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												07 – Spinning the Record
VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo. - 
												
												Tin Pan American Roots Music
Tin Pan american roots music Band Members: CD Sales Jesse Selengut vocals / trumpet / piano Early Jazz and Americana (2007) 11,808 Steve Wood vocals / acoustic bass Alice McNulty (2008) 2,850 Hound’s Tooth (2009) 8,134 Pete Smith vocals / resophonic guitar Underdogs and Thundercats (2011) 8,875 Anders Zelinski drums The Home Bartender’s Songbook (2011) 6,640 Yes Yes Yes (2015) 1,562 City Life (2017) 432 Musical Style: TOTAL CD SALES 40,301 American roots music featuring elements of jazz, blues, county and rock. Distribution: City of Origin: • Regional Distribution through BEST BUY Tin Pan is based out New York City and Izmir, • Online distribution with through CDbaby, Turkey iTunes, and Digstation.com Performances Highlights: Additional Data: • US Open at Arthur Ashe Stadium - opening • Over 150 live performances per year. ceremonies for men’s final match • Member of Music Under New York Arts for • Appearances at Joe’s Pub for SOLD OUT crowds. Transit Program • Two performances at the Guggenheim Museum, • Festival Performances include the HOWL one of them in the Main Rotunda festival, the Williamsburg Jazz Festival, the • Michael Bloomberg’s Musical Guest MUNY Jazz Festival, The Cape Cod Jazz • Host band for the Shorty Awards, performance Festical with MC Hammer • Television appearances on The Today Show, • Performance at the Louis Armstrong House NY1, Fox News, ABC News, ESPN Museum • Radio appearances on WOR FM, WKCR (The • Performacne at Teatro Nuovo in Milan, Italy musician’s show) and WVBR (Ithaca, NY) • Corporate clients include Google, and Time Warner Contact Information: TIN PAN 718.913.9755 [email protected] www.tinpanband.com Like Ray Charles and Tom Waits hanging out in New Orleans TIN PAN • 47-50 41st Street #5a • Sunnyside, NY 11104 CONTACT: 718.913.9755 • [email protected] • tinpanband.com Tin Pan american roots music PRESS CLIPS: The New York Times: “I love this music! I love the dancing! I love it! [...} A strong, bluesy voice full of heart. - 
												
												Jazz & World Music New Releases
JAZZ & WORLD MUSIC NEW RELEASES RELEASE DATE 2nd JUNE + 16th JUNE 2014 CALL OFF: 23rd MAY + 6th JUNE 2014 HARMONIA MUNDI LABELS WORLD VILLAGE, JAZZ VILLAGE, LE CHANT DU MONDE, DISCOGRAPH DISTRIBUTED LABELS ACCORDS CROISÉS, AIRMAIL, ACT, AMARRASS, AMERICAN JAZZ CLASSICS, ANZIC, ARCHIEBALL, ASPHALT TANGO, AUM FIDELITY, BEE JAZZ, BLACK SAINT, BLUES BEACON, BONSAI, CADILLAC, CAMJAZZ, CAMOCI, CASEQUARTER, CONTRE JOUR, CRISTAL, EAST MEETS WEST, EDITION, ELLIPSIS ARTS, EMANEM, ENJA, EVIDENCE, FOGHORN, HATOLOGY, HI 4 HEAD, HIGHNOTE, HIGH TWO, HOWE, INNACOR, INSTITUT DU MONDE ARABE, IRIS MUSIC, ITM, JARO MEDIEN, JAZZ DOOR, JAZZ WAX, JAZZWERKSTATT, JELLYMOULD, KAMIYAD, KONIMUSIC, LONG DISTANCE, MAIK MAIER, MI’STER, MORGENLAND, NAÏVE, NO FORMAT, OCORA RADIO FRANCE, OGUN, PI RECORDINGS, PLUS LOIN, POLL WINNERS, PSI, Q-RIOUS, RARE MUSIC, REGARDLESS, RITI, SAVANT, SOULBEATS, SOUL NOTE, SUNNYSIDE, TIPTOE, TOTOLO, UNITED ARCHIVES, WERGO, MESHELL NDEGEOCELLO WINTER & WINTER, YELLOWBIRD contact: [email protected] / 020 8709 9500 [email protected] 020 8709 9500 RELEASE DATE 2ND JUNE 2014 Comet, Come To Me MESHELL NDEGEOCELLO Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. - 
												
												Jazz Meets World 2017 - Jarní Koncerty
Jazz Meets World 2017 - jarní koncerty IDAN RAICHEL - PIANO SONGS (Izrael) Idan Raichel - klavír, klávesy, perkuse, zpěv 08.03.2017 od 19.30 Divadlo u hasičů, Římská 45, Praha 2 Jedna z největších ikon izrealské hudební scény opět v Praze. Po vystoupeních s kvartetem Idan Raichel Project a se souborem Touré- Raichel Collective tentokrát se představí se sólovým programem. Idan, který posledních 12 let působil jako kapelník Idan Raichel Projektu, se rozhodl udělat odvážný nový krok, který považuje za přirozený, na který se velice těší a který hodlá uvést na světové scény v roce 2017. Idan slibuje, že posluchačům sdělí živě a zasvěceně, co se mu přihodilo během posledních 12 let a podělí se s nimi o to, jak své melodie a písně komponoval, než začaly kolovat světem jako společná díla a koncerty. Po svém posledním turné s 30 vyprodanými klavírními koncerty se rozhodl, že je na čase, aby se naplno věnoval sólovým koncertům (klavír a zpěv). Na těchto koncertech uslyšíme písně jeho celé kariéry včetně skladeb z posledního alba At The Edge Of The Beginning. Idanovy koncerty budou jedno vzrušující a lákavé sólo zvukového & hlasového zážitku, ale protože se nechce vzdát své oblíbené hudební spolupráce, byl by rád, kdyby v každém městě našel hostujícího muzikanta třeba pro duo. Idan Raichel byl nedávno vyznamenán Ústavem Martina Luthera Kinga za to, že upozorňuje na problémy minorit. Aktivně se angažuje v uprchlických otázkách, v boji nových přistěhovalců s problémy identity a za změnu a vliv migrační politiky ve světě. TAMARA OBROVAC QUARTET (Chorvatsko) Tamara Obrovac - zpěv Matija Dedić- klavír Žiga Golob - kontrabas Krunoslav Levaćić - bicí 13.03.2017 od 19:30 Novoměstské radnice, Velký sál, Karlovo nám 1/23, Praha 2 Komponující vokalistka a flétnistka Tamara Obrovac z chorvatského města Puly je jednou z nejpůsobivějších umělců na chorvatské hudební scéně. - 
												
												David Levi Dirigent
David Levi Dirigent Der in New York aufgewachsene David Levi absolvierte zunächst ein Psychologiestudium an der Harvard University, bevor er Klavier, Dirigieren, Kammermusik und Liedbegleitung an der Manhattan School of Music studierte. 1993 kam David Levi als Assistent von James Conlon an die Oper Köln, wo er u. a. die Neuproduktionen von Dimitri Schostakowitschs Oper „Die Nase“ (Regie: Harry Kupfer) und Stephen Sondheims „Sweeney Todd“ (Regie: Proscenium Artists Management GmbH - Rudolfsplatz 12/8 - A - 1010 Wien Tel:+43 1 9684422 - offi[email protected] - Seite 1 von 4 - Torsten Fischer) leitete. Darüber hinaus dirigierte er Berlioz’„La Damnation de Faust“, „Elektra“ mit Gabriele Schnaut, „Eugen Onegin“, „Otello“, „Hänsel und Gretel“, „Die Zauberflöte“, sowie „La Traviata“. Gemeinsam mit der Regisseurin Corina van Eijk rief David Levi 1989 das Spanga Opera Festival in den Niederlanden ins Leben. Hier dirigierte er u. a. „L’elisir d’amore“, „Rigoletto“, „Les contes d’Hoffmann“, „The Rake’s Progress“ „Ariadne auf Naxos“, „Samson et Dalila“, „Falstaff“, „Aida“ und Puccinis „Trittico“. 2008 erarbeitete er beim Spanga Opera Festival „Donna Giovanna“, ein bei Kritik und Publikum überaus erfolgreiches Projekt über „Don Giovanni“, außerdem im Jahr 2009 Strauss’ „Elektra“ mit einem Orchester von 34 Musikern und im Jahr 2010 seine Version von „Carmen“. David Levi hatte auch die musikalische Leitung der beiden Opern-Filme „Rigoletto“ und „Samson und Dalila“ inne, die von Opera Spanga produziert wurden. Außerdem dirigierte er bei David Moreaus Filmmusik für „Une Vie à t’attendre“ und „Le Héros de la Famille“. Für letzteren war er auch der Gesangslehrer von Emmanuelle Béart und Cathérine Deneuve. An der Metropolitan Opera New York arbeitete er in 1996 als Assistent von James Levine. - 
												
												Migrations: the Making of America Festival Programming by Genre March 9—April 15, 2019 Music
MIGRATIONS: THE MAKING OF AMERICA FESTIVAL PROGRAMMING BY GENRE (Presented by Carnegie Hall unless otherwise noted) MARCH 9—APRIL 15, 2019 MUSIC Saturday, March 9 at 5:45 PM Live from Here with Chris Thile Chris Thile, Host, Mandolin, and Vocals Additional artists to be announced Stern Auditorium / Perelman Stage at Carnegie Hall 57th Street and Seventh Avenue | Manhattan carnegiehall.org Opening Carnegie Hall’s Migrations: The Making of America festival, Chris Thile leads an evening of traditional Scots, Irish, and American folk music—including old-time and bluegrass—that explores the evolution of these traditions and their continued impact on one another. This event will be broadcast live and distributed nationwide by American Public Media. Chris Thile is the holder of the 2018–2019 Richard and Barbara Debs Composer’s Chair at Carnegie Hall. _______ Saturday, March 9 at 7 PM Global Mashup: Bollywood Meets Global Roots Blues Falu Hazmat Modine Flushing Town Hall 137-35 Northern Boulevard | Queens flushingtownhall.org Starting with dance lessons, a set by each band, and then a jam session between the two, we’re mashing up two cultures on one stage with an open dance floor! The series opens with Falu, an internationally recognized Indian vocalist whose quartet combines traditional roots with inventive rock, mashing with Hazmat Modine, distillers of American music melded with African, Central Asian, Caribbean, and Eastern European influences. Presented by Flushing Town Hall. Migrations: The Making of America Festival, March 9–April 15, 2019, Page 2 of 40 Sunday, March 10 at 2 PM From the Yiddish Rialto to the Silver Screen Safra Hall at the Museum of Jewish Heritage 36 Battery Place | Manhattan nytf.org | 212-213-2120 This concert aims to bring lost and forgotten Yiddish works to today’s audiences. - 
												
												June 2010 Issue
NEW YORK June 2010 | No. 98 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com HERBIE HANCOCKSEVEN DECADES OF IMAGINATION Mark Feldman • David S. Ware • Kadima Collective • Event Calendar NEW YORK Despite the burgeoning reputations of other cities, New York still remains the jazz capital of the world, if only for sheer volume. A night in NYC is a month, if not more, anywhere else - an astonishing amount of music packed in its 305 square miles (Manhattan only 34 of those!). This is normal for the city but this month, there’s even more, seams bursting with amazing concerts. New York@Night Summer is traditionally festival season but never in recent memory have 4 there been so many happening all at once. We welcome back impresario George Interview: Mark Feldman Wein (Megaphone) and his annual celebration after a year’s absence, now (and by Sean Fitzell hopefully for a long time to come) sponsored by CareFusion and featuring the 6 70th Birthday Celebration of Herbie Hancock (On The Cover). Then there’s the Artist Feature: David S. Ware always-compelling Vision Festival, its 15th edition expanded this year to 11 days 7 by Martin Longley at 7 venues, including the groups of saxophonist David S. Ware (Artist Profile), drummer Muhammad Ali (Encore) and roster members of Kadima Collective On The Cover: Herbie Hancock (Label Spotlight). And based on the success of the WinterJazz Fest, a warmer 9 by Andrey Henkin edition, eerily titled the Undead Jazz Festival, invades the West Village for two days with dozens of bands June. - 
												
												EXTRA-DELUXE-SUPREME« Neues Album 2015
Neues Album 2015 »EXTRA-DELUXE-SUPREME« JARO 4326-2 – Backprogramm – 27.05. HANNOVER ....... Pavillon 06.06. AT-HARD ..........Kammgarn 28.05. BIELEFELD ............Forum 07.06. CH-BERN ............. Bee-flat 29.05. SAARBURG ...................... 09.06. MÜNCHEN ......... Ampere Museum Glockengießerei 10.06. ERLANGEN ......... E-Werk »Live« | 2014 »Cicada« | 2011 »Bahamut« | 2007 30.05. BADEN BADEN ............... JARO 4320-2 JARO 4292-2 JARO 4283-2 11.06. WORPSWEDE ...Music Hall ..... Blues Club – Löwensaal Bestellbar unter: www.jaro.de 31.05. FREIBURG ....... Jazzhaus 12.06. SCHWEBHEIM ... Halle 12 Telefonisch: 0421-7941194 02.06. LU-DUDELANGE .............. 13.06. EISENACH ...... Jazz Club Email: [email protected] .......................Opderschmelz Kulturfabrik ›Alte Mälzerei‹ 03.06. MANNHEIM ..................... 14.06. BERLIN .............................. ................. Alte Feuerwache Kulturbrauerei/Kesselhaus 04.06. AT-WIEN .... Porgy & Bess 16.06. BORDESHOLM .... Savoy 05.06. AT-SALZBURG ....... Jazzit 17.06. WUPPERTAL ....... Börse Phone: 0049-421-705771 · Email: [email protected] · www.jaro.de an stelle sich die Metropole New York City als ei- Die Band wird verstärkt durch den weltbereisten nen großen Kochtopf vor und Hazmat Modine Schlagzeuger Tim Keiper (Vieux Farka Touré, Cyro Bap- als einen höchst exotischen Eintopf, der darin bro- tista, John Zorn) und die faszinierende Sängerin und delt. Nun wird dieses Schmankerl auch in Deutsch- Geigespielerin Mazz Swift (Valerie June, D‘Angelo, Ver- Mland zubereitet - und zwar in diesem Frühling. non Reid). Die edelsten Zutaten des musikalischen Festmahls, werden in Form von klassischer amerikanischer Mu- Hazmat Modine sind bereit, das europäische Fest- sik, Gitarren, Violine, Blech- und Holzbläser, Harmo- land zu rocken: niegesang zusammengemixt und mit der universellen Diatonic Harmonica, Guitar, Präsenz von Wade Schumans kongenialem Mundhar- Wade Schumann - Banjitar, Lead Voc monikaspiel abgeschmeckt und dem Zuhörer auf dem Silbertablett serviert. - 
												
												Radio 3 Listings for 13 – 19 June 2009 Page 1
Radio 3 Listings for 13 – 19 June 2009 Page 1 of 39 SATURDAY 13 JUNE 2009 Chopin, Fryderyk (1810-1849): Polonaise in F sharp minor, Op 44 SAT 01:00 Through the Night (b00kszvp) Erik Suler (piano) 1.00am Haydn, (Franz) Joseph (1732-1809): String Quartet in B flat, Op 5.29am 76, No 4 (Sunrise) Telemann, Georg Philipp (1681-1767): Concerto in F minor Con Tempo Quartet European Union Baroque Orchestra Roy Goodman (director) 1.22am Beethoven, Ludwig van (1770-1827): String Quintet in C, Op 28 5.44am Con Tempo Quartet Haydn, Joseph (1732-1809): Sonata in E flat for piano trio, H XV 28 1.52am Kungsbacka Trio Sirola, Bozidar (1889-1956): Missa Poetica Slovenian Chamber Choir 6.00am Vladimir Kranjcevic (conductor) Moszkowski, Moritz (1854-1925): Piano Concerto in E, Op 59 Janina Fialkowska (piano) 2.25am Kitchener-Waterloo Symphony Orchestra Tchaikovsky, Pyotr Il'yich (1840-1893): Violin Concerto in D, Op Raffi Armenian (conductor) 35 Ann-Sofie Mutter (violin) 6.37am Oslo Philharmonic Grieg, Edvard (1843-1907): Holberg Suite, Op 40 Andre Previn (conductor) Stavanger Symphony Orchestra Eivind Aadland (conductor). 3.00am Dohnanyi, Erno (1877-1960): Suite in F sharp minor, Op 19 West Australian Symphony Orchestra SAT 07:00 Breakfast (b00ktmq7) Jorge Mester (conductor) Suzy Klein 3.30am The complete Breakfast playlist for weekend editions of the Bach, Johann Christoph Friedrich (1732-1795): Cantata - programme is posted online on the Monday following Pygmalion broadcast. Harry Van der Kamp (bass) Das Kleine Konzert 07:03 Hermann Max (conductor) MOZART 4.03am March in D major, K.445 Platti, Giovanni Benedetto (1697-1763): Wind Trio in C minor Academy of St. - 
												
												¥ Forum 1/2000 30.03.00
12000 Die Opern The Operas · Les opéras Europäischer Musikpreis European Music Prize for Youth · Prix Européen de la Musique pour les Jeunes 25 Jahre Hindemith-Institut 25th Anniversary of Hindemith Institute · 25ème anniversaire de l’Institut Hindemith Hindemith- Musikzentrum Blonay Hindemith Music Centre Blonay · Centre de Musique Hindemith Blonay Neuerscheinungen New Publications · Nouveautés Forum INHALT · CONTENTS · SOMMAIRE Die Harmonie der Welt 3 Interview mit Marek Janowski 3 ▼ Interview with Marek Janowski 4 ▼ Interview de Marek Janowski 5 Hindemith zur Die Harmonie der Welt 6 ▼ Hinde- mith on Die Harmonie der Welt 7 ▼ Hindemith: au sujet de Die Harmonie der Welt 8 Cardillac 8 Hindemiths Opern 11 ▼ Hindemith’s Operas 11 ▼ Les opéras de Hindemith 12 Hindemiths Opern auf Tonträgern 14 ▼ Recordings ▼ Impressum · Imprint · Impressum of Hindemith’s Operas 14 Enregistrements CD Hindemith-Forum Mitteilungen der Hindemith-Stiftung/Bulletin des opéras de Hindemith 14 of the Hindemith Foundation/Publication de la Fondation Hindemith Heft 1/Number 1/Cahier no 1 Berichte · Reports · Reportages 15 © Hindemith-Institut, Frankfurt am Main 2000 ▼ Redaktion/Editor/Rédaction: Europäischer Musikpreis für die Jugend 15 Euro- Heinz-Jürgen Winkler Beiträge/Contributors/Articles de: pean Music Prize for Youth 15 ▼ Prix Européen de Norbert Abels (NA), Andreas Eckhardt (AE), Susanne Schaal (SuSch), Giselher Schubert la Musique pour les Jeunes 15 ▼ 25 Jahre Hinde- (GS), Heinz-Jürgen Winkler (HJW) Redaktionsschluß/Copy deadline/ mith-Institut 16 ▼ 25th - 
												
												Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 2 September 2000 – July 2001 ................................................................................................................................................................................ 23 September 2001 – July 2002 ................................................................................................................................................................................ 45 September 2002 – July 2003 ................................................................................................................................................................................ 73 September 2003 – July 2004 ................................................................................................................................................................................ 97 September 2004 – July 2005 ............................................................................................................................................................................. - 
												
												Mathematical Set Symbols Pdf
Mathematical set symbols pdf Continue For the 1960 film, see Dialogue with the Carmelites. Dialogues de Carmelitest Opera Francis Poulencelin Rombo as Sister Blanche in a 2011 production at the Royal Swedish OperaTranslationDialog CarmelitesLebraithsLebelistSLembretistLanguageFrenisers onDialogs Carmesbit George BernanosPremier 26 January 1957 (1957-01-26) La Scala, La Scala, Milan (in Italian) Carmelite Dialogues (Carmelite Dialogues) is an opera in three acts divided into twelve scenes with a linkage of orchestral interludes, with the music and libretto of Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after working with the same name of George Bernanos. The opera tells a fictional version of the story of the martyrs of Compiegne, the Carmelite nuns who in 1794 in the last days of the reign of terror during the French Revolution were guillotines in Paris for refusing to give up their calling. The world premiere of the opera took place (in Italian translation) on January 26, 1957 in La Scala in Milan. The Franco-language version premiered in Paris on June 21, 1957. The English-language premiere in the United States took place in San Francisco in September 1957. The development of Bernanos was hired in 1947 to write a dialogue for the film script, through Raymond-Leopold Bruckberger and screenwriter Philippe Agostini, based on the novella Die Letzte am Schafott (literal translation, The Last on Scaffold or Song on Scaffold, published by the title of English translation) by Gertrude von Le Fort. The story is based on the story of the martyrs Of Compiegne in the monastery of the Carmelite nuns in Compiegne, northern France, after the French Revolution, particularly in 1794, during the state seizure of the monastery's assets.