Nebula 1.1, June 2004
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2006 TRASH Regionals Round 07 Tossups
2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams. -
CHRIS CUNNINGHAM and the ART VIDEO Summary
CHRIS CUNNINGHAM AND THE ART VIDEO Summary : 1. The Art Video 2. Chris Cunningham 3. The Clip Video Universe 4. Publicity and short movies 5. Music Producer Warning. Welcome to the strange world of Chris Cunningham. It’s time to make a choice. You can leave now and you’ll never have to see what we are about to show you. Or, you can stay, stuck on your chair and live with us a new risky experience. Open up your eyes and ears, we are starting. The Art Video was born in 1960 with Fluxus. Fluxus isn’t also an artistic movement, it’s a state of mind. We can give to this movement this definition : “art must be life”. Fluxus encouraged a "do-it-yourself" aesthetic, and valued simplicity over complexity, a kind of anti- art. It’s a combination of different arts. Fluxus artists have been active in Neo-Dada noise music and visual art as well as literature, urban planning, architecture, design and video. Then, Art Video take different forms like event, performance art, happening, or an installation which change space. In fact, provocated shows set a disorder. The most important art-video artists are : -Nam Jun Paik -Bill Viola (Name Jun Paik) With new technologies, appeared a new technic witch can change reality: 3D projection on buildings (video extract Projection on buildings) Projection on buildings change our perception in creating illusion. Chris Cunningham is an english music video film director and a video artist. At first, he learned painting and sculpture and then, he gets specialized in creation of silicone’s models and special effects. -
The House That AIDS Built
The House That AIDS Built Liam Scheff This article deals with pharmaceutical abuse in a children’s home in NYC. This is a most controversial story – however, it’s entirely based in fact and good reporting. I hope you’ll find it as compelling and shocking as I did investigating it. This piece was investigated and written in summer / winter 2003 and published in January 2004. Liam Scheff. E-mail : [email protected] Introduction: In New York’s Washington Heights is a 4-story brick building called Incarnation Children’s Center (ICC). This former convent houses a revolving stable of children who’ve been removed from their own homes by the Agency for Child Services. These children are black, Hispanic and poor. Many of their mothers had a history of drug abuse and have died. Once taken into ICC, the children become subjects of drug trials sponsored by NIAID (National Institute of Allergies and Infectious Disease, a division of the NIH), NICHD (the National Institute of Child Health and Human Development) in conjunction with some of the world’s largest pharmaceutical companies – GlaxoSmithKline, Pfizer, Genentech, Chiron/Biocine and others. The drugs being given to the children are toxic – they’re known to cause genetic mutation, organ failure, bone marrow death, bodily deformations, brain damage and fatal skin disorders. If the children refuse the drugs, they’re held down and have them force fed. If the children continue to resist, they’re taken to Columbia Presbyterian hospital where a surgeon puts a plastic tube through their abdominal wall into their stomachs. -
'I'm a Healthy Person. Our Children Have Excellent Records of Health …'
AIDS Defiant: IH V-positive Christine Maggiore appeared on the cover of Mothering magazine in 2001, pregnant with daughter Eliza Jane. By 2005, THE DENIALIST Eliza Jane had died of pneumonia resulting from untreated Aids. ‘I’m a healthy person. Our children have excellent records of health …’ Despite the death of her child and being HIV-positive, Christine Maggiore refused to believe she had Aids. by Diana Wichtel he image is confronting, as keep googling her and her organisation, when children with far less – impatient late like a motorway pile-up. Maggiore’s edifice. Maggiore survived for a long time been published in Harpers magazine. In it’s meant to be and, now, Alive and Well, to see what she was up to. distracted parents, a small apartment on book was called What If Everything You without drugs. “Mathilde Krim would this country, Joel Hayward’s thesis claim- unbelievably sad. A vibrant One such search revealed that, in 2005, a busy street, extended day care, Oscar Thought You Knew About Aids Turned out to describe me as a slow progressor,” said ing the Nazi gas chambers were “atrocity woman sits smiling into weeks after that radio show, Eliza Jane Mayer Lunchables – will happily stay?” be Wrong? There was a certain amount of Maggiore, of a doctor interviewed on propaganda” was awarded first class hon- the camera, flanked by her was dead. After being ill for a couple of The site was soon taken down. schadenfreude on websites where denial- 20/20, “as if to make ‘progress’ I need ours. Climate change deniers are regularly Thusband and small son. -
Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records
Philomusica on-line 13/2 (2014) Artificial Intelligence, ovvero suonare il corpo della macchina o farsi suonare? La costruzione dell’identità audiovisiva della Warp Records Alessandro Bratus Dipartimento di Musicologia e Beni Culturali Università di Pavia [email protected] § A partire dai tardi anni Ottanta la § Starting from the late 1980s Warp Records di Sheffield (e in seguito Sheffield (then London) based Warp Londra) ha avuto un ruolo propulsivo Records pushed forward the extent nel mutamento della musica elettronica and scope of electronic dance music popular come genere di musica che well beyond its exclusive focus on fun non si limita all’accompagna-mento del and physical enjoinment. One of the ballo e delle occasioni sociali a esso key factors in the success of the label correlate. Uno dei fattori chiave nel was the creative use of the artistic successo dell’etichetta è stato l’uso possibilities provided by technology, creativo delle possibilità artistiche which fostered the birth of a di- offerte dalla tecnologia, favorendo la stinctive audiovisual identity. In this formazione di un’identità ben ca- respect a crucial role was played by ratterizzata, in primo luogo dal punto the increasing blurred boundaries di vista audiovisivo. Sotto questo profilo between video and audio data, su- un ruolo fondamentale ha giocato la bjected to shared processes of digital possibilità di transcodifica tra dati transformation, transcoding, elabora- audio e video nell’era digitale, poten- tion and manipulation. zialmente soggetti agli stessi processi di Although Warp Records repeatedly trasformazione, elaborazione e mani- resisted the attempts to frame its polazione. artistic project within predictable Nonostante la Warp Records abbia lines, its production –especially mu- ripetutamente resistito a ogni tentativo sic videos and compilations– suggests di inquadrare il proprio progetto arti- the retrospective construction of a stico entro coordinate prevedibili, i suoi consistent imagery. -
Music in His Own Image: the Aphex Twin Face
Nebula 1.1, June 2004 Music in His Own Image: The Aphex Twin Face. By Peter David Mathews Beyond the dark, intense vision of his music, a further disturbing dimension of Aphex Twin’s project is illuminated by his video clips. In particular, his two most famous videos, “Come to Daddy” and “Windowlicker,” are the fruit of collaborations with director Chris Cunningham; awards for “Come to Daddy” first brought both these artists into the mainstream eye in 1997. The outstanding feature of these clips is undoubtedly the face of Richard D. James. James, the man behind the Aphex Twin pseudonym, stares mockingly at the viewer, inevitably flashing his trademark leer. The unsettling characteristic of this smile is how the lips are stretched to the point of exaggeration. The initial impression of a broad, cheerful smile is quickly replaced by a feeling of incipient unease. Figure 1: Cover of Aphex Twin’s Richard D. James Album James’s grin becomes an inverted grimace, the tension of which is clearly visible in the creases around his eyes, nose and forehead. The look imbues these images with an intensity embellished by the fact that James’s expression never changes. Mathews: Music in His Own Image. 65 Nebula 1.1, June 2004 The initial impact of this look is augmented and intensified in several ways. The most obvious is through a process of multiplication. In each Aphex Twin clip, the secondary actors take on the face of their Creator. “Come to Daddy,” for instance, opens with an old woman walking her dog in a grimy, industrial setting. -
The AIDS Conspiracy: Science Fights Back by Nicoli Nattrass
Journal of Scientifi c Exploration, Vol. 26, No. 4, pp. 885–891, 2012 0892-3310/12 BOOK REVIEW The AIDS Conspiracy: Science Fights Back by Nicoli Nattrass. Columbia University Press, 2012. 225 pp. $14.99 (Kindle). $34.50 (hardcover). ISBN 978-0231149129. The offi cial position, the mainstream consensus, is that HIV causes AIDS and that anti-HIV drugs are benefi cial. Both are denied by many people: Some of them are eminently qualifi ed to critique the technicalities, others are persuaded by personal experience or that of friends of being “HIV- positive” but healthy, and others again have analyzed the cases presented pro and con by the believers and the disbelievers. To my knowledge, there exists no disinterested analysis of the opposing cases, and books and book reviews tend to be highly polarized. For the present book, fulsome praise has come from those who share Nattrass’s belief that HIV causes AIDS; the opposite comes from those who disagree with her. This reviewer disagrees with Nattrass (Bauer 2007a, 2009a), and the reader is thereby warned to be on the alert for bias in this review even as its author strives to focus on verifi able points. The book’s title refl ects accurately that the discussion concerns tactics, strategies, and psychological and sociological and political aspects of the to-and-fro between believers and disbelievers. Regarded as insightful, consequently, are such passages as Notably, Paula Treichler locates AIDS conspiracy beliefs within what she terms a broader “epidemic of signifi cation” or parallel cultural process in which people generate, reproduce, and perform meanings in an attempt “to understand—however imperfectly—the complex, puzzling and quite terrifying phenomenon of AIDS.” (p. -
Tharunka for 2014
Week 13 - Week 14, Semester 2, 2014 First Published 1953 Volume 60, No. 14 University of NSW’s Independent Student Newspaper 2 EDITORIAL UNSW Tyree Energy Technologies Building Roof Solar Panels Image credit: Neerav Bhatt Editorial: A letter to the present and future Vice-Chancellors of UNSW Welcome to the last issue of Tharunka for 2014. Professor Hilmer has repeatedly refused to take a stand been a selfish Vice-Chancellor, and this University will In more ways than one, it’s the end of an era for on fossil fuel divestment, even as the Australian Na- not miss you. UNSW, as we bid farewell to outgoing Vice-Chancellor, tional University made international headlines with its The incoming Vice-Chancellor, Professor Ian Jacobs Professor Fred Hilmer, who will retire in early 2015 af- decision to stop investing in energy companies which of the University of Manchester, now has the opportu- are slowly corroding our planet. ter spending nine years in the top job at UNSW, seeing nity to show leadership in shaping a truly collaborative UNSW invests $50 million in fossil fuel stocks his salary rise above $1 million a year in the process. University that undertakes real consultation with its around the globe, $44 million of which is invested in What is remarkable about his tenure at UNSW is largest stakeholder: students. Australian equities. Universities occupy a unique role that Professor Hilmer was appointed to the role with Professor Jacobs, the tenure of your predecessor has as the progenitors of innovation and advancements in the business acumen of having been at the helm of a shown that UNSW is an institution that can weather society, and UNSW itself is a world leader in renewable major Australian company, Fairfax, during it’s slow and the strongest of mismanagement storms. -
The Social and Symbolic Power of AIDS Denialism
July August pages_SI new design masters 5/31/12 12:22 PM Page 34 The Social and Symbolic Power of AIDS Denialism AIDS denialism has proved socially resilient because dissident “hero scientists” provide legitimacy, “cultropreneurs” offer fake cures in the place of antiretroviral treatment, and HIV-positive “living icons” seem to provide proof of concept. NICOLI NATTRASS he discovery of antiretroviral therapy (ART) trans- a recent “documentary” funded in part by Rethinking AIDS. formed HIV infection from a death sentence into a Duesberg does more than merely 1 Tmanageable chronic disease. Yet a small group of question or rethink HIV science: he ac- “AIDS denialists” rejects the science underlying ART, be- tively publicizes his unfounded claims. Mark Wainberg, a microbiologist and lieving it rests on rotten foundations and that the therapy is past president of the Inter national toxic. These ideas have had deadly consequences. Most in- AIDS Society, called him “probably the famously, South African president Mbeki set up a panel of closest thing we have in this world to a scientific psychopath.”6 Duesberg’s sup- AIDS denialists and HIV scientists to debate the issue while porters, however, interpret such criti- delaying the use of ART in the public sector. Over 330,000 cism as evidence of his unfair oppres- South Africans died unnecessarily as a result.2 sion by a corrupt “AIDS establishment.” Accord ing to Celia Far ber, Duesberg’s In an earlier article3 for the SKEPTICAL powerful community-building effects. leading praise-singer, “As AIDS -
Clever Children: the Sons and Daughters of Experimental Music?
Clever Children: The Sons and Daughters of Experimental Music Author Carter, David Published 2009 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/1356 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367632 Griffith Research Online https://research-repository.griffith.edu.au Clever Children: The Sons and Daughters of Experimental Music? David Carter B.Music / Music Technology (Honours, First Class) Queensland Conservatorium Griffith University A dissertation submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy 19 June 2008 Keywords Contemporary Music; Dance Music; Disco; DJ; DJ Spooky; Dub; Eight Lines; Electronica; Electronic Music; Errata Erratum; Experimental Music; Hip Hop; House; IDM; Influence; Techno; John Cage; Minimalism; Music History; Musicology; Rave; Reich Remixed; Scanner; Surface Noise. i Abstract In the late 1990s critics, journalists and music scholars began referring to a loosely associated group of artists within Electronica who, it was claimed, represented a new breed of experimentalism predicated on the work of composers such as John Cage, Karlheinz Stockhausen and Steve Reich. Though anecdotal evidence exists, such claims by, or about, these ‘Clever Children’ have not been adequately substantiated and are indicative of a loss of history in relation to electronic music forms (referred to hereafter as Electronica) in popular culture. With the emergence of the Clever Children there is a pressing need to redress this loss of history through academic scholarship that seeks to document and critically reflect on the rhizomatic developments of Electronica and its place within the history of twentieth century music. -
Introduction 1 Nigeria and the Struggle for the Liberation of South
Notes Introduction 1. Kwame Nkrumah, Towards Colonial Freedom: Africa in the Struggle against World Imperialism, London: Heinemann, 1962. Kwame Nkrumah was the first president of Republic of Ghana, 1957–1966. 2. J.M. Roberts, History of the World, New York: Oxford University Press, 1993, p. 425. For further details see Leonard Thompson, A History of South Africa, New Haven, CT: Yale University Press, 1990, pp. 31–32. 3. Douglas Farah, “Al Qaeda Cash Tied to Diamond Trade,” The Washington Post, November 2, 2001. 4. Ibid. 5. http://www.africapolicy.org/african-initiatives/aafall.htm. Accessed on July 25, 2004. 6. G. Feldman, “U.S.-African Trade Profile.” Also available online at: http:// www.agoa.gov/Resources/TRDPROFL.01.pdf. Accessed on July 25, 2004. 7. Ibid. 8. Salih Booker, “Africa: Thinking Regionally, Update.” Also available online at: htt://www.africapolicy.org/docs98/reg9803.htm. Accessed on July 25, 2004. 9. For full details on Nigeria’s contributions toward eradication of the white minority rule in Southern Africa and the eradication of apartheid system in South Africa see, Olayiwola Abegunrin, Nigerian Foreign Policy under Military Rule, 1966–1999, Westport, CT: Praeger, 2003, pp. 79–93. 10. See Olayiwola Abegunrin, Nigeria and the Struggle for the Liberation of Zimbabwe: A Study of Foreign Policy Decision Making of an Emerging Nation. Stockholm, Sweden: Bethany Books, 1992, p. 141. 1 Nigeria and the Struggle for the Liberation of South Africa 1. “Mr. Prime Minister: A Selection of Speeches Made by the Right Honorable, Sir Abubakar Tafawa Balewa,” Prime Minister of the Federal Republic of Nigeria, Lagos: National Press Limited, 1964, p. -
Lost AIDS: Luc Montagnier's
Friday, June 18, 2010 Home Get Audio/Vide The Board Contact Us Q&A Languages Donate to RA About Involved! o Part I · Part II · Part III · Part IV NoName TV interviews RA board member Dr. Etienne de Harven and Jean-Claude Roussez, authors of "Ten Lies about AIDS" An Interview with Tommy Morrison Former World Boxing Organization Champion February 10, 2010 — On top of the world in 1996, heavyweight boxing champion, star of Rocky V with Sylvester Stallone, winner of almost every fight, his life was turned upside down when he tested positive for HIV antibodies just before a fight. In 2006 he re-tested negative and has tested negative many times since. In an interview with Celia Farber, RA president David Crowe and Terry Michael, Morrison states: "HIV doesn't hurt anybody...It's a passenger virus, it doesn't do anything...I thought the medication was what was killing people." Listen to the entire interview at HowPositiveAreYou.com: Recently, another renowned athlete, Olympic Gold Medalist Lee Evans, spoke of AIDS and Africa, expressing his doubts about widely accepted beliefs: "I have been all over Africa for almost 30 years and when I first heard there was a new sexually transmitted disease epidemic I was alarmed...All I ever saw was more and more of the same diseases we saw in 1975...but nobody except the media and the people living off AIDS money ever called that AIDS." Djamel Tahi January, 2010 Speak out, Monsieur le Professeur Montagnier! A few days ago, a video clip was posted on the Internet, which produced the kind of buzz that is shaking the world of AIDS research.