DOCSLIB.ORG

Untitled ~ ~::'?':"'" Sweet Lavender Composer's Player Piano Transcription, from a Song Setting; by Edward Schaaf (Written in Ink

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

,. .~ fE' ;_ (J ~~~ase '-. Established 1875 t "America's Finest Piano" The C~lg~ He-presents the Artist's Playing A. 8. CHASE PIANO CO. Dit1ilion UNITED PIANO CORPORATION ~ Executive Office,: Norwalk, Ohio CELCO REPRODUCING MEDIUM, THE.-The Celco Reproducing Medium is the latest achievement in the art of re-presenting the whole range of music plus the interpretation of great pianists. It embodies some of the most recent inventions in this field of endeavor, and is made in one of the largest plants in the world devoted to the manufacture of player actions. It embodies improvements based on many years of experience and which are to be found in no other mechanism. Notable among these features is the floating crescendo and diminuendo, which allows a gradual increase or decrease of tone volume without resorting to a series of up and down steps. It is claimed that at any moment during the time the diminu­ endo or crescendo valves are in operation, the intensity may be increased from any given point, which offers a limitless range in the degree of force with which any note may be struck. This feature completely eliminates any suggestion of mechanical limitations. A large and well-balanced library of music rolls is available for use for the Celco Reproducing Medium. This collection of recordings contains much of the best in classical music as well as the popular dance music of the day. The Celco equipped piano may be used also as a regular player piano, it being possible to disengage the automatic mechanism and make use of sensitive control buttons for personal interpretation. The Celco Reproducing Medium is available in the A. B. Chase, Emerson and Lindeman & Sons pianos, all of which are manufactured under the control of the United Piano Corporation, to which refer. CHASE, A. B., PIANO CO.-Established in 1875. The A. B. Chase Piano Co., factories and executive offices are located at Norwalk, Ohio. The officers are: J. H. Williams, president; J. H. Shale, treasurer, and S. B. Keilholtz, secretary. These men are highly qualified for the important offices they hold in this prominent concern. The company has built up a nation-wide reputation for producing instruments of the highest quality. Only the very best materials are used in the construction of A. B. Chase pianos, and the most skilled workmen, with years of training and experience, are employed at the factories. Early in 1922 this company became a division of the United Piano Corporation. The manufacturing end of the business is now under the personal supervision of James H. Williams, well known in the piano trade, who has established a reputation through his successful connections of previous years with other great piano houses. The affairs of the company are in the hands of men who are well known throughout the trade, and whose ideals and ambitions are the production of musical instruments of the highest artistic quality. Many of the men in the personnel of the A. B. Chase factory have devoted their lives to the production of A. B. Chase pianos. The average length of service in the interests of the A. B. Chase Co. is thirty-one years. The manufacturing capacity of the A. B. Chase factory is 3600 pianos per year. The line includes uprights, grands, concert grands and player pianos. A. B. Chase grands are also equipped with the Celco Reproducing Medium. The Celco Reproducing Medium is the latest achievement in the art of re-presenting the whole range of music plus the interpretations of great pianists. Embodying the newest inven­ tions of this field of artistic endeavor is it is capable of striking any note at any time with any degree of force, thus making possible perfect reproduc-_ tion of the artist's individual interpretations. A large and well balanced library of music rolls satisfies every demand, from the classics to the popular /­ dance music of the day. The A. B. Chase line is represented by some the largest and most successful dealers throughout the country, who find it a ready seller where quality is of first consideration. The A. B. Chase is the official piano for the Scotti Grand Opera Company, The San Carlos Grand Opera Company and the Society of American Singers. It is also the first choice of some of the most famous orchestra leaders, including Paul Whiteman, of New York and E. A. Benson, of Chicago. The A. B. Chase piano is to be found in some of the finest residences in America, including the White House in Washington. The financial standing of the company is unquestionable. See also page 115 THE AMICA BULLETIN ~\ AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors' Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls. AMICA was founded In San Francisco, California in 1963. ROBIN PRATT, PUBLISHER, 515 SCOTT STREET, SANDUSKY, OH 44870-3736 - Phone 419-626-1903 Associate Editors: Emmett M. Ford and Richard J. Howe VOLUME 30, Number 3 MAY/JUNE, 1993 AMICA BuLLETIN Display and Classified Ads FEATURES Articles for Publication Letters to the Publisher A Rhenish Rhomance 85 Chapter News Single copies of back issues Artistic Restraint: The Sustaining Pedal 94 ($5.00 per issue - based upon availability) Fidelity and the Ampico 105 Robin Pratt Artist's Corner 116 515 Scott Street Sandusky, OH 44870-3736 The Man Behind the Dour Mask 120 419 - 626-1903 Conlon Nancarrow in Concert 122 UPCOMING PUBLICATION DEADLINES Player-Piano Concert at the Ludwig Hupfeld Factory! 126 The ads and articles must be received by the Publisher on the I st of the '""~ Piano Company Lightens Tune in Timber Town 132 Odd number months: January March May DEPARTMENTS July September AMICA Officers, Chapter Officers, Affiliates 82 November Bulletins will be mailed on the 1st PresidentlPublisher's Notes 83 week of the even months. Tech Tips - Duo-Art Accordion Pneumatics 127 Chapter News 133 Classified Ads 139 MEMBERSHIP SERVICES New Memberships COVER ART: Renewals Address changes and corrections Front Cover: Read Publisher's Notes Directory information updates Additional copies of Member Directory Inside Cover: 1925 edition of ...'The Purchasers Guide to the Music Industries" Mike Barnhart 919 Lantern Glow Trail Back Cover: Aeolian Roll Catalogue from the late 60's - early 70's Dayton, Ohio 45431 513-254-5580 To ensure timely delivery of your BULLETIN, please allow 6-weeks advance notice of address changes. Entire contents © 1993 AMICA International 8\ AMICA INTERNATIONAL INTERNATIONAL OFFICERS CHAPfER OFFICERS PRESIDENT Mel Septon BOSTON AREA NOlUHERN LIGHTS Pres. Bill Koenigsberg Pres: Craig Remmon 7 9045 North Karlov " Skokie, Illinois 60076 Vice Pres: Tony Misianos Vice Pres: Donald Jones 708-679-3455 Sec: Charlie Randazzo & Sec: Jason Beyer Barbara McFall Treas: Robert & Katheryn Dumas Treas: Alan Jayne Reporter: Kay Dumas PAST PRESIDENT Ron Connor Ruth Anderson Reporter: Don Brown Route 4, Rogers, Arkansas W56 Board Rep: Craig Remmon 501-636-1749 Bd. Rep: Sandy Libman PffiLADELPmA AREA CffiCAGOAREA VICE PRESIDENT Maurice Willyard Pres: Paul Dietz Pres: Marty Persky Vice Pres: Brian Helfrich 1988 NW Palmer Lane Vice Pres: Dee Kabouras Sec: Diane Wagner Bremerton, WA 98310 Sec: James Doheny Treas: Bob Taylor Treas: Elsa Pekarek Reporter: Lynn Wigglesworth SECRETARY Sally Lawrence Reporter: Margaret Bizberg Board Rep: Bob Rosencrans 837 Coventry Road Bd. Rep: Mike Schwimmer SIERRA-NEVADA Kensington, California 947fJ7 Pres: Bob Patton 415-526-8438 FOUNDING CHAPI'ER Pres: Don Ellison Vice Pres: Kathy Cochran Sec: Tom Hawthorn Vice Pres: Pat Clemens TREASURER Janet Tonnesen Treas: Virginia Clark 903 Sandalwood Sec: Bing Gibbs Reporter: Ed Baehr Richardson, Texas 75080 Treas: Sandy Swirsky Board Rep: Ray Bauer 214-235-4497 Reporter: Rob Thomas Bd. Rep: Bob Wilcox SOWNY (Southern Ontario, Western NY) PUBLISHER Robin Pratt GATEWAY CHAPI'ER Pres: John Cairns 515 Scott Street Pres: Cynthia Craig Vice Pres: Rick Drewniak Sandusky, Ohio 44870-3736 Vice Pres: Joe Lorberg Sec: Anne Lemon 419-626-1903 Sec: Treas: Holly Walter Treas: Dorothy Ruprecht Membership Sec: Mike Walter (Amer.) MEMBERSmp SECRETARY Mike Barnhart Historian: Larry Hollenberg Laurie Taylor (Can.) Photographer: Bill McCleary Board Rep: Cynthia Craig 919 Lantern Glow Trail Reporter: Ada Cairns Dayton, Ohio 45431 HEART OF AMERICA Board Rep: Nancy & Ed Group 513-254-5580 Pres: Linda Bird SOUTHEAST AREA ~..- Vice Pres: Bill Pohl Pres: David Oppenheim COMMITTEES Sec/Treas: Betty Ann Olmsted Vice Pres: John Daly Reporter: Willa Daniels TECHNICAL Harold Malakinian Sec: Wayne Fisher Board Rep: Ron Bopp Treas: Don Winter 2345 Forest Trail Dr., Troy, MI 48098 Reporter: Wayne Fisher LADY LIBERTY Board Rep: John O'Laughlin ARCHIVES Bob Rosencrans Pres: Bill Albrecht 109 Cumberland Place, Bryn Mawr, PA 19010 Vice Pres: Joe Conklin SOUTHERN CHAPI'ER Sec: Richard Carlson Pres: Shirley Nix PUBLICATIONS Robin Pratt Vice Pres: Herb Mercer Treas: John Ellems 515 Scott St., Sandusky, OH 44870 Sec: Frank Nix Reporter: Randy Herr Treas: Ken Hodge AUDIO-VISUAL Harold Malakinian Board Rep: Diane Polan Reporter: Ken Hodge 2345 Forest Trail Drive, Troy, MI 48098 MIDWEST Board Rep: Mary Lilien Pres: Bob Porter CONVENTION COORDINATOR Liz Barnhart TEXAS 919 Lantern Glow Trail, Dayton, OH 45431 Vice Pres: Harold Malaldnian Pres: Sal Mele Sec: Judy Barnick Vice Pres: Wade Newton HONORARY MEMBERS Dorothy Bromage Treas: Alvin Wulfekuhl Sec/Treas: Janet Tonnesen 157 School Street, Gorham, ME 04038 Reporter: Henry Trittipo Reporter: Bob Butters Board Rep: Liz Barnhart Board Rep: Richard Tonnesen AFFILIATED SOCIETIES AND ORGANIZATIONS AUSTRALIAN COLLEcroRS INTERNATIONAL PIANO NETHERLANDS MECHANICAL PLAYER PIANO GROUP OF MECHANICAL MUSICAL ARCHIVES AT MARYLAND ORGAN SOCIETY - KDV (England) INSTRUMENTS Neil Ratliff, Music Library 1. L.M. Van Dinteren Frances Broadway clo 4 Lobellia Street Hornbake 3210 Postbus 147 39 Sydner Road Chatswood, N.S.W.
Recommended publications
  • Marquetry on Drawer-Model Marionette Duo-Art

    Marquetry on Drawer-Model Marionette Duo-Art

    Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number
  • A 'Physics of Thought': the Modernist Materialism of James Huneker

    A 'Physics of Thought': the Modernist Materialism of James Huneker

    IAN F. A. B ELL A ‘Physics of Thought’: The Modernist Materialism of James Huneker Nature geometrizes, said Emerson, and it is interesting to note the imagery of transcendentalism through the ages. It is invariably geometrical. Spheres, planes, cones, circles, spirals, tetragrams, pentagrams, ellipses, and what-not. This is Huneker’s ‘Four Dimensional Vistas’ and thoroughly in line with the modernist scientism of figures such as Ezra Pound and Remy de Gourmont (the latter was pre-eminent in his pantheon of cosmopolitan thinkers). He shores up his argument by claiming these geometrical pat- terns as products of a discernable physiology: ‘The precise patterns in our brain, like those of the ant, bee and beaver, which enable us to perceive and build the universe (otherwise called innate ideas) are geo- metrical’ (206). His displacement of ‘ideas’ by the language of construction presents a challenge to the experienced world whereby matter itself is seen to be not solidly deterministic, but subject to flow and process, as he claimed in ‘Creative Involution’: ‘Matter in the light of recent experiment is become spirit, energy, anything but gross matter’.1 Huneker’s essay on ‘Remy de Gourmont: His Ideas. The Colour of His Mind’ asserted baldly that ‘[t]hought is a physiological product; intelli- gence the secretion of matter’ while Gourmont himself was equally as bald: ‘Thought is not only a product, but a material product, measur- able, ponderable’(27; 166). In short, a crucial aspect of Huneker’s modernism is his supplanting of a mechanistic understanding of matter by invoking a plasticity sanctioned by current scientific thinking.
  • Steinway & Sons Reception Room and Hallway

    Steinway & Sons Reception Room and Hallway

    Landmarks Preservation Commission September 10, 2013, Designation List 466 LP-2551 STEINWAY & SONS RECEPTION ROOM AND HALLWAY, first floor, including the reception room’s domed rotunda and balcony, the east foyer and stairs leading to the balcony; the hallway of the public corridor, up to the north glass doors, that adjoins the reception room; and the fixtures and components of these spaces, including but not limited to, wall and ceiling surfaces, floor surfaces, arches, pilasters, stairs, landings, ceiling murals, painted medallions, metal railings, metal grilles, chandeliers and lighting fixtures, door enframements, doors, windows, attached furnishings and decorative elements; Steinway Hall, 109-113 West 57th Street (aka 106-116 West 58th Street), Manhattan. Built 1924-25; Warren & Wetmore architects; Walter L. Hopkins, lead designer; Thompson-Starrett Co., builders. Landmark Site: Borough of Manhattan Tax Map Block 1010, Lot 25, in part. On July 23, 2013, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Steinway & Sons Reception Room and Hallway and the proposed designation of the related landmark site. The hearing had been duly advertised in accordance with provisions of law. Three people spoke in support of designation, including the owner and representatives of the Historic Districts Council and the Society for the Architecture of the City. Summary Commissioned by the prominent New York City piano manufacturer Steinway & Sons in 1924-25, the Steinway & Sons Reception Room and Hallway is one of New York City’s most impressive neo-Renaissance style interiors. Located in Steinway Hall, a designated New York City Landmark, on the north side of West 57th Street, between Sixth and Seventh Avenues, the primary space is a double-height octagonal rotunda where visitors, musicians, and potential customers meet store representatives before entering various piano showrooms.
  • Hupfeld Helios Orchestrion

    Hupfeld Helios Orchestrion

    TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association September/October, 1985 Volume 22 Number 7 AMlCAlnternational JVews Bulletin DOROTHY BROMAGE, PUBLISHER POB275 CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffICERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per­ Pres: phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: lack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA 1986 CONVENTION Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash PHILADELPHIA, PENN. Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown HOST: Philadelphia Area Chapter Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma • All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAl.. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7V2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7V2"x43/4" SO.OO Pres: Bob Taylor Pres.
  • Release Film Trennfolie Film Antiadherent

    Release Film Trennfolie Film Antiadherent

    Europaisches Patentamt (19) European Patent Office Office europeenpeen des brevets EP 0 862 594 B1 (12) EUROPEAN PATENT SPECIFICATION (45) Date of publication and mention (51) intci.6: C08J 7/04, B41M 5/26 of the grant of the patent: 08.09.1999 Bulletin 1999/36 (86) International application number: PCT/GB96/02710 (21) Application number: 96935176.6 (87) International publication number: (22) Date of filing: 06.11.1996 WO 97/19128 (29.05.1997 Gazette 1997/23) (54) RELEASE FILM TRENNFOLIE FILM ANTIADHERENT (84) Designated Contracting States: (56) References cited: DE FR GB IT EP-A- 0 349 141 WO-A-90/06958 DE-A- 2 832 281 (30) Priority: 21.11.1995 GB 9523765 21.11.1995 US 560762 PATENT ABSTRACTS OF JAPAN vol. 015, no. 285 (C-0851), 19 July 1991 & JP 03 100027 A (43) Date of publication of application: (TOR AY IND INC), 25 April 1991, 09.09.1998 Bulletin 1998/37 DATABASE WPI Section Ch, Week 8545 Derwent Publications Ltd., London, GB; Class A23, AN (73) Proprietor: E.I. DU PONT DE NEMOURS & 85-280986 XP002026801 & JP 60 192 628 A (DIA COMPANY INCORPORATED FOIL KK) , 1 October 1985 Wilmington Delaware 19898 (US) DATABASE WPI Section Ch, Week 931 1 Derwent Publications Ltd., London, GB; Class A32, AN (72) Inventor: HIGGINS, David, Edward 93- 088392 XP002026802 & J P 05 032 035 A (Ol KE North Yorkshire Y021 2HJ (GB) KOGYO KK) , 9 February 1993 DATABASE WPI Section Ch, Week 9429 Derwent (74) Representative: Jones, Alan John et al Publications Ltd., London, GB; Class A11, AN CARPMAELS & RANSFORD 94- 239020 XP002026803 & JP 06 172 723 A 43 Bloomsbury Square (AS AH I KASEI KOGYO KK) , 21 June 1994 London, WC1A2RA (GB) PATENT ABSTRACTS OF JAPAN vol.
  • Digital Grand Series

    Digital Grand Series

    DIGITAL GRAND SERIES RG-3M/RG-3 RG-7-R KR117M-R KR115M-R/KR115-R KR111 HP109 Roland Corporation U.S. All specifications and appearances are subject to change without notice. 5100 S.Eastern Avenue P.O BOX 910921 All trademarks used in this catalog are the property of their respective companies. Los Angeles, CA 90091-0921 Phone: (323) 890.3700 Fax: (323) 890.3701 Visit us online at www.RolandUS.com Printed in Japan Sep. '07 RAM-4229 E-3 GR-UPR-P The Pinnacle of Elegance and Quality … Roland’s Digital Grand Series Elegance, expression, and emotion characterize the Roland Digital Grand piano experience. From casual home-entertainment gatherings to public performances, Roland instruments represent the pinnacle in quality design, sound, touch, expressiveness, and functionality. Roland grand pianos cover a broad universe. Treat your eyes and ears to Roland — the very best of the best. RG-7-R Authentic weighted touch that’s a dream to play Elegant, High-Gloss Cabinetry, Gorgeous Piano Sound, First-Class Quality Inside and Out DESIGN TOUCH The stately presence and Choose a design that suits PHA II Keyboard that consists of base- and surface-material layers, and elegant ambience of a grand piano your purpose and space (Progressive Hammer Action II) they’re designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love. Our piano cabinetry is carefully polished by expertly skilled From space saving to stately, Roland’s digital piano lineup The RG and KR-Grand series*1 share the PHA II keyboard in *1 KR111, RG-7-PW, RG-7-PM, and HP109 are not available with Ivory Feel Keyboard.
  • A Nickel for Music in the Early 1900'S

    A Nickel for Music in the Early 1900'S

    A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s.
  • Bulletin Germany/Holland 2007 July 5Th Ð 20Th

    Bulletin Germany/Holland 2007 July 5Th Ð 20Th

    THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection .
  • Mechanical Instruments and Phonography: the Recording Angel of Historiography”, Radical Musicology, No Prelo

    Mechanical Instruments and Phonography: the Recording Angel of Historiography”, Radical Musicology, No Prelo

    Silva, João, “Mechanical instruments and phonography: The Recording Angel of historiography”, Radical Musicology, no prelo. Mechanical instruments and phonography: The Recording Angel of historiography This article strives to examine the established historical narrative concerning music recording. For that purpose it will concentrate on the phonographic era of acoustic recording (from 1877 to the late 1920s), a period when several competing technologies for capturing and registering sound and music were being incorporated in everyday life. Moreover, it will analyse the significant chronological overlap of analogue and digital media and processes of recording, thus adding a layer of complexity to the current historical narratives regarding that activity. In order to address that set of events, this work will mainly recur to the work of both Walter Benjamin and Slavoj Žižek. Benjamin’s insight as an author that bore witness to and analysed the processes of commodification that were operating in the period in which this article concerns is essential in a discussion that focuses on aspects such as modernity, technology, and history. Furthermore, his work on history presents a space in which to address and critique the notion of historicism as an operation that attempts to impose a narrative continuity to the fragmentary categories of existence within modernity, a stance this article will develop when analysing the historiography of music and sound recording. The work of Žižek is especially insightful in tracing a distinction between historicism
  • Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No

    Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No

    MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 2 March/April, 2014 October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida Meet The Collectors Open House Collection Visits Elliot and Rhonda Shumann have been collecting for many years and have a delightful collection of fine cylinder music boxes. In this collection you will see a Mermod Long March, a Nicole Grand Format, a Nicole Overture box, a Falconet overture keywind, and a number of chalets. Most outstanding is a double cylinder mechanism oil painting with clock in an ornate frame. Howard and Margery Sanford Bob Smith joined the MBSI in 1975. His , members for over 30 collection includes cylinder boxes, disc years, have a collection that includes a Mortier 101 boxes including a three disc Symphonion a key dance hall organ, a Wurlitzer 146, a carousel Mira console and a Stella, a grandfather organ, an Encore/Ramey banjo, a Capitol cu box type organ clock, an oil painting which contains a C, several pianos, and a one-of-a-kind midi accordion clock and music box, an upright Duo Art with a wooden conductor resembling Mozart, all of piano and an Arburo dance organ. which is housed in a lovely Florida setting. Come and enjoy our southern hospitality as you visit these fascinating collections! Arrive early and luxuriate in the beautiful Check our website www.mbsi2014.org surroundings of the Bonaventure Resort and Spa, for updated information about the 2014 Annual Meeting and be ready for a fun-filled weekend.
  • Chopin: the Man and His Music 1 Chopin: the Man and His Music

    Chopin: the Man and His Music 1 Chopin: the Man and His Music

    Chopin: The Man and His Music 1 Chopin: The Man and His Music Project Gutenberg's Chopin: The Man and His Music, by James Huneker Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Chopin: The Man and His Music Author: James Huneker Release Date: Jan, 2004 [EBook #4939] [Yes, we are more than one year ahead of schedule] [This file was first posted on April 1, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK CHOPIN: THE MAN AND HIS MUSIC *** This ebook was produced by John Mamoun <[email protected]> with help from Charles Franks and the Online Distributed Proofreaders website. CHOPIN: THE MAN AND HIS MUSIC TABLE OF CONTENTS PART I.--THE MAN. I. POLAND:--YOUTHFUL IDEALS II.
  • Howe Collection of Musical Instrument Literature ARS.0167

    Howe Collection of Musical Instrument Literature ARS.0167

    http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items.