanowska, Nowowiejski, and others. @VCU .
Load more

Recommended publications
  • Linda Yeo Leonard Recordings and Critical Listening Masterclass
    Linda Yeo Leonard Recordings and Critical Listening Masterclass “World class players do not just happen – their talents are forged in the dual furnaces of determination and diligence.” -Edward Kleinhammer, former bass trombonist of the Chicago Symphony Orchestra (1940-1985) Becoming the best player you can will take hard work and determination. But if you work to become 1%-3% better every week you play your horn, just think how much better you could be in 6 months . a year. Wow- that would be exciting! I can’t stress the importance of listening to great recordings- I picked up many things from my father playing trombone in my house growing up. Many of you probably don’t have a parent who plays an instrument professionally. That’s fine- there are many excellent recordings out there of great musicians playing your instruments. Trombone: A Gala Festival (the Canadian Staff band, with Alain Trudel, Canadian trombone virtuoso- the best and fastest “Blue Bells of Scotland” I’ve ever heard! Proclamation, Two of a Mind, The Essential Rochut, Cornerstone, Take 1, and the New England Brass Band recordings on my dad’s website: www.yeodoug.com. Bass trombone solos and trombone duets with brass band, solos, recordings of him playing when he was younger, and rocking brass band recordings with him conducting) A New At Home and Experiments in Music, by Norman Bolter, my dad’s co-worker- former 2nd trombonist in the BSO At the End of the Century- Joe Alessi, principal trombonist of the NY Philharmonic Fancy Free, by Blair Bollinger, bass trombonist in the Philadelphia Symphony Orchestra Trombones De Costa Rica- rocking trombone 4ets Bonetown with Michael Davis and Bill Reichenbach The Legacy of Emory Remington and the Eastman Trombone Choir Euphonium: World of the Euphonium 5 by Stephen Mead CDs by the Childs Brothers American Variations by Brian Bowman Leonard Falcone and His Baritone Volumes 1-4 (Euphonium CDs suggested by Mr.
    [Show full text]
  • Press Release 61011
    Blue Lake Press Announces Publication of Leonard Falcone Biography Solid Brass is the story of Leonard Falcone, whose journey to America from Italy through Ellis Island at age 16 led to one of the most unlikely and inspirational careers in the history of the American band movement. Universally recognized as the greatest euphonium virtuoso of the 20th century, Falcone was Director of Bands at Michigan State University for 40 years, and through his leadership, discipline and musicianship, helped to establish a national reputation for the MSU Department of Music and Spartan Marching Band. This beautifully illustrated 398 page book will be published in September. Rita Comstock’s insightful biography chronicles Falcone’s remarkable life, including his early years growing up in culturally rich Roseto Valfortore, Italy, his success as a silent movie theater musician, the music department challenges during the depression and war years, the two Rose Bowl trips via private rail car courtesy of Oldsmobile, performing with the Michigan State Band for four sitting United States presidents, and his special relationship with Blue Lake Fine Arts Camp, where he would spend his final summers conducting and working with young students. Through it all, Leonard Falcone’s greatest legacy was the example he set as a man of honesty and integrity, who valued his family, his adopted country, and the importance of striving for excellence. His sense of humor and humble approach to leadership inspired thousands of student musicians, many of whom have become renowned performers, teachers and band leaders in their own right. An alumnus of Falcone’s Michigan State Band, Rita Comstock offers a fascinating look at Falcone’s professional and personal life.
    [Show full text]
  • Leonard Falcone Enrolled Part-Time at Michigan's University School of Music, While Continuing to Play in Theaters
    Leonard Solid Brass by Rita Griffin Comstock Biography Falcone Biography Leonard Vincent Falcone was born April 5, 1899 in Roseto Valfortore, a Province of Foggia in Italy, one of Dominico and Maria Filippa (Finelli) Falcone's seven children. Leonard began his musical career in 1908 at the age of nine by playing the alto horn in the prestigious town band (known as the Roseto Valfortore Band or the "Banda Municipale") directed by the famous Donato Donatelli, Neapolitan Bandmaster. Leonard's brother, Nicholas, was also a member of the band. Nicholas emigrated to the United States in 1912 in order to pursue a career in music. In 1915, at the advent of World War I, Leonard joined him. Nicholas had found work in Ann Arbor as a tailor and clarinet player in a theater. Upon arriving in Michigan, Leonard became a tailor's assistant, and as a trombonist in a silent movie theater band in Ypsilanti that his brother was conducting. In 1917 Leonard Falcone enrolled part-time at Michigan's University School of Music, while continuing to play in theaters. Falcone was granted citizenship in 1924, and in 1926 graduated with a diploma in the violin. During this time, Nicholas had been appointed director of the Varsity Band at the University of Michigan. The Falcone brothers began to develop a sound reputation as musicians and conductors in the Ann Arbor community. The Secretary of Michigan State College contacted the Treasurer of the University of Michigan, and requested his recommendation for the position of Director of Bands at Michigan State. Both brothers were seriously considered for the position, but since Nicholas was settled with a wife and child in Ann Arbor, it was decided that Leonard, the bachelor, should take the position in East Lansing.
    [Show full text]
  • Winter 2020 En Re UPCOMING EVENTS 2017 MSU ALUMNI BAND FALL REUNION a Message from the President
    Newsletter of the MSU Alumni Band, founded in 1970. an Interest Group of the MSU Alumni Office. Winter 2020 en re UPCOMING EVENTS 2017 MSU ALUMNI BAND FALL REUNION a Message from the President 2020 MSU ALUMNI CONCERT BAND REUNION April 26, 2020 Location: Fairchild Theatre, MSU Campus Registration coming soon at: https://msualumniband-2020springconcert.eventbrite.com Reunion Schedule: 8:00 a.m. Registration & hospitality 9:00 a.m. Rehearsal Find a seat at the part you feel comfortable performing. Photo by Brad Poreda, Performing Arts Photography Available for registrants to download in advance. 11:30 a.m. Lunch, on your own What a privilege and honor to have been a part of something that has never been done before. Optional Event: Brunch Buffet — We set an all-time MSU Alumni Band record by putting almost 900 alumni on the field The Vista, Shaw Hall. Just a 5–10 alongside the 307 member SMB for a total of almost 1200 present and former marching band minute walk from Fairchild Aud. Varied fare, just $10.50 for all you care members! A year ago, the goal of 700 seemed a bridge too far. Thanks to you, our celebration to eat. of the 150th year of MSU Bands was truly one-of-a-kind. Congratulations came from our Watch msualumniband.com for more details, and Governor, a special legislative tribute, all corners of the MSU family, our directors past and register on Eventbrite site. present, and outside organizations including former MSU Alumni Band President Ed Deeb, 2:45 p.m. Arrive for concert on behalf of the five associations and foundations he represents.
    [Show full text]
  • Danny Helseth's CV
    Danny Helseth Euphonium and Trombone 3307 3rd Ave. W. Seattle, WA 98043 206-281-2952 [email protected] dannyhelseth.net Educational Background University of Washington Doctorate of Musical Arts Master of ABO University of North Texas Music-Performance Postgraduate 2002 Royal Northern College of Music Diploma in Performance Bachelor of 2002 Central Washington University Music-Music Ed 1999 West Valley High School High School Diploma 1993 Conducting Experience Brass Band Northwest Principal Conductor/Artistic Director 2008-20 I 0 University of Washington Concert Band 2010 Adjudication Experience Festival Adjudicator Eastlake Large Group Festival Sno- 2013 Festival Adjudicator King Large Group Festival WMEA 2013 Chamber and Solo Judge State Solo/Ensemble Contest 2009,2012 Festival Adjudicator Northern Idaho Large Group Festival 2011 Festival Adjudicator San Juan Large Group Festival 2007-2009 Teaching Experience Instructor of Tuba and Euphonium Eastern Washington University 20 I !-Present Euphonium Artist/ Instructor Low Brass Boot Camp 20 I 0-Present Graduate Teaching Assistant University of Washington 2009-Present Low Brass Instructor Lakeside Middle School 2009-Present Low Brass Private Instructor Seattle, WA 2007-Prese nt Assistant Track Coach Edmonds Woodway High School 2007 Substitute Teacher Edmonds School District 2007-Present Low Brass Section Coach W.T. Woodson High School, VA 2003-2007 Low Brass Section Coach Langely High School, VA 2003-2005 Low Brass Private Instructor Northwest High School, TX 2002 Graduate Teaching Fellow University
    [Show full text]
  • NERTEC 2020 Program.Pdf (13.58
    Table of Contents Welcome Letters Pages 1-2 NERTEC Schedule of Events Pages 3-5 NERTEC Daily Events Schedule Pages 6-17 Biographies Pages 22-46 Dear Friends, It was in the seventh grade that the band director, Mr. Geary, decided that while I already played the piano and the violin, I was going to take up the tuba. I was the biggest kid in the school, unusually big at an early age, and this was not only pre-internet, but pre-fiberglass. Real sousaphones—the brass kind—weigh close to 50 pounds (at least mine did). It was assigned to me; I didn’t exactly choose it. While it was an arranged marriage, we did manage to fall in love. As college approached and even through my freshman year in music school, it was a toss-up between the piano (my other instrument) and my Miraphone 184. Two more different instruments have never existed. The piano has over ten thousand moving parts, requires a whole extra person to play in tune, and is for many people a cross between a piece of furniture and a typewriter. Not so the tuba. This is not something you sit in front of. This, you wrap your arms around and hold lovingly on your lap. The piano produces sound by hitting things; the tuba, we sing through, sometimes to the point where I couldn’t tell whether the vibration was in the tuba or in my body. The two become one. And on a good day, we can play in tune all by ourselves, thank you.
    [Show full text]
  • A Messagefrom the President
    an Alumni Interest Group of the MSU Alumni Association. Winter 2015 en re UPCOMING EVENTS a Message from the President 2015 MSU ALUMNI CONCERT BAND REUNION April 19, 2015 Location: Newly renovated Fairchild Theatre, MSU Campus Register At: https://spring2015concertreunion.eventbrite.com/ Reunion Schedule: 8:00 a.m. Registration & hospitality 8:30 a.m. Rehearsal Find a seat at the part you feel comfortable performing. Music will be emailed to registrants in advance. 12:00 p.m. Lunch, on your own Optional Event: Brunch Buffet at the Kellogg Center See below for details 2:30 p.m. Arrive for concert Arrive backstage and take your seat on stage. 3:00 p.m. Concert “Dress-up” clothes requested. Optional Event: Brunch Buffet at Kellogg Center Time: 12 p.m.–2 p.m. • Price: $14.95/person Please register for the event at the Eventbrite site. Beryl, Cece, and Lisa Falcone are honored at the Leonard Falcone memorial plaque Pay for your brunch directly to the Kellogg Center presentation, at the 2014 Fall Reunion. Photo by: Lesa Nelson when you arrive. What a great Fall Reunion! A band of over 300 returned to campus on September 27th ALUMNI BAND UPCOMING EVENTS for Homecoming and the 2014 Fall Reunion. Under blue skies, we performed music from Pentwater Days: August 15th, 2015 past Rose Bowl halftimes including “California Here I Come/Sing, Sing, Sing,” Combined SMB/Alumni Band event “Fascinating Rhythm/Slaughter on 10th Avenue,” and “Everything’s Coming up Roses.” See page 4 for details We also celebrated the completion of the plaque commemorating the life and career of Homecoming Parade: October 2nd, 2015 Dr.
    [Show full text]
  • A Message from the President
    a Special Interest Group of the MSU Alumni Association. Spring 2008 en re UPCOMING EVENTS a Message from the President 2008 ALUMNI BAND FALL REUNION Most of the students have just departed for the summer (I can tell because I now can turn Saturday, September 13, 2008 Game Time: TBD left out of my office onto Abbot Road again) but the band directors and the alumni board are (Please check the alumni band web site, or your already planning for the fall reunion. Make plans now to join us on September 13, 2008. local paper the week of the game, and adjust this We hope to be using the renovated Dem Hall site for our rehearsal. Don’t forget the golf schedule accordingly.) outing and dinner on Friday, September 12. Bring a friend or two, and make a day of it. 7:00–7:45 a.m. Registration (NEW Band Fall also brings to an end my term as president of the Alumni Band Board. I was blessed Hall in Demonstration Hall) with an incredible group of volunteers who worked behind the scenes to bring you many 8:00 a.m. Rehearsal starts opportunities to play at MSU. You can fill your calendar with our activities, so long as you 9:00 a.m. Drill rehearsal keep us informed of your current snail mail and email addresses. Not only can you march in (Dem Hall Field) September, you can also ride in the Homecoming Parade in October, spend your winter 9:50 a.m. LUNCH holiday pepping up the men’s hockey and men’s and women’s basketball games, and perform 10:50 a.m.
    [Show full text]
  • A Pedagogical and Methodical Approach to Unaccompanied
    A PEDAGOGICAL AND METHODICAL APPROACH TO UNACCOMPANIED EUPHONIUM LITERATURE THROUGH PERFORMANCE AND ANALYSES OF ORIGINAL WORKS BY TORSTEIN AAGAARD-NILSEN Patrick J. Nyren, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Brian L. Bowman, Major Professor Darhyl Ramsey, Committee Member Donald C. Little, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Nyren, Patrick J. A Pedagogical and Methodical Approach to Unaccompanied Euphonium Literature Through Performance and Analyses of Original Works by Torstein Aagaard-Nilsen. Doctor of Musical Arts (Performance), August 2013, 47 pp., 42 musical examples, bibliography, 26 titles. Original unaccompanied literature currently stands as one of the most understudied bodies of music in the euphonium repertory. This is largely due to a lack of access to reference recordings, live performances, and study/performance guides. Many of the commissioning projects for new euphonium music in the late 20th and early 21st centuries have promoted the composition of large scale works for euphonium and large ensembles, but very few have generated new unaccompanied pieces for euphonium. Many of the most recent commissions for unaccompanied euphonium music have been for competitions such as the Lieksa Brass Festival (Finland) and Leonard Falcone International Festival (USA). These competitions are also where many students get their only exposure to the unaccompanied repertoire. Unfortunately, there is a small number of standard unaccompanied works that are continuously recycled for these competitions and the exposure to new pieces in the repertoire is further diminished for many developing euphoniumists.
    [Show full text]
  • Nicholas Falcone, the Band Director You've Probably Never Heard of By
    Nicholas Falcone, The Band Director You’ve Probably Never Heard Of By Joseph Dobos and William Berz This article was written for the Journal of the World Association for Symphonic Bands and Wind Ensembles and is used with permission. It might be tempting to assume that most of the early leaders of college bands of the teens and 1920s were, themselves, students in collegiate band programs. Looking at the role of the University of Illinois Band program under the leadership of Albert Austin Harding during this era, such assumption would appear to be true. “Harding’s contributions to the development of the collegiate band program affected nearly every aspect of college bands.”1 Many of Harding’s students became leaders in the early collegiate band world. Some of the most notable include, Mark Hindsley, his successor at Illinois, Raymond Dvorak at Wisconsin, Glenn Cliffe Bainum at Northwestern, Keith Wilson at Yale, Guy Duker at Illinois, Clarence Sawhill at UCLA. Others such as William D. Revelli and Frederick Fennell were deeply influenced by Harding.2 In this era of training future college directors, Harding’s mark certainly left a lasting impression that is the norm in present times. Harding’s pioneering work with public school directors through the National Band Clinic and other activities helped to establish important links between bands and music education that still exist.3 However, the training of the early collegiate band conductors was not as homogenous as it might appear. The two Falcone brothers, Nicholas and Leonard, each led important and emerging college bands beginning in the 1920s.
    [Show full text]
  • Spring 2005 En Re UPCOMING EVENTS a Message from the Director of Bands 2005 ALUMNI BAND FALL REUNION Saturday, September 10, 2005 Game Time: 12:00 P.M
    Spring 2005 en re UPCOMING EVENTS a Message from the Director of Bands 2005 ALUMNI BAND FALL REUNION Saturday, September 10, 2005 Game Time: 12:00 p.m. (Subject to change. Please check the alumni band web site, or your local paper the week of the game, and adjust this schedule accordingly.) 7:00–7:45 a.m. Registration (IM West) 8:00 a.m. Rehearsal starts 9:00 a.m. Drill rehearsal (Dem Hall Field) 9:50 a.m. LUNCH 10:50 a.m. Run-through on Adams Field (formerly Landon Field) 11:10 a.m. March to the stadium 11:20 p.m. Enter tunnel with pass (go to seats) 12:00 p.m. Kickoff Public parking is available in the westmost lot at the corner of Kalamazoo and Harrison. For further parking Having announced my retirement as MSU Director of Bands in the spring of 2006, it is information visit: http://www.homefootball.msu.edu/. with a thoroughly different perspective that I now communicate with the MSU Alumni Band faithful. This event will mark the conclusion of 41 years of teaching; with the first 16 years being 2005 ALUMNI BAND DINNER in the public schools of Michigan, and the last 25 years at the university level. As MSU Friday, September 9, 2005 Director of Bands from 1993–2006, I have enjoyed the opportunity of working with Time: 6:00 p.m.–10:00 p.m. School of Music Director James Forger, the School of Music faculty, and the spectacular Place: Hannah Community Center alumni of this great institution.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE JAMES MICHAEL DUNN TUBA/EUPHONIUM 2113 Alpine Drive (303) 926-8822 (h) Erie, CO 80516 [email protected] (303) 735-1598 (w) EDUCATION Post Master’s Degree Study , Arizona State University, 1993-1994 Teaching Assistant *Instructor of Brass Methods Course *Instructor of Repertoire and Pedagogy Course *Director of Tuba Ensemble *Applied Instruction Master of Music in Performance, Arizona State University, May 1993 Teaching Assistant, 1991-1993 *Instructor of Brass Methods Course *Instructor of Repertoire and Pedagogy Course *Director of Tuba Ensemble Bachelor of Science in Education, Tennessee Technological University, 1983 *Instrumental Music Certification, K-12 TEACHING EXPERIENCE The University of Colorado at Boulder, Boulder, CO 2005-present Associate Professor of Tuba /Euphonium (Tenure granted in 2010) *Applied Instruction of Tuba/Euphonium majors and non-majors *Instruction of Literature and Pedagogy Courses *Director of Tuba/Euphonium Ensemble *Brass Chamber Ensemble coaching *Faculty Brass Quintet *University, College of Music & Graduate Committees/Advising The University of Alabama, Tuscaloosa, Alabama 1994-2005 Instructor of Tuba/Euphonium *Applied instruction of Tuba/Euphonium majors and non-majors *Previous instruction of Music Appreciation *Instruction of Brass Methods *Instruction of Repertoire and Pedagogy Courses *Director of Tuba/Euphonium Ensemble *Brass Chamber Ensemble coaching *Faculty Brass Quintet *School of Music & Graduate Committees/Advising *Brass Area Chair (Spring 2005) University of Alabama-Birmingham,
    [Show full text]