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For Children 1
1 500BOOKS FOR CHILDREN 1 NORA E. BEUST Specialist in School Libraries /114.4 14. or, . 11 4 -es . - ,0 I . A PW oh Bulletin 1939, No. 11 It t<1 maim STATICS DEPARTMENT OPTILEINTERIOR,HaroldL. Ickes,Seeman MIMIOFIDUCATION, J. W. Studebaker,Ceuradosiesar ailed States GarmasheetPrintingMks Wesklegtsa 44t re Oa tif fla 011111010111,stOfDmINIIN, WasiOntra,D. A hieslasea* . ,': i ....- ,..- i: : ... 4.1 :. - '' , .t t^ bayV . - - .4,)' 4: I r * $'` :f . o W...1*- 4"4'-' ' .''... r . 4l 4.47. .5 14.11$f 4'.'t :..!`'.: t I ' . r :" ' gi ' ,k, i 4't, 'I: - 4 , ' '... ..!1' 'et i; s :- i . 7.% t . t .. nzs 1 - 7,...., k trd, '; "'" ". , e" e 7 4 , J t, RAY, Ars "274LV,INi .th Wei LW" lb 1 s . CONTENTS Page FOREWORD_ 01, 411. v bi PRIPIACZ _ SECTIONI (Grades 1-3)__ 6 SECTIONII (Grades 4-6) ,. .......... - - - ........___ 20 , SECTIONIII (Grades 7-8) 38 NEWBRRTMEI3AL BOOKS _ 53 CALDICOTI' AWARDS__IMP MO OW as I ND 55 ILLUSTRATORS 59 PuBusaxas. 66 k hoax_ 110 am, airo 69 vt, In I 1 *0' e. 7t. ' A. " -.Or' ' ,s a __,* '--. .4- a .I, ,,,e vala. a,ra ., . * * i f, Or . N, :' * 10 ara.." .1,-*-vot. 1 v.irjrr; ,- ''4" 1,4-*vf.1.4 5 at: IC .._." 1. 1 ''''', , -4` -. % ... t p - _., J:, tit .3,..7" t. '-,,,....,....;lf,- riit, t,..12 ..PFle-... re .0* - .).... 1- . - ' .i. 41; , '9.14 a Onegift thefairiesgave me.(Three Theycommonlybestowedof yore.) Thelove ofbooks,the goldenkey Thatopenstheenchanteddoor. IOW ANDREW LANG. FromBallade oftheBookworm. Iv- - - 4. -'k,' 7 t45.11.. et* 0. -
Star Channels, May 26-June 1
MAY 26 - JUNE 1, 2019 staradvertiser.com BRIDGING THE GAP The formula of the police procedural gets a spiritual new twist on The InBetween. The drama series follows Cassie Bedford (Harriet Dyer), who experiences uncontrollable visions of the future and the past and visits from spirits desperately seeking her help. To make use of her unique talents, she assists her father, Det. Tom Hackett (Paul Blackthorne), and his former FBI partner as they tackle complicated crimes. Premieres Wednesday, May 29 on NBC. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | THE INBETWEEN Crossing over Medium drama ‘The As for Dyer, she may be a new face to North first time channelling a cop character; he American audiences, but she has a long list of starred as Det. Kyle Craig in the “Training Day” InBetween’ premieres on NBC acting credits, including dramatic and comedic series inspired by the 2001 film of the same roles in her home country of Australia. She is name. By Sarah Passingham best known for portraying Patricia Saunders in Everything old really is new again. There was TV Media the hospital drama “Love Child” and April in the a heyday for psychic, clairvoyant and medium- cop comedy series “No Activity,” which was centred television in the mid-2000s, with he formula of the police procedural gets a adapted for North American audiences by CBS shows like “Medium” and “Ghost Whisperer,” spiritual new twist when “The InBetween” All Access in 2017. -
A Decade of Deceit How TV Content Ratings Have Failed Families EXECUTIVE SUMMARY Major Findings
A Decade of Deceit How TV Content Ratings Have Failed Families EXECUTIVE SUMMARY Major Findings: In its recent report to Congress on the accuracy of • Programs rated TV-PG contained on average the TV ratings and effectiveness of oversight, the 28% more violence and 43.5% more Federal Communications Commission noted that the profanity in 2017-18 than in 2007-08. system has not changed in over 20 years. • Profanity on PG-rated shows included suck/ Indeed, it has not, but content has, and the TV blow, screw, hell/damn, ass/asshole, bitch, ratings fail to reflect “content creep,” (that is, an bastard, piss, bleeped s—t, bleeped f—k. increase in offensive content in programs with The 2017-18 season added “dick” and “prick” a given rating as compared to similarly-rated to the PG-rated lexicon. programs a decade or more ago). Networks are packing substantially more profanity and violence into youth-rated shows than they did a decade ago; • Violence on PG-rated shows included use but that increase in adult-themed content has not of guns and bladed weapons, depictions affected the age-based ratings the networks apply. of fighting, blood and death and scenes We found that on shows rated TV-PG, there was a of decapitation or dismemberment; The 28% increase in violence; and a 44% increase in only form of violence unique to TV-14 rated profanity over a ten-year period. There was also a programming was depictions of torture. more than twice as much violence on shows rated TV-14 in the 2017-18 television season than in the • Programs rated TV-14 contained on average 2007-08 season, both in per-episode averages and 84% more violence per episode in 2017-18 in absolute terms. -
EJC Cover Page
Early Journal Content on JSTOR, Free to Anyone in the World This article is one of nearly 500,000 scholarly works digitized and made freely available to everyone in the world by JSTOR. Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid-seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non-commercial purposes. Read more about Early Journal Content at http://about.jstor.org/participate-jstor/individuals/early- journal-content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not-for-profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact [email protected]. THE ANNALS OF THE AMERICAN ACADEMY OF POLITICAL AND SOCIAL SCIENCE ISSUED BI-MONTHLY VOL. XXVII JANUARY-JUNE, I906 EDITOR: EMORY R. JOHNSON CARL KELSEY, SAMUEL McCUNE LINDSAY, EDITORS ASSOCIATE L. S. ROWE, JAMES T. YOUNG. PHILADELPHIA AMERICAN ACADEMY OF POLITICAL AND SOCIAL SCIENCE I906 Copyright, 1906, by the American Academy of Political and Social Science. All rights reserved. KRAUS REPRINT CO. New York 1968 Reprintted with the permission of the original publishers KRAUS REPRINT CO. -
Andrea Kinsky
Andrea Kinsky Height: 5’6 Skills and Experience Andrea Kinsky Rick Seaman Driving Clinic Seat Time Weight: 110 lbs Motorcycle Rider 310-962-8573 US Powerboat Certification Hair: Blonde MMA Fight Training Fighting for Film [email protected] SAG/ AFTRA Eyes: Blue Ground Pounder Rhythmic Gymnastics Ballet Dancing Size: 0-2, S Marathon runner, cyclist Acting For Film On-Camera Scene Study Television Stunt Coordinator Westworld Stunt Cyclist Doug Coleman The Haunting Stunt double-Mena Suvari Nils Allen Stewart The OA Stunt double-Brit Marling Wade Allen The Mick Stunt double-Tricia O’Kelley Jeremy Fitzgerald Lifeline Stunt Actor-Reagan Nils Allen Stewart Idiotsitter Stunt double-Charlotte Newhouse Danny Wayne Notorious Stunt double-Piper Perabo Phil Culotta Fear of the Walking Dead Stunt Zombie Mark Norby Hawaii Five-0 Stunt double-Sarah Carter Jeff Cadiente NCIS Stunt double-Emily Wickersham Diamond Farnsworth Supernatural Stunt Angel Lou Bollo Once: Wonderland Stunt double-Emma Rigby Gaston Morrison Red Widow Stunt double-Erin Moriarty Danny Virtue Once Upon a Time Stunt double-Jennifer Morrison Gaston Morrison Smallville Stunt Burglar Jacob Rupp Psych Stunt double-Mena Suvari Dan Shea Supernatural Stunt Ballerina Lou Bollo Confined Stunt double-Emma Caulfield Rob Hayter Psych Stunt Jogger Dan Shea Supernatural Stunt double-Paris Hilton Lou Bollo The Guard Stunt Canoer Dan Redford Smallville Stunt double-Laura Vandervoort Jacob Rupp Aliens in America Stunt Wife Rob Wilton Bionic Women Stunt Diner Patron Dean Choe Supernatural Stunt -
Mightier Than the Sword: Arts and Culture in the U.S.-Islamic World Relationship Ab O U T T H E Au T H O R S
THE BROOKING S PROJECT ON U.S. RELATION S WITH THE IS LA M IC WORLD June 2008 MIGHTIER THAN THE SWORD : Arts and Culture in the U.S.-Muslim World Relationship Cynthia P. Schneider Kristina Nelson at BROOKINGS With Research by Mohammed Yousri TA B LE OF CONTENT S Acknowledgements ......................................................................... v About the Authors . vii Methodology and Definitions .................................................................1 Executive Summary . 4 Introduction ..............................................................................7 Outline of Paper ...........................................................................9 Defining the Problem(s) ....................................................................10 Why Arts and Culture? . .13 The “Canaries in the Coal Mine” of Free Expression ...............................................14 Art Disturbs Authority . .16 Breaking Down Stereotypes, Humanizing the Other ...............................................17 Respect the Past, Earn Respect in the Present: Cultural History and Identity.............................18 The Power of Feeling and Seeing: The Impact of the Artistic Experience ................................20 Cultural Connections Between the United States and the Global Muslim Community Today: The Changing Landscape for Arts and Culture in the Muslim World ................................22 Missed Opportunities, Misplaced Priorities: U.S. Government and Arts and Culture in the Muslim World . .24 United States Nonprofit -
Schenker's First “Americanization”: George Wedge, the Institute of Musical Art, And
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 4 Issue 1 Article 7 January 2011 Schenker’s First “Americanization”: George Wedge, the Institute of Musical Art, and the “Appreciation Racket” David Carson Berry [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Berry, David Carson (2011) "Schenker’s First “Americanization”: George Wedge, the Institute of Musical Art, and the “Appreciation Racket”," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 4 : Iss. 1 , Article 7. Available at: https://trace.tennessee.edu/gamut/vol4/iss1/7 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part III), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. SCHENKER’S FIRST “AMERICANIZATION”: GEORGE WEDGE, THE INSTITUTE OF MUSICAL ART, AND THE “APPRECIATION RACKET” DAVID CARSON BERRY quarter of a century ago, William Rothstein first employed a now common phrase when A he spoke of the “Americanization of Schenker”—that is, the accommodation that had to be made to bring Schenker’s ideas into the American academy, a process that involved ex- punging (or at least reconstituting) “those elements of Schenker’s thought [that clashed] most spectacularly with the American mind.”1 Rothstein focused mainly on émigrés displaced by the Second World War (e.g., Oswald Jonas, Ernst Oster, and Felix Salzer), and on Americans a generation younger (e.g., Milton Babbitt and Allen Forte). -
EJC Cover Page
Early Journal Content on JSTOR, Free to Anyone in the World This article is one of nearly 500,000 scholarly works digitized and made freely available to everyone in the world by JSTOR. Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid-seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non-commercial purposes. Read more about Early Journal Content at http://about.jstor.org/participate-jstor/individuals/early- journal-content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not-for-profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact [email protected]. THE ANNALS OF THE AMERICAN ACADEMY OF POLITICAL AND SOCIAL SCIENCE ISSUED BI-MONTHLY VOL. XXVIII JULY-DECEMBER, I906 EDITOR;EMORY R. JOHNSON ASSOCIATE EDITORS: CARL KELSEY, SAMUEL McCUNE LINDSAY, L. S. ROWE, JAMES T. YOUNG. PHILADELPHIA AMERICAN ACADEMY OF POLITICAL AND SOCIAL SCIENCB x906 Copyright, 1906, by the American Academy of Political and Social Science All rights reserved KRAUS REPRINT CO. New York 1968 Reprinted with the permission of the original publishers KRAUS REPRINT CO. -
With Civic Protection in Recreation, Legal Protection In
293 with civic protection in recreation, legal protection in industry, legal protection for delinquents, legal safeguards for the dependent, protection against discrimina- tions in legal treatment, with a closing chapter on the need of further protection. Into this account she has woven innumerable personal anecdotes illustrating points discussed. Among the needs yet to be met, Mrs. Bowen feels is the more active partici- pation of women in the government of the city. Though for years a board of women had overseen the work of school nurses, when the school nurse became a city official there was no longer any woman fit to be a member of the city council and continue such supervision. Mrs. Bowen feels that women should also be members of the Board of County Commissioners in order to maintain some direct supervision over the probation officers of the juvenile court. She feels that better lawns and better enforcement. of law dealing with the sale of food, particularly of milk, bet,ter registration of births, better control of child labor, particularly with reference to newsboys, messenger boys, etc., better supervision of employment agencies and more adequate provision for the treatment of the inebriate are needed. To those who are dealing with problems of social welfare in our large cities and to those who are interested in knowing what is being done, this volume is to be heartily commended. Miss Jane Addams contributes the preface. CARL KELSEY. University of Pennsylvania. HEALY, WILLIAM. The Individual Delinquent. ’Pp. xi, 830. Price, $5.00. Boston: Little, Brown and Company, 1915. This masterful achievement is an inductive and analytical study of a thousand juvenile delinquents. -
The American Literature Association Alfred Bendixen, 2014 Conference Director
American Literature Association A Coalition of Societies Devoted to the Study of American Authors 25th Annual Conference on American Literature May 22-25, 2014 Hyatt Regency Washington on Capitol Hill Washington, D.C. (202-737-1234) Conference Director Alfred Bendixen Texas A&M University Draft as of March 5, 2014 This on-line draft of the program is designed to provide information to participants in our 25th conference and provide them with an opportunity to make corrections. Participants should check the description of their papers and panels to ensure that names and titles and other information are spelled appropriately. Times of Panels: If there is a conflict in the program (i.e., someone is booked to appear in two places at the same time), please let me know immediately. The program indicates that a few slots for business meetings are still available, but it will be difficult to make other changes. You can presume that the day of your panel is now fixed in stone (and it will not change without the concurrence of every person on that panel) but it may be necessary to make minor changes in the time of a panel. Audio-Visual Equipment: The program also lists the audio-visual equipment that has been requested for each panel. Please note that it may be difficult or impossible to add any audio-visual equipment at this point, but individuals may make such requests. The ALA normally provides a digital projector and screen to those who have requested it at the time the panel or paper is submitted. -
Colby Chartrand Stunt Performer
Colby Chartrand Stunt Performer Office: 604-299-7050 Website: www.stuntscanada.com Email: [email protected] Cel: 778-988-9699 Height: 5’11 Weight: 180 Hair: Brown Eyes: Hazel Waist: 33 Inseam: 32 Shoe: 10 Jacket: 40 Sleeve: 35 Neck: 15 Hat 7 1/8 **UBCP/ACTRA AWARD WINNER: Best Stunt – “Arrow” – 2016 STUNT PERFORMER CREDITS SHOW ROLE STUNT COORDINATOR True Justice Stunt DBL Lauro Chartrnad Diary of a Wimpy Kid 2 Stunt DBL Dave Hospes Elopement Stunt DBL Brett Chan Betwixt Stunt DBL Dean Choe Repeaters Stunt DBL Garvin Cross V Stunts Ernest Jackson Twilight Eclipse Stunts John Stoneham Jr. Percy Jackson Stunts Bobby Brown, Dean Choe Tron 2 Stunts Scott Ateah The Boy who cried Werewolf Stunts Lauro Chartrand Vampire Diaries Damon Stunt DBL Melissa Stubbs Cabin in the Woods Judah Stunt DBL Freddie Hice, Scott Nicholson Supernatural Stunts Lou Bollo Smallville – Seasons 1, 3, 4, 8 Stunt DBL Tony Morelli, Chris Sayour, J Rupp Ernest Jackson, L Chartrand Smoking Aces 2 Stunt DBL Scott Ateah Human Target – Seasons 1, 2 Stunts Dean Choe/Marny Eng The Guard Stunt DBL Dan Redford Fireball Stunt DBL Lauro Chartrnad Harper’s Island Stunt DBL Marny Eng Scooby Doo: In the Beginning Stunt DBL Scott Ateah Revolution Stunts Gaston Morrison I Love You, Beth Cooper Stunts Bobby Brown, Dean Choe Beverly Hills Chihuahua Stunts Lauro Chartrand Lost Boys 2 Stunt DBL Garvin Cross Aliens in America Stunt Actor Rob Wilton Tale of Two Sisters Stunts Marny Eng Battlestar Galactica – Season 4 Stunts Mike Mitchell WCB – “You’re a Pro” Stunt DBL Clay Virtue Bionic Woman Stunt DBL Melissa Stubbs, Dean Choe 4400 Stunts Gaston Morrison Whistler Stunts Marshall Virtue, Rob Hayter Chemical Evil Stunts Lauro Chartrand Painkiller Jane Stunts Randy Lee Alien vs Predator 2 Stunt DBL JJ Makaro Fantastic 4 2 Stunts Mike Mitchell, Glenn Boswell Holiday Open House Stunts Brett Armstrong Amped Stunt DBL Scott Ateah Shooter Stunts John Stoneham Jr. -
The Resonance of Unseen Things Revised Pages Revised Pages
Revised Pages The Resonance of Unseen Things Revised Pages Revised Pages The Resonance of Unseen Things Poetics, Power, Captivity, and UFOs in the American Uncanny Susan Lepselter University of Michigan Press Ann Arbor Revised Pages Copyright © by Susan Lepselter 2016 Published by the University of Michigan Press 2016 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2019 2018 2017 2016 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Lepselter, Susan Claudia, author. Title: The resonance of unseen things : poetics, power, captivity, and UFOs in the American uncanny / Susan Lepselter. Description: Ann Arbor : University of Michigan Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2015043812| ISBN 9780472072941 (hardcover : alk. paper) | ISBN 9780472052943 (pbk. : alk. paper) | ISBN 9780472121540 (ebook) Subjects: LCSH: Human-alien encounters. | Conspiracy theories?United States. Classification: LCC BF2050 .L47 2016 | DDC 001.942—dc23 LC record available at http://lccn.loc.gov/2015043812 Revised Pages Acknowledgments This book has morphed in and out of various emergent states for a very long time. It would be impossible to thank everyone who has deepened and expanded my thinking over the years—impossible both because I wish to keep confidential the names of multiple people to whom I am thankful for telling me their own stories, and also because so many people have influenced my ideas in ways too subtle and pervasive to describe.