DOCSLIB.ORG

The Walking Dead

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Walking Dead The Walking Dead adattamento Frank Darabont {28.I.1959 – Montbéliard, Doubs, Franch- Comté, Francia} soggetto dalla graphic novel The Walking Dead di Robert Kirkman, Tony Moore [Michael Anthony Moore] {20.XII.1978 – Lexington, Kentucky, USA}, Charlie Adlard {1966 – Shrewsbury, Shropshire, Inghilterra, UK} consul produz Adam Fierro, Gregory Nicotero {15.III.1963 – Pittsburgh, Pennsylvania, USA} produzione Denise M. Huth, Tom Luse produz associate Skip Schoolnik [Stuart Michael Schoolnik] prod esecutiva David Alpert, Frank Darabont, Charles H. Eglee {27.XI.1951 – New Haven, Connecticut, USA}, Gale Anne Hurd {25.X.1955 – Los Angeles, California, USA}, Robert Kirkman co produz esec Jack Lo Giudice casting Sharon Bialy, Sherry Thomas {Notyhampton, Massachusetts, USA} tema musicale Bear McCreary {17.II.1979 – Fort Lauderdale, Florida, USA} titoli Kyle Cooper {1962 – Salem, Massachusetts, USA} [ American Movie Classics / Circle of Confusion / Valhalla Motion Pictures / Darkwoods Produztions ] Stagione #01 Episodio #01 Days Gone by ~ • ~ I giorni andati USA © 31 Ottobre 2010 Colore 46m regia Frank Darabont sceneggiatura Frank Darabont musiche Bear McCreary direzione foto David Tattersall {1960 – UK} montaggio Hunter M. Via {02.V.1976 – Charleston, West Virginia, USA} scenografie Gregory Melton {24.XI.1959 – El Paso, Texas, USA} architetto Alex Hajdu {29.X.1954 – Budapest, Ungheria} arredamenti Lisa Jeanne Alkofer assist montaggio Nathan Gunn, Sara Mineo {25.IV.1977 – Hackettstown, Massachusetts, USA} assist produzione (non accreditati) Joseph Nadeau, Chris Saharek 1° assist regia K. C. Colwell 2° assist regia Karen Davis, (2°) John Bonaccorse {13.V.1982} attrezzista Michael Sabo capo sq elet Stephen Thompson {04.V.1958} capo sq mac Richard Mall coord prod (non accreditata) Mandy McCowan coord stunt Steve Ritzi costruzione John S. Fore costumi (design) Peggy Stamper, (supervisione) Fred Lloyd diret produzione Stephanie Accetta foto scena (non accreditato) Scott Garfield ispet produzione Caleb Womble location Mark Riley, (non accreditato) Kyle Hinshaw microfonista (non accreditato) Drew Ponder mixerista Shirley Libby mont musiche Michael Baber {01.XI.1966 – Wabash, Indiana, USA} operatore (A) Gregory W. Smith parrucchiere Taylor Knight re recording mix Dan Hiland, Garu D. Rogers segret edizione Rebecca Poulos, Mari Wilson {Santa Monica, California, USA} segret produzione (non accreditato) Brian Gonsalvez set dresser (non accreditati) Taraja Ramsess, (aggiunto) Joseph Nadeau {24.XI.1982 – Springfield, Massachusetts, USA} steadicam Gregory W. Smith sup mont suono Walter Newman superv musiche Thomas Golubic sup post prod Kenneth Requa trucco Donald M. Premick effetti speciali coord Darrell Pritchett trucco Jeremy Aiello, Hooward Berger, Jake Garber {16.IV.1965 – St. Paul, Minnesota, USA}, Garret Immel, Bill Johnson, Gregory Nicotero, Andy Schoneberg [Andrew John Sconeberg] {17.VII.1956 – Casper, Wyoming, USA}, (non accreditato) Toby Sells {29.IX.1964 – Kingsport, Tennessee, USA} visivi artisti Jon Rosenthal, Michael Cook, Spence Fuller, Daniel Kumiega, Brent A. Steinberg digitali compos artisti (non accreditati) Josh Bryson, Diego Galtieri {1968 – Buenos Aires, Argentina}, Ragui Hanna superv Christopher D. Martin matte (non accreditata) Kristin Johnson superv Sam Nicholson, (non accreditato) Jason Sperling 2ª unità regia (non accreditato) Gregory Nicotero cast Andrew Lincoln [Andrew Clutterbuck] {14.IX.1973 – Londra, Inghilterra, UK} Sarah Wayne Collies [Sarah Anne Collies] {01.VI.1977 – La Grange, Illinois, USA} Chandler Riggs {27.VI.1999} Rick / Lori / Carl Grimes Jon Bernthal {20.IX.1977 – Washington, District of Columbia, USA} Shane Walsh [Heather] Laurie Holden {17.XII.1969 – Los Angeles, California, USA} Andrea Jeffrey DeMunn {25.IV.1947 – Buffalo, New York, USA} Dale Howarth Steven Yeun {Soul, Corea del Sud} Glenn (voce) Lennie James {11.X.1965 – Londra, Inghilterra, UK} Adrian Kali Turner {1997 – Takoma Park, California, USA} Morgan / Duane Jones Emma [Jean] Bell {17.XII.1986 – New Jersey, USA} Amy Jim R. Coleman Lam Kendal Linds Edwards Leon Bassett Geisha Tills Moglie di Morgan (non accreditati) Shannon Brinson Erin Leigh Bushko Charles Carey Jevocas Green {18.VII.1983 – Atlanta, Georgia, USA} Shannon Guess [Shannon Rogers] Mike Kasiske Ryan Kightlinger Larry Mainland Derrick McLand {08.I.1984 – Provo, Utah, USA} Cody Rowlett Sonya Thompson {Georgia, USA} Christopher Vogt {04.IX.1967 – Kraków, Malopolskie, Polonia} Steve Warren [Stephen Craig Monheimer] {09.VIII.1942 – Philadelphia, Pennsylvania, USA} Zombi Max Calder Carl Cunningham {16.II.1972 – Base dell’esercito degli Stati Uniti, Berlino, Germania} Joe Giles Brian Stretch Gary Whitta Scott M. Yaffee {30.III.1964 – Newark, New Jersey, USA} Zombi col berretto / di Atlanta / vestito di nero / nel carro armato / col pigiama / che cammina Frances Cobb L. Stephanie Ray Sopravvissuti urante un’operazione per intercettare una banda di rapinatori, Rick Grimes viene gravemente ferito e cade in coma. Al suo risveglio si ritrova solo e abbandonato in un ospedale preda dell’incurie e dove cadaveri in avanzato stato di decomposizione giacciono un po’ ovunque. Il poliziotto, avventuratosi nella fatiscente struttura scopre con suo orrore che i morti sono tornati in vita e hanno invaso la sua pacifica cittadina. Mentre è in esplorazione nella sua casa, viene salvato da un uomo di colore e da suo figlio; e viene edotto circa la situazione in cui l’intero paese sembra essere piombato. Rick, appurato che la moglie ha abbandonato la casa con il loro figlioletto, si mette alla loro ricerca, separandosi dai suoi salvatori, salvo darsi appuntamento nella città di Atlanta, dove pare che l’esercito abbia costituito un grande centro di accoglienza. In sostanza è un capitolo introduttivo alla vicenda. Girato con buona tecnica ma un certo ricalco degli stilemi da Frank Darabont (The Mist / La nebbia, 1997), che è anche l’adattatore per il piccolo schermo della “graphic-novel” da cui la serie è tratta; ha comunque un’ottima parte centrale, in cui i due personaggi raccontano i propri drammi con dosata umanità, senza indulgere nel sentimentalismo più populista. Un buon inizio. Da notare che il nome del giovane ragazzo di colore – Duane Jones – è anche quello dell’attore protagonista di Night of the Living Dead / La notte dei morti viventi, 1968 di George A. Romero, sostanzialmente dove tutto il mondo degli zombi come lo intendiamo attualmente ha avuto inizio. Voto Personale: ~ 8 ~ http://www.imdb.com/title/tt1589921/combined 8,7 Stagione 01 Episodio 02 Guts ~ • ~ Una via d’uscita USA © 07 Novembre 2010 Colore 46m regia Michelle [Maxwell] McLaren {1965 – Canada} sceneggiatura Frank Darabont musiche Bear McCreary direzione foto David Boyd montaggio Julius Ramsey scenografie Gregory Melton architetto Alex Hajdu {29.X.1954 – Budapest, Ungheria} arredamenti Lisa Jeanne Alkofer assist montaggio Nathan D. Gunn, Tina Treggo assist produzione (non accreditati) Patrick O’Connor, (set) Chris [-topher Shawn Robert] Burns {26.X.1973 – Flint, Michigan, USA}, Robin Spears, (uffici) Kenyea Johnson 2° assist op (non accreditati – A) Trey Twitty, (C) Alaina McManus 1° assist regia Martin Jedlicka 2° assist regia Veronica Hampton attrezzista Michael Sabo capo sq elet Rick Crank capo sq mec Robert Kempf coord prod Mandy McCowan coord stunt Steve Ritzi costumi (design) Peggy Stamper, (supervisione) Fred Lloyd diret produzione Stephanie Accetta foto scena (non accreditato) Scott Garfield ispet prod Caleb Womble location Mike Riley microfonista (non accreditato) Drew Ponder mixerista Shirley Libby mont musiche Michael Baber operatore (A) Mike Satrazemis, (non accreditato – C) Mark Dobiecki parrucchiera Taylor Knight re recording mix Dan Hilland, Gary D. Rogers segret edizione Rebeca Poulos, Mari Wilson segret produzione (non accreditato) Brian Gonsalves set dresser (non accreditati) Taraja Ramsess, (aggiunto) Joseph Nadeau sup mont suono Walter Newman superv musiche Thomas Golubic superv post prod Kenneth Requa titoli Kyle Cooper trucco Donna M. Premick effetti speciali coord Darrell Pritchett trucco Jeremy Aiello, Howard Berger, Jake Garber, Garrett Immel, Gregory Nicotero, Andy Schoneberg, Kevin Wasner, (non accreditato) Toby Sells visivi artisti (non accreditati) Michael Cook, Spence Fuller, Eric Moralls, Brent A. Steinberg digitali artista Jon Rosenthal compos (non accreditati) Josh Bryson, Diego Galtieri, Ragui Hanna superv Christopher D. Martin matte (non accreditati) Maxx Burman, Kristin Johnson cast Andrew Lincoln [Andrew Clutterbuck] Sarah Wayne Collies [Sarah Anne Collies] Chandler Riggs Rick / Lori / Carl Grimes Jon Bernthal Shane Walsh [Heather] Laurie Holden Andrea Jeffrey DeMunn Dale Howarth Steven Yeun Glenn Emma [Jean] Bell Amy Michael Rooker {06.IV.1955 – Jasper, Alabama, USA} Merle Dixon Andrew Rothenberg Jim Juan Gabriel Pareja Morales [Robert] IronE Singleton {Atlanta, Georgia, USA} T-Dog Jeryl Prescott Sales Jacqui (non accreditati) Michael L. Covington Genitore Charles Casey Carl Cunningham Eddie Rattanasouk [Virath Rattanasouk] Zombie ella città di Atlanta, Rick si ritrova in un brutto guaio, costretto a barricarsi dentro a un carro armato mentre tutt’intorno frotte di morti viventi lo hanno stretto d’assedio e senza più il borsone delle armi trafugate alla sua vecchia centrale di polizia. A trarlo d’impiccio è un ragazzino orientale, che lo conduce da un manipolo di scampati intenti a razziare dei negozi. Mentre uno di questi – Merle – si lascia andare al suo carattere selvaggio, costringendo il
Load more

Recommended publications
  • La Construcción Del Acontecer De Riesgos Y De Catástrofes Abstract
    Carlos Lozano Ascencio (coord.) Prólogo de Delia Crovi Druetta La construcción del acontecer de riesgos y de catástrofes Cuadernos Artesanos de Comunicación / 82 Cuadernos Artesanos de Comunicación Comité Científico Presidencia: José Luis Piñuel Raigada (UCM) Secretaría: Concha Mateos (URJC) Bernardo Díaz Nosty (Universidad de Málaga, UMA) Carlos Elías (Universidad Carlos III de Madrid, UC3M) Javier Marzal (Universidad Jaume I, UJI) José Luis González Esteban (Universitas Miguel Hernáncez de Elche, UMH) José Luis Terrón (Universidad Autónoma de Barcelona, UAB) José Miguel Túñez (Universidad de Santiago, USC) Juan José Igartua (Universidad de Salamanca, USAL) Marisa Humanes (Universidad Rey Juan Carlos, URJC) Miguel Vicente (Universidad de Valladolid, UVA) Miquel Rodrigo Alsina (Universidad Pompeu Fabra, UPF) Núria Almiron (Universidad Pompeu Fabra, UPF) Ramón Reig (Universidad de Sevilla, US) Ramón Zallo (Universidad del País Vasco, UPV-EHU) Victoria Tur (Universidad de Alicante, UA) * Queda expresamente autorizada la reproducción total o parcial de los textos publicados en este libro, en cualquier formato o soporte imaginables, salvo por explícita voluntad en contra del autor o autora o en caso de ediciones con ánimo de lucro. Las publicaciones donde se incluyan textos de esta publicación serán ediciones no comerciales y han de estar igualmente acogidas a Creative Commons. Harán constar esta licencia y el carácter no venal de la publicación. * La responsabilidad de cada texto es de su autor o autora. * Los artículos que componen este volumen han pasado un proceso de revisión por pares ciegos. Los coordinadores agradecemos encarecidamente la participación en dicho proceso a José María Bernardo (U. de Valencia), Alicia de Lara (U. Miguel Hernández de Elche), Josep-Vicent Gavaldà (U.
    [Show full text]
  • The Top 101 Inspirational Movies –
    The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of
    [Show full text]
  • Diplomarbeit Der Utopiediskurs in Der Amerikanischen, Postapokalyptischen Serie the Walking Dead
    DIPLOMARBEIT Titel der Diplomarbeit „Der Utopiediskurs in der amerikanischen, postapokalyptischen Serie The Walking Dead“ verfasst von Doris Kaminsky angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2015 Studienkennzahl lt. Studienblatt: A 190 313 333 Studienrichtung lt. Studienblatt: Lehramtsstudium UniStG UF Geschichte, Sozialkunde und Politische Bildung UniStG UF Deutsch UniStG Betreut von: Univ.-Prof. Dr. Frank Stern Danksagung Zuerst möchte ich mich ganz herzlich bei meinem Betreuer Dr. Frank Stern bedanken, der mir auch in schwierigen Phasen aufmunternde Worte zugesprochen hat und mit zahlreichen Tipps und Anregungen immer an meiner Seite stand. Zudem will ich mich auch bei Herrn Professor Dr. Stefan Zahlmann M.A. bedanken, der durch seine anregenden Seminare meine Themenfindung maßgeblich beeinflusst hat. Großer Dank gebührt auch meinen Eltern, die immer an mich geglaubt haben und auch in dieser Phase meines Lebens mit tatkräftiger Unterstützung hinter mir standen. Außerdem möchte ich mich auch bei meinen Freunden bedanken, für die ich weniger Zeit hatte, die aber trotzdem zu jeder Zeit ein offenes Ohr für meine Probleme hatten. Ein besonderer Dank gilt auch meinem Freund Wasi und Wolf, die diese ganze Arbeit mit sehr viel Sorgfalt gelesen und korrigiert haben. Inhaltsverzeichnis 1. Einleitung........................................................................................................ 1 2. Utopie, Eutopie und Dystopie................................................................ 4 2.1 Definition und Merkmale der Utopie.............................................. 5 2.2 Vom Raum zur Zeit: eine kurze Geschichte der Utopie.................. 7 2.2 Die Utopie im Medium Film und Fernsehen................................... 9 3. „Zombie goes global“ – Der Zombieapokalypsefilm und der utopische Impuls.................... 11 3.1 Vom Horror zur Endzeit – Das Endzeitszenario und der Zombiefilm.................................... 12 3.1.1 Das Subgenre Endzeitfilm und die Abgrenzung vom Horrorgenre......
    [Show full text]
  • The Walking Dead
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1080950 Filing date: 09/10/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91217941 Party Plaintiff Robert Kirkman, LLC Correspondence JAMES D WEINBERGER Address FROSS ZELNICK LEHRMAN & ZISSU PC 151 WEST 42ND STREET, 17TH FLOOR NEW YORK, NY 10036 UNITED STATES Primary Email: [email protected] 212-813-5900 Submission Plaintiff's Notice of Reliance Filer's Name James D. Weinberger Filer's email [email protected] Signature /s/ James D. Weinberger Date 09/10/2020 Attachments F3676523.PDF(42071 bytes ) F3678658.PDF(2906955 bytes ) F3678659.PDF(5795279 bytes ) F3678660.PDF(4906991 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD ROBERT KIRKMAN, LLC, Cons. Opp. and Canc. Nos. 91217941 (parent), 91217992, 91218267, 91222005, Opposer, 91222719, 91227277, 91233571, 91233806, 91240356, 92068261 and 92068613 -against- PHILLIP THEODOROU and ANNA THEODOROU, Applicants. ROBERT KIRKMAN, LLC, Opposer, -against- STEVEN THEODOROU and PHILLIP THEODOROU, Applicants. OPPOSER’S NOTICE OF RELIANCE ON INTERNET DOCUMENTS Opposer Robert Kirkman, LLC (“Opposer”) hereby makes of record and notifies Applicant- Registrant of its reliance on the following internet documents submitted pursuant to Rule 2.122(e) of the Trademark Rules of Practice, 37 C.F.R. § 2.122(e), TBMP § 704.08(b), and Fed. R. Evid. 401, and authenticated pursuant to Fed.
    [Show full text]
  • International Theatrical Marketing Strategy
    International Theatrical Marketing Strategy Main Genre: Action Drama Brad Pitt Wardaddy 12 Years a Slave, World War Z, Killing Them Softly Moneyball, Inglourious Basterds, The Curious Case of Benjamin Button Shia LaBeouf Bible Charlie Countryman, Lawless, Transformers: Dark of the Moon, Transformers: Revenge of the Fallen, Eagle Eye, Indiana Jones and the Kingdom of the Crystal Skull Logan Lerman Norman Noah, Percy Jackson: Sea of Monsters, Stuck in Love, The Perks of being a Wallflower, The Three Musketeers Michael Peña Gordo Cesar Chavez, American Hustle, Gangster Squad, End of Watch, Tower Heist, 30 Minutes or Less CONFIDENTIAL – DO NOT DISTRIBUTE Jon Bernthal Coon-Ass The Wolf of Wall Street, Grudge Match, Snitch, Rampart, Date Night David Ayer Director Sabotage, End of Watch Target Audience Demographic: Moviegoers 17+, skewing male. Psychographic: Fans of historical drama, military fans. Fans of the cast. Positioning Statment At the end of WWII, a battle weary tank commander must lead his men into one last fight deep in the heart of Nazi territory. With a rookie soldier thrust into his platoon, the crew of the Sherman Tank named Fury face overwhelming odds of survival. Strategic Marketing & Research KEY STRENGTHS Brad Pitt, a global superstar. Pitt’s star power certainly is seen across the international market and can be used to elevate anticipation of the film. This is a well-crafted film with standout performances. Realistic tank action is a key interest driver for this film. A classic story of brotherhood in WWII that features a strong leader, a sympathetic rookie, and three other entertaining, unique personalities to fill out the crew.
    [Show full text]
  • The Parthenon, April 3, 2013
    Marshall University Marshall Digital Scholar The aP rthenon University Archives 4-3-2013 The aP rthenon, April 3, 2013 John Gibb [email protected] Tyler Kes [email protected] Follow this and additional works at: http://mds.marshall.edu/parthenon Recommended Citation Gibb, John and Kes, Tyler, "The aP rthenon, April 3, 2013" (2013). The Parthenon. Paper 207. http://mds.marshall.edu/parthenon/207 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The aP rthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. C M Y K 50 INCH SPJ lecture focuses on black history, life of an African-American scholar > More on News WEDNESDAY, APRIL 3, 2013 | VOL. 116 NO. 111 | MARSHALL UNIVERSITY’S STUDENT NEWSPAPER | marshallparthenon.com Manchin visits Marshall, discusses social issues with students By CAITLIN KINDER-MUNDAY you can eliminate and what you Manchin discussed multiple THE PARTHENON can’t eliminate.” social issues brought up by stu- Senator Joe Manchin visited Manchin used the example of dents in attendance. Marshall University Tuesday to comparing individual students Medicare was one issue discuss multiple social issues brought up by a student in the that were on student’s minds. the government as a whole. The room. Manchin discussed how At 4 p.m., around 70 students governmentoperating on maintains a fixed income a much to quickly Medicare funds are go- and faculty members gathered larger budget, but accrues ing to run out if the government in Room 336 of Smith Hall to much more debt as well.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • 'Walking Dead' Returns
    Everyone's Sheathing Their Weapons When 'Walking Dead' Returns 09.10.2018 When AMC's monster hit, The Walking Dead, returns for season nine, Rick Grimes (Andrew Lincoln) and his crew have recovered after the all-out war against Negan (Jeffrey Dean Morgan) and his Saviors. In the season-eight finale, Rick decided to do what he thought his late son, Carl (Chandler Riggs), would have done and spared Negan's life, but that was not what everyone in his group would have chosen. Now it's a year and a half later, and both groups have rebuilt and are living in a tentative peace. The survivors are getting further away from the apocalyptic sickness that ended civilization as they knew it, and man-made structures are fading and failing as the survivors strive ever on. In the trailer above, each cast member is portrayed with a mesmerizing kaleidoscope effect designed by creative agency Bacon & Sons. All of them are seen sheathing their weapons, indicating that the time to fight has ended-at least for now. Later in the season, the Whisperers, who fans knows from the comics, will show up, led by Alpha who is played by Samantha Morton. Season nine-which returns Sunday, Oct. 7 at 9/8 c on AMC-also will be star Andrew Lincoln's last. The premiere will run a super-sized hour and a half and be followed by a new episode of aftershow Talking Dead. The Walking Dead is based on the graphic novel created by robert Kirkman and published by Image Comics.
    [Show full text]
  • To Download The
    FREE EXAM Complete Physical Exam Included New Clients Only Must present coupon. Offers cannot be combined Wellness Plans Extended Hours Multiple Locations www.forevervets.com4 x 2” ad Your Community Voice for 50 Years Your Community Voice for 50 Years RRecorecorPONTE VEDVEDRARA dderer entertainmentEEXTRATRA! ! Featuringentertainment TV listings, streaming information, sports schedules,X puzzles and more! September 24 - 30, 2020 INSIDE: has a new home at The latest House & Home THE LINKS! Listings Chris Rock gets 1361 S. 13th Ave., Ste. 140 Page 21 Jacksonville Beach dramatic as Offering: · Hydrafacials ‘Fargo’ returns · RF Microneedling · Body Contouring Chris Rock stars in the Season 4 premiere · B12 Complex / of “Fargo” Sunday on FX. Lipolean Injections Get Skinny with it! (904) 999-0977 www.SkinnyJax.com1 x 5” ad Now is a great time to It will provide your home: List Your Home for Sale • Complimentary coverage while the home is listed • An edge in the local market Kathleen Floryan LIST IT because buyers prefer to purchase a Broker Associate home that a seller stands behind • Reduced post-sale liability with [email protected] ListSecure® 904-687-5146 WITH ME! https://www.kathleenfloryan.exprealty.com BK3167010 I will provide you a FREE https://expressoffers.com/exp/kathleen-floryan America’s Preferred Ask me how to get cash offers on your home! Home Warranty for your home when we put it on the market. 4 x 3” ad BY JAY BOBBIN FX brings Chris Rock to ‘Fargo’ for series’ fourth season What’s Available NOW Though the last visit to “Fargo” was a and pitched him what I wanted to do, and while ago, it’s still on the television map.
    [Show full text]
  • 4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94).
    [Show full text]
  • BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
    Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district.
    [Show full text]
  • Cheryl Lewis
    Cheryl Lewis SAG-AFTRA*AEA*AGMA*AGVA stunt performer/actor/dancer/aerialist www.CherylinAction.com ~Youtube * Vimeo * Facebook * Instagram @CherylinAction HEIGHT: 5’5” WEIGHT: 125 LBS. EYES: BROWN HAIR: DK. BROWN FILM COORDINATOR or DIRECTOR WITHOUT REMORSE Stunt Driver Dbl. Jodie Turner-Smith Doug Coleman LOVE-40 Stunt Actor (Tennis Player) Drew Leary WONDER WOMAN 1984 Stunt Performer Rob Inch | Patty Jenkins 17 BRIDGES Stunt Performer Andy Gill PROUD MARY Stunt Dbl: Taraji P. Henson Robert Alonzo / Paul Marini TEN Stunt Dbl: China Anne McClain Drew Leary DEIDRA & LANEY ROB A TRAIN Stunt Dbl: Ashleigh Murray Eliza Coleman PIMP Stunt Driving Dbl: Keke Palmer Drew Leary ROXANNE ROXANNE Stunt Dbl: Chanté Adams Vince Cupone CAPTAIN AMERICA: CIVIL WAR Stunt Performer Sam Hargrave CHI-RAQ Stunt Performer Jeff Ward/ Eddie Fernandez MONEY MONSTER Stunt Performer Jery Hewitt WHEN THE BOUGH BREAKS Stunt Dbl: Regina Hall Lance Gilbert STRAIGHT OUTTA COMPTON Stunts Lin Oeding RUN ALL NIGHT Stunts Doug Coleman DEAR SECRET SANTA Stunt Dbl: Tatyana Ali Sean “Speedy” Christopher STAR TREK INTO DARKNESS Stunts John Stoneham Jr. ZOMBIE NIGHT Stunt Dbl: Tia Robinson (fall thru glass roof) John Ross HOLLOWS GROVE Stunt Dbl: Bresha Webb Kanin Howell TRAILER PARK HEROES vs. CRAZIES Stunts stunt: Merritt Yohnka/fight: John Medlen BLACK GOLD Stunt Dbl:Mbong Amata / Protestor Stunts #2 Tom Proctor / William Washington I REALLY HATE MY EX Stunt Dbl: Tomiko Fraser Hines Elle Alexander BATTLE B-BOY Battle Dancer/Stunts John Kreng PREMIUM RUSH Utility Stunts Stephen Pope GAME OF DEATH Stunt Dbl: Aunjanue Ellis Simon Rhee UNDER-TOW Deborah (action actor) Miles Orion Feld SALT Stunts Vic Armstrong / Simon Crane BOLDEN Stunt Dbl: Jeryl Prescott Sales Bud Davis I AM LEGEND Stunts Vic Armstrong AMERICAN GANGSTER Stunts – RedTop Girl George Aguilar THE COOKOUT Stunt Dbl:Queen Latifah (high fall) Roy T.
    [Show full text]