Standards of Beauty, Globalization, and the Modern Indian Woman Rebecca Gelles SIT Study Abroad

Total Page:16

File Type:pdf, Size:1020Kb

Standards of Beauty, Globalization, and the Modern Indian Woman Rebecca Gelles SIT Study Abroad SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2011 Fair and Lovely: Standards of Beauty, Globalization, and the Modern Indian Woman Rebecca Gelles SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Social Influence and Political Communication Commons, and the Sociology of Culture Commons Recommended Citation Gelles, Rebecca, "Fair and Lovely: Standards of Beauty, Globalization, and the Modern Indian Woman" (2011). Independent Study Project (ISP) Collection. 1145. https://digitalcollections.sit.edu/isp_collection/1145 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. FAIR AND LOVELY: STANDARDS OF BEAUTY, GLOBALIZATION, AND THE MODERN INDIAN WOMAN Rebecca Gelles Academic Director: Tara Dhakal ISP Advisor: Pramada Menon, independent lecturer School for International Training India Sustainable Development and Social Change Program Fall 2011 Gelles 1 Table of Contents Acknowledgements………………………………………………………………………………..2 Abstract……………………………………………………………………………………………2 Introduction………………………………………………………………………………………..2 Traditional Indian Beauty…………………………………………………………………………7 The Modern Indian Woman……………………………………………………………………...11 Skin………………………………………………………………………………………………12 Hair………………………………………………………………………………………………15 Figure…………………………………………………………………………………………….18 Clothing………………………………………………………………………………………….21 Societal Effects…………………………………………………………………………………..22 Conclusions………………………………………………………………………………………31 References………………………………………………………………………………………..34 Primary Resources……………………………………………………………………………….34 Secondary Resources…………………………………………………………………………….35 Bibliography……………………………………………………………………………………..37 Gelles 2 Acknowledgements: I would like to thank my advisor, Pramada Menon, for her guidance during my project. I would also like to thank Renu Addlakha, for giving me a new perspective on my topic and suggesting areas to study that I had not considered. I also appreciated the help I received from Debika Chatterjee and CREA, both in connecting me to my advisor and in giving me advice on how to approach the interview process. I am very grateful for the work of Tara Dhakal in helping me plan and prepare for this project, and in answering my many questions on citations. Finally, I would like to thank Trilochan Pandey, both for his help connecting me to CREA and for calming me down when I sent him a panicked message a week into the project worrying that my project had essentially been done already. Abstract: With the expansion of globalization in the modern era, ideas from individual cultures are more easily able to spread to other parts of the world. One set of cultural standards that may be spreading to India is that of beauty, where a media with an increasingly Western style shares television space with advertisements from corporations that are often foreign in origin. This study seeks to examine exactly what influence this globalized media has on its viewers, and, in particular, on their perspectives on beauty. In addition, since the ability to conform to cultural standards affects how people view themselves, this study will scrutinize exactly what effects these standards of beauty have on the women being measured against them. Most of the data gathered in this study was collected from residents of the city of Delhi, with supplemental information collected from residents of Jaipur, from previous studies on related issues, and from the media itself. This study was conducted using qualitative methods, mostly through individual interviews with members of demographics likely to be affected by changing standards of beauty or likely to have significant numbers of interactions related to these changing standards. The findings of this study are that cultural standards of beauty in India are narrowing and conforming to more international standards, and that these changes are causing new physical and psychological problems to be introduced into Indian society. Introduction: “Beauty is in the eye of the beholder,” as the saying goes. In recent years, a number of studies have been done that dispute this, studies that try to define an objective standard for beauty, to classify exactly what makes someone beautiful in the eyes of others. These studies have examined issues as variant as waist-to-hip or waist-to-chest ratio1 and facial 1 Martin Gründl, Marita Eisenmann-Klein, and Lukas Prantl. “Quantifying Female Bodily Attractiveness by a Statistical Analysis of Body Measurements.” Plastic & Reconstructive Surgery 123.3(Mar. 2009): 1064-1071. Internet. 11 Nov. 2011. Available: http://journals.lww.com/plasreconsurg/Abstract/2009/03000/ Gelles 3 symmetry.2 Many of these studies provide compelling evidence for their claims. But even if these factors contribute to beauty, it would be difficult to claim that they are the sole determiners of what constitutes an attractive appearance. This leaves many areas in which determination of beauty is subjective, and varies cross-culturally. For example, just in Western culture, consider the evolution of society‟s views on the ideal skin tone. In the Odyssey, one of the classics of Western literature, Homer expounds upon Nausicaa‟s beauty by describing her as “white- armed”3 in the same sentence as he claims “she outshone [all the other maidens], though all are lovely.”4 However, in the modern era, white arms are more likely to be considered pasty than beautiful in most Western countries, and American fashion magazines are filled with articles about how to maintain tan skin during the cooler months.5 Other areas where beauty cannot be objectively determined include weight, hair and eye color, hair length and texture, height, and clothing style. Standards of beauty are not just an academic issue: they are affected by culture, and have an effect on the people measured against them. In America, for example, the desire to be tan leads many women to go to indoor tanning salons that increase their risk of skin cancer.6 Meanwhile, some sources argue that this ideal of tan skin has arisen from its association with an upper class lifestyle and having enough leisure time to leave the indoor office and relax in the 2 Gillian Rhodes, Fiona Proffitt, Jonathon M. Grady and Alex Sumich. “Facial Symmetry and the Perception of Beauty.” Psychonomic Bulletin & Review 5.4 (1998): 659-669. Internet. 11 Nov. 2011. Available: http://www.springerlink.com/content/eq4178xr00474432/ 3 Homer. The Odyssey, trans. Robert Fagles (New York: Viking Penguin, 1996) 6.112. 4 Homer, 6.120. 5 Dawn Davis. “Keep Your Summer Glow Going Strong.” Cosmopolitan. Internet. 11 Nov. 2011. Available: http://www.cosmopolitan.com/hairstyles-beauty/skin-care-makeup/summer-glow-gradual-self-tanners 6 Stacey Colino. “Scary Truths Tanning Salons Deny.” Cosmopolitan. Internet. 11 Nov. 2011. Available: http://www.cosmopolitan.com/advice/health/indoor-tanning-dangers-1209 Gelles 4 sun.7 The desire of people to conform to an idealized, even unreachable, standard of beauty can have a negative effect on both their physical and mental health. And since standards of beauty are not static, when these standards change, it is necessary to examine the causes and effects of these changes, both negative and positive. In India, it appears that these standards are in the process of changing. The question that must be addressed, then, is why these changes are occurring and what their effects are. To understand development we must understand not only what effect individuals and society can have on development but also what effect development can have on society. And in the case of beauty standards, we see a situation in which the effects of a certain type of development on Indian society may not be entirely positive. If it is possible for certain brands of development to lead to an increase in health problems or a decrease in the empowerment of a certain group of people, this is a factor that must be considered in deciding whether to adopt that particular development strategy. When studying development strategies, one of the most difficult things to determine is what makes development actually sustainable. However, one requirement for sustainable development that can be agreed upon is that sustainable development must benefit those who do not traditionally have power in society, those who are marginalized. In India, those groups range from lower caste members and Dalits to tribal groups to women. The issue of beauty is particularly applicable when considering this last group, since women, in general, are the people most affected by beauty standards. India is a society undergoing a dramatic increase in its Westernization, partially caused by the opening up of its economy to international businesses, a step taken by the government in 7 Liane J. McDermott, Mike Emmison, and John Lowe, “Changing Discourses and Popular Attitudes to Suntanning,” Some Like It Hot: The Beach as a Cultural Dimension. Eds. Allan Edwards, Keith Gilbert, and James Skinner (Oxford: Meyer & Meyer Sport Ltd., 2003) 91-93. Gelles 5 order to promote the growth and development of the Indian economy. This Westernization has not only
Recommended publications
  • MEDIA KIT T Able of Contents
    MEDIA KIT T able of Contents 3 About • Seyie Design 4 Interior Branding Services • Hospitality / Residential • Design 360 10 Additional Scope of Services 11 Portfolio - Additional Projects 19 Press • Vogue India • GRAMMY Awards® • ET, Maria Shriver & Coveteur • Vogue & Fendi Casa 23 Contact Information seyiedesign.com 323.630.1841 [email protected] 2 bout A SEYIE DESIGN Seyie Putsure founded Seyie Design to create fashionable & functional branded interiors for luxury and design-conscious residential and beauty, fashion & lifestyle companies. Having started her career as an executive with Saks Fifth Avenue, Chanel and Dolce & Gabbana in New York City, she brings a deep understanding of branding, merchandising and special consumer experience strategy, and a high level of sophistication into the interiors that Seyie Design creates. Since its founding in 2007, Seyie Design’s body of work has grown internationally to include corporate offce, mixed-use development, retail, high-end salons and spas, boutique bakeries, event lounges and private residences. Seyie was Fendi Casa’s Designer of the Month, the exclusive designer for the 54th and 55th Annual GRAMMY Awards® Offcial Talent Gift Lounge, and has been featured in TIME, LUCKY, Vogue, Elle, and DDI Magazine, among others. She has also been named by Vogue India as one of “the new women of interiors.” Understanding an individual’s personal style or a company’s brand image, along with their unique lifestyle or practical business needs, Seyie Design works directly with clients on all levels to discover the best harmony for spaces from concept to execution. It balances fashionable interiors that capture the essence of the individual or company’s brand identity, and functional spaces that support lifestyle or promote business productivity.
    [Show full text]
  • Depictions of Empowerment? How Indian Women Are Represented in Vogue India and India Today Woman a PROJECT SUBMITTED to the FACU
    Depictions of Empowerment? How Indian Women Are Represented in Vogue India and India Today Woman A PROJECT SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Monica Singh IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LIBERAL STUDIES August 2016 © Monica Singh, 2016 Contents ILLUSTRATIONS........................................................................................................................ ii INTRODUCTION......................................................................................................................... 1 CHAPTER 1 .................................................................................................................................. 5 CHAPTER 2 ................................................................................................................................ 19 CHAPTER 3 ................................................................................................................................ 28 CHAPTER 4 ................................................................................................................................ 36 CHAPTER 5 ................................................................................................................................ 53 CHAPTER 6 ................................................................................................................................ 60 REFLECTION FOR ACTION.................................................................................................
    [Show full text]
  • (FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
    Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos.
    [Show full text]
  • Here in the United Online Premieres Too
    Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films.
    [Show full text]
  • JULIA CARTA Hair Stylist and Make-Up Artist
    JULIA CARTA Hair Stylist and Make-Up Artist www.juliacarta.com PRESS JUNKETS/PUBLICITY EVENTS Matt Dillon - Grooming - WAYWARD PINES - London Press Junket Jeremy Priven - Grooming - BAFTA Awards - London Christian Bale - Grooming - AMERICAN HUSTLE - BAFTA Awards - London Naveen Andrews - Grooming - DIANA - London Press Junket Bruce Willis and Helen Mirren - Grooming - RED 2 - London Press Conference Ben Affleck - Grooming - ARGO - Sebastián Film Festival Press Junket Matthew Morrison - Grooming - WHAT TO EXPECT WHEN YOU’RE EXPECTING - London Press Junket Clark Gregg - Grooming - THE AVENGERS - London Press Junket Max Iron - Grooming - RED RIDING HOOD - London Press Junket and Premiere Mia Wasikowska - Hair - RESTLESS - Cannes Film Festival, Press Junket and Premiere Elle Fanning - Make-Up - SUPER 8 - London Press Junket Jamie Chung - Hair & Make-Up - SUCKERPUNCH - London Press Junket and Premiere Steve Carell - Grooming - DESPICABLE ME - London Press Junket and Premiere Mark Strong and Matthew Macfayden - Grooming - Cannes Film Festival, Press Junket and Premiere Michael C. Hall - Grooming - DEXTER - London Press Junket Jonah Hill - Grooming - GET HIM TO THE GREEK - London Press Junket and Premiere Laura Linney - Hair and Make-Up - THE BIG C - London Press Junket Ben Affleck - Grooming - THE TOWN - London and Dublin Press and Premiere Tour Andrew Lincoln - Grooming - THE WALKING DEAD - London Press Junket Rhys Ifans - Grooming - NANNY MCPHEE: THE BIG BANG (RETURNS) - London Press Junket and Premiere Bruce Willis - Grooming - RED - London
    [Show full text]
  • The Impact of Gendered Heroism on Adolescent
    DAVID OR MIA? THE IMPACT OF GENDERED HEROISM ON ADOLESCENT GIRLS AND THEIR SPORT ROLE MODELS Johanna A. Adriaanse, University of Technology, Sydney Janice J. Crosswhite, Australian Womensport and Recreation Association Final version submitted to Women’s Studies International Forum January 2008 Adolescent girls and sport role models 2 Abstract This paper explores the relationship between adolescent girls and their sport role models with a particular focus on gender. Social learning theory as well as gender theory are considered. Based on quantitative and qualitative data collected in Australia through two focus group interviews and questionnaires (n=357) the researchers found that gender influences the choice of sport role models of adolescent girls. When asked to nominate their role model, girls overwhelmingly choose a female role model, however, when their role model came from the sporting domain the percentage of female role models decreased. Further, qualitative comments support the notion that gender and gendered heroism play a critical role in the adoption of sport role models by adolescent girls. The authors argue that sport role models, in traditional gender terms, are ideologically contradictory. A trend towards acceptance of a multiple femininities and masculinities perspective may be a prospect for change. Adolescent girls and sport role models 3 David or Mia? The influence of gender on adolescent girls’ choice of sport role models Jess is an 18 year old girl from Indian descent living in the United Kingdom with a passion for soccer. On her bedroom wall hangs a poster of her hero, David Beckham. She often talks to him about her aspirations as a soccer player; he inspires her to pursue her dream.
    [Show full text]
  • 2018 Pulse of the Fashion Industry
    PULSE OF THE FASHION INDUSTRY 2018 PULSE OF THE FASHION INDUSTRY 2018 Publisher Acknowledgements Global Fashion Agenda and The Boston Consulting Group The authors would like to thank all of those who contributed their time and expertise to this report. Authors Morten Lehmann, Sofia Tärneberg, Thomas Special thanks go to the Sustainable Apparel Coalition for providing Tochtermann, Caroline Chalmer, Jonas Eder-Hansen, the data that made it possible to take the Pulse of the Fashion Dr. Javier F. Seara, Sebastian Boger, Catharina Hase, Industry, and the colleagues who contributed to this report, including Viola Von Berlepsch and Samuel Deichmann Baptiste Carrière-Pradal, Jason Kibbey, and Elena Kocherovsky. Copywriter Global Fashion Agenda Strategic Partners: Christine Hall and John Landry Hendrik Alpen (H&M), Michael Beutler (Kering), Mattias Bodin (H&M), Cecilia Brännsten (H&M), Baptiste Carriere-Pradal (Sustainable Graphic Designer Apparel Coalition), Helen Crowley (Kering), Marie-Claire Daveu Daniel Siim (Kering), Sandra Durrant (Target), Anna Gedda (H&M), Emilio Guzman (H&M), Jason Kibbey (Sustainable Apparel Coalition), Ebba Larsson Cover photo (H&M), Maritha Lorentzon (H&M), Ivanka Mamic (Target), Pamela Global Fashion Agenda Mar (Li & Fung), Emmanuelle Picard-Deyme (Kering), Dorte Rye Olsen (BESTSELLER), Harsh Saini (Li & Fung), Dorthe Scherling Nielsen Photos (BESTSELLER), Cecilia Takayama (Kering), Cecilia Tiblad Berntsson Copenhagen Fashion Week (H&M) and Géraldine Vallejo (Kering). Simon Lau I:CO/ SOEX Group Global Fashion Agenda Sounding Board: Orsola de Castro (Fashion Revolution), Simone Cipriani (Ethical Print Fashion Initiative), Linda Greer (NRDC), Katrin Ley (Fashion for Good) KLS PurePrint A/S and Bandana Tewari (Vogue India). 2018 Copyright © Global Fashion Agenda and Global Fashion Agenda team: The Boston Consulting Group, Inc.
    [Show full text]
  • 2009 TV Land Awards' on Sunday, April 19Th
    Legendary Medical Drama 'ER' to Receive the Icon Award at the '2009 TV Land Awards' on Sunday, April 19th Cast Members Alex Kingston, Anthony Edwards, Linda Cardellini, Ellen Crawford, Laura Innes, Kellie Martin, Mekhi Phifer, Parminder Nagra, Shane West and Yvette Freeman Among the Stars to Accept Award LOS ANGELES, April 8 -- Medical drama "ER" has been added as an honoree at the "2009 TV Land Awards," it was announced today. The two-hour show, hosted by Neil Patrick Harris ("How I Met Your Mother," Harold and Kumar Go To White Castle and Assassins), will tape on Sunday, April 19th at the Gibson Amphitheatre in Universal City and will air on TV Land during a special presentation of TV Land PRIME on Sunday, April 26th at 8PM ET/PT. "ER," one of television's longest running dramas, will be presented with the Icon Award for the way that it changed television with its fast-paced steadi-cam shots as well as for its amazing and gritty storylines. The Icon Award is presented to a television program with immeasurable fame and longevity. The show transcends generations and is recognized by peers and fans around the world. As one poignant quiet moment flowed to a heart-stopping rescue and back, "ER" continued to thrill its audiences through the finale on April 2, which bowed with a record number 16 million viewers. Cast members Alex Kingston, Anthony Edwards, Linda Cardellini, Ellen Crawford, Laura Innes, Kellie Martin, Mekhi Phifer, Parminder Nagra, Shane West and Yvette Freeman will all be in attendance to accept the award.
    [Show full text]
  • Locating South Asians in 21St Century American Popular Media
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media Bhoomi K. Thakore Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Sociology Commons Recommended Citation Thakore, Bhoomi K., "Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media" (2013). Dissertations. 549. https://ecommons.luc.edu/luc_diss/549 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Bhoomi K. Thakore LOYOLA UNIVERSITY CHICAGO JUST LIKE EVERYONE ELSE? LOCATING SOUTH ASIANS IN 21st CENTURY AMERICAN POPULAR MEDIA A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN SOCIOLOGY BY BHOOMI K. THAKORE CHICAGO, IL MAY 2013 Copyright by Bhoomi K. Thakore, 2013 All rights reserved. ACKNOWLEDGEMENTS This dissertation would have not been possible without the guidance of my committee members. First, I would like to thank my chair, Dr. J. Talmadge Wright. During the 2+ years that we have worked together, I have learned a great deal from you about audience studies and the very unique world of media sociology. In the fall of 2012 leading up to my dissertation defense, I had the privilege of meeting with you on a weekly basis to talk about my research, my teaching, my job market status, and everything in between.
    [Show full text]
  • Title List of Rbdigital Magazine Subscriptions (May27, 2020)
    Title List of RBdigital Magazine Subscriptions (May27, 2020) TITLE SUBJECT LANGUAGE PLACE OF PUBLICATION 7 Jours News & General Interest FrencH Canada AD – France Architecture FrencH France AD – Italia Architecture Italian Italy AD – GerMany Architecture GerMan GerMany Advocate Lifestyle EnglisH United States Adweek Business EnglisH United States Affaires Plus (A+) Business FrencH Canada All About History History EnglisH United KingdoM Allure WoMen EnglisH United States American Craft Crafts & Hobbies EnglisH United States American History History EnglisH United States American Poetry Review Literature & Writing EnglisH United States American Theatre Theatre EnglisH United States Aperture Art & Photography EnglisH United States Apple Magazine Computers EnglisH United States Architectural Digest Architecture EnglisH United States Architectural Digest - India Architecture EnglisH India Architectural Digest - MeXico Architecture SpanisH MeXico Art & Décoration - France HoMe & Lifestyle FrencH France Artist’s Magazine Art & Photography EnglisH United States Astronomy Science & TecHnology EnglisH United States Audubon Magazine Science & TecHnology EnglisH United States Australian Knitting Crafts & Hobbies EnglisH Australia Avantages HS HoMe & Lifestyle FrencH France AZURE HoMe & Lifestyle EnglisH Canada Backpacker Sports & Recreation EnglisH United States Bake from ScratcH Food & Beverage EnglisH United States BBC Easycook Food & Beverage EnglisH United KingdoM BBC Good Food Magazine Food & Beverage EnglisH United KingdoM BBC History Magazine
    [Show full text]
  • Season Premire
    Oct. 5, 2020 SEASON PREMIRE THE JOHNSONS FACE THE QUARANTINE LOCKDOWN ON THE SEASON PREMIERE OF ABC’S ‘BLACK-ISH,’ WEDNESDAY, OCT. 21 “Hero Pizza” – The season premiere of “black-ish” takes us to the beginning of the global pandemic for the Johnsons. As a first responder, Bow receives her family’s praise for her work, with Junior being her biggest fan. But over time, the family loses their enthusiasm, and Bow discovers someone in her house is breaking the quarantine lockdown rules. Meanwhile, Dre tries to convince everyone that he too is an essential worker, WEDNESDAY, OCT. 21 (9:30-10:00 p.m. EDT), on ABC. (TV-PG, L) Episodes can also be viewed on demand and on Hulu. Judy Reyes (“Scrubs”) and Parminder Nagra (“ER”) guest star as Dr. Laurie and Dr. Wen, respectively. “Hero Pizza” was written by Marquita J. Robinson and directed by Todd Biermann. The series stars Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Laurence Fishburne as Pops, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Jenifer Lewis as Ruby, Peter Mackenzie as Mr. Stevens, Deon Cole as Charlie Telphy, Jeff Meacham as Josh and Katlyn Nichol as Olivia. ABC’s “black-ish” was created by Kenya Barris and is executive produced by Barris, Courtney Lilly, Laura Gutin Peterson, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins and Michael Petok. The series is produced by ABC Signature, which is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.
    [Show full text]
  • Open Research Online Oro.Open.Ac.Uk
    Open Research Online The Open University’s repository of research publications and other research outputs From conspicuous to considered fashion: A harm-chain approach to the responsibilities of luxury-fashion businesses Journal Item How to cite: Carrigan, Marylyn; Moraes, Caroline and McEachern, Morven (2013). From conspicuous to considered fashion: A harm-chain approach to the responsibilities of luxury-fashion businesses. Journal of Marketing Management, 29(11-12) pp. 1277–1307. For guidance on citations see FAQs. c 2013 Westburn Publishers Ltd. https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.1080/0267257X.2013.798675 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk [Referencing details: Carrigan, M., Moraes, C. and McEachern, M. (forthcoming), “From conspicuous to considered fashion: A harm chain approach to the responsibilities of luxury fashion businesses,” Journal of Marketing Management.] From conspicuous to considered fashion: A harm chain approach to the responsibilities of luxury fashion businesses Professor Marylyn Carrigan*, Department of Marketing, Birmingham Business School, University of Birmingham, University House, Birmingham, B15 2TY Email: [email protected] Tel: +44 (0) 121 415 8179 Fax: +44 (0) 121 414 7791 *author for correspondence Dr. Caroline Moraes, Department of Marketing, Birmingham Business School, University of Birmingham, University House, Birmingham, B15 2TY Dr. Morven McEachern, Department of Marketing, Lancaster University Management School, Charles Carter Building, Lancaster LA1 4YX Author biographies Prof.
    [Show full text]