Iris Murdoch Poses This Question to Her Readers in Her Philosophic Treatise, the Sovereignty of Good (1970)

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Iris Murdoch Poses This Question to Her Readers in Her Philosophic Treatise, the Sovereignty of Good (1970)

Faith and Secular Morality in Iris Murdoch’s The Time of the Angels (1966) Farisa Khalid, Ph.D. student, English Department Abstract: “Can there be a good religious way of life without supernatural beliefs?” Iris Murdoch poses this question to her readers in her philosophic treatise, The Sovereignty of Good (1970). Can individuals be moral citizens without relying on the idea of God? Is mysticism a necessary prerequisite for the cultivation of moral imperatives? Murdoch’s theories into the nature of morality and rationality were fitting for her historical moment: postwar Britain haunted by the trauma of the Blitz and experiencing the Cold War threat of nuclear proliferation. In her tenth novel, The Time of the Angels (1966), Murdoch explores the idea of institutionalized religion within a quasi-dystopian world. Carel Fisher, the rector of a bombed-out Christopher Wren-designed church in London, suffers from spiritual doubts. Through the spiritual and emotional dilemmas of Carel Fisher and his younger brother Marcus, a philosopher who is writing a book on humanistic atheism, Murdoch examines the nature of postwar disillusionment with organized religion. A significant character in the novel Ruins of a smoldering building outside of St. Paul’s is Eugene Peshkov, a Russian refugee who is Carel’s handyman. Much of cathedral in London, 1940 (Photo: The Daily Mail) the action of the novel centers around Eugene Peshkov’s family heirloom, a Russian icon. Murdoch’s use of nineteenth-century novelistic traditions, her re-appropriation of gothic tropes, and her interweaving of Russian characters and themes within the novel enable her to compare cultural attitudes towards art and literature within a Cold War setting. In this paper, I hope to explore how Iris Murdoch contends with ontological and ethical themes within the capacious art form of the novel. *Paper to be presented at the Northeast Modern Language Association Conference on April 13, 2018 Left: Archangel Michael, eighteenth century, tempera on wood panel, Yaroslavl Art Museum Right: Iris Murdoch, photographed sometime in the mid-1960s .

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