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African Studies Association 59Th Annual Meeting
AFRICAN STUDIES ASSOCIATION 59TH ANNUAL MEETING IMAGINING AFRICA AT THE CENTER: BRIDGING SCHOLARSHIP, POLICY, AND REPRESENTATION IN AFRICAN STUDIES December 1 - 3, 2016 Marriott Wardman Park Hotel, Washington, D.C. PROGRAM COMMITTEE CHAIRS: Benjamin N. Lawrance, Rochester Institute of Technology William G. Moseley, Macalester College LOCAL ARRANGEMENTS COMMITTEE CHAIRS: Eve Ferguson, Library of Congress Alem Hailu, Howard University Carl LeVan, American University 1 ASA OFFICERS President: Dorothy Hodgson, Rutgers University Vice President: Anne Pitcher, University of Michigan Past President: Toyin Falola, University of Texas-Austin Treasurer: Kathleen Sheldon, University of California, Los Angeles BOARD OF DIRECTORS Aderonke Adesola Adesanya, James Madison University Ousseina Alidou, Rutgers University Souleymane Bachir Diagne, Columbia University Brenda Chalfin, University of Florida Mary Jane Deeb, Library of Congress Peter Lewis, Johns Hopkins University Peter Little, Emory University Timothy Longman, Boston University Jennifer Yanco, Boston University ASA SECRETARIAT Suzanne Baazet, Executive Director Kathryn Salucka, Program Manager Renée DeLancey, Program Manager Mark Fiala, Financial Manager Sonja Madison, Executive Assistant EDITORS OF ASA PUBLICATIONS African Studies Review: Elliot Fratkin, Smith College Sean Redding, Amherst College John Lemly, Mount Holyoke College Richard Waller, Bucknell University Kenneth Harrow, Michigan State University Cajetan Iheka, University of Alabama History in Africa: Jan Jansen, Institute of Cultural -
THE SHAPING of SOUTH AFRICAN THEATRE: an OVERVIEW of MAJOR TRENDS by Temple Hauptfleisch 1. INTRODUCTION: CHANGED CONCEPTS of H
In: Arndt and Berndt. Words and Worlds. African Writing, Literature, and Society – A Commemorative Publication in Honor of Eckhard Breitinger. Africa World Press, 2007. This is an expanded version of the German article called “Sudafrikanisches Theater – Entwicklungen und Strömungenvon Vergangenehit bis Gegenwart”. In Kreatives Afrika. Schriftstellerinnen über Literatur. Theater und Gesselschaft. Einer Festschrift für Eckhard Breitinger (Hrsg. Susan Arndt und Katrin Brendt). Wuppertal: Peter Hammer Verlag, 2005 THE SHAPING OF SOUTH AFRICAN THEATRE: AN OVERVIEW OF MAJOR TRENDS By Temple Hauptfleisch University of Stellenbosch South Africa 1. INTRODUCTION: CHANGED CONCEPTS OF HISTORY The radical changes in political, social and cultural thinking in the world, and in Africa in particular, over the past twenty years have significantly affected concepts of historiography and have caused major re-evaluations of accepted histories across the world. This sense of (re)discovery has had a similar impact on the cultural history of South Africa. It has meant rediscovering lost (or discovering new) facts, redefining principles of historiography, reinterpreting the old, and ultimately seeking to write a new history. The most fundamental issue of course is to discover and learn to deal with fact and (real and potential) influence of the vast treasure-trove of events and artefacts produced before and during the colonised period, but ignored, denied or undervalued by commentators in the past. This situation, the processes involved and the causes for it all, are not unique to, or in any way limited to, South Africa of course, as the history of any former colony will testify. However the political history of Southern Africa the country has so entrenched a specific way of thinking that any wider awareness of tradition and cultural riches encompassing anything more than purely colonial values was virtually impossible till very late in the 20th century, except as a radical, oppositional, esoteric, or possibly even eccentric, area of study and contemplation. -
Cultural Heritage Regeneration of District Six: a Creative Tourism Approach
CULTURAL HERITAGE REGENERATION OF DISTRICT SIX: A CREATIVE TOURISM APPROACH by SIRHAN JESSA Dissertation submitted in fulfilment of the requirements for the degree Master of Technology: Tourism and Hospitality Management in the Faculty of Business and Management Sciences at the Cape Peninsula University of Technology Supervisor: Professor J N Steyn Co-supervisor: Professor J P Spencer Cape Town March 2015 CPUT copyright information The dissertation/thesis may not be published either in part (in scholarly, scientific or technical journals), or as a whole (as a monograph), unless permission has been obtained from the University. DECLARATION I, the undersigned, hereby declare that this dissertation is my own work, that all sources used and quoted have been cited and acknowledged by means of complete references and that this dissertation was not previously submitted to any other university or university of technology for degree purposes. _________________________ _________________________ Sirhan Jessa Date: 1 March 2015 i CONFIRMATION OF PROOFREADING 8 Briar Close Silverglade Fish Hoek 7975 [email protected] 24.04.2014 To whom it may concern: I have proofread and edited the thesis: Cultural heritage regeneration in District Six: A creative tourism approach by Sirhan Jessa, a dissertation submitted in fulfilment of the requirements for the degree of Master of Technologiae (Travel and Events Management) in the Faculty of Business at the Cape Peninsula University of Technology. Suggested corrections and/or alterations have been affected. Rolfe Proske ii ACKNOWLEDGEMENTS All praise be to God. I would like to express my sincere gratitude to my supervisors Professors J.N. Steyn and J.P. Spencer for their guidance, support and encouragement during the course of this research project. -
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These are dresses that are stitched with dreams: Struggle, Freedom and the Women of the Clothing and Textile Industry of the Western Cape Siona O’Connell Abstract The ordinary archive of the racially oppressed in South Africa offers a critical lens through which to interrogate notions of resistance, subjectivities and freedom. This paper considers these questions by examining the phenomenon that is the annual Spring Queen pageant which, for more than 46 years, has proffered a potential real-life ‘Cinderella’ experience to the poorly-paid, industrious women of the Western Cape’s clothing and textile trade. Initiated by their union, the Southern African Clothing and Textile Workers’ Union (SACTWU) in the late 1970s as a response to worker agitation, the social significance of the pageant runs incontrovertibly deeper than a one-night spectacle. Despite a dearth of subject-specific formal research, this paper draws on available literature analysing the impact of apartheid on culture and society in South Africa, along with extensive relevant media coverage of the Spring Queen pageant, and personal interviews with those involved and impacted. It goes beyond describing the experiences of working class ‘coloured’ women who contributed to the anti-apartheid struggle through their union activities. It also highlights how an enduring annual gala event has afforded the ‘invisible’ clothing production line workers who underpin a multi-billion rand South African export industry an opportunity to envision a yet-to-be realised freedom, while reflecting the power and resilience of the ordinary to transform in extraordinary times. Keywords: Spring Queen, clothing and textile industry, Cape Town, pageant, Southern African Clothing and Textile Workers’ Union (SACTWU), apart- heid, freedom, labour Alternation Special Edition 26 (2019) 98 – 121 98 Print ISSN 1023-1757; Electronic ISSN: 2519-5476; DOI https://doi.org/10.29086/2519-5476/2019/sp26a4 Struggle, Freedom and the Women of the Clothing and Textile Industry Working in a factory is not a very glamorous job. -
Souleymane Bachir Diagne on Translation & Restitution
IN THE FOREGROUND: CONVERSATIONS ON ART & WRITING A Podcast from the Research and Academic Program (RAP) at the Clark Art Institute “A Gesture of Reciprocity”: Souleymane Bachir Diagne on Translation & Restitution Season 2, Episode 3 Recording date: OctoBer 14, 2020 Release date: FeBruary 23, 2021 Transcript Caro Fowler Welcome to In the Foreground: Conversations on Art & Writing. I am Caro Fowler, your host and director of the Research and Academic Program at the Clark Art Institute in Williamstown, Massachusetts. In this series of conversations, I talk with art historians and artists about what it means to write history and make art, and the ways in which making informs how we create not only our world, But also ourselves. In this episode, I speak with Lorraine O’Grady, an artist and critic whose installations, performances, and writings address issues of hyBridity and Black female suBjectivity, particularly the role these have played in the history of modernism. Lorraine discusses her long standing research into the relation of Charles Baudelaire and Jeanne Duval, the omissions of art historical scholarship and intersectional feminism, and the entanglement of personal and social histories in her work. Souleymane Bachir Diagne The translator, when she's dealing with two languages, and trying to give clarity to a meaning from a language to another language, that is this way of putting them in touch, to create an encounter between these two languages is an ethical gesture, it is a gesture of reciprocity. Caro Fowler Thank you for joining me today, Bachir. It's really nice to talk to you. -
Culture: the Bedrock of Peace; the UNESCO Courier; Vol.:3; 2017
THE UNESCO CourierOctober-December 2017 • n°3 Culture : the bedrock of peace United Nations Educational, Scientific and Cultural Organization Our contributors Marc Chassaubéné Virginie Jourdan France Brandi Harless Samuel Hardy Bruce Howe United Kingdom Deeyah Khan Sarah Willcox Norway United States Diego Ibarra Sánchez Bujor Nedelcovici Spain Romania Asaad Zoghaib Lebanon Spôjmaï Zariâb Afghanistan Catherine Fiankan-Bokonga Switzerland, DRC Jiang Bo China Rithy Panh Souleymane Cambodia Bachir Diagne Senegal Edouard J. Maunick Abderrahmane Mauritius Sissako Mauritania Magdalena Nandege South Sudan Véronique Tadjo Côte d’Ivoire Marie Angélique Ingabire Rwanda Kate Panayotou Ahmad Australia Al Faqi Al Mahdi Ouided Bouchamaoui Zenaldo Coutinho Mayombo Kassongo Mounir Char Dave Cull Brazil Mali Tunisia New Zealand @ Alvaro Cabrera Jimenez / Shutterstock 2017 • n° 3 • Published since 1948 Language Editors: Information and reproduction rights: Arabic: Anissa Barrak [email protected] The UNESCO Courier is published quarterly Chinese: China Translation and Publishing House 7, place de Fontenoy, 75352 Paris 07 SP, France by the United Nations Educational, Scientific English: Shiraz Sidhva © UNESCO 2017 and Cultural Organization. It promotes the French: Isabelle Motchane-Brun ISSN 2220-2285 • e-ISSN 2220-2293 ideals of UNESCO by sharing ideas on issues of Russian: Marina Yaloyan international concern relevant to its mandate. Spanish: Lucía Iglesias Kuntz Periodical available in Open Access under the The UNESCO Courier is published thanks to the Translation (English): Peter Coles, Cathy Nolan Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) licence generous support of the People’s Republic of China. Design: Corinne Hayworth (http://creativecommons.org/licenses/by-sa/3.0/ igo/). Director of Publication: Éric Falt Cover image : © Selçuk By using the content of this publication, the users accept Printing: UNESCO to be bound by the terms of use of the UNESCO Open Executive Director: Vincent Defourny Access Repository (www.unesco. -
UCT to Award Honorary Degrees
Communication and Marketing Department Isebe loThungelwano neNtengiso Kommunikasie en Bemarkingsdepartement Private Bag X3, Rondebosch 7701, South Africa La Grotto House, Glendarrach Rd, Rondebosch, Cape Town Tel: +27 (0) 21 650-3733/2, Fax: +27 (0) 21 650-5682 Internet: www.uct.ac.za Media Release 25 September 2007 UCT to award honorary degrees Lord Steyn – the retired senior member of the Judicial Committee of Lords, Writers and Theatre Directors David Kramer and Taliep Petersen, Engineering Scientist Professor Mark Dry and Earth Scientist Professor George Philander, will all be recipients of honorary doctorates from the University of Cape Town in the December graduation ceremonies this year. UCT will also confer an honorary doctorate (LLD) honoris causa to Nobel Peace Laureate and Burmese democratic leader, Aung San Suu Kyi who is currently under house arrest in Burma. The degree will be accepted on her behalf by fellow Nobel Peace Laureate, Emeritus Archbishop Desmond Tutu at a graduation ceremony on the 10 th of December (which is, International Human Rights Day). Lord Steyn , the retired senior member of the Judicial Committee of the House of Lords, will receive the degree, Doctor in Law (LLD) honoris causa. After a brilliant student career at the University of Stellenbosch, where he obtained the degrees BA LLB, a Rhodes scholarship was awarded to him. He excelled as a student again at University College, Oxford, after which he returned to South Africa. Johan van Zijl Steyn joined the Cape Bar and rapidly built up a leading practice. In 1968, at the youthful age of 36, he was elevated to the ranks of senior counsel. -
Downloaded From: Version: Accepted Version Publisher: American Academy of Religion (AAM)
Strickland, Lloyd (2019)Book Review: Open to Reason: Muslim Philosophers in Conversation with the Western Tradition. American Academy of Religion (AAM). Downloaded from: http://e-space.mmu.ac.uk/622602/ Version: Accepted Version Publisher: American Academy of Religion (AAM) Please cite the published version https://e-space.mmu.ac.uk Open to Reason: Muslim Philosophers in Conversation with the Western Tradition Souleymane Bachir Diagne New York: Columbia University Press, 2018. 120 pages. Hardback. ISBN 978-0231185462. Open to Reason: Muslim Philosophers in Conversation with the Western Tradition is an English translation of Souleymane Bachir Diagne’s short but exceedingly rich Comment philosopher en Islam?, first published in 2008. Diagne’s aim is to draw attention to the philosophical spirit that has been present in Islam from its inception and, to this end, he offers a potted history of Islamic philosophy, or at least of some of Islam’s interactions with Western philosophy. The book consists of ten chapters, each of which focuses on philosophers from either the classical period (9th – 12th centuries) or the modern (19th – 20th centuries), and a brief conclusion. Chapter 1 (“And how to not philosophize?”) offers a brief history of the Qur’an and an account of how Islamic philosophizing arose as a result of the disputes between the Shi’a and Sunni communities over who should be considered the prophet Muhammad’s rightful successor as “commander of the faithful” (3). Both sides believed the answer could be reached through fidelity to Muhammad and to his message in the Qur’an, but as Diagne notes, “when the meaning of fidelity itself proves to be a matter of speculation, how not to philosophize?” (4). -
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The Sound Archive at the District Six Museum
THE SOUND ARCHIVES AT THE DISTRICT SIX MUSEUM: A WORK IN PROGRESS Valmont Layne South Africa is an anomaly among developing countries. It is both a developed country with good infrastructure and also a country with huge social and economic problems. There is a wide gulf between recipients of development aid on the one hand and skilled profes- sionals on the other. In this assumption lie both the challenges and opportunities for audiovisual preservation. In itemizing the issues, challenges, hurdles and obstacles, my chosen keywords are institu- tional growth, consciousness and expertise. The District Six Museum developed almost without evident design since its conception at a conference in 1988. Yet the sound archives, a new project conceived in 1997, had the luxury of being modelled on ethnographic and public sound archives in the USA and elsewhere. The key scholarly disciplines underpinning its work are History, Fine Arts, Social Science and Ethnomusicology. We need to build an appropriate archival model for this museum- based sound archives. There are a number of considerations. The museum has had a profound effect on heritage work. Our museum is a young institution and is in the grip of what some call the ‘Founder syndrome’. It has a very active board of trustees. It is still an institu- tional ‘baby’ being weaned by community-based activists, politicians and professional academics. In some cases, there is a direct political, emotional or professional interest in the work of the museum. This creates a wonderful non-bureaucratic atmosphere. But it also means 184 Archives for the Future that as we grow in our preservation capacities we will have to nego- t iate these realities. -
1 18Iaspm.Wordpress.Com
18iaspm.wordpress.com 1 2 18th Biennial IASPM Conference Contents Dear IASPM Delegates, It is with great pleasure that UNICAMP (Universidade Estadual de Campinas) will host this important academic event aimed at the study of popular music. With the subject: Back to the Future: Popular Music in Time, the Conference will gather more than 200 researchers from countries of all continents who will present and discuss works aimed at the study of sonority, styles, performances, contents, production contexts and popular music consumption. IASPM periodically carries out, since 1981 – year which was founded – regular meetings and the publication of the works contributing to the creation of a new academic field targeted to the study of this medium narrative modality of syncretic and multidimensional nature, which has been consolidated along the last 150 years as component element of the contemporary culture. We hope that this Conference will represent another step in the consolidation of this field which has already achieved worldwide coverage. For the Music Department of the Arts Institute of UNICAMP, to carry out the 18th Conference brings special importance as it created the first Graduation Course in Popular Music of Brazil, in 1989, making this University a reference institution in these studies. UNICAMP is located in the District of Barão Geraldo, in the city of Campinas – SP. This region showed great development at the end of XIX century and beginning of XX century due to the coffee farming expansion. Nowadays it presents itself as an industrial high-tech center. Its cultural life is intense, being music one of the most relevant activities. -
Between Colour Lines: Interrogating the Category 'Coloured' in Depictions Of
Between colour lines: Interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists Cameron Amelia Cupido Dissertation in fulfilment of Master’s in Visual Studies Visual Arts Department Stellenbosch University Supervisor: Prof. Lize Van Robbroeck March 2018 1 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2018 Copyright © 2018 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Group Areas Act of 1950 radically affected coloured artists of the time, since it resulted in forced removals and the demolition of traditionally ‘coloured’ suburbs, and forced coloured people into mono-cultural suburbs with imposed identities not of their own choosing. This thesis seeks to uncover the complexities and heterogeneity of coloured identity and the effects apartheid ideologies and practices had on the personal narratives and cultural praxis of Lionel Davis, Albert Adams, George Hallett, Gavin Jantjes and Peter Clarke, who all emphasized the significance of District Six in their own articulations of colouredness. I propose that this problematic ascribed identity was at the root of most artworks produced by these artists and that their art helped them deal with their experiences within (and about) the space of District Six during apartheid.