AL ROMERO Comedian

Total Page：16

File Type：pdf, Size：1020Kb

DR Entertainment 950 Peninsula Corporate Circle, Suite # 2010 Boca Raton, FL 33487 (561) 361-7212 [email protected] www.drentertainment.com AL ROMERO Comedian Born in Havana Cuba, Al Romero moved to the U.S. as a child. He was educated in the U.S. and is a graduate of Florida State University. DR Entertainment - Full Service Entertainment Agency DR Entertainment 950 Peninsula Corporate Circle, Suite # 2010 Boca Raton, FL 33487 (561) 361-7212 [email protected] www.drentertainment.com Al has been making his living as a performer and writer since 1980 and has had a long and successful career in standup comedy, having performed on numerous television shows for over a decade. Al has been one of the most sought after headline comedians for clubs, cruises and corporate events. Al is one of the original members of the Comedy show NIGHT OF A THOUSAND GUIDOS, and have performed with that show in Vegas, Atlantic City and numerous casinos throughout the U.S. Al is also an accomplished actor and has studied with Academy award winning actors, Sandy Denis and Bill Hickey, and have appeared in several movies and T.V. Shows. He wrote and starred in the T.V. Pilot WETS and was also a cast member and writer for the syndicated television show JAY & WILLOUHBY, in Miami Al was a segment writer, editor and on camera host for the nationally syndicated T.V. show PM MAGAZINE. Al is a founding member and contributing writer for the New York based sketch comedy troupe EL BARRIO U.S.A. that had a successful two year run at the famous VILLAGE GATE. Al as a writer has written a number of works including two full length screenplays; REVOLUTIONS and THE HAVANA HEAT, as well as several television pilots and comedy sketches. Al currently performs nation-wide in clubs, colleges and television. He has appeared on HBO, SHOWTIME, A&E and VH1 as well as on network television, NBC, CBS, ABC, AND FOX. Al’s most recent television appearance was on the FOX network. DR Entertainment - Full Service Entertainment Agency .

Copy Link

Recommended publications

Stage Door Theatre's Season 48 Auditions
STAGE DOOR THEATRE’S SEASON 48 AUDITIONS WHO? Stage Door Theatre is seeking actors, performers, and improvisers of multiple identities and abilities. All parts are compensated/paid. WHERE? 5339 Chamblee Dunwoody Rd. Dunwoody, GA 30338 WHEN? August 7th @ 11 am – 5 pm. Please click on the following link to reserve your slot: https://forms.gle/rdLnhsB96MGANSGy6 (callbacks may be held August 8th, if necessary). WHAT? Stage Door Theatre is auditioning for the following: - A Midsummer Night’s Dream (tracks listed at the end of this section) • Rehearses August 12th-September 3rd; Performs September 4th and 5th • Please prepare one 60 second Shakespearean monologue Oberon/Theseus Lysander/Flute/Cobweb Egeus/Starveling/Mote - Stage Door Theatre’s resident Improv/Sketch Comedy Troupe • Rehearses T-TH in September, October, December, February, April • Performs in November, January, March, May, June • Prepare one 60 sec. Story and one 60 sec. comic monologue in verse - Stage Door Theatre’s Season 48 tracks • Looking for actors ages 40+ • Prepare 2 contrasting monologues in verse and 16 bars of a Golden Age Musical or operetta SHOW DATES TRACK 1 TRACK 2 TRACK 3 TRACK 4 Romeo and Reh: Sep. Capulet Nurse Friar Lady Capulet Juliet Per: Oct Lawrence Halloween Reh: Oct various various various various Cabaret Per: Oct A Christmas Reh: Nov Scrooge Christmas various Christmas Carol Per: Dec Present Past Importance Reh: Jan Merriman Ms. Prism Reverend Lady Of Being Per: Feb Chausuble Bracknell Earnest Valentine’s Reh: Feb various various various various Day Cabaret Per: Feb The Pirates Reh: March Sergent of Ruth Major TBD of Penzance Per: April Police General Stanley .
[Show full text]
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change.
[Show full text]
Herbert Sigã¼enza Culture Clash Collection
http://oac.cdlib.org/findaid/ark:/13030/c8z03b3t No online items Guide to the Herbert Sigüenza Culture Clash Collection Special Collections & Archives University Library California State University, Northridge 18111 Nordhoff Street Northridge, CA 91330-8326 URL: https://library.csun.edu/SCA Contact: https://library.csun.edu/SCA/Contact © Copyright 2020 Special Collections & Archives. All rights reserved. Guide to the Herbert Sigüenza URB.CC-HS 1 Culture Clash Collection Contributing Institution: Special Collections & Archives Title: Herbert Sigüenza Culture Clash Collection Creator: Sigüenza, Herbert Identifier/Call Number: URB.CC-HS Extent: 5.98 linear feet Date (inclusive): 1984-2005 Abstract: A founding member of Culture Clash, Herbert Sigüenza was born in San Francisco. Culture Clash was founded on Cinco de Mayo, 1984 at René Yañez's Galería de la Raza/ Studio 24 in San Francisco's Mission District by Richard Montoya, Ricardo Salinas, Herbert Sigüenza, and José Antonio Burciaga. Culture Clash's brand of Chicano comedic theater has brought them to renowned venues including the Kennedy Center in Washington, DC, the Lincoln Center in New York City, the Huntington in Boston, the Goodman Theatre in Chicago, The Alley Theatre in Houston, Texas, the Seattle Repertory Theatre in Seattle, and the Mark Taper Forum in Los Angeles. Language of Material: English,Spanish; Castilian Biographical Information: Herbert Sigüenza was born in San Francisco. His parents are from El Salvador, and the family returned there to live when Sigüenza was nine years old. During that time El Salvador fought the "Soccer War" with Honduras. A Civil War broke out in El Salvador one year after Sigüenza left the country at age seventeen.
[Show full text]
Ryan Mcchesney Height: 5’5 I & I Agency, LLC Weight: 140 Lb 816-410-9950 Eyes: Green
Ryan McChesney Height: 5’5 I & I Agency, LLC Weight: 140 lb 816-410-9950 Eyes: Green FILMS New Asian Comedy (working title) Writer Cracken Chang Productions The Campaigners (Feature Film) Lucas/Writer/Director Lilacs and Gasoline Sasha Presents: How to Date The Date Project Fatkings Production Batman Feature Film Extra Warner Brothers The Express Feature Film Extra Davis Entertainment Street Wise: Wrote Directed/Actor Glowman Productions Lenexa 1-Mile Feature Film Extra.- Wiley Productions Minimum Wage - Library Worker Glowman Productions Gym Shoes Bobby Love Glowman Productions Monotony Student 1 Latherman Productions The Director Johnny (The director) Glowman Productions Comedy Troupe The Idiots- Sketch/Improv comedy group, CCN TV Warrensburg THEATER HahahAMEN Improv/Sketch The Organic Monkey’s Sketch/Improv Troupe The Benton House Chicago The Shepherd’s Pageant Daw Open Source Theater Company Mark and Laura’s Couples Advice Mark Gibson Gorilla Tango Theater It’s Good For You 2 Sketch/Improv Gorilla Tango Theater Police Academy 8 Sweetchuck National Pastime Theatre It’s Good For You Danny/Stuey Gorilla Tango Theater Stock Team Creation Improv The Spot Chicago Second City Level 5 Revue Sketch/improv Second City Etc Comedy Troupe The Idiots- Sketch/Improv Blue Springs City Theatre Much Adu About Nothing- Dogberry CMSU Theatre Monologue Showcase - One Man Act-The Grave Digger CMSU Theatre Arsenic & Old Lace Dr. Einstein Blue Springs City Theatre TRAINING Act one Studios: Tv and film course Zanies Beginning Stand Up Comedy Improv Olympic Level 1- 4b. Second City Improv for Actors 1 & 2, Graduated from the 1 ½ year long Conservatory Program Academy of Music and Dramatic Arts (AMDA) Scene Study, Acting, Central Missouri State University Minored in Theater.
[Show full text]
Plans Unveiled for North Campus
D A I L y SoftbaU team makes history. Intramural report Opinion: ,.1 Sound Bites. °"O"on't shoot this teacher. (alifornia State University, Northridge Thursday. Harch 20, 1996 Volume 42, Number 88 Plans unveiled for North Campus By Luis Medrano potential retail center will provide ll>ffWriur CSUN with money to fund a new stadium as welJ as other athletic, The development of North, academic and cultural facilities. Campus. designed to bring the The developer's presentations CSUN campus into a new era. took were held in the SSU Shoshone another step forward as four devel- Room. where membersoflhe Norlh ' oping companies revealed their Campus Boardandlhepublic beard vision for !he propeny Tuesday from developers and viewed ren- and Wednesday in !he Satellite derings of the plans. Student Union. Tuesday"smeetingsbeganwith Facel< of !he development will members of Lowe Enterprises. a revolve around a shopping center nationwide developing finn based and a new football stadium to bet- in Los Angeles, suggested a new ter accommodate CSUN's move football field, a science and tech- to the Big Sky Conference. nology ce nter for the site as well as A planned football stadium has an indoor sports arena. The plan been in !he works si nce the 1960s would also include a shopping cen- when the universi ty acquired the ler with five or six large s1ores in Conceptual drawings like this highlight just one of many ideas develop· land known as Devonshire Downs. addition to smal ler specialty shops. ers have in mind for the North Campus property. Plans include a shopping The Nonh Campus Board of a theater and a perfonning ans center and new sports facilities.
[Show full text]
A Survey of the Professional and Major Amateur Theatre
A SURVEY OF THE PROFESSIONAL AND MAJOR AMATEUR THEATRE P.RESENTATIONS IN SASKATOON FrlOM 1912 TO 1930 A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of ]i[aster of Arts in the Department of Drama University of Saskatchewan -. by Albert Ronald. Williams Saskatoon, Saskatchewan Nay, 1967 @ Copyright 1967. A. R. Williams 351.91.0 The author has agreed that the Library, University of Saskatche wan may make this thesis freely available for inspection. ].loreover, the author has agreed that permission for extensive copying of this thesis for scholarly purposes may be granted by the professor or professors who supervised the thesis work recorded herein or, in their absence, by the Head of the Department or the Dean of the College in which the thesis work was done. It is understood that due recognition will be given to the author of t,his thesis and to the University of Saskatchewan in any use of material in this thesis. Copying or pub lication or any other use of the thesis for financial gain without approval by the University of Saskatchewan and the author's written permission is prohibited. Requests for permission to copy or to make other use of material in this thesis in whole or in part should be addressed to: Head of the Department of Drama University of Saskatchewan SASKATOON, Canada SYNOPSIS This thesis is a survey of theatrical presentations in Saskatoon from 1912 to 1930. No attempt is made to propound theories based upon these facts. About three-quarters of this thesis presents a day-by-day compilation of professional stage productions and locally produced shows that appeared in the major Saskatoon Theatres from 1912 through 1921.
[Show full text]
Lobero LIVE Presents the CAPITOL STEPS Monday, May 7 at 8 PM at the Lobero Theatre
FOR IMMEDIATE RELEASE Media Contact: Angie Bertucci | 805.679.6010 | [email protected] Tickets: Lobero Box Office | 805.963.0761 | Lobero.com Lobero LIVE presents THE CAPITOL STEPS Monday, May 7 at 8 PM at the Lobero Theatre Santa Barbara, CA, March 9, 2018 – Lobero LIVE welcomes The Capitol Steps back to Santa Barbara on Monday, May 7 at 8 PM. The Capitol Steps, a Washington DC-based comedy troupe that began as a group of Senate Staffers, will present a show based on songs from their current album, Orange Is the New Barack at the Lobero Theatre. It doesn’t matter if you’re a Republican or Democrat, a snowflake or a deplorable: neither side is safe from the group that puts the “MOCK” in Democracy! The Capitol Steps have elevated political satire to an art form. Before The Daily Show, Full Frontal, and The Colbert Report, this Washington, DC-based comedy troupe gave audience laugh cramps with their bipartisan lampooning. The Capitol Steps began in 1981 as a group of Senate staffers who set out to satirize their employers, and haven’t let up since. If you’ve been keeping with the news, you know there’s no shortage of material. The troupe is coming back to Santa Barbara with a new show of musical and political comedy. “[Capitol Steps] brings ChuCkles...rave reviews...guffaws... and bipartisan grins all around.” —Wall Street Journal "An oasis of good-natured ribbing in a fierCely partisan world." —Washington Post TiCkets for The Capitol Steps are on sale now at Lobero.org, or by calling the Lobero Box OffiCe at 805.963.0761.
[Show full text]
For Immediate Release
FOR IMMEDIATE RELEASE AETS Takes a Novel Approach to Address Indigenous Workplace Inclusion Workshop aims to Inspire Laughs to Inspire Change March 5, 2021, Thunder Bay, ON- Anishinabek Employment and Training Services (AETS), in partnership with Indigenous Works and Magnus Theatre Company Northwest, has announced a free professional workshop, with a twist of comedy, to inspire organizations to improve their Indigenous Workplace Inclusion practices. The improv comedy event is being hosted virtually on Thursday March 25th and tackles sensitive topics related to Indigenous workplace inclusion. It features Tonto’s Nephews, an all-Indigenous troupe of professional actors, writers, and comedians. “Given the current health pandemic and the excessive number of virtual meetings people are facing, AETS wanted to continue delivering workplace education programs while using innovative and upbeat approaches. This employer focused workshop offers an engaging and artistic approach to addressing important Indigenous Workplace Inclusion issues through the voices and hearts of Indigenous comedians,” say John DeGiacomo, Executive Director of AETS. The event will explore where organizations fall on the Indigenous Inclusion Continuum. This enterprise-wide Workplace Inclusion System, designed by Indigenous Works, helps organizations to climb the seven-stage continuum, by diagnosing what organizational competencies are needed to achieve increased engagement and relationships with Indigenous Peoples, businesses and organizations. Indigenous sketch comedy troupe, Tonto’s Nephews, will bring each stage to life live through performances, as they interpret the program and its principals. “In some Indigenous teachings, humour is considered a medicine; a medicine that and can help us be more open, vulnerable and transparent to deal with difficult issues and subjects.
[Show full text]
The Rise, Fall and Rise of the Anglo-American Comic Eccentric Dancer Wilkie, I
Funny walking : the rise, fall and rise of the Anglo-American comic eccentric dancer Wilkie, I http://dx.doi.org/10.1080/2040610X.2017.1343971 Title Funny walking : the rise, fall and rise of the Anglo-American comic eccentric dancer Authors Wilkie, I Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/42954/ Published Date 2017 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Funny Walking: The Rise, Fall and Rise of the Anglo-American Comic Eccentric Dancer Abstract This article considers the (seemingly) lost art of comic eccentric dance. As a form of popular entertainment, comic eccentric dancing is generally assumed to be an early to mid-twenti- eth century phenomenon that emerged in the UK from the late Victorian Music Hall period and remained unchanged throughout the Variety period, only to disappear in the era of new mass media’s lack of appetite for ‘turns’ and speciality acts. However, is comic eccentric dance really a lost performance form? Can incarnations of the form really be considered as obsolete and archaic as such routines as, say, mesmerism, blackface or budgerigar acts? This article will attempt to reposition comic eccentric dance as a metamorphic form that still, surprisingly, exists, and is to be found with reasonable ubiquity, in renewed incarna- tions within twenty first century media.
[Show full text]
May 17, 2021 Media Contacts: Kristin Hellmich (251) 359-8554 [email protected]
May 17, 2021 Media Contacts: Kristin Hellmich (251) 359-8554 [email protected] FOR IMMEDIATE RELEASE Christian Comedy Event Returns to OWA Award-winning Comedians Andy Forrester and Lee Hardin deliver 90 minutes of family friendly fun (Foley, AL) - Taking every day, real world experiences to the OWA Theater, Andy Forrester and Lee Hardin create limitless laughter at the Christian Comedy Fest. Between June 4-6 join these two comedians for 90 minutes of hilarious performances, perfect for date night or friendly enough for the whole family to enjoy. Headlining the show is Andy Forrester. Forrester has been creating laughter since 1999 when he joined a local improv comedy troupe in Raleigh, NC. In 2005, Forrester tested his skills at his first open mic at Goodnight’s Comedy Club where his career skyrocketed. Winning multiple awards, and even earning a TV spot on the PureFlix Comedy All-Stars program, Forrester has created a name for himself in the world of comedy. Rounding out the show is Lee Hardin. Hardin is a standup comedian based in Nashville, TN and travels the country performing at comedy clubs, colleges, and corporate events. Having appeared on CMT and Comedy Central, Hardin can present comedy that is appropriate for everyone to enjoy. His act ranges from the absurd to the random punchline you never saw coming. Christian Comedy Fest will offer a variety of showtimes at the OWA Theater starting Friday, June 4 at 7pm, Saturday, June 5 at 4pm and 7pm, and Sunday, June 6 at 4pm. Tickets are now available online at VisitOWA.com/Christian-Comedy-Fest, so be sure to reserve a seat soon! General Admission is only $24.95.
[Show full text]
A Fool's Journey: an Exploration of Physical Comedy in Theory and Practice
A Fool's Journey: An Exploration of Physical Comedy in Theory and Practice Author: Bryce Allen Pinkham Persistent link: http://hdl.handle.net/2345/576 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2005 Copyright is held by the author, with all rights reserved, unless otherwise noted. A Fool’s Journey An Exploration of Physical Comedy In Theory and Practice A Senior Honors Thesis By Bryce Pinkham This Thesis is submitted on 5/20/05 in partial fulfillment of the requirements of the honors program in the College of Arts and Sciences at Boston College. Submitted by Advised by Bryce Pinkham Scott T. Cummings ________________________ ________________________ TABLE OF CONTENTS Preface Introduction ....................................... 5 I. Theoretical Why Comedy........................................ 6 The fool.......................................... 9 Arlecchino: A Classical Fool...................... 15 Bill Irwin: A Contemporary Fool................... 25 II. Practical The Concept....................................... 30 A Summary......................................... 34 The Development................................... 38 III. Conclusion................................... 42 Bibliography ...................................... 46 Supplemental Materials 2 Acknowledgements A special thanks to all those who lent their time, talent and resources to this project: Howard Enoch and the Robsham Theatre Arts Center, The Arts and Sciences Honors Program, Beth Whitaker, the Signature Theatre, Kathy Peter, Gwenmarie Ewing, Steven Schmidtt, Jamie Fagant, Caitlin Henry, Dan O’Brien, Dan Destefano, Matt Thompson, Emily Dendinger, Michelle Murphy, Stephanie Marquis, Mairin Lee, Jeff Vincent, Margo Beirne, Kelly Doyle, Jen Gardner, Jim Fagan, Matt O’Hare, Mr. Bill Irwin, and the Fung Wah Bus Company. A final thanks to Shep Barnett and Scott T. Cummings: this would not have happened without you. Thank you for your dedication, inspiration, and support.
[Show full text]
Comedy and Distinction: the Cultural Currency of a ‘Good’ Sense of Humour
Sam Friedman Comedy and distinction: the cultural currency of a ‘good’ sense of humour Book (Accepted Version) Original citation: Comedy and distinction: the cultural currency of a ‘good’ sense of humour, Abingdon, Oxon: Routledge, 2014, 228 pages. © 2017 The Author This version available at: http://eprints.lse.ac.uk/59932/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Introduction: Funny to Whom? In January 2011, the scheduling plans of Britain’s biggest TV station, BBC 1, were leaked to the press. After the recent success of BBC comedies such as Outnumbered and My Family, BBC1 Controller Danny Cohen apparently told his team of producers that BBC Comedy was becoming ‘too middle class’, and failing in its responsibility to appeal to working class viewers (Gammell, 2011; Revoir, 2011; Leith, 2011).
[Show full text]