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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Official Program 2013
а 22-26 august ниј о д е к а ид, М ид, р Ohrid, Macedonia | Ох | Macedonia Ohrid, ohrid choir festival охридски хорски фестивал2013 2nd Competition Concert | 2. Натпреварувачки концерт FRIDAY | ПЕТОК Diamont Hall, Hotel Inex Gorica | Дијамантска Сала, Хотел Инекс Горица 19.00 - 19.15 Mixed Youth Choir “Josip Kaplan” - Croatia 19.15 - 19.30 Gdansk University Choir - Poland 1st Concert of Sacred Music | 1. Концерт на духовна музика 19.30 - 19.45 Choir of Maritime University of Szczecin - Poland Church of St. Sophia | Црква Св. Софија 19.45 - 20.00 Youth Choir of Šabac Singing Society - Serbia 10.00 - 10.10 The Academic Choir of Adam Mickiewicz University - Poland 10.10 - 10.20 The Bialystok Technical University Choir - Poland SATURDAY | САБОТА 10.20 - 10.30 Youth Choir “Canto” School of Music Czesław Niemen - Poland 10.30 - 10.40 Youth Female Chamber Choir “Cantilena” by the museum of school of K. May of Saint-Petersburg Institute of 3rd Competition Concert | 3. Натпреварувачки концерт Informatics and Automation of Russian Science Academy - Russia Diamont Hall, Hotel Inex Gorica | Дијамантска Сала, Хотел Инекс Горица 10.40 - 10.50 Chamber Choir of Bulgarian Academy of Science - Bulgaria 10.00 - 10.15 Children’s Chamber Choir “Solovushko” - Russia 10.50 - 11.00 Butelion Classics Chorus - Macedonia 10.15 - 10.30 “Saulainė” - Lithuania 10.30 - 10.45 Valmiera Music School Choir “SolLaRe” - Latvia 2nd Concert of Sacred Music | 2. Концерт на духовна музика 10.45 - 11.00 Break Church of St. Sophia | Црква Св. Софија 11.00 - 11.15 Children’s Choir “Trallala” - Czech Republic 11.30 - 11.40 Valmiera Music School Choir “SolLaRe” - Latvia 11.15 - 11.30 Children’s Choir “The Stars” - Serbia 11.40 - 11.50 Children’s Choir Pražská kantiléna - Czech Republic 11.50 - 12.00 Female vocal ensemble “Making waves” - Ukraine 4th Competition Concert | 4. -
George Frideric Handel Cc 9127 George Frideric Handel
GEORGE FRIDERIC HANDEL CC 9127 GEORGE FRIDERIC HANDEL male lead in The Bear for Hemsley, who played it under the composer on BBC Television in George Frideric Handel (1685-1759) 1970. His book Singing and Imagination is a lucid guide to his finely-honed art. = `çåÅÉêíç=áå=_JÑä~í=ets=OVQ=léK=Q=kçK=S=ENTPSF= NNKNN Geraint Jones (1917-98). The son of a Glamorgan minister, Jones studied at the Royal 1-3 I Andante allegro 3.53 2 II Larghetto 4.31 3 III Allegro moderato 2.53 Academy of Music before being rejected for World War II service on grounds of poor health. Osian Ellis, harp. The Boyd Neel Orchestra directed by Thurston Dart Determined to ‘do his bit’, he made his debut as a harpsichordist in 1940 at one of Myra Hess’s A BBC studio broadcast, 26 February 1957 National Gallery concerts, later touring widely with his wife, the violinist Winifred Roberts. After the war he became highly influential in the ‘authentic’ baroque movement, forming his own = ^éçääç=É=a~ÑåÉ=ets=NOO=ENTNMF= QPKMR orchestra for the acclaimed performances at London’s Mermaid Theatre in 1951 of Dido and Aeneas, with Kirsten Flagstad and Thomas Hemsley. Jones’s many recordings included Dido 4 Recitative and Aria Apollo ‘La terra è liberata … Pende il ben dell’universo’ 5.18 (The earth is set free … The good of the universe) with those singers (plus Elisabeth Schwarzkopf as Belinda and Arda Mandikian as the 5 Recitative and Aria Apollo 3.54 Sorceress) as well as music by Bach, Handel and Mozart. -
An Observance for Commonwealth Day 2015
An Observance for Commonwealth Day 2015 In the presence of Her Majesty The Queen His Royal Highness The Duke of Edinburgh His Royal Highness The Prince of Wales Her Royal Highness The Duchess of Cornwall His Royal Highness The Duke of Cambridge Her Royal Highness The Duchess of Cambridge Monday 9th March 2015 at 3.15 pm A Young Commonwealth The Commonwealth theme for 2015 The Abbey is served by a hearing loop. Users should turn their hearing aids to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound-recording equipment. Please ensure that mobile phones, pagers, and other electronic devices are switched off. It is my great pleasure, as Chairman of the Council of Commonwealth Societies, to welcome you to this very special event. In a deeply disturbed and uneasy world, the Commonwealth family assembles once again at Westminster Abbey to celebrate and give thanks for our unity, friendship, shared purpose and values. With half of the Commonwealth’s peoples being under twenty-five, this is the family and the network in which tomorrow meets today, in which the aspiring young who are the future come together with those who have built the past and the present. Today there are forces and trends at work more powerful than any single government that are binding together the young people of all Commonwealth countries as never before—and in ways which would have astounded their forbears. A new kind of Commonwealth is emerging. Instantaneous contact, and constant and open communication unite schoolchildren and students, professional people of all kinds, sportsmen and women in every field, entrepreneurs, ideas and investors, artists and authors, faiths and friends in a daily conversation and worldwide association the like of which exists nowhere else. -
Berlioz's Les Nuits D'été
Berlioz’s Les nuits d’été - A survey of the discography by Ralph Moore The song cycle Les nuits d'été (Summer Nights) Op. 7 consists of settings by Hector Berlioz of six poems written by his friend Théophile Gautier. Strictly speaking, they do not really constitute a cycle, insofar as they are not linked by any narrative but only loosely connected by their disparate treatment of the themes of love and loss. There is, however, a neat symmetry in their arrangement: two cheerful, optimistic songs looking forward to the future, frame four sombre, introspective songs. Completed in 1841, they were originally for a mezzo-soprano or tenor soloist with a piano accompaniment but having orchestrated "Absence" in 1843 for his lover and future wife, Maria Recio, Berlioz then did the same for the other five in 1856, transposing the second and third songs to lower keys. When this version was published, Berlioz specified different voices for the various songs: mezzo-soprano or tenor for "Villanelle", contralto for "Le spectre de la rose", baritone (or, optionally, contralto or mezzo) for "Sur les lagunes", mezzo or tenor for "Absence", tenor for "Au cimetière", and mezzo or tenor for "L'île inconnue". However, after a long period of neglect, in their resurgence in modern times they have generally become the province of a single singer, usually a mezzo-soprano – although both mezzos and sopranos sometimes tinker with the keys to ensure that the tessitura of individual songs sits in the sweet spot of their voices, and transpositions of every song are now available so that it can be sung in any one of three - or, in the case of “Au cimetière”, four - key options; thus, there is no consistency of keys across the board. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
CYFRES I'r DELYN Benjamin Britten
CYNGERDD YR ŴYL. MAWRTH 31, 2021. 8.30pm Nodiadau Rhaglen ELINOR BENNETT (Telyn) Mae'r perfformiad cyhoeddus cyntaf hwn o "Dagrau / Lachrymae" yn deyrnged arbennig i OSIAN ELLIS gan Elinor Bennett, ei gyn-ddisgybl a Chyfarwyddwraig Gŵyl Delynau Cymru. Gellir gwrando ar y recordiad sain a wnaeth Osian Ellis ei hun yn 2019 ar : https://soundcloud.com/popd_ping/lachrymae-oe-20-03-27-b DAGRAU / LACHRYMAE Osian Ellis Gair gan y Cyfansoddwr : " Cyfansoddwyd yr unawd hwn i'r delyn mewn cyfnod annifyr iawn pan oedd Llinos yn yr ysbyty yn cael triniaeth am gancr a phan oedd ei mam, Glynis, yn ei chwmni ddydd a nos am dair wythnos cyn y bu farw ym mis Tachwedd 2018, a hithau ond yn 39 oed. Serch hynny, da yw dweud fod ei merch, Elin (13) yn dal i ganu fel y gôg o amgylch ei chartref, ac wedi ymgodymu â'r brofedigaeth. " Term clasurol am ddagrau yw'r teitl "Lachrymae", ac fe'i defnyddiwyd gan John Dowland yn ystod oes Elisabeth 1af gan wneud defnydd o'i gân "Flow my tears". Defnyddiodd Benjamin Britten, yntau, y ffurf i fiola a phiano, ac fe'i cymhwysais i fiola a thelyn a'i ganu gyda Cecil AronowitZ yn y Philharmonie yn Berlin, ac hefyd gyda Peter Schidloff yng Ngŵyl Aldeburgh. " Rwy'n deisyf ar y delyn i swnio'n ymosodol a chreulon yn y rhan gyntaf gan adlewyrchu gofid a phoen, ond clywir hefyd atgof am blentyndod rhwng yr ebychiadau a'r gwanobeithio, ond wedi'r glissando a chanu cnul y gloch, daw Emyn y Cynhebrwng (Cortege) yn y Modd Dorian, a'r daith i fforest ger Boduan. -
Umass Fine Arts Center Concert Hall
umassumass finefine artsarts center center CENTERCENTER SERIESSERIES 2008–20092008–2009 1 1 2 3 2 3 playbill playbill 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGA CLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. 2 We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp 3 &ALLON¬#OMMUNITY¬(EALTH¬0LAN IS¬PROUD¬TO¬SPONSOR¬THE 5-ASS¬&RIENDS¬OF¬THE¬&INE¬!RTS¬#ENTER 4 5 Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. -
Flax Trust FISCA 2014
Adjudicators George Fleeton, Producer & Arts Correspondent – Lead Adjudicator The Flax Trust George Fleeton is an Arts Correspondant for Down News. He regularly covers the Wexford Festival Opera, the Puccini Festival Tuscany and the Venice Film Festival. Mr Fleeton is a past director of the annual Opera Fringe Festival and regularly produces and presents weekly Classical Music programmes. Educated in Dublin and Paris and as a solo chorister and boy Soprano he sang a vast range of Sacred music and Art Songs at Feiseanna and several Gilbert & Sullivan roles onstage. As well as teaching languages in further Education, George continues to teach Literature, Opera and Theatre studies in Higher Education and for many years he held a lengthy management career in Ulster Television. Christmas Gala Mary O’Connor - Adjudicator Mary O’Connor was head of music in Little Flower Girls School for over 30 years. During this time, under her leadership, the school choir performed in many broadcasts on TV and radio and won numerous awards, including the UTV Choir of Competition the Year Belfast region. Mary directed the school musical productions and examined for the examination board, CCEA. After studying singing with Muriel Childe and William Boyd she won many awards at festivals throughout Northern Ireland. As a member of the Belfast Gaelic Choir, she performed in the Welsh Eisteddfod and toured the USA with the Ormiston Choir. A highlight of Mary’s singing career was Thursday 4th December 2014 performing in Madame Butterfly alongside Pavarotti in his European Debut at Belfast Grand Opera House. 7.00pm Davy Matchett – Adjudicator Davy Matchett is a Director of Third Bar Artist Development, a company he set up with Gary Lightbody from Snow Patrol. -
Annual Review 2009-10 a Annual Review R
arts council ofA northern ireland annualR review 2009-10 annual review page 1 page Arts Council of Northern Ireland - 2009-10 www.artscouncil-ni.org arts council of northern ireland annual review 2009-10 arts council of northern ireland annual review 2009-10 page 2 page page 3 page Our Vision Our vision is to ‘place the arts at the heart of our social, economic and creative life’. In Creative Connections*, our five-year development plan for the arts, 2007-2012, we identify four main themes covering what we believe needs to be done to achieve this vision - promoting the value of the arts; strengthening the arts; increasing audiences and improving our organisation’s performance. Cover Image: Cristina Catalina in ‘This Other City’ by Tinderbox Theatre Company. Theatre Tinderbox by City’ Other ‘This in Catalina Cristina Image: Cover Heaney Christopher Photo: In this Annual Review 2009-10, you will see the progress that has been made in these areas, from international profiling of the arts and expansion of arts-led regeneration projects, to strengthening connections with the business sector and Northern Ireland’s continuing participation in the 2012 Cultural Olympiad and Legacy Trust. * available at www.artscouncil-ni.org Maiden Voyage, ‘4 Quartets’. ‘4 Voyage, Maiden Photography Fox Joe Photo: arts council of northern ireland annual review 2009-10 arts council of northern ireland annual review 2009-10 Contents Welcome Welcome to the Arts Council of Northern Ireland’s A brief summary of our Accounts for the financial ‘Building for the Future’ - Chairman’s Foreword 6 Annual Review 2009-2010. -
Arcada Theatre St
Live in the United States LIBERA Arcada Theatre St. Charles, IL April 8Washington,TH 2015 at D.C. 7:30pm Joyful Joyful How Can I Keep From Singing Sanctus Salva Me Amazing Grace Morning Has Broken Voca Me Exultate The Prayer INTERVAL Always With You Song Of Life Orinoco Flow Wayfaring Stranger How Great Thou Art Wonderful World Going Home How Shall I Sing That Majesty April 8TH 2015 | The Arcada Theatre | 7:30 PM — PLEASE NOTE — Program subject to change. All forms of recording, video filming, photography, use of mobile phone cameras etc are strictly prohibited. There will be an opportunity to purchase CDs/DVDs during the interval and at the end of the concert. Copyright©Libera 2015. All rights reserved. LIBERA MARC ALVARES, SHAY BALSEKAR, CIARAN BRADBURY-HICKEY, MERLIN BROUWER, BENEDICT BYWATER, GABRIEL COLLINS, THOMAS DELGADO-LITTLE, ALEX GULA, ADAM IZGHOUTI, MATTHEW JANSEN, TIMOTHY LEE, ISAAC LONDON, MATTHEW MADINE, ALESSANDRO MACKINNON-BOTTI, JAMES MENEZES, MICHAEL MENEZES, ALEX MONTORO, CASSIUS O’CONNELL-WHITE, TAICHI SHINOKUBO, CAMDEN STEWART, ROCCO TESEI, MARK USTYNOVYCH-REPA, JOSEPH WALSHE, SAM WIGGIN, LUCAS WOOD Musical Director – Robert Prizeman Assistant musical directors – Sam Coates & Steven Geraghty Flute / Whistle – Percussion – Keyboard – Candice Hamel Jonathan Ormston Joshua Madine Steven Geraghty Sound mixing & production – Sam Coates Lighting – Luke Avery Stage management – Jonathan Barrington & Simon Lewis Stage direction – Steven Geraghty Tour coordination and chaperone – Barbara Geraghty & Eleanor Lewis Tour coordination -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.