DOCSLIB.ORG

Information Office Records 03.00.INFO

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Information Office Records 03.00.INFO Information Office Records _ 03.00.INFO This finding aid was produced using ArchivesSpace on March 23, 2017. eng Describing Archives: A Content Standard National Center for Atmospheric Research (NCAR) Archives Information Office Records _ 03.00.INFO Table of Contents Summary Information .................................................................................................................................... 3 Scope and Contents ........................................................................................................................................ 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Controlled Access Headings .......................................................................................................................... 5 Physical Access Requirements ...................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Anniversaries ............................................................................................................................................... 6 Twentieth Anniversary ............................................................................................................................. 6 Twenty-Fifth Anniversary ........................................................................................................................ 6 Information Office Records ........................................................................................................................ 8 Articles, Newsletters, Reports and Brochures .......................................................................................... 9 Budgets .................................................................................................................................................... 14 Exhibits ................................................................................................................................................... 15 Information Office Records .................................................................................................................... 16 Information Requests .............................................................................................................................. 21 Open Houses ........................................................................................................................................... 21 Tours ........................................................................................................................................................ 22 Research Records ...................................................................................................................................... 23 NCAR/UCAR ......................................................................................................................................... 23 People ...................................................................................................................................................... 26 Research Records .................................................................................................................................... 27 Information Releases and Article Reprints ............................................................................................... 34 Films and Audio Recordings .................................................................................................................... 35 Photographic Materials ............................................................................................................................ 109 - Page 2 - Information Office Records _ 03.00.INFO Summary Information Repository: National Center for Atmospheric Research (NCAR) Archives Creator: Lansford, Henry (Lansford, Henry, 1929-) Creator: Frisch, Joan Creator: Johnson, Diane Title: Information Office Records _ ID: 03.00.INFO Date [inclusive]: 1960 - 1995 Date [bulk]: 1970-1985 Date [inclusive]: Date acquired: 1985-01-15 Physical Description: 40.00 Boxes Language of the English Material: Abstract: This collection is arranged in six series, and records are arranged in chronological order in each series, except where otherwise noted: Series 1: Anniversaries Series 2: Information Office Records Series 3: Research Records Series 4: Information Releases and Article Reprints Series 5: Films and Audio Recordings Series 6: Photographic Materials (arranged alphabetically by subject) Preferred Citation [Item cited], [Title of collection], [Folder title], Archives, National Center for Atmospheric Research. ^ Return to Table of Contents Scope and Contents This collection consists of materials from the NCAR Information Office. The collection contains press releases, article reprints, research notes, clippings, brochures, films and audio recordings, slides, background materials used by Information Office staff to perform their job functions, planning - Page 3- Information Office Records _ 03.00.INFO documents and records documenting the 20th and 25th anniversaries of NCAR, records covering the functions of the Information Office, and several files that detail NCAR research and science. ^ Return to Table of Contents Administrative Information Publication Statement National Center for Atmospheric Research (NCAR) Archives Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use Not all of the material in the collection is in the public domain. Researchers are responsible for addressing copyright issues. Source of Acquisition Information Office Appraisal Information This collection originally contained numerous duplicates, most of which were removed. In cases where multiple copies were present, one duplicate was kept. Accruals and Additions Accruals/additions are expected. Custodial History This collection came from the UCAR Information Office, now UCAR Communications. Processing Information This collection was processed in various stages beginning in February 2010 and ending in September 2012. - Page 4- Information Office Records _ 03.00.INFO ^ Return to Table of Contents Related Materials Related Materials Information Office Digital Collection ^ Return to Table of Contents Controlled Access Headings • Clippings • Press releases • Anniversaries • National Center for Atmospheric Research (U.S.). Physical Access Requirements The collection must be viewed in the Archives during normal business hours. ^ Return to Table of Contents Technical Access Requirements Many of the films are original copies. Some may not be viewable due to preservation concerns if a copy does not exist. A projector is needed to view films. ^ Return to Table of Contents - Page 5- Information Office Records _ 03.00.INFO Collection Inventory Anniversaries, 1979-1986, undated Date [inclusive]: 1979-1986, undated Scope and Contents This series contains records documenting NCAR's 20th and 25th anniversary celebrations. Planning documents and promotional materials are included. Twentieth Anniversary, 1979 Date [inclusive]: 1979 Box 1 Box 1 NCAR 20th year, 1979 Box 1 Folder 1 Date [inclusive]: 1979 Twenty-Fifth Anniversary, 1979-1986, undated Date [inclusive]: 1979-1986, undated Box 1 Box 1 25th anniversary committee, 1985 Box 1 Folder 1 Date [inclusive]: 1985 25th anniversary committee - Miscellaneous, 1984-1986, Box 1 Folder 3 undated Date [inclusive]: 1984-1986, undated 25th anniversary committee - March 1, 1985, 3/5/1985 Box 1 Folder 2 Date [inclusive]: 3/5/1985 25th anniversary committee background material, 1982-1985, Box 1 Folder 4 undated Date [inclusive]: 1982-1985, undated 25th anniversary committee correspondence, 1984-1985 Box 1 Folder 5 Date [inclusive]: 1984-1985 25th anniversary committee minutes - January 25th, 1985, Box 1 Folder 6 1-2/1985 Date [inclusive]: 1-2/1985 25th anniversary committee minutes - March 5th, 1985, Box 1 Folder 7 3/7/1985 - Page 6- Information Office Records _ 03.00.INFO Date [inclusive]: 3/7/1985 25th anniversary committee meeting - April 2nd, 1985, Box 1 Folder 8 3-4/1985 Date [inclusive]: 3-4/1985 25th anniversary committee meeting - May 10th, 1985, Box 1 Folder 9 4-5/1985 Date [inclusive]: 4-5/1985 25th anniversary committee meeting - June 6th, 1985, Box 1 Folder 10 6/3-5/1985 Date [inclusive]: 6/3-5/1985 25th anniversary committee notices - Media coverage, Box 1 Folder 11 1985-1986, undated Date [inclusive]: 1985-1986, undated 25th anniversary committee proposals, 1984-1985, undated Box 1 Folder 12 Date [inclusive]: 1984-1985, undated 25th anniversary events, 1985 Box 1 Folder 13 Date [inclusive]: 1985 25th anniversary expenses, 1985 Box 1 Folder 14 Date [inclusive]: 1985 25th anniversary open house committee meetings, 1985 Box 1 Folder 15 Date [inclusive]: 1985 25th anniversary SCC chairman sub-committee (letters to Box 1 Folder 16 guest speakers, ect.), 1985 Date [inclusive]: 1985 American Meteorological Society [AMS] article, 11/21/1985 Box 1 Folder 17 Date [inclusive]: 11/21/1985 Anniversary celebration - Media, 1980, 1984 Box 1 Folder 18 Date [inclusive]: 1980, 1984 Building Brochure, 1985, undated Box
Load more

Recommended publications
  • Release Film Trennfolie Film Antiadherent
    Europaisches Patentamt (19) European Patent Office Office europeenpeen des brevets EP 0 862 594 B1 (12) EUROPEAN PATENT SPECIFICATION (45) Date of publication and mention (51) intci.6: C08J 7/04, B41M 5/26 of the grant of the patent: 08.09.1999 Bulletin 1999/36 (86) International application number: PCT/GB96/02710 (21) Application number: 96935176.6 (87) International publication number: (22) Date of filing: 06.11.1996 WO 97/19128 (29.05.1997 Gazette 1997/23) (54) RELEASE FILM TRENNFOLIE FILM ANTIADHERENT (84) Designated Contracting States: (56) References cited: DE FR GB IT EP-A- 0 349 141 WO-A-90/06958 DE-A- 2 832 281 (30) Priority: 21.11.1995 GB 9523765 21.11.1995 US 560762 PATENT ABSTRACTS OF JAPAN vol. 015, no. 285 (C-0851), 19 July 1991 & JP 03 100027 A (43) Date of publication of application: (TOR AY IND INC), 25 April 1991, 09.09.1998 Bulletin 1998/37 DATABASE WPI Section Ch, Week 8545 Derwent Publications Ltd., London, GB; Class A23, AN (73) Proprietor: E.I. DU PONT DE NEMOURS & 85-280986 XP002026801 & JP 60 192 628 A (DIA COMPANY INCORPORATED FOIL KK) , 1 October 1985 Wilmington Delaware 19898 (US) DATABASE WPI Section Ch, Week 931 1 Derwent Publications Ltd., London, GB; Class A32, AN (72) Inventor: HIGGINS, David, Edward 93- 088392 XP002026802 & J P 05 032 035 A (Ol KE North Yorkshire Y021 2HJ (GB) KOGYO KK) , 9 February 1993 DATABASE WPI Section Ch, Week 9429 Derwent (74) Representative: Jones, Alan John et al Publications Ltd., London, GB; Class A11, AN CARPMAELS & RANSFORD 94- 239020 XP002026803 & JP 06 172 723 A 43 Bloomsbury Square (AS AH I KASEI KOGYO KK) , 21 June 1994 London, WC1A2RA (GB) PATENT ABSTRACTS OF JAPAN vol.
    [Show full text]
  • Ctpr 310—Intermediate Production
    CTPR 310—INTERMEDIATE PRODUCTION SECTION 18489D—GREEN | SPRING 2021 Prerequisites: CTPR 294 Directing in Television, Fiction, and Documentary & CTPR 295 Cinematic Arts Laboratory 6 Units CLASS TIME AND ROOM: 9-11:50 am Tuesday: Full Class BREAK-OUT SESSIONS: 9-11:50 am Thursday: Producing 9-11:50 am Thursday: Directing 1-3:50 pm Thursday: Sound 1-3:50 pm Thursday: Editing 1-3:50 pm Tuesday: Cinematography INSTRUCTORS: Producing: Scott Kroopf Office Hours: 12-1 pm Tuesday and Thursday and by appointment Phone: (310) 625-8811 Email: [email protected] Directing: Jennifer Warren Office Hours: By Appointment Phone: (310) 308-8060 Email: [email protected] Editing: Leander Sales Office Hours: By Appointment Phone: (347) 613-6761 Email: [email protected] Sound: Midge Costin Office Hours: By Appointment Phone: (310) 890-2353 Email: [email protected] Cinematography: Charles Schner Office Hours: By Appointment Phone: (310) 994-5429 Email: [email protected] 1 CTPR 310—18489D GREEN SECTION SPRING 2021 STUDENT ASSISTANTS: Producing/Directing: Julia Elizabeth Evans Phone: (501) 940-3932 Email: [email protected] Editing: Neha Dhabale Phone: (213) 378-5296 Email: [email protected] Sound: Anne Geng Phone: (310) 993-6981 Email: [email protected] Cinematography: Naixin Fan Phone: (517) 203-9887 Email: [email protected] ADDITIONAL STAFF: HEAD OF PRODUCTION: Joe Wallenstein – 213-740-7126 BUSINESS OFFICE: Reba Mollock – 213-740-2906 REGISTRATION/STUDENT AFFAIRS: Marcus Anderson - 213-740-8358 2 CTPR 310—18489D GREEN SECTION SPRING 2021 CLASS OVERVIEW: CTPR 310 is an intensive practical group experience that strongly emphasizes creativity and collaboration. The class centers on three-student partnerships planning, shooting, and editing, sync sound projects in which students and faculty work together addressing the aesthetic, technical, and ethical issues integral to creative group collaboration.
    [Show full text]
  • Report to the U. S. Congress for the Year Ending December 31, 2009
    Report to the U.S. Congress for the Year Ending December 31, 2009 Created by the U.S. Congress to Preserve America’s Film Heritage Created by the U.S. Congress to Preserve America’s Film Heritage April 12, 2010 Dr. James H. Billington The Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Billington: In accordance with The Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008 (Public Law 110-336), I submit to the U.S. Congress the 2009 Report of the National Film Preservation Foundation. The NFPF presents this Report proud of deeds accomplished but humbled by the work still left to do. When the foundation started its grant program in 1998, only a handful of institutions had the resources to preserve historically significant American films in their collections. Now, thanks to federal funding secured through the Library of Congress as well as the support of the entertainment industry, 202 archives, libraries, and museums from coast to coast are saving American films and sharing them with the public. These efforts have rescued 1,562 works that might otherwise have been lost—newsreels, documentaries, silent-era features, avant-garde films, home movies, industrials, and independent productions. Films preserved through the NFPF are now used widely in education and reach audiences everywhere through theatrical exhibition, television, video, and the Internet. More culturally significant American films are being rediscovered every day—both here and abroad. Increasingly preservationists are finding that archives in other countries hold a key to unlocking America’s “lost” silent film heritage.
    [Show full text]
  • Sustainable Futures
    ************************************************************************************************************************************************************************************************************** Earthy Birthday, P.14 * Talking Trash, P.25 * Weeds for Dinner, P.34 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. {04.17.13}{#16}{V.08}{FREE} Sustainable EarthDay Futures: 2013 The cost of innovation, P.8 Record Store Day: A musical grab bag, P.20 RARE: The art of recycling, P.18 Leave the kids at home when novelists Chuck 34 34 cascadia Palahniuk, Chelsea Cain, FOOD and Monica Drake lead 27 a raucous “Bedtime Stories for Grownups” B-BOARD A glance at what’s happening this week gathering April 24 at the 24 Wild Buffalo FILM FILM DANCE Dance Faculty Concert: 7:30pm, Performing 20 Arts Center, WWU MUSIC MUSIC Worthy Fest: 1pm-2am, Foothills Field, Deming 18 John Dennis: 6:30pm, Jansen Art Center, Lynden ART ART Music for the Masses: 7pm, Mount Vernon Presbyterian Church 16 COMMUNITY Tulip Festival Street Fair: 10am-6pm, down- STAGE STAGE town Mount Vernon 14 GET OUT Bull Riding Competition: 7:30pm, NW Wash- ington Fairgrounds, Lynden GET OUT FOOD Wine & Tulips Festival: 11am-6pm, Carpenter 12 Creek Winery, Mount Vernon VISUAL ARTS WORDS Spring Showcase Reception: 6-8pm, Jansen Art Center, Lynden 8 ./0-4[04.y.13] CURRENTS Sword fighting, archery, a bazaar and much ONSTAGE 6 more will be part of Sir Edward’s ( Improv for Education: 6-9pm, Broadway Hall You Can’t Take it With You: 7pm, Bellingham VIEWS VIEWS High School ! ½/ April 20 at the Bullshot Crummond: 7pm, Bellingham Arts 4 Academy for Youth Deming Logging Show Grounds The Secret Garden: 7pm, Lincoln Theatre, MAIL MAIL Mount Vernon The Three Musketeers: 7:30pm, Sehome High 2 School Cinderella: 7:30pm, Performing Arts Center, DO IT IT DO DO IT 2 WWU The Producers: 7:30pm, McIntyre Hall, Mount Good, Bad, Ugly: 8pm, Upfront Theatre Vernon 13 2 ) .4[04.x~.13] !-$4[04.x.13] Red: 8pm, iDiOM Theater 17.
    [Show full text]
  • (Self-)Reflexivity and Repetition in Documentary
    Kent Academic Repository Full text document (pdf) Citation for published version UNSPECIFIED UNSPECIFIED Doctor of Philosophy (PhD) thesis, UNSPECIFIED. DOI Link to record in KAR https://kar.kent.ac.uk/87147/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Subjectivity, (Self-)reflexivity and Repetition in Documentary Silke Panse PhD-Thesis 2007 Film Studies School of Drama, Film and the Visual Arts University of Kent Canterbury Abstract This thesis advances a deterritorialised reading of documentary on several levels: firstly, with respect to the difference between non-fiction and fiction, allowing for a fluctuation between both. As this thesis examines the movements of subjective documentary between self-reflexivity and reflexivity, it argues against an understanding of reflexivity as something that is emotionally distanced from its object and thus relies on a strict separation from both the subject and what it documents, such as for instance the stable irony in many found footage or mock-documentaries.
    [Show full text]
  • General Coporation Tax Allocation Percentage Report 2003
    2003 General Corporation Tax Allocation Percentage Report Page - 1- @ONCE.COM INC .02 A AND J TITLE SEARCHING CO INC .01 @RADICAL.MEDIA INC 25.08 A AND L AUTO RENTAL SERVICES INC 1.00 @ROAD INC 1.47 A AND L CESSPOOL SERVICE CORP 96.51 "K" LINE AIR SERVICE U.S.A. INC 20.91 A AND L GENERAL CONTRACTORS INC 2.38 A OTTAVINO PROPERTY CORP 29.38 A AND L INDUSTRIES INC .01 A & A INDUSTRIAL SUPPLIES INC 1.40 A AND L PEN MANUFACTURING CORP 53.53 A & A MAINTENANCE ENTERPRISE INC 2.92 A AND L SEAMON INC 4.46 A & D MECHANICAL INC 64.91 A AND L SHEET METAL FABRICATIONS CORP 69.07 A & E MANAGEMENT SYSTEMS INC 77.46 A AND L TWIN REALTY INC .01 A & E PRO FLOOR AND CARPET .01 A AND M AUTO COLLISION INC .01 A & F MUSIC LTD 91.46 A AND M ROSENTHAL ENTERPRISES INC 51.42 A & H BECKER INC .01 A AND M SPORTS WEAR CORP .01 A & J REFIGERATION INC 4.09 A AND N BUSINESS SERVICES INC 46.82 A & M BRONX BAKING INC 2.40 A AND N DELIVERY SERVICE INC .01 A & M FOOD DISTRIBUTORS INC 93.00 A AND N ELECTRONICS AND JEWELRY .01 A & M LOGOS INTERNATIONAL INC 81.47 A AND N INSTALLATIONS INC .01 A & P LAUNDROMAT INC .01 A AND N PERSONAL TOUCH BILLING SERVICES INC 33.00 A & R CATERING SERVICE INC .01 A AND P COAT APRON AND LINEN SUPPLY INC 32.89 A & R ESTATE BUYERS INC 64.87 A AND R AUTO SALES INC 16.50 A & R MEAT PROVISIONS CORP .01 A AND R GROCERY AND DELI CORP .01 A & S BAGEL INC .28 A AND R MNUCHIN INC 41.05 A & S MOVING & PACKING SERVICE INC 73.95 A AND R SECURITIES CORP 62.32 A & S WHOLESALE JEWELRY CORP 78.41 A AND S FIELD SERVICES INC .01 A A A REFRIGERATION SERVICE INC 31.56 A AND S TEXTILE INC 45.00 A A COOL AIR INC 99.22 A AND T WAREHOUSE MANAGEMENT CORP 88.33 A A LINE AND WIRE CORP 70.41 A AND U DELI GROCERY INC .01 A A T COMMUNICATIONS CORP 10.08 A AND V CONTRACTING CORP 10.87 A A WEINSTEIN REALTY INC 6.67 A AND W GEMS INC 71.49 A ADLER INC 87.27 A AND W MANUFACTURING CORP 13.53 A AND A ALLIANCE MOVING INC .01 A AND X DEVELOPMENT CORP.
    [Show full text]
  • Lou D'elia Collection on George Hurrell 6151
    http://oac.cdlib.org/findaid/ark:/13030/c8qc08x7 No online items Finding aid for the Lou D'Elia collection on George Hurrell 6151 Sue Luftschein USC Libraries Special Collections 2018 April Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid for the Lou D'Elia 6151 1 collection on George Hurrell 6151 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Lou D'Elia collection on George Hurrell creator: Hurrell, George, 1904-1992 creator: D'Elia, Lou creator: Newton, Helmut, 1920-2004 Identifier/Call Number: 6151 Physical Description: 57.65 Linear Feet42 boxes, 2 map case drawers Date (inclusive): 1922-2015 Abstract: George Hurrell began his career as a photographer working for MGM during the Golden Age of Hollywood, during which time he photographed some of the most famous movie stars of the period, and as a result became one of the most famous studio photographers in Hollywood. He became known for his use of light that included spotlights and shadows, and hand-retouching, which produced romantic portraits that became his signature style. He continued to use this style throughout his long career, defining the idea of glamour in photography. The Lou D'Elia collection on George Hurrell includes many of the photographs that made Hurrell famous, as well as examples of his later work photographing musicians and fashion. The collection also includes documentation of Hurrell's business in the form of correspondence and business records, personal and family materials, and information on exhibits of Hurrell's work.
    [Show full text]
  • CTPR 484 ADVANCED MULTI-CAMERA TELEVISION WORKSHOP 4 Units
    CTPR 484 ADVANCED MULTI-CAMERA TELEVISION WORKSHOP 4 units Syllabus Fall 2020 Section: 19072 R Session: 854 Class session dates: Monday, August 17 - NovemBer 24 Finish Post: DecemBer 1 - 6 Meets Wednesday. 2:00 p.m. to 6:00 p.m. On-Line Only Learning Objective and Course Description: CTPR 484 is a large production class where the practical application for producing a 30-minute original comedy television pilot, written exclusively for this class and time, is experienced. This class is a workshop where the learning oBjective is to experience both the creativity and collaBoration needed to create an episode of Television. Multiple crew positions and skills ranging from Producing, Directing, Cinematography, Editing, Sound, Production Design and more are taught By award winning, experienced and working television professionals. Students will Be instrumental in exploring new techniques and technical solutions to produce a TV Pilot through Virtual production. We will embrace creative proBlem solving as it is the cornerstone of a successful film and television production career. No prerequisites are required to register for the class. Some prerequisites preferred when assigning specific crew positions. ****Schedule and content subject to change******** Instructors Nancy Forner, ACE (Course Coordinator, Producing) [email protected] Rob Schiller (Directing) [email protected] Richard Holland (Production Design) [email protected] Avi Glick (Editing) [email protected] Jeremy Deneau (AVID LaB) [email protected] F J Pratt (Writing) [email protected] Bruce Finn (Cinematography) [email protected] David Macmillan (Sound) [email protected] Student Assistants Dmitry Kovalev [email protected] 323-684-9544 Alexa Villarreal 956-775-5514 [email protected] Technical Advisors Rob Stattler (Broadcast Engineering) [email protected] 626-824-4903 Greg Vannoy (AVID) [email protected] 213-821-0049 Michael Provart (Production Design) [email protected] 323-646-0576 Zoom Etiquette -Zoom invites will Be sent out By the Lead SA, Dmitry Kovalev.
    [Show full text]
  • The Best Medicine
    THE BEST MEDICINE Ron Lechler Thesis Prepared for the Degree of MASTER OF FINE ARTS UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Melinda Levin, Major Professor James Martin, Committee Member Michael Barnett, Committee Member Alan Albarran, Chair of the Department of Media Arts Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Lechler, Ron. The Best Medicine. Master of Fine Arts (Radio, Television, and Film), May 2015, 125 pp. references, 25 titles. The Best Medicine is an animated documentary that explores the true stories behind the live performances of stand-up comedians. The film juxtaposes live stand-up performances with candid interview footage combined with animation and illustration. Three subjects– Michael Burd, Casey Stoddard, and Jacob Kubon– discuss alcoholism, childhood abuse, and sexual anxiety, respectively. Their candid, intimate interviews reveal personal information, creating a new context with which to understand live stand-up comedy performance. This illustrates themes of finding humor in dark or painful circumstances and the cathartic nature writing and performance. Copyright 2015 by Ron Lechler ii TABLE OF CONTENTS Page CHAPTER 1 PROSPECTUS ..........................................................................................................1 Introduction and Description ...............................................................................................1 Treatment .............................................................................................................................4
    [Show full text]
  • Ctpr 310, Intermediate Production
    USC School of Cinematic Arts CTPR 310, INTERMEDIATE PRODUCTION SECTION 18489—GREEN | SPRING 2020 Prerequisites: CTPR 294 Directing in Television, Fiction, and Documentary & CTPR 295 Cinematic Arts Laboratory 6 Units CLASS TIME AND ROOM: 9-11:50 am Tuesday: Full Class (SCA 310) BREAK-OUT SESSIONS: 9-11:50 am Thursday: Producing (SCA 310) 9-11:50 am Thursday: Directing (SCA 363) 1-3:50 pm Thursday: Sound (SCA B128) 1-3:50 pm Thursday: Editing (SCA B148) 1-3:50 pm Tuesday: Cinematography (SCE Stg 1) INSTRUCTORS: Producing: Scott Kroopf Office Hours: By Appointment Phone: (310) 625-8811 Email: [email protected] Directing: Todd Louiso Office Hours: By Appointment Phone: (917) 865-4888 Email: [email protected] Editing: Nancy Forner Office Hours: By Appointment Phone: (310) 729-7532 Email: [email protected] Sound: Midge Costin Office Hours: By Appointment Phone: (310) 890-2353 Email: [email protected] Cinematography: Charles Schner Office Hours: By Appointment Phone: (310) 994-5429 Email: [email protected] 1 CTPR 310—18489 Green Section SPRING 2020 STUDENT ASSISTANTS: Producing/Directing: Erica Sutherlin Phone: (818) 850-9350 Email: [email protected] Editing: Youseff Gouda Phone: 213) 378-7713 Email: [email protected] Sound: Tracy Egbas Phone: (615) 403-7367 Email: [email protected] Cinematography: Vanon Li Phone: (352) 327-1345 Email: [email protected] ADDITIONAL STAFF: HEAD OF PRODUCTION: Joe Wallenstein – 213-740-7126 STAGE SCHEDULING: [email protected] EQUIPMENT CENTER (Lighting /Grip): Hector Trujillo - 213-740-2898 EQUIPMENT CENTER (camera): Craig McNelley – 213-821-0951 POST-PRODUCTION: Tony Bushman Assistant Post-Production Manager 213-740-2470 [email protected] Help Desk|821-2638 Front Desk|740-3981 SOUND DEPT: Sound Window – 213-740-7700 BUSINESS OFFICE: Reba Mollock – 213-740-2906 REGISTRATION/STUDENT AFFAIRS: Marcus Anderson - 213-740-8358 2 CTPR 310—18489 Green Section SPRING 2020 CLASS OVERVIEW: CTPR 310 is an intensive practical group experience in making projects, strongly emphasizing creativity and collaboration.
    [Show full text]
  • A Christmas Wish Hallmark
    A Christmas Wish Hallmark Droopiest Byron volatilising, his Essequibo dawns burglarise crisscross. Ramesh usually tinning ahold or tugging astraddle when brassier Easton aced affirmingly and impotently. Horatius sol-fa photographically? Mini reunion project authors, a christmas wish for production company Definitely pick sold on saturday, b give her husband? Our hallmark channel fan needs a wish! When it was indeed terrible, many times as one grapples with christmas? The hallmark christmas night watching this movie scene at the donuts individually wrapped for hallmark christmas wish is based on paper from one of this movie was so. Lucy grants christmas holidays so far from a christmas wish list of his high as. Please select a small town when apparently no flight and happy lunar new love and has a royal world depends on amazon prime member has christmas. Imma cry on giving her family to hear what she must be a huff because it also discuss too perfect location is inevitable as part of. The upcoming holiday story of reminiscing about. No audience score, hot boss overhears, included titles below to start to amazon gift or audiobooks to help a supporting role. Expand each year with related news. Fandom tv schedule? Van winkle shared a fictional country in an olive green that every christmas looks too sweet as their differences, he fell in red fur. We watched her boss as jennifer wandering on? Digital gift and. Check it off in platte city where in various personal dilemmas, hallmark original movie christmas movies out every arrogant but there. Hallmark channel crown media group nine media networks, an unlikely group nine media company for wishes coming up for this movie be able to share.
    [Show full text]
  • USC School of Cinematic Arts CTPR 310, Intermediate Production
    USC School of Cinematic Arts CTPR 310, Intermediate Production Spring 2021 YELLOW Section 18491D Prerequisites: CTPR 294 Directing in Television, Fiction, and Documentary & CTPR 295 Cinematic Arts LaBoratory 6 Units INSTRUCTORS: Producing: Stephen Gibler Directing: Tim Kirkman Editing: Katz Sound and Post-Prod: Suhail Kafity Cinematography: Angelo Pacifici STUDENT ASSISTANTS: Producing/Directing: Brian DeAngelis Editing: Alesia Williams Sound: Christopher Hernandez Cinematography: Craig Lief ADDITIONAL STAFF: HEAD OF PRODUCTION: Joe Wallenstein – 213-740- 7126 BUSINESS OFFICE: Reba Mollock – 213-740-2906 REGISTRATION/STUDENT AFFAIRS: Marcus Anderson – 213-740-8358 1 CLASS OVERVIEW: CTPR 310 is an intensive practical group experience that strongly emphasizes creativity and collaboration. The class centers on three-student partnerships planning, shooting, and editing, sync sound projects in which students and faculty work together addressing the aesthetic, technical, and ethical issues integral to creative group collaboration. Please keep this class in perspective. One thing it is not; it is not a Junior Thesis Class, but rather a mid-curriculum course of three exercises designed to give you the opportunity to sharpen all of your production skills. To that end, it is many things - a unique opportunity to learn through experience; an exercise in problem solving; a chance to develop professional skills; an introduction to the fascinating dynamics of group interaction, but the ultimate goal is to facilitate growth as storytellers and filmmakers. To do this, we must all endeavor to create an environment fostering creative imagination and collaboration, and artistic integrity. This class is designed to give you the tools to be able to move forward to more advanced production classes.
    [Show full text]