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African Afro-Futurism: Allegories and Speculations
African Afro-futurism: Allegories and Speculations Gavin Steingo Introduction In his seminal text, More Brilliant Than The Sun, Kodwo Eshun remarks upon a general tension within contemporary African-American music: a tension between the “Soulful” and the “Postsoul.”1 While acknowledging that the two terms are always simultaneously at play, Eshun ultimately comes down strongly in favor of the latter. I quote him at length: Like Brussels sprouts, humanism is good for you, nourishing, nurturing, soulwarming—and from Phyllis Wheatley to R. Kelly, present-day R&B is a perpetual fight for human status, a yearning for human rights, a struggle for inclusion within the human species. Allergic to cybersonic if not to sonic technology, mainstream American media—in its drive to banish alienation, and to recover a sense of the whole human being through belief systems that talk to the “real you”—compulsively deletes any intimation of an AfroDiasporic futurism, of a “webbed network” of computerhythms, machine mythology and conceptechnics which routes, reroutes and criss- crosses the Atlantic. This digital diaspora connecting the UK to the US, the Caribbean to Europe to Africa, is in Paul Gilroy’s definition a “rhizo- morphic, fractal structure,” a “transcultural, international formation.” […] [By contrast] [t]he music of Alice Coltrane and Sun Ra, of Underground Resistance and George Russell, of Tricky and Martina, comes from the Outer Side. It alienates itself from the human; it arrives from the future. Alien Music is a synthetic recombinator, an applied art technology for amplifying the rates of becoming alien. Optimize the ratios of excentric- ity. Synthesize yourself. -
Best of 2012
http://www.afropop.org/wp/6228/stocking-stuffers-2012/ Best of 2012 Ases Falsos - Juventud Americana Xoél López - Atlantico Temperance League - Temperance League Dirty Projectors - Swing Lo Magellan Protistas - Las Cruces David Byrne & St Vincent - Love This Giant Los Punsetes - Una montaña es una montaña Patterson Hood - Heat Lightning Rumbles in the Distance Debo Band - Debo Band Ulises Hadjis - Cosas Perdidas Dr. John - Locked Down Ondatrópica - Ondatrópica Cat Power - Sun Love of Lesbian - La noche eterna. Los días no vividos Café Tacvba - El objeto antes llamado disco Chuck Prophet - Temple Beautiful Hello Seahorse! - Arunima Campo - Campo Tame Impala - Lonerism Juan Cirerol - Haciendo Leña Mokoomba - Rising Tide Lee Fields & The Expressions - Faithful Man Leon Larregui - Solstis Father John Misty - Fear Fun http://www.bestillplease.com/ There’s still plenty of time to hit the open road for a good summer road trip. Put your shades on, roll down the windows, crank up the tunes and start cruising. Here are some of CBC World's top grooves for the summer of 2012. These are songs that have a real rhythm and a sunny, happy, high-energy vibe to them. 6. Mokoomba, “Njoka.” Mokoomba is a band from the Victoria Falls area of Zimbabwe, made up of musicians from the Tonga people of Zimbabwe. The textures on this first single, from Mokoomba's second album Rising Tide, are great, especially the vocals http://music.cbc.ca/#/blogs/2012/8/Road-trip-playlist-with-Quantic-the-Very-Best-Refugee-All-Stars-more CHARTS & LISTS AFRICAN MUSIC: THE BEST OF 2012. This list considers only new, original studio recordings released this year. -
Live Music Audiences Johannesburg (Gauteng) South Africa
Live Music Audiences Johannesburg (Gauteng) South Africa 1 Live Music and Audience Development The role and practice of arts marketing has evolved over the last decade from being regarded as subsidiary to a vital function of any arts and cultural organisation. Many organisations have now placed the audience at the heart of their operation, becoming artistically-led, but audience-focused. Artistically-led, audience-focused organisations segment their audiences into target groups by their needs, motivations and attitudes, rather than purely their physical and demographic attributes. Finally, they adapt the audience experience and marketing approach for each target groupi. Within the arts marketing profession and wider arts and culture sector, a new Anglo-American led field has emerged, called audience development. While the definition of audience development may differ among academics, it’s essentially about: understanding your audiences through research; becoming more audience-focused (or customer-centred); and seeking new audiences through short and long-term strategies. This report investigates what importance South Africa places on arts marketing and audiences as well as their current understanding of, and appetite for, audience development. It also acts as a roadmap, signposting you to how the different aspects of the research can be used by arts and cultural organisations to understand and grow their audiences. While audience development is the central focus of this study, it has been located within the live music scene in Johannesburg and wider Gauteng. Emphasis is also placed on young audiences as they represent a large existing, and important potential, audience for the live music and wider arts sector. -
University of Cape Town
Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum. -
JOBURG PARTY: a Snapshot of South Africa’S New Youth Underground a Film by Roderick Stanley & Chris Saunders
JOBURG PARTY: A snapshot of South Africa’s new youth underground A film by Roderick Stanley & Chris Saunders Starring Dirty Paraffin Richard the Third Desmond & The Tutus MJ Turpin Jamal Nxedlana (CUSS) Khaya Sibiya AKA Bhubessi. Joburg... It’s like a movie. “Everybody wants a piece of this African cake…” – Chocolate (rapper, entrepreneur, party animal) “Two days that look more like a week… Really interesting” – Die Zeit Contact Roderick Stanley [email protected] 646 639 3762 1 IN THE MEDIA “Un magnifique projet… A beautiful project illustrating the artistic richness of Johannesburg, often subject to violence and crime...” – Gradient Magazine “All too often Jo’burg is depicted as a dangerous and crime-filled city. However, over the last couple of years gentrification has swept through the city started by a movement of young creatives who are moving back to the centre of Johannesburg to live and work – proving that there is more to the city than meets the eye… This film is an interesting look at a city where young people from different cultural backgrounds are making it through a new wave of art, music and creativity.” – Connect / ZA “Two days that look more like a week… Joburg Party lasts just eight minutes. You would like to learn much more, because it seems really interesting what is being built there.” – Die Zeit WORD ON THE BLOGS “Check out this amazing brief documentary about the new youth underground movement in South Africa…” – AfroSuperstar “Chris Saunders and Rod Stanley made this great mini documentary on the Joburg street scene, check it out, it probably features some of your favourite South African artists.” – We Are Awesome “Cool story about the new youth movement in Johannesburg / South Africa… Super interesting, definitely check it out.” – WhuDat “Some fun reporting on the new urban underground subculture and the music it’s spawning in South Africa… Genuinely super interesting. -
Through the Looking Glass
Issue 3 December 2018 AFRICA Through the Looking Glass: Images of African Futures This edition of Perspectives Africa is published jointly by the offices of the Heinrich-Böll-Stiftung in sub-Saharan Africa. DAKAR ABUJA NAIROBI CAPE TOWN Heinrich-Böll-Stiftung The Heinrich Böll Foundation is a publicly funded institution that is affiliated with but intellectually independent from the German Green party. From our headquarters in Berlin and over 30 overseas offices, we promote civic participation in Germany, as well as in more than 60 countries worldwide. Our work in Africa concentrates on promoting civil society, democratic structures, gender democracy and global justice. Together with our partners, we work toward conflict prevention and search for solutions to the chal- lenges of environmental degradation and the depletion of resources. To achieve these goals, we rely on disseminating information, creating a deeper understanding between actors in Africa and Europe, and supporting global dialogue. Contents 5 Editorial 6 The New Image of Africa in Black Panther Ainehi Edoro 10 Interview Moving Past Afrofuturism Rafeeat Aliyu and Masiyaleti Mbewe 14 Interview But Africans Don’t Do Speculative Fiction!? Chiagozie Nwonwu 18 How Did the African Future Begin? Imraan Coovadia 22 Afrofuturism = Radicality Mawena Yehouessi 29 Interview Africa and the Fourth Industrial Revolution: The Need for “Creative Destruction” Beyond Technological Change Rasigan Maharajh Editorial 5 Editorial The Hollywood action movie Black Pan- ist ideas have been brought to life, particu- ther captured the imagination of audiences larly by African-American intellectuals and around the globe. In several African coun- artists, to break away from these limitations. -
A Zeitgeist of Post-1994 Truths
A zeitgeist of post-1994 truths [2] TWH.SG TWH.SG [3] As Co-Curators Tlali Taoana, Molemo Moiloa and Thando Sangqu, we would like to extend our heartfelt thanks to everyone who’s contributed to this anthology and the overall project. Thank you: [4] TWH.SG TWH.SG [5] A zeitgeist of post-1994 truths [6] TWH.SG TWH.SG [7] Our aim was to provide an honest this book speak from a place of honesty. Whilst some of these narratives worldwide, this voice becomes more important as it is mobile, connected platform for a new generation of young were written close to three to four years ago, they remain as relevant, and engaging in politics, economics and culture. Thought We Had South Africans to share their thoughts if not more so, today. The young writers have created their pieces at Something Going presents the thoughts and aspirations of young people and perspectives on their country. The different stages in their lives – some are still in high school and varsity, before “umswenko”, “filters” or Snapchats. point behind the blog, online magazine while others are in the infancy of their careers. The writings in this This book came about in discussions with one of the contributors of and online platform was to collate anthology present a tapestry of truth, woven together by a social group THIIS, Molemo Moiloa, who thought the writings should be archived. selective thought pieces and works from that is unashamedly privileged but conscious of its lack of freedom. This book has been over two years in the making and much credit is due young people, and even those who were Each writer in this anthology speaks from a place that reflects on issues to Molemo and her commitment as content editor and co-curator. -
Director: Tau Tavengwa Co-Director & Editor: Inka Kendzia, Mememotion.Tv Offline Editor: Khanya Mpahlwa Composition & Au
Director: Tau Tavengwa Co-Director & Editor: Inka Kendzia, mememotion.tv Offline Editor: Khanya Mpahlwa Composition & Audiomix: Neo Muyanga www.neosong.net Scriptwriter & Research: Sydelle Willow Smith www.sydellewillowsmith.com Producer: Rowan Pybus www.makhulu.co.za Video Research: Megan King Production Coordinator: Mandy Mbekeni Production Assistant: Yolanda Sihlali Executive Producers: Edgar Pieterse, Mark Swilling & Tau Tavengwa CONTRIBUTOR Name of Film WEBSITE Notes Regency footage http://www.regency.org/ Water Writes; CT to Nairobi; Freshlyground Tour 2012; Cape Town Fair; +27 Social Innovators of South Africa; Makhulu Productions footage www.makhulu.co.za SPOEK MATHAMBO "Control" music video https://www.youtube.com/watch?v=UKfwSFI8LhQ https://francoisknoetze.carbonmade.com Francois Knoetze Cape Mongo - Paper Yannick Illunga "Best", "La Vie est Belle" & "Down" music videos http://petitenoirmusic.com/ Mulugeta Gebrekidan "Waiting" & "The Neighbours" https://vimeo.com/user5160818/videos Siya Mthembu (The Brother Moves On) "Shiyanomayini" music video http://thebrothermoveson.com/ Nakhane Toure "Fog" music video http://www.justmusic.co.za/artists/nakhane-toure Stocktown Films Afripedia http://stocktownfilms.com/ Angus Mackinnon footage www.angusmackinnon.co.za Anton Scholtz footage http://antonscholtz.tumblr.com/ https://www.behance.net/antonscholtz Talile Abelt footage [email protected] there's a profile on IMDb but uncertain if it's theirs Zara Julius footage http://www.zarajulius.com/ Ephantus Kariuku/SLUM TV footage http://slum-tv.org/ -
Lifestyle 05.05.2019 Lifestyle 29.12.2019 Lifestyle 21.07.2019 Lifestyle 03.03.2019
Sunday Times Combined Metros 1 - 30/04/2019 06:17:59 PM - Plate: Sunday Times Combined Metros 1 - 17/07/2019 07:09:50 PM - Plate: Sunday Times Combined Metros 1 - 27/12/2019 12:34:33 PM - Plate: Sunday Times Combined Metros 1 - 27/02/2019 05:51:45 PM - Plate: Sunday Times Sunday Times Sunday Times Sunday Times LifeStyle 05.05.2019 LifeStyle 29.12.2019 LifeStyle 21.07.2019 LifeStyle 03.03.2019 IT’S 2020 GET YOUR THE GLITTER ON TALENTED THE MAIN DRAG MR MALEK BADLY-BEHAVED BROADS Find out what’s under the wig Three women disrupting their industries MEDIA KIT 2020 2020 Media Kit Media Kit CONTENTS Note from the Editor 1 Lifestyle Audience 2 Digital Audience 3 Content Breakdown 4 Lifestyle Sections: Fashion & Beauty 5 Lifestyle Sections: Food & Drink 6 Lifestyle Sections: Travel 7 Lifestyle Sections: Home 8 Lifestyle Sections: Books 9 Lifestyle Sections: Reviews 10 Lifestyle Sections: Motoring 11 2020 Special Editions 12 Special Editions 14 Special Projects 15 Rates & Specifications 16 Advertising Opportunities & Events 17 Sunday Times Lifestyle Contacts 20 2 Media kit 2020 | NOTE FROM THE EDITOR ED’s noteunday Times Lifestyle is an established, much-loved, Sunday supplement that provides an upbeat, intelligent and insightful break from the main body of the newspaper. Aimed at a wide demographic that includes all South Africans, Lifestyle speaks to a range of readers whoS love the variety of fun and in-depth stories in our pages. We give our readers backstage access to the best entertainment stories and offer them great book reviews as well as series and movie reviews, the inside track on the art world, a quirky take on pop culture and profiles of interesting humans from all walks of life. -
Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2018 POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology Bristow, Tegan Mary http://hdl.handle.net/10026.1/10848 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Post African Futures by Tegan Bristow POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology by Tegan Bristow A thesis submitted to Plymouth University in partial fulfilment for the degree of Doctor of Philosophy 1 Post African Futures by Tegan Bristow Copyright Statement for PhD thesis titled: POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology by Tegan Bristow (2018). This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. Signed by Author, 25th January 2018 2 Post African Futures by Tegan Bristow Abstract This thesis addresses the presence and role of critical aesthetic practices by cultural practitioners and creative technologists in addressing cultures of technology in contemporary African societies. -
What Makes Johannesburg One of the Most Exciting Music Scenes in Africa Right Now? Katie Gatens Finds Out
S O U N D S 26.2041° S, 28.0473°E What makes Johannesburg one of the most exciting music scenes in Africa right now? Katie Gatens finds out Photography by Andile Buka 60 ATLAS BY ETIHAD / JANUARY 2019 62 Feat Johannesburg SF.indd 60 20/12/2018 09:12 26.2041° S, 28.0473°E O JOHANNESBURG F C T I H T E Y JANUARY 2019 / ATLAS BY ETIHAD 61 62 Feat Johannesburg SF.indd 61 20/12/2018 09:15 26.2041° S, 28.0473°E JOHANNESBURG 62 ATLAS BY ETIHAD / JANUARY 2019 62 Feat Johannesburg SF.indd 62 17/12/2018 14:24 26.2041° S, 28.0473°E JOHANNESBURG he metallic thwack of a bas- ketball reverberates around an outdoor court like a drum roll. Sitting on the sidelines, around 60 school kids cluster in cliques, blasting rap music on a boombox, gulping fizzy drinks, unaware of who’s about to arrive. As the golden afternoon sun slices between the skyscrapers of downtown Johannesburg, there’s a nervous energy among Tthe crew. It’s our final shoot of the day – and our subject is late. “It’s too busy; she’s going to get mobbed,” protests a sharply dressed record exec, looking nervously toward the teens. And then, she arrives: Moonchild Sanelly bounces onto the court. As predicted, there’s a hum of excitement and lots of pointing as the kids snap away on smartphones. Dressed in a paint- box of bright primary colours and her cobalt- blue “moon-mop” plaits, the Port Elizabeth-born, future ghetto-funk star hides behind yellow-tinged sunglasses. -
GLM Study Trip 2017
JOHANNESBURG GLM Study Trip 2017 EDITORIAL NOTE It is the tale not of two cities, but one, with fragmented realities under the bright sun. City of Gold, City of Apartheid or City of Africa, Johannesburg has many names. The city’s constant evolution renewed by time and struggle has opened our eyes to the weight of imagining and crafting the city. Imagine. The top floor of the tallest building in Africa. A view that reveals the tentacular expansion of the city in its sur- roundings, simultaneously reminding us of previous temporalities, almost as a visualisation of history. To the South-West, we could see remnants of the gold mines, the economy on which the city was built in the 19th century. To the North, we could admire the perspective of the Gauteng’s expansion, as it moved closer towards Pretoria. And in-between, the sprawl. But not any sprawl. An eclectic juxtaposition of layers of urbanisation that are striking to the eye. New high-rises towered next to small, run-down buildings tinted with a thin layer of dust and a feeling of abandon. However, from the top the 223 meters high Tower of Africa, many facets of the city remain hidden. One could not see the social divides that run deep in the fabric of the city, as Soweto, Diepsloot, and other townships cannot be seen from so far away. Entrenched in colonial and industrial foundations, developed and divided by racial laws, Johannesburg adorns many scars of its past. At the metropolitan scale, the city of Johannesburg wants to overcome its racial urban history and mend the spatial divides.Yet, inequalities at the micro scale remain strong.