5 Music Cruises 2017 E
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5 Music Cruises 2019 E.Pub
“The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label. -
Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
Music Director James Levine | Conductor Emeritus Bernard Haitink | Music Director Laureate Seiji Ozawa | SYAAP ] O R C H E STf R 2008-2009 SEASON I VHMB WfBSfSBe^m mum E3K MSgfc'tixsm IK HEP the Clarendon BACK BAY 3K The Way to Live i|!l . mi '' I II !l I II, :1 » !«! ? i nr k Ct isi. ' IB i w: i Hi- ' l !! ; a |* »f '«^ ^.. it a*H J MP IMS a £#.l W; PJMJ » 1 :,]„,, ii 3lj.W • ii «'• '.,'? ir ill!! 1 iiiP !IP* !Iii 1 il mil :'il . n; : if in ~ r ;f>«w mi i v m F1&& n=:2 RENDERING BY NEOSCAPE INTRODUCING FIVE STAR LIVING™ WITH UNPRECEDENTED SERVICES AND AMENITIES DESIGNED BY ROBERT A.M. STERN ARCHITECTS, LLP ONE TO FOUR BEDROOM LUXURY CONDOMINIUM RESIDENCES STARTING ON THE 15TH FL0( CORNER OF CLARENDON AND STUART STREETS THE CLARENDON SALES AND DESIGN GALLERY, 14 NEWBURY STREET, BOSTON. MA 617.267.4001 www.theclarendonbackbay.com BRELATED DC/\LcOMPAN REGISTERED WITH THE U.S. GREEN BUILDING COUNCIL WITH ANTICIPATED LEED SILVER CERTIFICATION The artist's rendering shown may not be representative of the building. The features described and depicted herein are based upon current development plans, whic subject to change without notice. No guarantee is made that said features will be built, or, if built, will be of the same type, size, or nature as depicted or described. No Fe agency has judged the merits or value, if any, of this property. This is not an offer where registration is reguired prior to any offer being made. Void where prohibits Table of Contents | Week 24 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 33 THIS WEEK'S PROGRAM Notes on the Program 35 Ludwig van Beethoven 47 Gustav Mahler 63 To Read and Hear More. -
Tchaikovsky String Quartets Klenke Quartett
TCHAIKOVSKY STRING QUARTETS KLENKE QUARTETT PETER TSCHAIKOWSKY STREICHQUARTETTE (1840-1893) String Quartets CD 1 CD 2 Streichquartett Nr. 1 D-Dur, op. 11 Streichquartett Nr. 2 F-Dur, op. 22 String quartet no. 1 in D major, op. 11 String quartet no. 2 in F major, op. 22 1 1. Moderato e semplice 10:45 1 1. Adagio – Moderato assai 12:24 2 2. Andante cantabile 7:25 2 2. Scherzo. Allegro giusto 5:53 3 3. Scherzo. Allegro non tanto e con fuoco 3:53 3 3. Andante ma non tanto 12:28 4 4. Finale. Allegro giusto 6:27 4 4. Finale. Allegro con moto 6:03 Streichquartettsatz B-Dur (1865) Streichquartett Nr. 3 es-Moll, op. 30 String quartet movement in B fl at major (1865) String quartet no. 3 in E fl at minor, op. 30 5 Adagio misterioso – Allegro con moto 13:20 5 Andante sostenuto – Allegro moderato – Andante sostenuto 17:23 6 Allegretto vivo e scherzando 3:43 Streichsextett d-Moll, op. 70 7 Andante funebre e doloroso, ma con moto 11:52 String sextet in D minor, op. 70 8 Allegro non troppo e risoluto 5:59 »Souvenir de Florence« 6 1. Allegro con spirito 10:41 7 2. Adagio cantabile e con moto 10:21 KLENKE QUARTETT 8 3. Allegretto moderato 6:03 ANNEGRET KLENKE 1. Violine · violin BEATE HARTMANN 2. Violine · violin 9 4. Allegro vivace 7:07 YVONNE UHLEMANN Viola RUTH KALTENHÄUSER Violoncello HARALD SCHONEWEG Viola (op. 70) KLAUS KÄMPER Violoncello (op. 70) »Beim Andante weinten Zu Tschaikowskys Streichquartetten sind keine ihren Inhalt betreffende oder allgemein charakterisierende Äußerungen des Komponisten bekannt. -
Oehmsclassics Oehmsclassics
OehmsClassics OehmsClassics OehmsClassics 2010 Catalogue 2010 OC 151 OehmsCatal2010Entw1.indd 1 23.06.2009 20:51:03 Uhr KATALOG CATALOGUE 2010 TABLE OF CONTENTS Liebe Musikfreunde, Dear music lovers, im siebten Jahr seines Bestehens kann das now in its seventh year, the OehmsClassics Label OehmsClassics einen Katalog von label boasts a catalog of over 250 titles, mehr als 250 Titeln vorweisen und ist längst proving that we have long grown out of our den Kinderschuhen entwachsen. Auszeich- ‘baby shoes’! Prominent awards such as the nungen wie der Deutsche Schallplatten- Deutsche Schallplattenpreis, the ECHO Klas- Inhaltsverzeichnis · Table of Contents preis, der ECHO Klassik, Diapason d’or, Fono sik, Diapason d’or, the Fono Forum Stern des Forum – Stern des Monats, Gramophone Monats, Gramophone Editor’s Choice etc. Editor’s Choice und viele mehr bestätigen confirm the quality of our CDs. We are es- das editorische Profil des Labels. Besonders pecially proud of the many interpreters who Impressum / Editorial Credits ��������������������������������������������������������������������������������� 4 stolz sind wir aber auf die Vielzahl an Inter- have chosen OehmsClassics as their artis- pretinnen und Interpreten, die OehmsClas- tic home. Some of these musicians go back Komponisten / Composers A–Z. 5 sics zu ihrer künstlerischen Heimat gewählt many years with and deserve my whole- haben und zum Teil schon eine lange Stre- hearted thanks. But I would also like to thank Sammelprogramme / Various ����������������������������������������������������������������������������� 102 cke ihres Weges mit uns gemeinsam gehen. you, honored music lovers, whose attentive Ihnen gebührt mein herzlicher Dank. Ich interest in our releases has enabled us and Orgel / Organ ��������������������������������������������������������������������������������������������������������� 121 möchte mich aber genauso auch bei Ihnen, our artists to build a stable and serious plat- den Musikhörern und -liebhabern bedan- form in the classical market. -
Robert J Chabora Collection
ROBERT J. CHABORA COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2017 1 The bulk of materials in the collection relate to Robert Chabora’s extensive research into Malcolm Frager’s life and performing career, including research notes, a substantial audio collection of Frager’s performances and broadcasts, recorded interviews and transcripts, and drafts of a projected biography. The above photo depicts transcripts from a few of Dr. Chabora’s interviews with Malcolm Frager’s widow, Morag, from Robert J. Chabora Collection, Box 10, Folder 4. Cover of Dr. Chabora’s posthumously-published biography of Malcolm Frager (Self-published, printed by CreateSpace, 2017). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 7 INVENTORY Series 1: Personal and Professional Papers Sub-series A: General files . 11 Sub-series B: Diary . 96 Sub-series C: Timeline . 98 Sub-series D: Ephemera . 112 Series 2: Scholarly Publications Sub-series A: Malcolm Frager: American Pianist (Film Project) . 113 Sub-series B: Liner notes . 114 Sub-series C: Malcolm Frager biography . 114 Series 3: Audio-Visual Materials Sub-series A: Reel-to-reel audio tapes . 119 Sub-series B: Phonograph discs Sub-sub-series 1: LPs . 120 Sub-sub-series 2: Other phonograph discs . 125 Sub-series C: Cassette tapes . 125 Sub-series D: Mini discs . 130 Sub-series E: Compact discs Sub-sub-series 1: Commercially-issued recordings . 133 Sub-sub-series 2: Boston Symphony Orchestra archival recordings . 135 3 Sub-sub-series 3: “The Frager Project” CDs . -
Schumann Quartett Intermezzo Schumann | Reimann | Mendelssohn Anna Lucia Richter ROBERT SCHUMANN String Quartet in a Minor, Op
Schumann Quartett Intermezzo Schumann | Reimann | Mendelssohn Anna Lucia Richter ROBERT SCHUMANN string quartet in A minor, op. 41 no. 1 01 I. Introduzione. Andante espressivo – Allegro 8:50 02 II. Scherzo. Presto 3:47 03 III. Adagio 5:37 04 IV. Presto 5:51 ARIBERT REIMANN 05 Adagio zum Gedenken an Robert Schumann 7:36 ARIBERT REIMANN / ROBERT SCHUMANN six songs for soprano and string quartet (from 6 Gesänge, op. 107) ANNA LUCIA RICHTER 06 I. Herzeleid 1:36 07 II. Die Fensterscheibe 1:52 08 III. Der Gärtner 1:25 09 IV. Die Spinnerin 1:16 10 V. Im Wald 1:58 11 VI. Abendlied 2:39 FELIX MENDELSSOHN BARTHOLDY string quartet no. 1 in E-flat major, op. 12 12 I. Adagio non troppo – Allegro non tardante 6:50 13 II. Canzonetta. Allegro – Più mosso 3:33 14 III. Andante espressivo 3:57 15 IV. Molto allegro e vivace 7:27 |: ART . COMMUNICATION :| |: KUNST . KOMMUNIKATION :| A text by Christopher Warmuth based on a conversation with the Ein Text von Christopher Warmuth nach einem Gespräch mit dem Schumann Quartet Schumann Quartett Einspielungen werden häufi g abfällig als »Konserve« bezeichnet. Was da- Recordings are often dismissed as “dead”. That sometimes refl ects a reac- hinter steckt, hat mitunter reaktionäre Gesinnung, nicht selten ist auch tionary mindset; sometimes the artist’s own attitude is at least partly to der Antrieb der Künstler mitverantwortlich. Wenn sich etwa darauf be- blame. If all that matters is “preservation”, that is. The present recording schränkt wird, tatsächlich zu »konservieren«. Die vorliegende Einspielung could not be further removed from a mere veneration of the ashes.