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Toral Care of the Mentally Handicapped
Durham E-Theses Unaccommodated man: the pastoral care of the mentally handicapped Hoskins, Ian D. How to cite: Hoskins, Ian D. (1988) Unaccommodated man: the pastoral care of the mentally handicapped, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9352/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk UNACCOMMODATED MAN: THE PASTORAL CARE OF THE MENTALLY HANDICAPPED Ian D. Hoskins Master of Arts, 1988 ABSTRACT This thesis attempts to look at the issue of pastoral care of the mentally handicapped from various angles raising questions like the following: "Is it necessary to care pastorally for mentally handicapped people?" "Can they be regarded as persons?" "If so, what are their special needs and how can we meet them?" "Is it possible for them to develop their potential?" "Are they educable so that they can be helped to do this?" "What methods can best be used to help them achieve this potential?" "How will an understanding of such methods affect the pastoral care of such people?" "Have they any contribution to make to the church and the community?". -
Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ........................................................................................... -
Carl Haessler Papers
THE CARL HAESSLER COLLECTION Papers, 1908-1972 11 linear feet 1 scrapbook Accession Number: 31 LC Number: MS The papers of Carl Haessler were placed in the Archives of Labor and Urban Affairs in two installments. The first was donated in November of 1972 and the second after Mr. Haessler's death in December of that year by his wife, Lucy Haessler. The two sections of the collection were integrated and processing was completed in December 1978. Carl Haessler was born 5 August 1888 in Milwaukee, Wisconsin. His father was a builder's hardware contractor and his mother was a teacher in the Milwaukee school system. Carl attended public school in Milwaukee and graduated from the University of Wisconsin with a Bachelor Degree in Latin in 1911. It was also in this year that he was awarded a Rhodes scholarship. From 1911 to 1914 Carl attended Balliol College Oxford. During his years at Oxford, Haessler became interested in the socialist movement and joined the Fabian Socialists. Returning to the United States in 1914, Haessler became a member of the American Socialist Party. He also began a teaching career in the Philosophy Department of Illinois University. He received his PhD upon completion of his thesis, "The Failure of Scottish Realism." In 1917 Illinois dismissed Haessler from his post for his political activity against American involvement in World War I. For one year Haessler was employed by Victor Berger, editor of the labor-socialist paper, the Milwaukee Leader. In June 1918 Haessler was drafted into the army. Carl accepted the drafting, but in bootcamp refused to put on the army uniform. -
Vol. X. No.1 CONTENTS No Rights for Lynchers...• . . • 6
VoL. X. No.1 CONTENTS JANUARY 2, 19:34 No Rights for Lynchers. • . • 6 The New Republic vs. the Farmers •••••• 22 Roosevelt Tries Silver. 6 Books . .. .. • . • . • 24 Christmas Sell·Out ••••.......••..•.•••• , 7 An Open Letter by Granville Hicks ; Fascism in America, ••..• by John Strachey 8 Reviews by Bill Dunne, Stanley Burn shaw, Scott Nearing, Jack Conroy. The Reichstag Trial •• by Leonard L Mins 12 Doves in the Bull Ring .. by John Dos Passos 13 ·John Reed Club Art Exhibition ......... ' by Louis Lozowick 27 Is Pacifism Counter-Revolutionary ••••••• by J, B. Matthews 14 The Theatre •.•••... by William Gardener 28 The Big Hold~Up •••••••••••••••••••.•• 15 The Screen ••••••••••••• by Nathan Adler 28 Who Owns Congress •• by Marguerite Young 16 Music .................. by Ashley Pettis 29 Tom Mooney Walks at Midnight ••.••.•• Cover •••••• , ••••••• by William Gropper by Michael Gold 19 Other Drawinp by Art Young, Adolph The Farmen Form a United Front •••••• Dehn, Louis Ferstadt, Phil Bard, Mardi by Josephine Herbst 20 Gasner, Jacob Burck, Simeon Braguin. ......1'11 VOL, X, No.2 CONTENTS 1934 The Second Five~ Year Plan ........... , • 8 Books •••.•.••.••.•••••••••••••••••.••• 25 Writing and War ........ Henri Barbusse 10 A Letter to the Author of a First Book, by Michael Gold; Of the World Poisons for People ••••••••• Arthur Kallet 12 Revolution, by Granville Hicks; The Union Buttons in Philly ••••• Daniel Allen 14 Will Durant of Criticism, by Philip Rahv; Upton Sinclair's EPIC Dream, "Zafra Libre I" ••.••••..•• Harry Gannes 15 by William P. Mangold. A New Deal in Trusts .••• David Ramsey 17 End and Beginning .• Maxwell Bodenheim 27 Music • , • , •••••••••••••••. Ashley Pettis 28 The House on 16th Street ............. -
S688p6 1920.Pdf
-- A Political Guide for the Workers Socialist Party Campaign Book 1920 Prebared by the Department of Labor Research, Rand School of Social Science A. L. Trachtenberg, Director Published by The Socialist Party of the United States 220 South Ashland Boulevard CHICAGO, ILL. 1920 CoPYnIoAT 1940 BY Tm SOCIALIST PARTY OF TAE UNITED STATES CHICAGO, ILL. Printed in the U. S. A. 7 FOREWORD %F This little book is the joint work of a number of con- tributors, which has been compiled under the general editorship of Alexander Trachtenberg, Director of the Department of Labor Resewch of the Rand School of Social Science, and James Oneal, member of the National Executive Committee of the Socialist party. Benjamin Glassberg of the Rand School also rendered valuable assistance in the editorial work. Among the contributors to the volume are Morris Hill- quit, David P. Berenberg, Evans Clark, Roger Baldwin, Solon DeLeon , Lewis Gannett, Benjamin Glassberg, Bertha Hale White, William Morris Feigenbaum, Alex- ander Trachtenberg, James Oneal and Irwin St. John Tucker. The book il the result of a request made by the Na- tional Executive Committee that the Research Depart- ment of the Rand School of Social Science co-operate in the preparation of material for it. The editorial committee believes that the book marks an advance over the bulky campaign books that have been prepared in the past, in that the material is much less in quantity, it is presented in a more popular style, statistics have been reduced to a minimum, while the information will prove of service to party speakers and editors and at the same time serve as a propaganda book among the workers. -
“College-Level” Writing? Vol
What Is “College-Level” Writing? Is “College-Level” What is sequel to What Is “Coege-Level” Writing? (2006) highlights the What Is praical aects of teaching writing. By design, the essays in this collection focus on things all English and writing teachers concern themselves with on a daily basis—assignments, readings, and real “College-Level” student writing. e collection also seeks to extend the conversation begun in the rst volume by providing in-depth analysis and discussion of assign- C Vol. 2 Vol. ments and student writing. e goal is to begin a process of dening Writing? M “college-level” writing by example. Contributors include students, Y high school teachers, and college instructors in conversation with CM one another. MY Volume 2 CY Assignments, rough this pragmatic lens, the essays in this volume address other Sullivan • Blau • Tinberg CMY important issues related to college-level writing, including assign- K Readings, ment design, the AP test, the use of the ve-paragraph essay, as well as issues related to L2/ESL and Generation 1.5 students. and Student Writing Samples edited by Patrick Sullivan Howard Tinberg Sheridan Blau Copy Editor: Peggy Currid Production Editor: Carol Roehm Interior Design: Jenny Jensen Greenleaf Cover Design: Barbara Yale-Read NCTE Stock Number: 56766 ©2010 by the National Council of Teachers of English. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission from the copyright holder. Printed in the United States of America. -
Summer Camp Song Book
Summer Camp Song Book 05-209-03/2017 TABLE OF CONTENTS Numbers 3 Short Neck Buzzards ..................................................................... 1 18 Wheels .............................................................................................. 2 A A Ram Sam Sam .................................................................................. 2 Ah Ta Ka Ta Nu Va .............................................................................. 3 Alive, Alert, Awake .............................................................................. 3 All You Et-A ........................................................................................... 3 Alligator is My Friend ......................................................................... 4 Aloutte ................................................................................................... 5 Aouettesky ........................................................................................... 5 Animal Fair ........................................................................................... 6 Annabelle ............................................................................................. 6 Ants Go Marching .............................................................................. 6 Around the World ............................................................................... 7 Auntie Monica ..................................................................................... 8 Austrian Went Yodeling ................................................................. -
What's Included
WHAT’S INCLUDED ENCORE (EMINEM) » Curtains Up » Just Lose It » Evil Deeds » Ass Like That » Never Enough » Spend Some Time » Yellow Brick Road » Mockingbird » Like Toy Soldiers » Crazy in Love » Mosh » One Shot 2 Shot » Puke » Final Thought [Skit] » My 1st Single » Encore » Paul [Skit] » We as Americans » Rain Man » Love You More » Big Weenie » Ricky Ticky Toc » Em Calls Paul [Skit] CURTAIN CALL (EMINEM) » Fack » Sing For The Moment » Shake That » Without Me » When I’m Gone » Like Toy Soldiers » Intro (Curtain Call) » The Real Slim Shady » The Way I Am » Mockingbird » My name Is » Guilty Conscience » Stan » Cleanin Out My Closet » Lose Yourself » Just Lose It » Shake That RELAPSE (EMINEM) » Dr. West [Skit] » Stay Wide Awake » 3 A.M. » Old Time’s Sake » My Mom » Must Be the Ganja » Insane » Mr. Mathers [Skit] » Bagpipes from Baghdad » Déjà Vu » Hello » Beautiful » Tonya [Skit] » Crack a Bottle » Same Song & Dance » Steve Berman [Skit] » We Made You » Underground » Medicine Ball » Careful What You Wish For » Paul [Skit] » My Darling Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. All rights reserved. Page. 1 WHAT’S INCLUDED RELAPSE: REFILL (EMINEM) » Forever » Hell Breaks Loose » Buffalo Bill » Elevator » Taking My Ball » Music Box » Drop the Bomb On ‘Em RECOVERY (EMINEM) » Cold Wind Blows » Space Bound » Talkin’ 2 Myself » Cinderella Man » On Fire » 25 to Life » Won’t Back Down » So Bad » W.T.P. » Almost Famous » Going Through Changes » Love the Way You Lie » Not Afraid » You’re Never Over » Seduction » [Untitled Hidden Track] » No Love THE MARSHALL MATHERS LP 2 (EMINEM) » Bad Guy » Rap God » Parking Lot (Skit) » Brainless » Rhyme Or Reason » Stronger Than I Was » So Much Better » The Monster » Survival » So Far » Legacy » Love Game » Asshole » Headlights » Berzerk » Evil Twin Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. -
The Black Vernacular Versus a Cracker's Knack for Verses
University of Calgary PRISM: University of Calgary's Digital Repository Arts Arts Research & Publications 2014-10-24 The black vernacular versus a cracker's knack for verses Flynn, Darin McFarland Books Flynn, D. (2014). The black vernacular versus a cracker's knack for verses. In S. F. Parker (Ed.). Eminem and Rap, Poetry, Race: Essays (pp. 65-88). Jefferson, NC: McFarland & Company, Inc. http://hdl.handle.net/1880/112323 book part "Eminem and Rap, Poetry, Race: Essays" © 2014 Edited by Scott F. Parker Downloaded from PRISM: https://prism.ucalgary.ca The Black Vernacular Versus a Cracker’s Knack for Verses Darin Flynn Who would have ever thought that one of the greatest rappers of all would be a white cat? —Ice-T, Something from Nothing: The Art of Rap1 Slim Shady’s psychopathy is worthy of a good slasher movie. The soci- olinguistics and psycholinguistics behind Marshall Mathers and his music, though, are deserving of a PBS documentary. Eminem capitalizes on his lin- guistic genie with as much savvy as he does on his alter egos. He “flips the linguistics,” as he boasts in “Fast Lane” from Bad Meets Evil’s 2011 album Hell: The Sequel. As its title suggests, this essay focuses initially on the fact that rap is deeply rooted in black English, relating this to Eminem in the context of much information on the language of (Detroit) blacks. This linguistic excur- sion may not endear me to readers who hate grammar (or to impatient fans), but it ultimately helps to understand how Eminem and hip hop managed to adopt each other. -
Musikvideo: Not Afraid Fra Albummet Recovery (Eminem)
Musikvideo: Not Afraid fra albummet Recovery (Eminem) Tema: Om tro, tillid, ikke at frygte, men at turde træde ud på dybt vand, tage imod en hånd, gå igennem stormen og kaste sig ud i livet. Efter de flotte åbningsklip af Marshall (Eminem), der står på afsatsen af et højhustag, mens der skues over Newark, ser vi klip til kælderen, hvor han ”rhymer” i sin frustration. Selv om han ser ud til at have trukket sig tilbage fra selvmords overtonerne fra højhustaget, er han dog ikke kommet ud af mørket endnu. Man ser ham ”muret” inde, fortvivlet og fanget i sit liv. Han ser Market Street forvandle sig til en spejlsal, hvor han tvinges til at blive konfronteret med sit eget spejlbillede, som dog kun viser sig som brudstykker af ham selv. Han rammes dog af ly- set, frisættes fra kælder-tilværelsen, går ud i trafikken og stiller sig ud på kanten af en kata- stroferamt afsats. Her beslutter han sig til at springe ud, kaste sig ud over kanten, men frem- for at styrte i afgrunden, gribes han og flyver op med nye kræfter - afsted med Superman og Matrix metaforer i luften – for til sidst at stå på højhustaget igen. Denne gang ser han dog op i lyset og rækker hånden ud, mens han synger ” I´m not afraid.” Eminem opfordrer i sin sang: I´m not afraid - til ikke at være bange, men til at turde tage et standpunkt og til at tage imod den hånd, der rækkes ud, for vi er ikke alene, selv når vi går igennem stormen. -
Federated Press Records : American Labor Journalism in the Mid-Twentieth Century
Federated Press Records : American Labor Journalism in the Mid-Twentieth Century Filmed from the holdings of the Rare Book and Manuscript Library of Columbia University in the City of New York Primary Source Microfilm an imprint of Thomson Gale Federated Press Records : American Labor Journalism in the Mid-Twentieth Century Series 3: Chronological Files, 1920-1940 Filmed from the holdings of the Rare Book and Manuscript Library of Columbia University in the City of New York Primary Source Microfilm an imprint of Thomson Gale Primary Source Microfilm an imprint of Thomson Gale 12 Lunar Drive, Woodbridge, CT 06525 Tel: (800) 444 0799 and (203) 397 2600 Fax: (203) 397 3893 P.O. Box 45, Reading, England Tel (+ 44) 1734 583247 Fax: (+ 44) 1734 394334 All rights reserved, including those to reproduce this book or any parts thereof in any form Printed and bound in the United States of America © 2004 TABLE OF CONTENTS Collection Overview…………………………………………………………….………… v Introduction to the Collection……………………………………………………………...vi Editorial Note …………………….…….....………………………………………………xi Acknowledgments ………………………………………………………………………...xi Federated Press Records, Series 3: Chronological Files, 1920-1940 ……………………...1 COLLECTION OVERVIEW The Federated Press, an independent news service, served the labor press from the post- World War I years until the height of the Cold War. The objective of its founders was to start a news service that would counter the anti-labor bias of commercial presses. Committed to objective reporting, its editors represented every hue in the political spectrum, from conservative to independent to Socialist to Communist. At its peak shortly after World War II, the Federated Press had over 250 subscribers among the labor press and commercial newspapers. -
Alive [Lyrics, 132 Bpm, 4/4] [Default Arrangement] by Aodhan King and Alexander Pappas V1, V2, PC1, C, V3, V4, PC1, C, PC2, C×2
Alive [Lyrics, 132 bpm, 4/4] [Default Arrangement] by Aodhan King and Alexander Pappas V1, V2, PC1, C, V3, V4, PC1, C, PC2, C×2 Verse 1 I was lost with a broken heart You picked me up now I'm set apart From the ash I am born again Forever safe in the Saviour's hands Verse 2 You are more than my words could say I'll follow You Lord for all my days Fix my eyes follow in Your ways Forever free in unending grace Pre-Chorus 1 'Cause You are You are You are my freedom We lift You higher lift You higher Your love Your love Your love never ending Oh oh oh Chorus You are alive in us Nothing can take Your place You are all we need Your love has set us free (oh oh) Verse 3 In the midst of the darkest night Let Your love be the shining light Breaking chains that were holding me You sent Your Son down and set me free Verse 4 Ev'rything of this world will fade I'm pressing on till I see Your face I will live that Your will be done I won't stop till Your kingdom come Pre-Chorus 2 You are You are You are my freedom We lift You higher You are You are You are my freedom We lift You higher lift You higher Your love Your love Your love never ending Oh oh oh © 2013 Hillsong Music Publishing 1 Not Afraid [Lyrics] [Default Arrangement] by Adeze Azubuike, David Anderson, Mia Fieldes, and Travis Ryan Verse 1 I have this confidence because I've seen the faithfulness of God The still inside the storm The promise of the shore I trust the power of Your Word Enough to seek Your Kingdom first Beyond the barren place beyond the ocean waves Chorus 1 When I walk through