Lesson Guide Straight Skirt Sloper Draping: Beginner Module 1 – Preparing the Dress Form & Muslin Blocks
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Evening Gown Sewing Supplies Embroidering on Lightweight Silk Satin
Evening Gown Sewing supplies Embroidering on lightweight silk satin The deLuxe Stitch System™ improves the correct balance • HUSQVARNA VIKING® DESIGNER DIAMOND between needle thread and bobbin thread. Thanks to the deLuxe™ sewing and embroidery machine deLuxe Stitch System™ you can now easily embroider • HUSQVARNA VIKING® HUSKYLOCK™ overlock with different kinds of threads in the same design. machine. • Use an Inspira® embroidery needle, size 75 • Pattern for your favourite strap dress. • Turquoise sand-washed silk satin. • Always test your embroidery on scraps of the actual fabric with the stabilizer and threads you will be using • Dark turquoise fabric for applique. before starting your project. • DESIGNER DIAMOND deLuxe™ sewing and • Hoop the fabric with tear-away stabilizer underneath embroidery machine Sampler Designs #1, 2, 3, 4, 5. and if the fabric needs more support use two layers of • HUSQVARNA VIKING® DESIGNER™ Royal Hoop tear-away stabilizer underneath the fabric. 360 x 200, #412 94 45-01 • Endless Embroidery Hoop 180 x 100, #920 051 096 Embroider and Sew • Inspira® Embroidery Needle, size 75 • To insure a good fit, first sew the dress in muslin or • Inspira® Tear-A-Way Stabilizer another similar fabric and make the changes before • Water-Soluble Stabilizer you start to cut and sew in the fashion fabric for the dress. • Various blue embroidery thread Rayon 40 wt • Sulky® Sliver thread • For the bodice front and back pieces you need to embroider the fabric before cutting the pieces. Trace • Metallic thread out the pattern pieces on the fabric so you will know how much area to fill with embroidery design #1. -
Picnic Skirt FREE YOUTUBE TUTORIAL
Picnic Skirt FREE YOUTUBE TUTORIAL © 2020 Charm Patterns by Gertie SEWING INSTRUCTIONS NOTES: This style can be made for any size child or adult, as long as you know the waist measurement, how long you want the skirt, and how full you want the skirt. I used 4 yards of width, which results in a big, full skirt with lots of gathers packed in. You can easily use a shorter yardage of fabric if you prefer fewer gathers or you’re making the skirt for a smaller person or child. Seam Finishing: all raw edges are fully enclosed in the construction process, so there is no need for seam finishing. Make a vintage-inspired button-front skirt without 5/8-inch (in) (1.5 cm) seam allowances are included on all pattern pieces, except a pattern! This cute design where otherwise noted. can be made for ANY size, from child to adult! Watch CUT YOUR SKIRT PIECES my YouTube tutorial to see 1. Cut the skirt rectangle: the width should be your desired fullness (mine is how it’s done. You can find 4 yards) plus 6 in for the doubled front overlap/facing. The length should be the coordinating top by your desired length, plus 6 in for the hem allowance, plus 5/8 in for the waist seam subscribing to our Patreon allowance. at www.patreon.com/ Length: 27 in. gertiesworld. (or your desired length) Length: + Skirt rectangle 6 in hem allowance xoxo, Gertie 27 in. Cut 1 fabric (or your + desired length) ⅝ in waist seam + Skirt rectangle 6 in hem allowance Cut 1 fabric MATERIALS + & NOTIONS ⅝ in waist seam • 4¼ yds skirt fabric (you Width: 4 yards (or your desired fullness) + 6 in for front overlap may need more or less depending on the size and Length: 27 in. -
Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
A New Method of Classification for Tai Textiles
A New Method of Classification for Tai Textiles Patricia Cheesman Textiles, as part of Southeast Asian traditional clothing and material culture, feature as ethnic identification markers in anthropological studies. Textile scholars struggle with the extremely complex variety of textiles of the Tai peoples and presume that each Tai ethnic group has its own unique dress and textile style. This method of classification assumes what Leach calls “an academic fiction … that in a normal ethnographic situation one ordinarily finds distinct tribes distributed about the map in an orderly fashion with clear-cut boundaries between them” (Leach 1964: 290). Instead, we find different ethnic Tai groups living in the same region wearing the same clothing and the same ethnic group in different regions wearing different clothing. For example: the textiles of the Tai Phuan peoples in Vientiane are different to those of the Tai Phuan in Xiang Khoang or Nam Nguem or Sukhothai. At the same time, the Lao and Tai Lue living in the same region in northern Vietnam weave and wear the same textiles. Some may try to explain the phenomena by calling it “stylistic influence”, but the reality is much more profound. The complete repertoire of a people’s style of dress can be exchanged for another and the common element is geography, not ethnicity. The subject of this paper is to bring to light forty years of in-depth research on Tai textiles and clothing in the Lao People’s Democratic Republic (Laos), Thailand and Vietnam to demonstrate that clothing and the historical transformation of practices of social production of textiles are best classified not by ethnicity, but by geographical provenance. -
Lesson 12 Personal Appearance Kā Bong-Hāgn Phtial Khluon
Lesson 12 Personal Appearance karbgØajpÞal´xøÜn kā bong-hāgn phtial khluon This lesson will introduce you to: - One’s physical features (hair color, weight, height, etc.) - Articles of clothing - Colors - Description of a person’s physical appearance, including the clothing - Appropriate ways to ask about someone’s appearance. 1. Look at the pictures below and familiarize yourself with the new vocabulary. Listen to the descriptions of people’s appearances. Tall Short Heavy Thin Young Old Kpos Teap Tom Skom Kmeing Chas x¬s´ Tab ZM s¬m ekµg cas´ Short Long Blond Red Gray Klei Veing Ton deing Kro hom Bro peis xøI Evg Tg´Edg ®khm ®bep; 193 2. Look at the pictures below and listen to the descriptions of people’s appearances. This woman is young. This man is also young. Strei nis keu kmeing. Boros nis keu kmeing pong daer. RsþI en; KW ekµg. burs en; KW ekµgpgEdr. She is tall and thin. He has an average height and medium frame. Neang keu kposh houy skorm. Boros mean kom posh lmom houy meat lmom. nag KW x¬s´ ehIy s<m. burs man kMBs´ lµm ehIy maD lµm. Grammar Note: There are different usages of adjectives for describing people and things: For example: Humans: Things: tall long ‘x¬s´’ ‘Evg’ short ( short Tab’ ‘xøI’ thin thin ‘s<m’ ‘esþIg’ However, Cambodians don’t distinguish gender when using adjectives. 3. Look at the pictures below and familiarize yourself with the new vocabulary. Listen to the speaker and repeat as you follow along in the workbook. Hair: Blond Tong deing Tg´Edg Brown Tnout etñat Red Kro hom Rkhm 194 Gray Pro peh Rbep; Curly Rougn rYj Straight Trong Rtg´ 3a. -
23 Trs Male Uniform Checklist
23 TRS MALE UNIFORM CHECKLIST Rank and Name: Class: Flight: Items that have been worn or altered CANNOT be returned. Quantities listed are minimum requirements; you may purchase more for convenience. Items listed as “seasonal” will be purchased for COT 17-01 through 17-03, they are optional during the remainder of the year. All Mess Dress uniform items (marked with *) are optional for RCOT. Blues Qty Outerwear and Accessories Qty Hard Rank (shiny/pin on) 2 sets Light Weight Blues Jacket (seasonal) 1 Soft Rank Epaulets (large) 1 set Cardigan (optional) 1 Ribbon Mount varies Black Gloves (seasonal) 1 pair Ribbons varies Green Issue-Style Duffle Bag 1 U.S. Insignia 1 pair Eyeglass Strap (if needed) 1 Blue Belt with Silver Buckle 1 CamelBak Cleansing Tablet (optional) 1 Shirt Garters 1 set Tie Tack or Tie Bar (optional) 1 PT Qty Blue Tie 1 USAF PT Jacket (seasonal) 1 Flight Cap 1 USAF PT Pants (seasonal) 1 Service Dress Coat 1 USAF PT Shirt 2 sets Short Sleeve Blue Shirts 2 USAF PT Shorts 2 sets Long Sleeve Blue Shirt (optional) 1 Blues Service Pants (wool) 2 Footwear Qty White V-Neck T-shirts 3 ABU Boots Sage Green 1 pair Low Quarter Shoes (Black) 1 pair Mess Dress Qty Sage Green Socks 3 pairs White Formal Shirt (seasonal)* 1 Black Dress Socks 3 pairs Mess Dress Jacket (seasonal)* 1 White or Black Athletic Socks 3 pairs Mess Dress Trousers (seasonal)* 1 Cuff Links & Studs (seasonal)* 1 set Shoppette Items Qty Mini Medals & Mounts (seasonal)* varies Bath Towel 1 Bowtie (seasonal)* 1 Shower Shoes 1 pair -
Price List Best Cleaners 03-18.Xlsx
Price List Pants, Skirts & Suits Shirts & Blouses Pants Plain…………………………………………… 10.20 Business Shirt Laundered and Machine Pants, Silk/Linen…………………………………… . 12.30 Pressed (Men’s & Women’s)…… 3.60 Pants, Rayon/Velvet………………………………… 11.80 Pants Shorts………………………………………. 10.20 Chamois Shirt…………………………………………… 5.35 Skirts, Plain………………………………………… . 10.20 Lab Smock, Karate Top………………………………… . 7.30 Skirts, Silk, Linen………………………………….. 12.30 Polo, Flannel Shirt……………………………………… .. 5.35 Skirts, Rayon Velvet……………………………… .. 11.80 Sweat Shirt……………………………………………… . 5.70 Skirts Fully Pleated………………………………. 20.95 T-Shirt…………………………………………………… .. 4.60 Skirts Accordion Pleated………………………… . 20.95 Tuxedo Shirt……………………………………………… . 6.10 Suit 2 pc. (Pants or Skirt and Blazer)……………… 22.40.. Wool Shirt………………………………………………… . 5.35 Suit 3 pc. (Pants or Skirt Blazer & Vest)……………… 27.75. Suit, body suit………………………………………… 10.60. Blouse/Shirt, Cotton, Poly…………………………………… 9.50.. Suit, Jumpsuit…………………………………… 25.10 Blouse/Shirt, Rayon, Velvet………………………………… 11.10.. Sport Jacket, Blazer……………………………… .. 12.20 Blouse/Shirt, Silk, Linen……………………………………… 11.60 Tuxedo……………………………………………… . 22.95 Blouse/Shirt, Sleeveless……………………………………… 7.80 Vest………………………………………………… . 5.35 Dresses Outerwear Dress, Plain, Cotton, Wool, Poly, Terry, Denim…….. 19.00 Blazer, Sport Jacket……………………………… . 12.20 Dress,Silk, Linen …….………………………………. 23.20 Bomber Jacket………………………………….. 16.20 Dress,Rayon,Velvet …………………………………. 22.20 Canvas Field Coat………………………………… 16.20 Dress, 2-Piece, Dress & Sleeveless Jkt……………………… 27.60 Canvas Barn Jacket……………………………… -
Dress and Skirt Hems : Clothing Leaflet 8
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Nebraska 4-H Clubs: Historical Materials and Publications 4-H Youth Development 1964 Dress and Skirt Hems : Clothing Leaflet 8 Helen Rocke Follow this and additional works at: https://digitalcommons.unl.edu/a4hhistory Part of the Service Learning Commons Rocke, Helen, "Dress and Skirt Hems : Clothing Leaflet 8" (1964). Nebraska 4-H Clubs: Historical Materials and Publications. 111. https://digitalcommons.unl.edu/a4hhistory/111 This Article is brought to you for free and open access by the 4-H Youth Development at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska 4-H Clubs: Historical Materials and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Dress And Skirt Hems Helen Rocke Clothing Specialist The hem is the final finish on the dress made at home and often the only alter-· ation on a ready made one. Marking. After the dress has hung for a day or two mark the desired length with pins or chalk around the entire skirt. Turning and trimming. With dress turned wrong side out and placed~bn a table, turn hem on marked line, using pins placed at right angles to the fold of hem. Baste turned hem near edge of fold - remove pins. Check and mark width. Use a gauge to mark desired width of hem with pins or chalk. Trim away extra material. Width for full gathered or straight skirts - sheer material - 3" to 7". Gathers. Fullness in a hem may be taken up by making a row of long machine stitches about 1/4" from'the top edge. -
Undergarments : Extension Circular 4-12-2
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Nebraska 4-H Clubs: Historical Materials and Publications 4-H Youth Development 1951 Undergarments : Extension Circular 4-12-2 Allegra Wilkens Follow this and additional works at: https://digitalcommons.unl.edu/a4hhistory Part of the Service Learning Commons Wilkens, Allegra, "Undergarments : Extension Circular 4-12-2" (1951). Nebraska 4-H Clubs: Historical Materials and Publications. 124. https://digitalcommons.unl.edu/a4hhistory/124 This Article is brought to you for free and open access by the 4-H Youth Development at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska 4-H Clubs: Historical Materials and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Jan. 1951 E.G. 4-12-2 o PREPARED FOR 4-H CLOTHrNG ClUB GIRLS EXTENSION SERVICE UNIVERSITY OF NEBRASKA COLLEGE OF AGRICULTURE AND U. S. DEPARTMENT OF AGRICULTURE COOPERATING A W. V. LAMBERT, DIRECTOR C i ( Undergarments for the Well Dressed 4-H Girl Allegra Wilkens The choosing or designing of the undergarments that will make a suitable foundation for her costume is a challenge to any girl's good taste. She may have attractive under- wear if she is wise in the selection of materials and careful in making it or in choosing ready-made garments. It is not the amount of money that one spends so much as it is good judgment in the choice of styles, materials and trimmings. No matter how beautiful or appropriate a girl's outer garments may be, she is not well dressed unless she has used good judgment in making or selecting her under - wear. -
Business Casual Attire
Business Casual Attire For All Marketing Courses above MKT 230, All BTE courses BTE 260 and above. The Department of Marketing's objective in establishing a dress code is to enable students to project a professional image while still experiencing the comfort advantages of more casual and relaxed clothing. Not all casual clothing is suitable for the classroom, so these guidelines will help you determine what is appropriate to wear. Clothing that works well for the beach, yard work, dance clubs, exercise sessions, and sports contests are not appropriate for a professional appearance. Below is a general overview of what we mean by “acceptable business casual attire.” Items that are not appropriate for the classroom are listed, too. Neither list is all-inclusive and both are open to change. The lists tell you what is generally acceptable as business casual attire and what is generally not acceptable as business casual attire. No dress code can cover all contingencies so students must apply a certain amount of judgment in their choice of clothing to wear to Department of Marketing classes. If you experience uncertainty about acceptable, professional business casual attire for your class, please ask your professor or stop by the Marketing office (352 COB Building) to discuss this with the department chairperson. Clothing should be pressed and never wrinkled. Torn, dirty, or frayed clothing is unacceptable. All seams must be finished. Any clothing that has words, terms, or pictures that may be offensive and/or create a hostile environment for other students is unacceptable. A general guideline for business casual attire for women includes: • Khaki, corduroy, twill or cotton pants or skirts, neatly pressed; • Sweaters, twinsets, cardigans, polo/knit shirts, tailored blouses; • Solid colors work better than bright patterns. -
The Hitler Youth Movement, 1933-1945
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1954 The Hitler Youth Movement, 1933-1945 Forest Ernest Barber Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the History Commons Recommended Citation Barber, Forest Ernest, "The Hitler Youth Movement, 1933-1945" (1954). Master's Theses. 905. https://ecommons.luc.edu/luc_theses/905 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1954 Forest Ernest Barber • A 'fHBSIS BUB.\{l'n'ED TO nm 'ACULT! OJ' THE ClRAOOAft SOHOOL 0' LOIOLA UNlftlSITY IN fA.BfIAL JULFU,z,MSIT OF 'DIS DQUlrw&NTS FOR 'l'BE l'lIGIIIt or *~aO'A~ . A Good Oull,"Y)e For ~ I=-uture TheSIS / 1922. ae .. pwlua,*, fItoa 1IDeae1aer Publ1c High Scbool, leaualaer, Ind1aDlt June, 19lil, and. troa Ju\l.a> tJn1'ftft1t1'. I.Uan.poU., IDd:5u., June, 1945, w1tth the de&:&'ee of Baohelor of Sc1-... FI"OJI 1945 to 19la6 the author taUlh' 1ft aa.-, CUba. r.om 11&16 to 1948 he taught in'tbeU, QfteoeJ ard btoa 1948 tto 19S1 M acted. .. 8D Educa\i.or& Adv.1.r 1n the Troop Infonatial and Ed.... t14n Propaa, tl'D1tecl statM AJ:vlT of OCovpa1d.OD, ~. ForeA Emen ~ 'bepn bJ.a pa4uate durU.. -
Fashion Terminology Today Describe Your Heritage Collections with an Eye on the Future
Fashion Terminology Today Describe your heritage collections with an eye on the future Ykje Wildenborg MoMu – Fashion Museum of the Province of Antwerp, Belgium Europeana Fashion, Modemuze Abstract: This article was written for ‘non-techy people’, or people with a basic knowledge of information technology, interested in preparing their fashion heritage metadata for publication online. Publishing fashion heritage on the web brings about the undisputed need for a shared vocabulary, especially when merged. This is not only a question of multilingualism. Between collections and even within collections different words have been used to describe, for example, the same types of objects, materials or techniques. In professional language: the data often is “unclean”. Linked Data is the name of a development in information technology that could prove useful for fashion collecting institutions. It means that the descriptions of collections, in a computer readable format, have a structure that is extremely easy for the device to read. As alien as it may sound, Linked Data practices are already used by the data departments of larger museums, companies and governmental institutions around the world. It eliminates the need for translation or actual changing of the content of databases. It only concerns ‘labeling’ of terms in databases with an identifier. With this in mind, MoMu, the fashion museum of Antwerp, Belgium, is carrying out a termi- nology project in Flanders and the Netherlands, in order to motivate institutions to accomplish the task of labeling their terms. This article concludes with some of the experiences of this adventure, but firstly elucidates the context of the situation.