Ken Arok, Who Also Wanted to Defeat Kertajaya
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Concise Ancient History of Indonesia.Pdf
CONCISE ANCIENT HISTORY OF INDONESIA CONCISE ANCIENT HISTORY O F INDONESIA BY SATYAWATI SULEIMAN THE ARCHAEOLOGICAL FOUNDATION JAKARTA Copyright by The Archaeological Foundation ]or The National Archaeological Institute 1974 Sponsored by The Ford Foundation Printed by Djambatan — Jakarta Percetakan Endang CONTENTS Preface • • VI I. The Prehistory of Indonesia 1 Early man ; The Foodgathering Stage or Palaeolithic ; The Developed Stage of Foodgathering or Epi-Palaeo- lithic ; The Foodproducing Stage or Neolithic ; The Stage of Craftsmanship or The Early Metal Stage. II. The first contacts with Hinduism and Buddhism 10 III. The first inscriptions 14 IV. Sumatra — The rise of Srivijaya 16 V. Sanjayas and Shailendras 19 VI. Shailendras in Sumatra • •.. 23 VII. Java from 860 A.D. to the 12th century • • 27 VIII. Singhasari • • 30 IX. Majapahit 33 X. The Nusantara : The other islands 38 West Java ; Bali ; Sumatra ; Kalimantan. Bibliography 52 V PREFACE This book is intended to serve as a framework for the ancient history of Indonesia in a concise form. Published for the first time more than a decade ago as a booklet in a modest cyclostyled shape by the Cultural Department of the Indonesian Embassy in India, it has been revised several times in Jakarta in the same form to keep up to date with new discoveries and current theories. Since it seemed to have filled a need felt by foreigners as well as Indonesians to obtain an elementary knowledge of Indonesia's past, it has been thought wise to publish it now in a printed form with the aim to reach a larger public than before. -
A Short History of Indonesia: the Unlikely Nation?
History Indonesia PAGES 13/2/03 8:28 AM Page i A SHORT HISTORY OF INDONESIA History Indonesia PAGES 13/2/03 8:28 AM Page ii Short History of Asia Series Series Editor: Milton Osborne Milton Osborne has had an association with the Asian region for over 40 years as an academic, public servant and independent writer. He is the author of eight books on Asian topics, including Southeast Asia: An Introductory History, first published in 1979 and now in its eighth edition, and, most recently, The Mekong: Turbulent Past, Uncertain Future, published in 2000. History Indonesia PAGES 13/2/03 8:28 AM Page iii A SHORT HISTORY OF INDONESIA THE UNLIKELY NATION? Colin Brown History Indonesia PAGES 13/2/03 8:28 AM Page iv First published in 2003 Copyright © Colin Brown 2003 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. Allen & Unwin 83 Alexander Street Crows Nest NSW 2065 Australia Phone: (61 2) 8425 0100 Fax: (61 2) 9906 2218 Email: [email protected] Web: www.allenandunwin.com National Library of Australia Cataloguing-in-Publication entry: Brown, Colin, A short history of Indonesia : the unlikely nation? Bibliography. -
Narratology and New Historicism in Keong Mas
NARRATOLOGY AND NEW HISTORICISM IN KEONG MAS Retnowati1; Endang Ernawati2 1, 2English Department, Faculty of Humanities, Bina Nusantara University Jln. Kemanggisan Illir III No. 45, Palmerah, Jakarta 11480, Indonesia [email protected]; [email protected] ABSTRACT The goal of this research was to know how the folktale Keong Mas was narrated based on Vladimir Propp’s Narratology (1968). Then the evidence in the story was compared to the historical evidence happening during the reign of the two dynasties in the Kediri Kingdom in the eleventh century using the theory of New Historicism. This research used a qualitative method which was based on library research. Furthermore, the research is to know that the work of literature is not always independent. It can be traced through the historical evidence in the folktale which becomes their clues. It is to inform the readers that a work of literature is actually the imitation, that is the reflection of the society. Keywords: elements of folktale, Propp’s narratology, new historicism, historical events INTRODUCTION Indonesian culture produces many kinds of the folktale. They are variously based on the tribes and the areas where the folktales come from. The characters in folktale would be the mirror of human life in the society (Hendra, 2013). Some of the folktales are now written, and some are translated into foreign languages such as English. The elements of folktale are generally part of the oral tradition of a group, more frequently told than read, passing down from one generation to another, taking on the characteristics of the time and place in which they are told, sometimes taking on the personality of the storyteller, speaking to universal and timeless themes, trying to make sense of our existence, helping humans cope with the world in which they live, or explaining the origin of something, often about the common person and may contain supernatural elements. -
IRBI 2013 Resize.Pdf
Indeks Risiko Bencana IRBI Indonesia Tahun 2013 Indeks Risiko Bencana Indonesia 2013 Pengarah Dody Ruswandi Sanksi Pelanggaran Pasal 72 Undang-Undang Nomor 19 Tahun 2002 Tentang Hak Cipta Penyusun Lilik Kurniawan 1. Barangsiapa dengan sengaja Sugeng Triutomo melanggar dan tanpa hak Ridwan Yunus melakukan perbuatan Mohd. Robi Amri sebagaimana dimaksud Arezka Ari Hantyanto dalam Pasal 2 Ayat (1) atau Pasal 49 Ayat (1) dan Ayat Pendukung (2) dipidana dengan pidana penjara masing-masing paling Elin Linawati singkat 1 (satu) bulan dan/ Firza Ghozalba atau denda paling sedikit Arie Astuti Wulandari Rp. 1.000.000,00 (satu juta Pratomo Cahyo Nugroho rupiah), atau pidana penjara Novi Kumalasari paling lama 7 (tujuh) tahun Gita Yulianti dan/atau denda paling banyak Elfina Rozita Rp. 5.000.000.000,00 (lima Danar Widhiyani Sri Wulandari milyar rupiah). Ageng Nur Ichwana 2. Barangsiapa dengan sengaja Cetakan Pertama, 2014 menyiarkan, memamerkan, Diterbitkan oleh : mengedarkan, atau menjual kepada umum suatu ciptaan Direktorat Pengurangan Risiko Bencana atau barang hasil pelanggaran Deputi Bidang Pencegahan dan Kesiapsiagaan hak cipta atau hak terkait Gedung INA DRTG sebagai dimaksud pada Ayat Kawasan Indonesia Peace and Security (1) dipidana dengan pidana penjara paling lama 5 (lima) Center (IPSC), Bukit Merah Putih, Kecamatan tahun dan/atau denda paling Citeureup-Sentul, Provinsi Jawa Barat banyak Rp. 500.000.000,00 (lima ratus juta rupiah). ISBN : 978-602-70256-0-8 IRBI 2013 iii Indeks Risiko Bencana Indonesia 2013 ABSTRAK ntuk mengetahui secara rinci Perubahan terminologi dari Indeks Rawan tingkat kerawanan daerah di Bencana pada edisi tahun 2009 dan 2011 Uwilayah Negara Indonesia, BNPB menjadi Indeks Risiko Bencana pada edisi telah melakukan penilaian tentang Indeks 2013 didasarkan atas penyesuaian yang Kerawanan Bencana Indonesia (2009) digunakan oleh Undang-Undang Nomor yang diperbaharui dengan Indeks Rawan 24 Tahun 2007 tentang Penanggulangan Bencana Indonesia (2011). -
Erfina Prabandari110110201010
Digital Repository Universitas Jember Digital Repository Universitas Jember RELASI KUASA DAN REPRESENTASITOKOH “KEN AROK” DALAM NASKAH DRAMA KEN AROK KARYA SAINI K.M., NASKAH PARARATON, DAN NASKAH NAGARAKRETA- GAMA: PENDEKATAN INTERTEKSTUALITAS SKRIPSI Oleh Erfina Prabandari NIM 110110201010 JURUSAN SASTRA INDONESIA FAKULTAS ILMU BUDAYA UNIVERSITAS JEMBER 2016 i Digital Repository Universitas Jember Digital Repository Universitas Jember RELASI KUASA DAN REPRESENTASITOKOH “KEN AROK” DALAM NASKAH DRAMA KEN AROK KARYA SAINI K.M., NASKAH PARARATON, DAN NASKAH NAGARAKRETA- GAMA: PENDEKATAN INTERTEKSTUALITAS SKRIPSI diajukan guna melengkapi tugas akhir dan memenuhi salah satu syarat untuk menyelesaikan Program Studi Sastra Indonesia (S1) dan mencapai gelar Sarjana Sastra Oleh Erfina Prabandari NIM 110110201010 JURUSAN SASTRA INDONESIA FAKULTAS ILMU BUDAYA UNIVERSITAS JEMBER 2016 ii Digital Repository Universitas Jember Digital Repository Universitas Jember PERSEMBAHAN Skripsi ini saya persembahan untuk: 1. ayah Syamsul Arifin, Ibu Ermiyati serta nenek Siti Muryana yang tercinta; 2. almamater Fakultas Sastra Universitas Jember; 3. guru-guru sejak taman kanak-kanak sampai dengan perguruan tinggi. iii Digital Repository Universitas Jember Digital Repository Universitas Jember MOTO You are the main character in your live, then live well so you will be remembered as the good figure.1 Terjemahan: Kamu merupakan tokoh utama dalam hidupmu, maka hiduplah dengan baik agar kamu dikenang sebagai tokoh yang baik. Grote dingen zijn niet gedaan door impuls maar een reeks van kleine dingen bij elkaar gebracht.2 Terjemahan: Karya besar tidak dikerjakan oleh dorongan, namun oleh rangkaian hal-hal kecil yang dibawa bersama-sama. 1 Moto karya penulis (Erfina Prabandari), sebelumnya belum pernah diterbitkan atau ditulis dalam media apapun. 2 Tulisan Vincent van Gogh (pelukis terkenal dari Belanda) dalam suratnya untuk Theo van Gogh (Oktober 1882). -
Historical Game of Majapahit Kingdom Based on Tactical Role-Playing Game
Historical Game of Majapahit Kingdom based on Tactical Role-playing Game Mohammad Fadly Syahputra, Muhammad Kurniawan Widhianto and Romi Fadillah Rahmat Department Information Technology, Faculty of Computer Science and Information Technology, University of Sumatera Utara, Medan, Indonesia Keywords: Cut-out Animation, History, Majapahit, Role-playing Game, Tactical Role-playing Game, Turn based Strategy, Video Game. Abstract: Majapahit was a kingdom centered in East Java, which once stood around year 1293 to 1500 C. Majapahit kingdom was the last Hindu-Buddhist kingdom that controlled Nusantara and is regarded as one of the greatest kingdom in Indonesia. The lack of modern entertainment content about the history of Majapahit kingdom made historical subject become less attractive. Therefore, we need a modern entertainment as one option to learn about the fascinating history of the kingdom of Majapahit. In this study the authors designed a video game about history of Majapahit kingdom with the genre of tactical role-playing game. Tactical role-playing game is a sub genre of role playing game by using system of turn-based strategy in every battle. In tactical role-playing game, players will take turns with the opponent and can only take action in their turn and each character will have an attribute and level as in role-playing game video game. This study used the A* algorithm to determine the movement direction of the unit and cut-out techniques in the making of animation. This study demonstrated that video games can be used as a media to learn about history. 1 INTRODUCTION only used as an entertainment, but also can be used as a story telling, and sometimes game also can be mixed Majapahit was a kingdom centered in East Java, with educational elements to train someone. -
1 BAB I PENDAHULUAN 1.1 Latar Belakang Kerajaan Koto Besar
BAB I PENDAHULUAN 1.1 Latar Belakang Kerajaan Koto Besar diperkirakan telah ada sejak akhir abad ke-17 Masehi.1 Koto Besar tumbuh dan berkembang bersama daerah-daerah lain yang berada di bekas wilayah Kerajaan Melayu Dharmasraya (Swarnabumhi).2 Daerah-daerah ini merupakan kerajaan kecil yang bercorak Islam dan berafiliasi dengan Kerajaan Pagaruyung, seperti Pulau Punjung yang dikenal sebagai camin taruih (perpanjangan tangan) Pagaruyung untuk daerah Hiliran Batanghari, serta penguasa lokal di ranah cati nan tigo, yaitu Siguntur, Sitiung dan Padang Laweh.3 Koto Besar menjadi satu-satunya kerajaan di wilayah ini yang tidak berpusat di pinggiran Sungai Batanghari.4 Lokasi berdirinya kerajaan-kerajaan tersebut merupakan daerah rantau dalam konsep alam Minangkabau.5 Pepatah adat Minangkabau mengatakan, 1 Merujuk pada tulisan yang tercantum pada stempel peninggalan Kerajaan Koto Besar yang berangkakan tahun 1697 Masehi. 2 Kerajaan Melayu Dharmasraya (Swarnabumhi) adalah sebuah kerajaan yang bercorak Hindu Buddha dan merupakan kelanjutan dari Kerajaan Melayu Jambi yang bermigrasi dari muara Sungai Batanghari. Kerajaan Melayu Dharmasraya hanya bertahan sekitar dua abad (1183 – 1347), setelah dipindahkan oleh Raja Adityawarman ke pedalaman Minangkabau di Saruaso. Bambang Budi Utomo dan Budhi Istiawan, Menguak Tabir Dharmasraya, (Batusangkar : BPPP Sumatera Barat, 2011), hlm. 8-12. 3 Efrianto dan Ajisman, Sejarah Kerajaan-Kerajaan di Dharmasraya, (Padang: BPSNT Press, 2010), hlm. 84. 4 Menurut Tambo Kerajaan Koto Besar dijelaskan bahwa Kerajaan Koto Besar berpusat di tepi Sungai Baye. Hal ini juga dikuatkan oleh catatan Kontroler Belanda Palmer van den Broek tanggal 15 Juni 1905. Lihat, Tambo Kerajaan Koto Besar, “Sejarah Anak Nagari Koto Besar yang Datang dari Pagaruyung Minangkabau”. Lihat juga, “Nota over Kota Basar en Onderhoorige Landschappen Met Uitzondering van Soengei Koenit en Talao”, dalam Tijdschrift voor Indische, “Taal, Land en Volkenkunde”, (Batavia: Kerjasama Bataviaasch Genootschap van Kunsten en Wetenschappen dan Batavia Albrecht & Co., 1907), hlm. -
Asia Society Presents Music and Dance of Yogyakarta
Asia Society Presents Music and Dance of Yogyakarta Sunday, November 11, 2018 7:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is approximately ninety minutes with no intermission In conjunction with a visit from Hamengkubuwono X, the Sultan of Yogyakarta in Indonesia, Asia Society hosts a performance by the court dancers and musicians of Yogyakarta. The Palace of Karaton Ngayogyakarta Hadiningrat is the cultural heart of the city. From generation to generation, the Sultans of Yogyakarta are the traditional governors of the city and responsible for passing on art and culture heritage. The entire royal family is involved in preserving these art forms, and the troupe must perform with a member of the royal family present. The dances from Yogyakarta will be accompanied by gamelan music native to Java. Program Golek Menak Umarmaya Umarmadi Dance Masked Dance Fragment (Wayang Wong) “Klana Sewandana Gandrung” Bedhaya Sang Amurwabhumi About the forms: Golek Menak The golek menak is a contemporary example of the seminal influence exerted by the puppet theater on other Javanese performing arts. This dance was inspired by the stick–puppet theater (wayang golek), popular in the rural area of Yogyakarta. Using the three dimensional rod-puppets, it portrays episodes from a series of stories known as menak. Unlike the high-art wayang kulit (shadow puppets), it is a village entertainment, and it did not flourish at the court. As a dance drama, golek menak focuses on imitating this rod-puppet theater with amazing faithfulness. Human dancers realistically imitate the smallest details of puppet movement, right down to the stylized breathing of the puppets. -
Historical Scholarship Between South Asia and Europe
Java’s Mongol Demon. Inscribing the Horse Archer into the Epic History of Majapahit1 Jos Gommans Abstract The temple of Panataran near Blitar in Java features a unique scene in which one of the Ramayana demons, Indrajit, is depicted as a Mongol mounted horse-warrior. This essay explores the meaning of this representation on the basis of the multi- layered history and historiography of Java’s Mongol invasion. “Everything that happened in the Ramayana was absolutely real.” Maheshvaratirtha, sixteenth century (cited in Pollock 1993: 279) Panataran Temple Walking anti-clockwise around the base of the main terrace at Panataran Tem- ple, twelve kilometres north-east of Blitar in Java, the visitor is treated to the truly remarkable display of 106 relief panels carved with sequential scenes from the story of the Ramayana – the source of this particular series is the Kakawin version, which almost certainly dates from the ninth century CE, making it the earliest surviving work of Old Javanese poetry. Interestingly, the main charac- ter in this pictorial rendering is not the more customary figure of Rama, the exiled king, but instead his loyal monkey companion Hanuman. However, given the popularity of Hanuman in the Indic world in around the time the Panataran panels were made – the mid-fourteenth century – his prominence is perhaps not all that surprising after all (Lutgendorf 2007). Except for Hanu- man’s unusual role, the panels follow the conventional narrative, starting with the abduction of Rama’s wife Sita by Ravana, the demon king of Lanka. Many of the panels depict Hanuman’s heroic fights with demons (rakshasas), and the first series of battles culminates in panel 55, which shows Hanuman being attacked by Ravana’s son Indrajit. -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
Theocracy Metin M. Coşgel Thomas J. Miceli
Theocracy Metin M. Coşgel University of Connecticut Thomas J. Miceli University of Connecticut Working Paper 2013-29 November 2013 365 Fairfield Way, Unit 1063 Storrs, CT 06269-1063 Phone: (860) 486-3022 Fax: (860) 486-4463 http://www.econ.uconn.edu/ This working paper is indexed on RePEc, http://repec.org THEOCRACY by Metin Coşgel* and Thomas J. Miceli** Abstract: Throughout history, religious and political authorities have had a mysterious attraction to each other. Rulers have established state religions and adopted laws with religious origins, sometimes even claiming to have divine powers. We propose a political economy approach to theocracy, centered on the legitimizing relationship between religious and political authorities. Making standard assumptions about the motivations of these authorities, we identify the factors favoring the emergence of theocracy, such as the organization of the religion market, monotheism vs. polytheism, and strength of the ruler. We use two sets of data to test the implications of the model. We first use a unique data set that includes information on over three hundred polities that have been observed throughout history. We also use recently available cross-country data on the relationship between religious and political authorities to examine these issues in current societies. The results provide strong empirical support for our arguments about why in some states religious and political authorities have maintained independence, while in others they have integrated into a single entity. JEL codes: H10, -
Syekh Siti Jenar and Danghyang Nirartha,Historical Relation of Islam
Proceeding Book SYEKH SITI JENAR AND DANGHYANG NIRARTHA: Historical Relation of Islam and Hindu in Java and Bali I Ketut Ardhana Faculty of Arts – Udayana University Yayasan Widya Kerthi-Universitas Hindu Indonesia (UNHI), Denpasar Abstract There have not many studies that have been done in relation to the historical links between Hindu and Islam in the historical context. However, the historical ties, it is not only traced back in the written sources, but also oral sources or folklore that developed in the Javanese and Balinese historical tradition. This can be viewed from religious figure that played by the Wali Songo and one of them was Syekh Siti Jenar that related to the religious figure of Danghyang Nirartha in the context of dynamics of Hindu and Islam in Bali. There are some significance questions that will be addressed in this study. Firstly, to what extend the relationship between the historical relation that occurred between the Wali Songo figure and the Dang Hyang Nirartha? Secondly, how can we view the religious perception of both religious figures? And thirdly, how the impacts of those relationship in the context of diversity in relation to the various religious beliefs not only in the present time, but also in the future times. These are some questions that will be examined in the context of the role of Islamic religious figures, Syekh Siti Jenar and Danghyang Nirartha in which Dang Hyang Nirartha is believed to install the Balinese religious and cultural foundation in Bali untuil at the present time. Key Words: Islamisation, Hinduisasion, Wali Songo, Syekh Siti Jenar, and Dang Hyang Nirartha I.