GLM Study Trip 2017
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African Afro-Futurism: Allegories and Speculations
African Afro-futurism: Allegories and Speculations Gavin Steingo Introduction In his seminal text, More Brilliant Than The Sun, Kodwo Eshun remarks upon a general tension within contemporary African-American music: a tension between the “Soulful” and the “Postsoul.”1 While acknowledging that the two terms are always simultaneously at play, Eshun ultimately comes down strongly in favor of the latter. I quote him at length: Like Brussels sprouts, humanism is good for you, nourishing, nurturing, soulwarming—and from Phyllis Wheatley to R. Kelly, present-day R&B is a perpetual fight for human status, a yearning for human rights, a struggle for inclusion within the human species. Allergic to cybersonic if not to sonic technology, mainstream American media—in its drive to banish alienation, and to recover a sense of the whole human being through belief systems that talk to the “real you”—compulsively deletes any intimation of an AfroDiasporic futurism, of a “webbed network” of computerhythms, machine mythology and conceptechnics which routes, reroutes and criss- crosses the Atlantic. This digital diaspora connecting the UK to the US, the Caribbean to Europe to Africa, is in Paul Gilroy’s definition a “rhizo- morphic, fractal structure,” a “transcultural, international formation.” […] [By contrast] [t]he music of Alice Coltrane and Sun Ra, of Underground Resistance and George Russell, of Tricky and Martina, comes from the Outer Side. It alienates itself from the human; it arrives from the future. Alien Music is a synthetic recombinator, an applied art technology for amplifying the rates of becoming alien. Optimize the ratios of excentric- ity. Synthesize yourself. -
Best of 2012
http://www.afropop.org/wp/6228/stocking-stuffers-2012/ Best of 2012 Ases Falsos - Juventud Americana Xoél López - Atlantico Temperance League - Temperance League Dirty Projectors - Swing Lo Magellan Protistas - Las Cruces David Byrne & St Vincent - Love This Giant Los Punsetes - Una montaña es una montaña Patterson Hood - Heat Lightning Rumbles in the Distance Debo Band - Debo Band Ulises Hadjis - Cosas Perdidas Dr. John - Locked Down Ondatrópica - Ondatrópica Cat Power - Sun Love of Lesbian - La noche eterna. Los días no vividos Café Tacvba - El objeto antes llamado disco Chuck Prophet - Temple Beautiful Hello Seahorse! - Arunima Campo - Campo Tame Impala - Lonerism Juan Cirerol - Haciendo Leña Mokoomba - Rising Tide Lee Fields & The Expressions - Faithful Man Leon Larregui - Solstis Father John Misty - Fear Fun http://www.bestillplease.com/ There’s still plenty of time to hit the open road for a good summer road trip. Put your shades on, roll down the windows, crank up the tunes and start cruising. Here are some of CBC World's top grooves for the summer of 2012. These are songs that have a real rhythm and a sunny, happy, high-energy vibe to them. 6. Mokoomba, “Njoka.” Mokoomba is a band from the Victoria Falls area of Zimbabwe, made up of musicians from the Tonga people of Zimbabwe. The textures on this first single, from Mokoomba's second album Rising Tide, are great, especially the vocals http://music.cbc.ca/#/blogs/2012/8/Road-trip-playlist-with-Quantic-the-Very-Best-Refugee-All-Stars-more CHARTS & LISTS AFRICAN MUSIC: THE BEST OF 2012. This list considers only new, original studio recordings released this year. -
Live Music Audiences Johannesburg (Gauteng) South Africa
Live Music Audiences Johannesburg (Gauteng) South Africa 1 Live Music and Audience Development The role and practice of arts marketing has evolved over the last decade from being regarded as subsidiary to a vital function of any arts and cultural organisation. Many organisations have now placed the audience at the heart of their operation, becoming artistically-led, but audience-focused. Artistically-led, audience-focused organisations segment their audiences into target groups by their needs, motivations and attitudes, rather than purely their physical and demographic attributes. Finally, they adapt the audience experience and marketing approach for each target groupi. Within the arts marketing profession and wider arts and culture sector, a new Anglo-American led field has emerged, called audience development. While the definition of audience development may differ among academics, it’s essentially about: understanding your audiences through research; becoming more audience-focused (or customer-centred); and seeking new audiences through short and long-term strategies. This report investigates what importance South Africa places on arts marketing and audiences as well as their current understanding of, and appetite for, audience development. It also acts as a roadmap, signposting you to how the different aspects of the research can be used by arts and cultural organisations to understand and grow their audiences. While audience development is the central focus of this study, it has been located within the live music scene in Johannesburg and wider Gauteng. Emphasis is also placed on young audiences as they represent a large existing, and important potential, audience for the live music and wider arts sector. -
I REJUVENATING the DWINDLING IMAGE of ORANGE GROVE
REJUVENATING THE DWINDLING IMAGE OF ORANGE GROVE THROUGH THE APPLICATION OF PLACE BRANDING TECHNIQUES by Dean Harding Student number: (17600675) Submitted in partial fulfillment of the requirements for the degree BA Honours in GRAPHIC DESIGN in the module RESEARCH PRACTICE B (REPR8412) At Vega, an educational brand of The Independent Institute of Education (IIE) Supervisor: Taryn King Co-Supervisor: Ria van Zyl Date: 18 June 2018 i DECLARATION BY CANDIDATE I, Dean Harding, declare that the proposal submitted for the qualification Bachelor of Arts(Honours) in Graphic Design at Vega Design School is my own work and it is original work that has not been previously been submitted to any other institution of higher education. I further declare that all sources cited or quoted are indicated and acknowledged by means of a comprehensive list of references, and that I: 1. Understand what plagiarism is. 2. Acknowledge that it is an offence to plagiarise. 3. Understand that all work submitted has to be originally my own work. 4. Recognise patch work as a serious form of plagiarism. Signature Date: 25 May 2018 ii ABSTRACT Orange Grove has faced a general decline over the last 25 years. This research report looks at finding workable place branding techniques and strategies that could rejuvenate the image of Orange Grove. The primary research method was photographic ethnography. Two large panoramas were created and formed the framework of the visual analysis. The findings highlighted the need for a community noticeboard or pause area. An extremely vibrant and productive informal sector exists, with 10 groups of vendors and a number of places of worship. -
Property Vacancy Schedule
Property Vacancy Schedule August 2019 Gauteng - GLA Western Cape - GLA Other Provinces - GLA Contact Phone Office 46,997 345 7,000 Roddy Watson 071 351 5437 Industrial 128,599 0 14,662 Daniel des Tombe 072 535 0942 Retail 4,784 506 855 Burger Bothma 073 369 6282 Property Vacancy Schedule August 2019 Viewings by appointment only Back to Index Roddy Watson (RW) | 071 351 5437 | [email protected] Leasing: 011 286 9152 Gauteng Office Rate per m2 Property Vacancy size Address Region Building Floor Parking Availability Additional comments Keys Contact name (m²) Gross Net Operational Assessment rental rental cost rates Rivonia 345 Rivonia 345 Rivonia Road, Rivonia JHB 1,200 Ground floor R 135.00 R 96.35 R 24.77 R 13.88 R 650.00 Immediate Generator Backup With security RW Rosebank The Firs Biermann Road, Rosebank JHB 681 3rd floor R 190.00 R 125.00 R 34.00 R 31.00 R 1,150.00 one months notice Generator and water back up Management office RW JHB 529 1st floor R 190.00 R 125.00 R 34.00 R 31.00 R 1,150.00 Immediate Generator and water back up Management office RW JHB 565 2nd floor R 190.00 R 125.00 R 34.00 R 31.00 R 1,150.00 Immediate Generator and water back up Management office RW JHB 952 2nd floor R 190.00 R 125.00 R 34.00 R 31.00 R 1,150.00 Immediate Generator and water back up Management office RW Midrand Shaded parking (283 40:60 office to warehouse split. -
University of Cape Town
Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum. -
Read Heritage Survey 2007
N HE TO R H IT G A U G O E H S U R R E V P E P Y U F F 2 0 0 67 THE UPPER HOUGHTON HERITAGE SURVEY 2007 AND THE NOMINATION TO PHRA-G FOR THE DECLARATION OF A HERITAGE SITE 25 September 2007 RESEARCHED AND DOCUMENTED BY BARLIN & CHASKELSON ARCHITECTS COMMISSIONED BY THE UPPER HOUGHTON ASSOCIATION COPYRIGHT: CONTENTS AND ANALYSIS MODEL BARLIN AND CHASKELSON ARCHITECTS Boom time 1914 Upper Houghton, a view from Houghton Drive towards the east showing the northern ridge (far left, prior to the establishment of The Wilds) and the St David Road ridge with Baker’s St Johns College barely visible on the horizon (centre). St David Road and St John Road (far right) are lined by houses erected over a 12 year period. Even though some of these houses have since been altered, most still remain today. The house in the foreground had been demolished. (Photograph: by courtesy of Malcolm Freeland ) TITLE PAGE: LOGO CENTRAL MOTIF: ENTRANCE FACADE KING EDWARD VII SCHOOL 1908 THE UPPER HOUGHTON HERITAGE SURVEY BARLIN AND CHASKELSON ARCHITECTS FOR THE UPPER HOUGHTON ASSOCIATION TEXT BY ROCCO BOSMAN This report is divided into three parts. PART 1deals with the survey viz. the collection, selection and documentation of research data. PART 2 analyses data assembled in Part 1. Part 3 contains the conclusion and recommendations to the Provincial Heritage Resources Authority. The report format comprises a series of maps with graphs and charts accompanied by explanatory notes. Few surveys of a similar aim and scale had previously been conducted in SA. -
JOBURG PARTY: a Snapshot of South Africa’S New Youth Underground a Film by Roderick Stanley & Chris Saunders
JOBURG PARTY: A snapshot of South Africa’s new youth underground A film by Roderick Stanley & Chris Saunders Starring Dirty Paraffin Richard the Third Desmond & The Tutus MJ Turpin Jamal Nxedlana (CUSS) Khaya Sibiya AKA Bhubessi. Joburg... It’s like a movie. “Everybody wants a piece of this African cake…” – Chocolate (rapper, entrepreneur, party animal) “Two days that look more like a week… Really interesting” – Die Zeit Contact Roderick Stanley [email protected] 646 639 3762 1 IN THE MEDIA “Un magnifique projet… A beautiful project illustrating the artistic richness of Johannesburg, often subject to violence and crime...” – Gradient Magazine “All too often Jo’burg is depicted as a dangerous and crime-filled city. However, over the last couple of years gentrification has swept through the city started by a movement of young creatives who are moving back to the centre of Johannesburg to live and work – proving that there is more to the city than meets the eye… This film is an interesting look at a city where young people from different cultural backgrounds are making it through a new wave of art, music and creativity.” – Connect / ZA “Two days that look more like a week… Joburg Party lasts just eight minutes. You would like to learn much more, because it seems really interesting what is being built there.” – Die Zeit WORD ON THE BLOGS “Check out this amazing brief documentary about the new youth underground movement in South Africa…” – AfroSuperstar “Chris Saunders and Rod Stanley made this great mini documentary on the Joburg street scene, check it out, it probably features some of your favourite South African artists.” – We Are Awesome “Cool story about the new youth movement in Johannesburg / South Africa… Super interesting, definitely check it out.” – WhuDat “Some fun reporting on the new urban underground subculture and the music it’s spawning in South Africa… Genuinely super interesting. -
Hijacking Hot Spots in Johannesburg and Pretoria November
Hijacking hot spots in Johannesburg and Pretoria November 2014 _____________________________________________ Overview The purpose of this report is to give a brief overview regarding hijacking hotspots in Gauteng that may impact business operations and security. The following regions were focussed on: Johannesburg and Pretoria. This report will allow the reader to make informed decisions and mitigate risks in terms of property, staff, clients and business operations. Situation Johannesburg: • The William Nicol Drive off ramp from the N1 from the Sandton side. • The corner of Old Pretoria Road and 1st Avenue in Alexandra. • New Road off ramp in Midrand. • Riviera Road off ramp near Killarney Mall. • Intersection of Christiaan de Wet Road and Wilgerood Road in Roodepoort. • All the traffic lights along Louis Botha Avenue between Alexandra and Hillbrow. • Parkwood and Saxonwold (Rosebank precinct). • Upper Houghton and Killarney (Hillbrow precinct). • Between 10th and 11th avenues and 4th and 7th avenues in Parkhurst (Parkview precinct). • Glenhazel, Lombardy East and Sandringham (Sandringham precinct). • Orange Grove and Highlands North (Norwood precinct). • Yeoville, Bellevue and Bellevue East (Yeoville precinct). • Wynberg, Bramley, Marlboro and Kew (Bramley precinct). • Outside Megawatt Park. • The corner of Kelvin Street, Pretoria Road and CR Swart (Kemptonpark precinct). • The corner of Elgin Road and Pretoria Road (Kemptonpark precinct). • Linksfield Road off ramp. • Booysens Road off ramp. • Nelson Mandela Bridge. • Wolmarans street. • The corner of Harrow Street and Abel Street. • The corner of Able and Saratoga Street and Harrow Road. • The corner of Jan Smuts Avenue and St Andrews. • The corner of 17th Street and Krause Street Pageview. • Heidelberg off ramp. • Traffic light on Kyalami Drive. -
Through the Looking Glass
Issue 3 December 2018 AFRICA Through the Looking Glass: Images of African Futures This edition of Perspectives Africa is published jointly by the offices of the Heinrich-Böll-Stiftung in sub-Saharan Africa. DAKAR ABUJA NAIROBI CAPE TOWN Heinrich-Böll-Stiftung The Heinrich Böll Foundation is a publicly funded institution that is affiliated with but intellectually independent from the German Green party. From our headquarters in Berlin and over 30 overseas offices, we promote civic participation in Germany, as well as in more than 60 countries worldwide. Our work in Africa concentrates on promoting civil society, democratic structures, gender democracy and global justice. Together with our partners, we work toward conflict prevention and search for solutions to the chal- lenges of environmental degradation and the depletion of resources. To achieve these goals, we rely on disseminating information, creating a deeper understanding between actors in Africa and Europe, and supporting global dialogue. Contents 5 Editorial 6 The New Image of Africa in Black Panther Ainehi Edoro 10 Interview Moving Past Afrofuturism Rafeeat Aliyu and Masiyaleti Mbewe 14 Interview But Africans Don’t Do Speculative Fiction!? Chiagozie Nwonwu 18 How Did the African Future Begin? Imraan Coovadia 22 Afrofuturism = Radicality Mawena Yehouessi 29 Interview Africa and the Fourth Industrial Revolution: The Need for “Creative Destruction” Beyond Technological Change Rasigan Maharajh Editorial 5 Editorial The Hollywood action movie Black Pan- ist ideas have been brought to life, particu- ther captured the imagination of audiences larly by African-American intellectuals and around the globe. In several African coun- artists, to break away from these limitations. -
A Zeitgeist of Post-1994 Truths
A zeitgeist of post-1994 truths [2] TWH.SG TWH.SG [3] As Co-Curators Tlali Taoana, Molemo Moiloa and Thando Sangqu, we would like to extend our heartfelt thanks to everyone who’s contributed to this anthology and the overall project. Thank you: [4] TWH.SG TWH.SG [5] A zeitgeist of post-1994 truths [6] TWH.SG TWH.SG [7] Our aim was to provide an honest this book speak from a place of honesty. Whilst some of these narratives worldwide, this voice becomes more important as it is mobile, connected platform for a new generation of young were written close to three to four years ago, they remain as relevant, and engaging in politics, economics and culture. Thought We Had South Africans to share their thoughts if not more so, today. The young writers have created their pieces at Something Going presents the thoughts and aspirations of young people and perspectives on their country. The different stages in their lives – some are still in high school and varsity, before “umswenko”, “filters” or Snapchats. point behind the blog, online magazine while others are in the infancy of their careers. The writings in this This book came about in discussions with one of the contributors of and online platform was to collate anthology present a tapestry of truth, woven together by a social group THIIS, Molemo Moiloa, who thought the writings should be archived. selective thought pieces and works from that is unashamedly privileged but conscious of its lack of freedom. This book has been over two years in the making and much credit is due young people, and even those who were Each writer in this anthology speaks from a place that reflects on issues to Molemo and her commitment as content editor and co-curator. -
Director: Tau Tavengwa Co-Director & Editor: Inka Kendzia, Mememotion.Tv Offline Editor: Khanya Mpahlwa Composition & Au
Director: Tau Tavengwa Co-Director & Editor: Inka Kendzia, mememotion.tv Offline Editor: Khanya Mpahlwa Composition & Audiomix: Neo Muyanga www.neosong.net Scriptwriter & Research: Sydelle Willow Smith www.sydellewillowsmith.com Producer: Rowan Pybus www.makhulu.co.za Video Research: Megan King Production Coordinator: Mandy Mbekeni Production Assistant: Yolanda Sihlali Executive Producers: Edgar Pieterse, Mark Swilling & Tau Tavengwa CONTRIBUTOR Name of Film WEBSITE Notes Regency footage http://www.regency.org/ Water Writes; CT to Nairobi; Freshlyground Tour 2012; Cape Town Fair; +27 Social Innovators of South Africa; Makhulu Productions footage www.makhulu.co.za SPOEK MATHAMBO "Control" music video https://www.youtube.com/watch?v=UKfwSFI8LhQ https://francoisknoetze.carbonmade.com Francois Knoetze Cape Mongo - Paper Yannick Illunga "Best", "La Vie est Belle" & "Down" music videos http://petitenoirmusic.com/ Mulugeta Gebrekidan "Waiting" & "The Neighbours" https://vimeo.com/user5160818/videos Siya Mthembu (The Brother Moves On) "Shiyanomayini" music video http://thebrothermoveson.com/ Nakhane Toure "Fog" music video http://www.justmusic.co.za/artists/nakhane-toure Stocktown Films Afripedia http://stocktownfilms.com/ Angus Mackinnon footage www.angusmackinnon.co.za Anton Scholtz footage http://antonscholtz.tumblr.com/ https://www.behance.net/antonscholtz Talile Abelt footage [email protected] there's a profile on IMDb but uncertain if it's theirs Zara Julius footage http://www.zarajulius.com/ Ephantus Kariuku/SLUM TV footage http://slum-tv.org/