The School for Scandal
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Longines Turf Winner Notes- Owner, Aga Khan
H.H. Aga Khan Born: Dec. 13, 1936, Geneva, Switzerland Family: Children, Rahim Aga Khan, Zahra Aga Khan, Aly Muhammad Aga Khan, Hussain Aga Khan Breeders’ Cup Record: 15-2-0-2 | $3,447,400 • Billionaire, philanthropist and spiritual leader, Prince Karim Aga Khan IV is also well known as an owner and breeder of Thoroughbreds. • Has two previous Breeders’ Cup winners – Lashkari (GB), captured the inaugural running of Turf (G1) in 1984 and Kalanisi (IRE) won 2000 edition of race. • This year, is targeting the $4 million Longines Turf with his good European filly Tarnawa (IRE), who was also cross-entered for the $2 million Maker’s Mark Filly & Mare Turf (G1) after earning an automatic entry via the Breeders’ Cup Challenge “Win & You’re In” series upon winning Longines Prix de l’Opera (G1) Oct. 4 at Longchamp. Perfect in three 2020 starts, the homebred also won Prix Vermeille (G1) in September. • Powerhouse on the international racing stage. Has won the Epsom Derby five times, including the record 10-length victory in 1981 by the ill-fated Shergar (GB), who was famously kidnapped and never found. In 2000, Sinndar (IRE) became the first horse to win Epsom Derby, Irish Derby (G1) and Prix de l'Arc de Triomphe (G1) the same season. In 2008, his brilliant unbeaten filly Zarkava (IRE) won the Arc and was named Europe’s Cartier Horse of the Year. • Trainers include Ireland-based Dermot Weld, Michael Halford and beginning in 2021 former Irish champion jockey Johnny Murtagh, who rode Kalanisi to his Breeders’ Cup win, and France-based Alain de Royer-Dupre, Jean-Claude Rouget, Mikel Delzangles and Francis-Henri Graffard • Almost exclusively races homebreds but is ever keen to acquire new bloodlines, evidenced by acquisition of the late Francois Dupre's stock in 1977, the late Marcel Boussac’s in 1978 and Jean-Luc Lagardere’s in 2005. -
Harness Horse of the Year, 1947-2017 Hannelore Hanover Is the 59Th Horse and 27Th Trotter of the U.S
Awards and Earnings Harness Horse of the Year, 1947-2017 Hannelore Hanover is the 59th horse and 27th trotter of the U.S. Harness Writers Association by the U.S. to be honored as Horse of the Year in the 71-year Trotting Association. The list below gives performance history of the balloting as now conducted on behalf data for the year in which each was chosen: Year Horse Age Gait Sts. W P S Best Time Earnings 2017 Hannelore Hanover ...................5.......... T ....... 17 .........10 ......5 ........0 ...................1:492 ............. $1,049,129 2016 Always B Miki ...........................5...........P ........ 18 .........12 ......5 ........0 ...................1:46................. 1,487,292 2015 Wiggle It Jiggleit (g) ...................3...........P ........ 26 .........22 ......3 ........0 ...................1:474 ............... 2,181,995 2014 JK She’salady (f) .........................2...........P ........ 12 .........12 ......0 ........0 ...................1:501s ................. 883,330 2013 Bee A Magician (f) .....................3.......... T ....... 17 .........17 ......0 ........0 ...................1:51................. 1,547,304 2012 Chapter Seven ............................4.......... T ....... 10 ...........8 ......2 ........0 ...................1:501 ............... 1,023,025 2011 San Pail ......................................7.......... T ....... 16 .........14 ......2 ........0 ...................1:504 ............... 1,289,000 2010 Rock N Roll Heaven ..................3...........P ........ 21 .........16 -
Brotherton Library Nineteenth-Century Playbills Handlist of Playbills of the Nineteenth Century Given to the Library by Mrs Blan
Brotherton Library Nineteenth-Century Playbills Handlist of playbills of the nineteenth century given to the Library by Mrs Blanche Legat Leigh (died 194 5) and Professor P.H. Sawyer. The collection is shelved in Special Collections: Theatre: Playbills Contents Pages 1-7: 1-65: Given by Mrs Leigh Pages 8-9: 66-75: Given by Professor Sawyer Pages 10-2 9: Index of Authors, Titles and actors 1 -65: Playbills given by Mrs Leigh 1. 7th Feb. 1806. Theatre Royal, Drury Lane. The Travellers; or, Music's Fascination, by Andrew Cherry (17 62 -1812). Three Weeks after Marriage, by Arthur Murphy (1727-1805), 2. 14th Feb. 1807. Theatre Royal, Drury Lane. The Jealous Wife, by George Colman the elder (1732-94); Tekeli; or, The Siege of Montgatz, by Theodore Edward Hook (17 88-1841). 3. 10th Nov. 1808. Theatre Royal, Drury Lane. The Siege of St. Quintin; or, Spanish Heroism, by T . E. Hook; : The Spoil'd Child, by Isaac Bickerstaffe (173 5-1812), 4. 24th July, 1810. Lyceum Theatre, English Opera. The Duenna, by Richard Brinsley Sheridan (1751- 1816); Twenty Years Ago! by Isaac Pocock (17 82 -183 5). 5. 1st April, 1811. King's Theatre, Haymarket. The Earl of Warwick. .6. 10th Oct. 1812. Theatre Royal, Drury Lane. Hamlet, Prince, of Denmark, by William Shakespeare (1564 -1616); The Devil to Pay; or, The Wives Metamorphosed, by Charles Coffey (d.1745) and John Mottley (1692-1750). 7. 25th May, 1813. Theatre Royal, Covent Garden. The Gameste; by Mrs Susannah Centlivre (1667-1723); The Devil to Pay, by C. Coffey and J. -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
PDF Download the School for Scandal and Other Plays 1St Edition
THE SCHOOL FOR SCANDAL AND OTHER PLAYS 1ST EDITION PDF, EPUB, EBOOK Richard Brinsley Sheridan | 9780199540099 | | | | | The School for Scandal and Other Plays 1st edition PDF Book The Erotic Poems. More information about this seller Contact this seller 9. More information about this seller Contact this seller 3. The play itself is an amusing comment on society and it's obsession with surfaces, to the extent in which two characters are known as the Surface brothers. Francis Bacon. Joseph now reveals Lady Sneerwell. Richard Brinsley Sheridan. Lampooning Sir Fretful Plagiary's absurdly bombastic historical drama during its confused stages of production, its satire never fails to delight. American Enchantment Michelle Sizemore. Rowley, the former steward of the Surfaces' late father, arrives, and Sir Peter gives him an earful on the subject. The film is presumed to be lost. Retrieved 17 March Thanks for telling us about the problem. Please try again later. Luigi Pirandello. Please contact us for details on condition of available copies of the book. It professes a faith in the natural goodness as well as habitual depravity of human nature. Samuel Barber composed his first full orchestral work as an overture programmed for the play. England Social life and customs 18th century Drama. Error rating book. The Beach of Falesa. The Portable Chaucer. Search Within These Results:. Miraculous Plagues Cristobal Silva. Premium" that very evening. HarperCollins Publishers. United Kingdom. The "Screen Scene" is the key moment. Scene I : Charles goes on to sell all of the family portraits to "Premium", using the rolled-up family tree as a gavel. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
The Horse-Breeder's Guide and Hand Book
LIBRAKT UNIVERSITY^' PENNSYLVANIA FAIRMAN ROGERS COLLECTION ON HORSEMANSHIP (fop^ U Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/horsebreedersguiOObruc TSIE HORSE-BREEDER'S GUIDE HAND BOOK. EMBRACING ONE HUNDRED TABULATED PEDIGREES OF THE PRIN- CIPAL SIRES, WITH FULL PERFORMANCES OF EACH AND BEST OF THEIR GET, COVERING THE SEASON OF 1883, WITH A FEW OF THE DISTINGUISHED DEAD ONES. By S. D. BRUCE, A.i3.th.or of tlie Ainerican. Stud Boole. PUBLISHED AT Office op TURF, FIELD AND FARM, o9 & 41 Park Row. 1883. NEW BOLTON CSNT&R Co 2, Entered, according to Act of Congress, in the year 1883, By S. D. Bruce, In the Office of the Librarian of Congress, at Washington, D. C. INDEX c^ Stallions Covering in 1SS3, ^.^ WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, ALPHABETICALLY ARRANGED, PAGES 1 TO 181, INCLUSIVE. PART SECOISTD. DEAD SIRES WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, PAGES 184 TO 205, INCLUSIVE, ALPHA- BETICALLY ARRANGED. Index to Sires of Stallions described and tabulated in tliis volume. PAGE. Abd-el-Kader Sire of Algerine 5 Adventurer Blythwood 23 Alarm Himvar 75 Artillery Kyrle Daly 97 Australian Baden Baden 11 Fellowcraft 47 Han-v O'Fallon 71 Spendthrift 147 Springbok 149 Wilful 177 Wildidle 179 Beadsman Saxon 143 Bel Demonio. Fechter 45 Billet Elias Lawrence ' 37 Volturno 171 Blair Athol. Glen Athol 53 Highlander 73 Stonehege 151 Bonnie Scotland Bramble 25 Luke Blackburn 109 Plenipo 129 Boston Lexington 199 Breadalbane. Ill-Used 85 Citadel Gleuelg... -
Encyclopaedism in the Mamluk Period: the Composition of Shihāb Al-Dīn Al-Nuwayrī’S (D
Encyclopaedism in the Mamluk Period: The Composition of Shihāb al-Dīn al-Nuwayrī’s (D. 1333) Nihāyat al-Arab fī Funūn al-Adab The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Muhanna, Elias Ibrahim. 2012. Encyclopaedism in the Mamluk Period: The Composition of Shihāb al-Dīn al-Nuwayrī’s (D. 1333) Nihāyat al-Arab fī Funūn al-Adab. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9366551 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 Elias Muhanna All rights reserved. Advisor: Professor Wolfhart P. Heinrichs Elias Muhanna Encyclopaedism in the Mamluk Period: The Composition of Shihāb al-Dīn al-Nuwayrī’s (d. 1333) Nihāyat al-arab fī funūn al-adab Abstract This dissertation explores the emergence of a golden age of Arabic encyclopaedic literature in the scholarly centers of Egypt and Syria during the Mamluk Empire (1250-1517). At the heart of the project is a study of Shihāb al-Dīn Aḥmad b. ʿAbd al-Wahhāb al-Nuwayrī’s (d. 1333) Nihāyat al-arab fī funūn al-adab (‘The Ultimate Ambition in the Branches of Erudition’), a 31-volume encyclopaedic work composed at the beginning of the 14th century and divided into five parts: (i) heaven and earth; (ii) the human being; (iii) animals; (iv) plants; and (v) the history of the world. -
Download Date 04/10/2021 06:40:30
Mamluk cavalry practices: Evolution and influence Item Type text; Dissertation-Reproduction (electronic) Authors Nettles, Isolde Betty Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:40:30 Link to Item http://hdl.handle.net/10150/289748 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this roproduction is dependent upon the quaiity of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that tfie author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal secttons with small overlaps. Photograpiis included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrattons appearing in this copy for an additk)nal charge. -
An Exhibition Curated by History of Art MA Students 4 May to Autumn 2018
An exhibition curated by History of Art MA students 4 May to Autumn 2018 In Character: Laurence Olivier and Vivien Leigh, 1937 - 1973 Introduction Laurence Olivier and Vivien Leigh were amongst the biggest names in British theatre and film in the twentieth century. After meeting in 1937, the couple began a passionate love affair which resulted in a marriage that spanned two decades. During and after marriage they continued to have successful careers on stage and screen collaborating together on many productions, including A Streetcar Named Desire (1949), The School for Scandal (1949) and Macbeth (1955). While their acting made the duo’s roles iconic, the costumes designed for them to wear on stage further consolidated their illustrious theatrical stature. The University of Bristol Theatre Collection holds a fascinating array of objects related to Olivier and Leigh, which reveal the relationship between actor, character, and costume, as well as the close relationships they shared with costume designers. Through a display of photographs, illustrations, and costume pieces, we see the inventiveness and skill behind the illuminating designs which bridge the gap between actor and character. With the help of designers such as Oliver Messel, Cecil Beaton, Doris Zinkeisen and Julia Trevelyan Oman, Olivier and Leigh completed their transformations to become ‘in character’. 2 Biographies Laurence Olivier (1907 - 1989) is perhaps the best-known stage actor of the twentieth century. He began his West End acting career in the 1930s and by the end of the decade he had established himself as a star of both stage and screen. He had tremendous range and was celebrated for his portrayals of classic roles such as Hamlet and Richard III, and for his less conventional roles, such as sleazy vaudeville comedian, Archie Rice, in The Entertainer (1957). -
'Scandalous Satins': an Investigation of Lady Teazle's Dress from Herbert
‘Scandalous Satins’: An Investigation of Lady Teazle’s Dress from Herbert Beerbohm Tree’s 1909 and 1912 productions of The School for Scandal Lydia Edwards These graceful fashions of early Georgian days are far removed from the most elegantly draped dresses of the twentieth century … [therefore] it is ... almost impossible ... that any serious attempt can be made to revive dresses of the early Georgian period without at the same time returning to the leisured courtesies, the studied movements, and the spacious apartments of those bygone days. Westminster Gazette, 14 April 19121 Herbert Beerbohm Tree (1852-1917) was a pillar of the late Victorian and Edwardian stage, famous for both his flamboyant character acting and his management of Her/ His Majesty’s Theatre in London.2 Known for both conventional and experimental drama, Tree staged plays which featured many historical eras and wildly varying themes, from Shakespearean tragedy to modern comedies. To a large extent, the success of these plays depended upon the beauty of the stage tableaux, or the manner in which scenery was displayed to create a series of ‘living pictures’. Surviving stage photographs of these productions seem to show straightforward representations of a given historical period, but on closer inspection it becomes clear that they were heavily influenced by contemporary fashion — overwhelmingly so in the case of costume. While there is a wealth of information on Tree’s productions from the point of view of theatrical, performance and literary history, practically no scholarly work has been undertaken from the perspective of the fashion and art historian. The research in this article originated in a doctoral thesis focusing on Historical Realism and historical ‘accuracy’ in Tree’s stage costumes, and focuses on the importance of employing a ‘practice as research’ methodology. -
THE SCHOOL for SCANDAL by Richard Brinsley Sheridan
THE SCHOOL FOR SCANDAL by Richard Brinsley Sheridan THE AUTHOR Richard Brinsley Sheridan (1751-1816) was born in Dublin to a mother who was a playwright and a father who was an actor. He thus came by his talents honestly, though he far exceeded the modest accomplishments of his parents. Already one of the most brilliant and witty dramatists of the English stage before the age of thirty, he gave up his writing and went on to become the owner and producer of the Drury Lane theater, a well-regarded Whig member of the English Parliament, and a popular man-about-town. Despite his family’s poverty, he attended Harrow, a famous prep school, though he appears to have been unhappy there, largely because the rich boys at the school looked down on him because of his humble origins. The bitter taste of his school years drove his later ambitions, both for literary and political success and for acceptance in the highest strata of society. He used his profits from his writing to buy the theater and his profits from the theater to finance his political career and socially- active lifestyle. Sheridan was a tireless lover and a man who, no matter how much he earned, always managed to spend more. In 1772, he married a lovely young singer named Elizabeth Ann Linley; she had already, before her twentieth birthday, attracted the attention of several wealthy suitors twice her age, but she and Sheridan eloped to France without the knowledge or permission of either set of parents. Though she loved him deeply, he was not a one-woman sort of man, and his constant infidelities led to a temporary separation in 1790.