DOCSLIB.ORG

Disney+ Project One-Sheet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Disney+ Project One-Sheet “One Day at Disney” is a new collaboration between Disney Publishing Worldwide and Disney+ highlighting the talented men and women who bring life to some of Disney’s most beloved stories. On December 3, Disney Publishing will release a 224-page coffee table book while Disney+ will premiere its 52-episode documentary series, beginning with a feature-length film. On February 21 of this year, 76 unique photo shoots took place around the world, as Disney dispatched photographers to capture images of the employees and cast members who drive creativity and innovation at The Walt Disney Company. From Shanghai Disneyland and ESPN to Pixar and the set of Modern Family, these spectacular photographs—and the stories behind them—will be featured in the hardbound, collectible book, written by Bruce Steele. Disney+ will launch its documentary series beginning with its feature-length film highlighting the fascinating and inspiring personal stories of 10 incredible people behind the enduring magic of Disney. Through the lens of CEO Bob Iger, the film follows each subject throughout their day for an intimate glimpse into their unique journey. The documentary is narrated by Emmy and Golden Globe award winning actor Sterling K. Brown. Employees and Cast Members profiled in the Disney+ docu-special include (in alphabetical order): • Eric Baker: The Walt Disney Imagineer who has overseen the creation of many of the intricately detailed props and lifelike creatures that inhabit Star Wars: Galaxy’s Edge, the newest lands at Disneyland and Walt Disney World Resorts • Ashley Girdich: A talented Walt Disney Imagineer who, as a Research and Development Project Manager, drives plans and helps teams execute some of the innovative robotics technology projects being created for our Parks around the world 11.19.2019 1 • Eric Goldberg: The legendary animator known for creating the Genie in Aladdin and Phil in Hercules, directing Pocahontas, as well as for animating Mickey Mouse in the Academy Award-nominated short Get a Horse! • Mark Gonzales: A Los Angeles native who works on the world-famous Disneyland Railroad • Grace Lee: A senior illustration manager at Disney Worldwide Publishing who has worked on titles from Zootopia to Fancy Nancy • Zamavus “Zama” Magudulela: The talented South African actor currently playing Rafiki in the Madrid production of phenomenally successful musical The Lion King • Ryan Meinerding: Marvel Studio’s head of visual development who has worked on films including Avengers: Endgame and Guardians of the Galaxy • Dr. Natalie Mylniczenko: The veterinarian who cares for creatures large and small at Walt Disney World Resort, including a number of endangered and threatened species. • Jerome Ranft: The skilled Pixar artist who created detailed sculptures for animators to use as reference for such films as Finding Nemo, Toy Story 3, and Ratatouille • Robin Roberts: The former ESPN sportscaster has been co-anchor of the Emmy® Award-winning, top-rated morning show, Good Morning America, since 2005 Following the debut of the special, every week Disney+ will release a “One Day at Disney” short, ranging in length between 4 to 7 minutes. The series will follow 52 diverse and unique cast members as they bring Disney magic to life. Each episode introduces a new subject providing an in-depth look into their personal journey and daily role at The Walt Disney Company. “One Day at Disney” is from Endeavor Content’s Non-Scripted Division and executive produced by Michael Antinoro and David Chamberlin and produced by Victoria Chamlee. “One Day at Disney” premieres December 3, 2019, streaming only on Disney+. 11.19.2019 2 Title: One Day at Disney Category: Documentary Series Episodes: 1 feature-length film, 52 4-7 minute short films U.S. Premiere: December 3, 2019 Pre-Order Book: OneDayAtDisney.com Narrator: Sterling K. Brown Executive Producer: Michael Antinoro Producer: Victoria Chamlee Production Company: Endeavor Content Social Media: facebook.com/disneyplus twitter.com/disneyplus Instagram.com/disneyplus Media Contacts: For Disney+: Scott Slesinger (818) 460.7020 [email protected] 11.19.2019 3 .
Load more

Recommended publications
  • Digital Surrealism: Visualizing Walt Disney Animation Studios
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
    [Show full text]
  • Spatial Design Principles in Digital Animation
    Copyright by Laura Beth Albright 2009 ABSTRACT The visual design phase in computer-animated film production includes all decisions that affect the visual look and emotional tone of the film. Within this domain is a set of choices that must be made by the designer which influence the viewer's perception of the film’s space, defined in this paper as “spatial design.” The concept of spatial design is particularly relevant in digital animation (also known as 3D or CG animation), as its production process relies on a virtual 3D environment during the generative phase but renders 2D images as a final product. Reference for spatial design decisions is found in principles of various visual arts disciplines, and this thesis seeks to organize and apply these principles specifically to digital animation production. This paper establishes a context for this study by first analyzing several short animated films that draw attention to spatial design principles by presenting the film space non-traditionally. A literature search of graphic design and cinematography principles yields a proposed toolbox of spatial design principles. Two short animated films are produced in which the story and style objectives of each film are examined, and a custom subset of tools is selected and applied based on those objectives. Finally, the use of these principles is evaluated within the context of the films produced. The two films produced have opposite stylistic objectives, and thus show two different viewpoints of applying the toolbox. Taken ii together, the two films demonstrate application and analysis of the toolbox principles, approached from opposing sides of the same system.
    [Show full text]
  • A Totally Awesome Study of Animated Disney Films and the Development of American Values
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Almost there : a totally awesome study of animated Disney films and the development of American values Allyson Scott California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Scott, Allyson, "Almost there : a totally awesome study of animated Disney films and the development of American values" (2012). Capstone Projects and Master's Theses. 391. https://digitalcommons.csumb.edu/caps_thes/391 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Social and Behavioral Sciences Department Senior Capstone California State University, Monterey Bay Almost There: A Totally Awesome Study of Animated Disney Films and the Development of American Values Dr. Rebecca Bales, Capstone Advisor Dr. Gerald Shenk, Capstone Instructor Allyson Scott Spring 2012 Acknowledgments This senior capstone has been a year of research, writing, and rewriting. I would first like to thank Dr. Gerald Shenk for agreeing that my topic could be more than an excuse to watch movies for homework. Dr. Rebecca Bales has been a source of guidance and reassurance since I declared myself an SBS major. Both have been instrumental to the completion of this project, and I truly appreciate their humor, support, and advice.
    [Show full text]
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • Animated Stereotypes –
    Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
    [Show full text]
  • From Snow White to Frozen
    From Snow White to Frozen An evaluation of popular gender representation indicators applied to Disney’s princess films __________________________________________________ En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer __________________________________________________ Johan Nyh __________________________________________________ Faculty: The Institution for Geography, Media and Communication __________________________________________________ Subject: Film studies __________________________________________________ Points: 15hp Master thesis __________________________________________________ Supervisor: Patrik Sjöberg __________________________________________________ Examiner: John Sundholm __________________________________________________ Date: June 25th, 2015 __________________________________________________ Serial number: __________________________________________________ Abstract Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness.
    [Show full text]
  • A Greener Disney Cidalia Pina
    Undergraduate Review Volume 9 Article 35 2013 A Greener Disney Cidalia Pina Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Environmental Sciences Commons Recommended Citation Pina, Cidalia (2013). A Greener Disney. Undergraduate Review, 9, 177-181. Available at: http://vc.bridgew.edu/undergrad_rev/vol9/iss1/35 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2013 Cidalia Pina A Greener Disney CIDALIA PINA Cidalia Pina is a isney brings nature and environmental issues to the forefront with its Geography major non-confrontational approach to programming meant for children. This opportunity raises awareness and is relevant to growing with a minor in environmental concerns. However this awareness is just a cursory Earth Sciences with Dstart, there is an imbalance in their message and effort with that of their carbon an Environmental footprint. The important eco-messages that Disney presents are buried in fantasy and unrealistic plots. As an entertainment giant with the world held magically concentration. This essay was captive, Disney can do more, both in filmmaking and as a corporation, to facilitate completed as the final paper for Dr. a greener planet. James Bohn’s seminar course: The “Disney is a market driven company whose animated films have dealt with nature Walt Disney Company and Music. in a variety of ways, but often reflect contemporary concerns, representations, and Cidalia learned an invaluable amount shifting consciousness about the environment and nature.” - Wynn Yarbrough, about the writing and research University of the District of Columbia process from Dr.
    [Show full text]
  • 9781474410571 Contemporary
    CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • AM Tyrus Wong Film Interviewees
    Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMastersPBS American Masters: Tyrus Premieres nationwide Friday, September 8 at 9/8c on PBS (check local listings) in honor of the 75th anniversary of Bambi Film Interviewees Lisa See , Author and Historian She is the author of “On Gold Mountain,” which includes a chapter on Tyrus Wong. Her grandfather also owned an art gallery which exhibited Wong’s work and Dragon’s Den, the restaurant where Wong worked and painted murals and menus. She is co-curator of the exhibition, “Tyrus Wong: A Retrospective.” Ellen Harrington , Curator, Academy of Motion Picture Arts and Sciences She curated the exhibition “The Art of the Motion Picture Illustrator” at the Academy of Motion Pictures Arts and Sciences, which featured Tyrus Wong and two other well-known production illustrators/art directors: Bill Majors and Harold Michelson. Sonia Mak , Art Curator She curated a group show “Round the Clock: Chinese American Artists Working in Los Angeles,” which included Tyrus Wong, as part of the Getty’s Pacific Standard Time exhibition in 2012. John Canemaker , Animation Director and Historian He wrote the book Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists , which profiled Tyrus Wong and others. Gordon T. McClelland , Author and Art Historian He is the author of numerous books on California watercolor painting, several of which include Tyrus Wong, such as California Watercolors 1850-1970 and The California Style: California Watercolor Artists, 1925-1955 .
    [Show full text]
  • Frid Ay Schedule Saturd Ay Schedule
    DISNEY|ABC TV PAVILION WALT DISNEY WALT DISNEY SATURDAY HALL STAGE STAGE ARCHIVES CENTER AUTOGRAPH HALL STAGE STAGE CENTER AUTOGRAPH ARCHIVES 10:00 a.m. – 10:50 a.m. Photo Opportunity: Girl Meets World (Disney Channel) TIME D23 23 28 STAGE STAGE CENTRAL TIME D23 23 28 STAGE STAGE CENTRAL 11:00 a.m. – 11:50 a.m. Photo Opportunity: Descendants (Disney Channel) DISNEY ABC TV PAVILION | FRIDAY 12:00 p.m. – 12:50 p.m. Photo Opportunity: Stitchers (ABC Family) 9:00 a.m. 10:00 a.m. – 10:50 a.m. Photo Opportunity: Lab Rats: Bionic Island (Disney XD) 9:00 a.m. 1:00 p.m. – 1:50 p.m. Photo Opportunity: Baby Daddy (ABC Family) 11:00 a.m. – 11:50 a.m. Photo Opportunity: Young & Hungry (ABC Family) 2:00 p.m. – 2:50 p.m. Photo Opportunity: Liv and Maddie (Disney Channel) RADIO DISNEY RADIO DISNEY 12:00 p.m. – 12:50 p.m. Photo Opportunity: Dancing with the Stars (ABC) 9:30 a.m. WELCOMES YOU 3:00 p.m. – 3:50 p.m. Photo Opportunity: Gamer’s Guide to Pretty Much Everything (Disney XD) 9:30 a.m. WELCOMES YOU TO D23 EXPO TO D23 EXPO 1:00 p.m. – 1:50 p.m. Photo Opportunity: The Fosters (ABC Family) 4:00 p.m. – 4:50 p.m. Photo Opportunity: black-ish (ABC) 2:00 p.m. – 2:50 p.m. Photo Opportunity: I Didn’t Do It (Disney Channel) 6:00 p.m. – 6:50 p.m. Photo Opportunity: Pretty Little Liars (ABC Family) 10:00 a.m.
    [Show full text]
  • An Examination of the Disney Corporation's Recent Depictions Of
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2021 The Mouse Sees No Color: An Examination of the Disney Corporation’s Recent Depictions of Race in American History Jordan Kern East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the History Commons Recommended Citation Kern, Jordan, "The Mouse Sees No Color: An Examination of the Disney Corporation’s Recent Depictions of Race in American History" (2021). Electronic Theses and Dissertations. Paper 3907. https://dc.etsu.edu/etd/3907 This Thesis - unrestricted is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Mouse Sees No Color: An Examination of the Disney Corporation’s Recent Depictions of Race in American History ________________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History ______________________ by Jordan Hunter Kern May 2021 _____________________ Dr. Elwood Watson, Chair Dr. Stokes Piercy Dr. Matthew Holtmeier Keywords: Disney, race, racism, gender ABSTRACT The Mouse Sees No Color: An Examination of the Disney Corporation’s Recent Depictions of Race in American History by Jordan Hunter Kern Walt Disney Studios possesses a checkered past in how its films dealt with racism and representation.
    [Show full text]
  • The Animated Movie Guide
    THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
    [Show full text]