Mead Art Museum at Amherst College

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Mead Art Museum at Amherst College Mead Art Museum Amherst College Amherst, MA 01002-5000 USA 413/542-2335 www.amherst.edu/museums/mead Mead ArtMead Museum at Amherst College Amherstat College Annual Report for the Year 2010–2011 Report Year the for Annual Mead Art Museum TABLE OF CONTENTS at Amherst College Annual Report for the Year 2010–2011 Report from the Director 2 Acquisitions 3 Research 10 Loans 12 Grants 13 Curricular Collaborations 15 Volunteer Student Docents 20 Exhibitions and Publications 23 Programs 25 Attendance 31 Security and Facility 32 Staff, Interns, Docents, Friends, Advisors 32 Strategic Plan, Status Report 38 ABOVE: Berlin-based dancer and choreographer Friederike Plafki performing SOLO, Kühlkuhgenese / Coolcowgeneses in Bassett gallery. Photo by Alec Jacobson ’12 COVER: Michiko Theurer ’11 playing a musical interlude during Moments of Grace: Ballet Meets Art at the Mead in the Rotherwas Room. Photo by Alec Jacobson ’12 Detail of Manuscript Page (Chant), 14th century, watercolor on parchment (AC 1961.16), used for the student performance of Songs at Sunset: Medieval Chant at the Mead. Photo by Jessica Mestre ’10 REPORT FROM THE DIRECTOR ACQUISITIONS GIFTS (alphabetical by artist) Six temporary exhibitions. Two scholarly Angelique Harrell, Assistant to the Director; Samuel Vanessa Bell (British, 1879-1961), In the Garden. Watercolor on catalogues. Eighty-six college class visits. One Rowlett, Coordinator of Community Programs; Triin white wove paper. Given in memory of William and Mary Heath hundred fourteen public events. One hundred Vallaste, Collections Handbook Coordinator; and (AC 2011.07) thirteen art acquisitions. The discovery of a rare Dr. Miloslava Waldman, Researcher for Russian Art. Edwin Burrage Child (American, 1868-1937), Untitled Landscape, As this publication goes to press in the autumn of 1917. Oil on canvas. Gift of Gordon Baldwin (Class of 1960) antiquity in the collection. Seventeen thousand (AC 2010.109) visitors. 2010-11 proved to be characteristically 2011, the Mead is preparing to welcome several Marco Dente, (Italian, ca. 1486-1527) after Francesco Salviati, energetic and rewarding for the Mead. new colleagues: David Dashiell as Digitization (Italian, 1510-1563), An Assembly of Scholars, ca. 1515-1527. Project Photographer, Ashley Hogan as Digitization Engraving. Given in memory of William and Mary Heath (AC 2011.06) Project Data Specialist, Rachel Rogol as Assistant to Detail, 3/4 view of west room, the Director, Dr. Miloslava Waldman as Study Room Jim Dow (American, born 1942), Morgan Library, New York, 1999. Chromogenic color print. Gift Supervisor, and Betsey Wolfson as Publication in honor of Frederick Borden Shipley (Class 2013) (AC 2010.133) Coordinator. Seven of the nine positions listed Duncan Grant (Scottish, 1883-1978), Still Life, 1963. Watercolor above are new to the museum; their establishment and gouache (maybe black chalk) on buff paper. Given in memory of William and Mary Heath (AC 2011.08) would not have been possible without generous Still Life support from foundations and private donations. Attributed to Duncan Grant (Scottish, 1883-1978), , 1972. Pastel on brown paper. Given in memory of William and We are grateful to all of our supporters, including Mary Heath (AC 2011.09) the Friends of the Mead Art Museum, whose Ernest Haskell (American, 1876-1925), Amelia, ca. 1913. Stipple membership increased in 2010-11 by 15.3%. engraving on off-white wove paper. Gift of Christine Huber in memory of Dorothy L. Hoehn of Pala Alto, California (AC 2011.11) The year ahead promises to be equally dynamic. Edward Hopper (American, 1882-1967), Cat Boat, 1922. Etching. Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb The consortium of Five College-affiliated muse- Collection of American Art (AC 2010.110) The Haunted Museum: A Pioneer Lizzie with her dog Lottie at ums to which the Mead belongs will launch a new Valley Community Celebration at the Mead Art Museum. Edward Hopper (American, 1882-1967), Nude Facing Front, Photo by Jessica Mestre ’10 design of its collection database, offering a stream- 1919-1923. Drypoint. Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb Collection of American Art (AC 2010.111) lined appearance and enabling broader and more Attendance continued to rise, increasing by 7.7% precise searches. The museum will publish its first Edward Hopper (American, 1882-1967), East Side, Interior, 1922. Etching. Dr. Sanford B. Sternlieb (Class of 1946) and Esther overall and by 7.9% for special events, and climbing collection guide, co-authored by more than seventy Sternlieb Collection of American Art (AC 2010.112) by 17.3% for school and community groups and by faculty, alumni, and curatorial contributors. The Edward Hopper (American, 1882-1967), Night Shadows (from 22.9% for college class visits – substantial growth, Mead will present a year-long, two-part exhibi- the Six American Etchings, (Series I), 1921 (published 1924). Etching. Dr. Sanford B. Sternlieb (Class of 1946) and Esther made more impressive by the challenges of a one- tion of its recently conserved collection of Tibetan Sternlieb Collection of American Art (AC 2010.113) month period when most of the museum’s galleries thangka, accompanied by a rich roster of related Ellsworth Kelly (American, born 1923), Concorde I (State), 1982. were closed for renovation and an unusually severe events. We hope that you will be able to experi- Color aquatint. Gift of Ronald F. Daitz (Class of 1961) and Linda F. Daitz (AC 2010.131) winter marked by emergency snow closures. ence those and other programs at the museum in the months ahead. All of us at the Mead would be Jack Levine (American, 1915-2010), Die Dreigroschenoper (portfolio inspired by the 1931 film “Die 3-Groschenoper” The museum’s professional staff, likewise, has honored and delighted to welcome you back to by G.W. Pabst, based on the musical play by Kurt Weill and advanced, pursuing the numerous projects outlined Amherst’s extraordinary art museum in 2011-12. Bertolt Brecht), 1967. Soft ground etchings on white laid BFK Rives paper. Dr. Sanford B. Sternlieb (Class of 1946) and Esther in the following pages, and increasing in size. As the Sternlieb Collection of American Art (AC 2010.114.1-25) 2010-11 academic year began, the Mead welcomed Jack Levine (American, 1915-2010), Plate 1, Artist’s statement. four new colleagues: Maggie Dethloff, Andrew Elizabeth E. Barker, Ph.D. (AC 2010.114.1) W. Mellon Post-Baccalaureate Curatorial Fellow; Director and Chief Curator TOP: Vanessa Bell (British 1879-1961), In the Garden. Jack Levine (American, 1915-2010), Plate 2, Artist’s statement. Watercolor on white wove paper. Given in memory of William (AC 2010.114.2) and Mary Heath (AC 2011.07) BOTTOM: Ghanaian, Senufo people, 20th Century, Male and Jack Levine (American, 1915-2010), Moritur. (AC 2010.114.3) Female figures. Wood. Gift of Drs. James and Gladys Strain (AC 2010.180.1,2) 2 3 Jack Levine (American, 1915-2010), Look! There Goes Mack the Jack Levine (American, 1915-2010), Jenny Visits McHeath. (AC Knife!. (AC 2010.114.4) 2010.114.21) Jack Levine (American, 1915-2010), Mack Sees Polly Peachum. Jack Levine (American, 1915-2010), Tiger Brown. (AC (AC 2010.114.5) 2010.114.22) Jack Levine (American, 1915-2010), Quadrille. (AC 2010.114.6) Jack Levine (American, 1915-2010), Peachum Tries to Stop the March to St. Paul’s. (AC 2010.114.23) Jack Levine (American, 1915-2010), Thieves. (AC 2010.114.7) Jack Levine (American, 1915-2010), Polly Founds a Bank. (AC Jack Levine (American, 1915-2010), A Wedding Gift. (AC 2010.114.24) 2010.114.8) Jack Levine (American, 1915-2010), Victoria’s Jubilee. (AC 2010.114.25) Benjamin Lord (American, born 1974), ‘Humaliwo Chambers’ with stereoscope from the Norton Christmas Project, 2010. Four-color offset lithographs. Gift of Suzannah Fabing (AC 2011.01.1.a-d, 2) John Marin (American, 1870-1953), Woolworth Building, No.2, 1913. Etching. Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb Collection of American Art (AC 2010.115) Jill Mathis (American, born 1964) Caleb Cain Marcus (American, born 1978), Words and Images, 2005. Portfolio of Digital chromogenic prints. Gift of Mark and Elaine Connelly (AC 2010.181.1-10) Jill Mathis (American, born 1964), Delirium (Alessandria, Italy), 2004. (AC 2010.181.1) Edward Hopper (American 1882-1967), Cat Boat, 1922. Etching. Dr. Sanford B. Sternlieb (Class of 1946) and Esther Sternlieb Jill Mathis (American, born 1964), Morse Code (Gattinara, Italy), Collection of American Art (AC 2010.110) 2000. (AC 2010.181.2) Jack Levine (American, 1915-2010), The Wedding. (AC Jill Mathis (American, born 1964), Stay Alert (Matauri Bay, New Alfred Sisley (French 1839-1899), Le Château de la Croix-Blanche Caleb Cain Marcus (American, born 1978), Smoke and Fog 2010.114.9) Zealand), 1995-2005. (AC 2010.181.3) à Saint Mammes (après-midi de Septembre), 1884. Oil on (Udaipur, India), 2005. (AC 2010.181.7) canvas. Gift of John C. Haas (Class of 1940) and Chara C. Haas Jack Levine (American, 1915-2010), Der Kanonen Song. (AC Jill Mathis (American, born 1964), Windfall (Czech Republic), (AC 2011.22) 2010.114.10) 1996. (AC 2010.181.4) Caleb Cain Marcus (American, born 1978), Waiting to Carry the Dead (The Ganga, India), 2005. (AC 2010.181.8) John Sloan (American, 1871-1951), Copyist at the Met, 1908. Jack Levine (American, 1915-2010), Jonathan Jeremiah Etching. Dr. Sanford B. Sternlieb (Class of 1946) and Esther Peachum. (AC 2010.114.11) Caleb Cain Marcus (American, born 1978), A Painting for a King (Humayun’s Tomb, India), 2005. (AC 2010.181.9) Sternlieb Collection of American Art (AC 2010.116) Jack Levine (American, 1915-2010), Mack at Work. (AC John Sloan (American, 1871-1951), Easter Eve, Washington 2010.114.12) Caleb Cain Marcus (American, born 1978), Window of Kumbhalgarh (Kumbhalgarh, India), 2005.
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