Weekly 030715Web Layout 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Clovis News, 12-10-1915 the Ewn S Print
University of New Mexico UNM Digital Repository Clovis News, 1911-1913 New Mexico Historical Newspapers 12-10-1915 Clovis News, 12-10-1915 The ewN s Print. Co. Follow this and additional works at: https://digitalrepository.unm.edu/clovis_news Recommended Citation The eN ws Print. Co.. "Clovis News, 12-10-1915." (1915). https://digitalrepository.unm.edu/clovis_news/149 This Book is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Clovis News, 1911-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. FIRE and AUTOMOBILE FARM, GRAIN and HAIL INSURANCE INSURANCE Baker Brothers Baker Brothers Agency AGENCY J Officinl NMvpnppr f the lTmirc! S(ap I.aiul Offici' and of the lNtopIc of (lurry Counly VOL. 9. NO. 25 CLOVIS. CURliY COUNTY, NiSVV MEXICO. DKCEMBEU 10, 1915 $1.00 PER YEAR "September Morn" Elks' Memorial Services Germans Inquisitive to be contrary to precedents of Safety of the Nation to do so. The world is but litllo diplomatic all different from what it was a She ia litt'e Miss As is their annual custom, tiie Washington, Dec. 0 Count piocedure. Under In a stirring address to a comingdear thousand years ago. But we, in "September Morn" clothe! in Elks held the memorial services von HernstorlF today presented diplomatic usage it is only neces- private party of newspapermen. sary ."or in- the democracy of the United of a throe act musical at the Lyceum theatre Sunday to the state department a the United States to .1. -
Program of the 1991/92 Season
The University of Washington School of Musicpresents the 78th program of the 1991/92 season PROCONART UW Student Composers CoUective DA-=1 11,'1~b'· c~S 1\ , OI~9 Program Brechemln Auditorium 8~OO PM,March 5, 1992 , 1)'+-1 To Dream and to Awaken (1991) ..... 1..Y . :2...\........... .. FRED GURNEY \ \) '2- (in five movements) Piano: Sumiko Sato \ t> 3 Five Movements for Solo Clarinet (1984) ............ ELlZA.8ETH HOFFMAN Adagio ~ '3 CJ Pium6sso Aiiegro Grave Andante Clarinet: Marvin Westem / Carlos: to be written on a piece of paper (1991-92) . .t. .'. ~ 9.. RON AVERILL for tape realized on the NEXT computer ~4'?c;;. <" \ v~ A '1' Intermission ':'>t Q'i? I?' t , I [).; Verse for Seasons (1988) .... ~ . ~9. ............. LYNETIEWESTENDORF Mezzo-soprano: Carolyn Gronlund Flute/alto flute: Nancy Miles Viola: Jonathan Graber , Piano: Lynette Westendorf IL 2. Blasphemous Reverberations (1991) .............7 STUART scon MCLEOD Improvisation on tape for tortured piano, brake drums, synthesizer, COWbell, cymbals, scrambled computer signals, answering machine, incidental voices and parakeet 'Some boy scouts were asked to help move an old piano out of the church where they held their weekly meetings. After hauling the cumbersome wreckage down a couple flights of stairs and inio the alley, one boy discovered the beautiful noise the .piano made when the strings were ~ .. ..... struck. When the pastor had gone back into the church, the boy scout further investigated the potential of the instrument. Joined by his friends, he grabbed a 2 x 4 board and took a swing at the exposed guts of the forsaken piano. The air was filled with a horrendous boom, screaming out against the authority of the church, the badges on his shirt, and the superficial rank he held within the organization. -
07807603836 [email protected]
07807603836 [email protected] www.MurphyJamesMusic.com Murphy knows over 2000+ covers and here is a sample list of those songs but there are many more to be added so please just ask for requests on the night. 500 miles – The Proclaimers A little respect – Erasure A sky full of stars - Coldplay A thousand years – Christina Peri Ain't no sunshine – Bill Withers Ain’t nobody – Chaka Khan Alcoholic – Starsailor All about you - McFly All I want is you – U2 All night long – Lionel Richie All of me – John Legend All the small things – Blink 182 Always on my mind – Elvis Presley America – Razorlight America – Neil Diamond American Pie – Don McClean Am I wrong – Nico & Vinz Angel of Harlem – U2 Angels – Robbie Williams Another brick in the wall – Pink Floyd Another day in Paradise – Phil Collins Apologize – One Republic Ashes – Embrace A sky full of stars - Coldplay A-team - Ed Sheeran Baby can I hold you – Tracy Chapman Baby one more time – Britney Spears Babylon – David Gray Back for good – Take That Back to black – Amy Winehouse Bad moon rising – Credence Clearwater Revival Be mine – David Gray Be my baby – The Ronettes Beautiful noise – Neil Diamond Beautiful war – Kings of Leon Best of you – Foo Fighters Better – Tom Baxter Big love – Fleetwood Mac Big yellow taxi – Joni Mitchell Black and gold – Sam Sparro Black is the colour – Christie Moore Blame it on me – George Ezra Blue suede shoes – Elvis Presley Boulevard of broken dreams – Green Day Breakeven – The Script Breakfast at tiffany’s – Deep Blue Something Broken stones – Paul -
GÜNTER KONRAD Visual Artist 2 Contents
GÜNTER KONRAD visual artist 2 contents CURRICULUM VITAE 4 milestones FRAGMENTS GET A NEW CODE 7 artist statement EDITIONS 8 collector‘s edition market edition commissioned artwork GENERAL CATALOG 14 covert and discovered history 01 - 197 2011 - 2017 All content and pictures by © Günter Konrad 2017. Except photographs page 5 by Arne Müseler, 80,81 by Jacob Pritchard. All art historical pictures are under public domain. 3 curriculum vitae BORN: 1976 in Leoben, Austria EDUCATION: 2001 - 2005 Multi Media Art, FH Salzburg DEGREE: Magister (FH) for artistic and creative professions CURRENT: Lives and works in Salzburg as a freelance artist milestones 1999 First exhibition in Leoben (Schwammerlturm) 2001 Experiments with décollages and spray paintings 2002 Cut-outs and rip-it-ups (Décollage) of billboards 2005 Photographic documentation of décollages 2006 Overpaintings of décollages 2007 Photographic documentation of urban fragments 2008 Décollage on furniture and lighting 2009 Photographic documentation of tags and urban inscriptions 2010 Combining décollages and art historical paintings 2011 First exhibition "covert and discovert history" in Graz (exhibition hall) 2012 And ongoing exhibitions and pop-ups in Vienna, Munich, Stuttgart, | Pörtschach, Wels, Mondsee, Leoben, Augsburg, Nürnberg, 2015 Purchase collection Spallart 2016 And ongoing commissioned artworks in Graz, Munich, New York City, Salzburg, Serfaus, Singapore, Vienna, Zirl 2017 Stuttgart, Innsbruck, Linz, Vienna, Klagenfurt, Graz, Salzburg and many others ... OTHERS: Exhibition at MAK Vienna Digital stage design, Schauspielhaus Salzburg Videoscreenings in Leipzig, Vienna, Salzburg, Graz, Cologne, Feldkirch Interactive Theater Performances, Vienna (Brut) and Salzburg (Schauspielhaus), organizer of Punk/Garage/Wave concerts... 4 5 6 fragments get a new code The best subversion is to disfigure codes instead of destroying them. -
Full Volume 22
Ethnomusicology Review 22(1) From the Editors Samuel Lamontagne and Tyler Yamin Welcome to Volume 22, issue 1 of Ethnomusicology Review! This issue features an invited essay along with three peer-reviewed articles that cover a wide range of topics, geographical areas, methodological and theoretical approaches. As it seems to be a characteristic of ethnomusicology at large, this variety, even if it has become an object of critical inquiry itself (Rice, 1987, 2007; Laborde, 1997), has allowed the discipline, by grounding itself in reference to the context of study, to not take “music” for granted. It is in this perspective that we’d like to present this volume, and the variety of its contributions. In his invited essay, Jim Sykes asks what ramifications of the Anthropocece, understood as a socio-ecological crisis, hold for the field of music studies and the politics of its internal disciplinary divisions. Drawing upon scholars who assert that the Anthropocene demands not only concern about our planet’s future but also critical attention towards the particular, historically situated ontological commitments that engendered this crisis, Sykes argues that music studies both depends on and reproduces a normative model of the world in which music itself occupies an unproblematized metaphysical status—one that, furthermore, occludes the possibility of “reframe[ing] music history as a tale about the maintenance of the Earth system” (14, this issue) urgently necessary as anthropogenic climate change threatens the continuation of life as usual. By taking seriously the material and discursive aspects of musical practice often encountered ethnographically, yet either explained away by “the worldview embedded in our disciplinary divisions or . -
Fishing for Suckers"
'I I I ;I " i s i n I I I I for l! ll 'I uc ~ers" I il ,I 'I i )+ !Il Q ll I ;I' I G eor«e T h o mas W a t k i n s I 2 0 Fenn o S t r e et, R o x b u r y ll Boston, illassachnsetts ill i, 364 • 163 %33SF DUKE UNIVERSITY LIBRARY F RIEND S O F D IJK E UNI V E R S I T Y LIBRARY rrrr oF ......Louj,se Hall "FISHING FOR SUCKERS" By CARL. H. BROCKHAGEN Advertising Counsel for th e San Francisco Bulletin and President of the Advertising Club of San Francisco HERE has been niore fraud perpetrated Tthrough the classified pages of the Ameri can press than through all other classes of advertising c o mbined. T h r ough f a ke W ant Ads th e g u l l i ble an d u n w ary, t h e weak and the sick, the country yokel and i nnocent maid ar e o f ten l e d t o de n s o f iniquity, and f i nancial, moral o r p h y sical d isaster follows fast i n t h e w ak e o f t h e rotten m e dical, p e rsonal, m assage, clair. voyant, m atrimonial, m i n in g o r thi e v ing business opportunity advertising. [In The Fourth Estate, ofay 27, 1916] [ Easy htoney ] "Fishing for Suckers" ' H A tlvertising S c l t entes T h a t Get Money from the Innocent, Gttlliblc anti Unwary t'.0 g Photos of tlte Nutle "The Kind Men JVant, but Seldom Get" Rich, Rare anti Racy Books "The P'armest Stuff Ever Put in Print" The Mail Or der Mi n t "hIaking Money in the Mail Order hlint Is Easy A~hen You Knotv Hozv" cc $ s0 Boston George Thomas Watkins 1916 Copyright, 1916, by George Thomas Watkins Contettts PREFACE Page 9 " Fishing f o r s u c k ers" — "The schemes i<ark o f the a<is" — "The -
Experiencing Music Outside
BISH! BOSH! BANG! Experiencing Music Outside 50+ Ideas, Suggestions and Experiences by Juliet Robertson and Alec Miller COVID 19 UPDATE : This document was created prior to COVID-19 pandemic. The fast-changing changes to local and national guidance means that you will need to double check at your own setting, local and national level what is okay and not okay to do or have outside. Much of what is suggested can be easily adapted with a little bit of creativity and imagination. Also many things can be mitigated by handwashing before and after an activity outside. CONTENTS 1. Introduction………………………………………… ……………………………………….Page 3 2. Learning for Sustainability………………………………………………….…………..Page 10 3. Big Outdoor Musical Instruments……………………………………………………Page 11 4. The Importance of Silence………………………………………………………..…….Page 13 5. Creating Sounds…………………………….……………………………………………….Page 15 6. Exploring Sounds Outside……………………………………………………..………..Page 19 7. Discovering Sounds When Out and About……………..………………………Page 22 8. Homemade Musical Instruments……………………………………………………Page 24 9. The Musical Sound Garden…………………………………………………….……….Page 26 10. Micro-performances…………………………………………………………………….Page 38 11. Curriculum for Excellence…………………………………………………………….Page 41 12. Finally…………………………………………………………………………………………..Page 42 Juliet Robertson Email: [email protected] Twitter: @CreativeSTAR Website: www.creativestarlearning.co.uk Juliet is available for school or establishment-based training and providing practical support to schools and nurseries looking to improve their early years provision through outdoor learning and play. Alec Miller Email: [email protected] Alec works in many schools and nurseries in Aberdeen providing a variety of singing and storytelling workshops and programmes. ©Juliet Robertson and Alec Miller, Creative STAR Learning Ltd, 2012-2020 www.creativestarlearning.co.uk 2 1. Introduction Within Early Learning and Childcare (ELC) establishments it is expected that settings will provide a balance of provision between the indoor and outdoor spaces. -
Andrew Brassington | Managing Director [email protected]
DayStar Duo Song List 1917 24 HOURS FROM TULSA 4 + 20 5-6-7-8 500 MILES A BROKEN WING A FOOL SUCH AS I A GROOVY KIND OF LOVE A HARD DAYS NIGHT A LITTLE RAY OF SUNSHINE A LOVE SO BEAUTIFUL A MATTER OF TRUST A PIRATE LOOKS AT 40 A SONG FOR YOU A WHITE SPORT COAT A WORLD WITHOUT LOVE ABRACADABRA ACHY BREAKY HEART ADVANCE AUSTRALIA FAIR AFRICA AFTER THE GOLD RUSH AGE OF REASON AIN'T NO SUNSHINE AIN'T NO SUNSHINE ALL DAY AND ALL OF THE NIGHT ALL I HAVE TO DO IS DREAM ALL MY FRIENDS ARE GETTING MARRIED ALL MY LOVING ALL NIGHT LONG ALL RIGHT NOW ALL SHOOK UP ALL YOU NEED IS LOVE ALONE AT A DRIVE IN MOVIE ALWAYS ALWAYS ON MY MIND AMAZING GRACE AMERICAN PIE AMERICAN TRILOGY AM I THAT EASY TO FORGET AMOS MOSES AND I LOVE HER AND I LOVE YOU SO ANGELS WE HAVE HEARD ON HIGH www.ient.com.au Andrew Brassington | Managing Director [email protected] Mobile: 0408 445 562 | Direct: 03 6251 3118 ANGIE ANOTHER BRICK IN THE WALL ANOTHER SATURDAY NIGHT APRIL SUN IN CUBA ARE YOU GONNA BE MY GIRL ARE YOU LONESOME TONIGHT ARE YOU OLD ENOUGH ARMS OF MARY AROUND THE WORLD AT THE HOP AULD LANG SYNE AUSSIE JINGLE BELLS AUSSIE JINGLE BELLS AUTUMN LEAVES AVE MARIA AWAY IN A MANGER BABE BABY I LOVE YOUR WAY BABY PLEASE DON'T GO BAD MOON RISING BAD MOON RISING BAD THINGS BAKER STREET BANANA BOAT SONG BARBARA ANN BE-BOP-A-LULA BEAUTIFUL NOISE BED OF ROSES BEFORE YOU ACCUSE ME BEGIN THE BEGUINE BELLA LUNA BESAME MUCHO BETTER BE HOME SOON BETTER LIFE BETTER MAN BIG SPENDER BIG YELLOW TAXI BIRD DOG BLACKBIRD BLACK IS BLACK BLACK MAGIC WOMAN BLUE AIN'T YOUR COLOUR BLUE BAYOU -
Beautiful Noise 8 Piece Rock Band Sheet Music
Beautiful Noise 8 Piece Rock Band Sheet Music Download beautiful noise 8 piece rock band sheet music pdf now available in our library. We give you 6 pages partial preview of beautiful noise 8 piece rock band sheet music that you can try for free. This music notes has been read 3246 times and last read at 2021-09-27 17:53:29. In order to continue read the entire sheet music of beautiful noise 8 piece rock band you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Voice, Bass Guitar, Organ, Piano, Tenor Saxophone, Trombone Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Beautiful Noise Male Vocal Choir And Big Band Key Of C Beautiful Noise Male Vocal Choir And Big Band Key Of C sheet music has been read 3301 times. Beautiful noise male vocal choir and big band key of c arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 21:04:38. [ Read More ] Beautiful Noise Male Vocal Choir And Big Band Key Of D Beautiful Noise Male Vocal Choir And Big Band Key Of D sheet music has been read 3213 times. Beautiful noise male vocal choir and big band key of d arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 06:31:58. [ Read More ] Piece Of My Heart For Three Piece Horn Section Or String Section To Accompany A Rock Band Piece Of My Heart For Three Piece Horn Section Or String Section To Accompany A Rock Band sheet music has been read 4049 times. -
Exhibition of French and Belgian Art from the Panama-Pacific International Exposition, 1915
anxa 2634 -262 SPECIAL EXHIBITION CATALOGUE CITY ART MUSEUM SAINT LOUIS EXHIBITION OF FRENCH AND BELGIAN ART FROM THE PANAMA-PACIFIC INTERNATIONAL EXPOSITION, 1915 Opening, February 6, 1916 Series 1916 No. 4 'U 4 Digitized by the Internet Archive in 2016 https://archive.org/detaiis/exhibitionoffrenOOstio SPECIAL EXHIBITION CATALOGUE Series of 1916; No. 4 EXHIBITION OF FRENCH AND BELGIAN ART FROM THE PANAMA-PACIFIC INTERNATIONAL EXPOSITION, 1915 CITY ART MUSEUM ST. LOUIS FEBRUARY, 1916 THE CITY ART MUSEUM, ST. LOUIS ADMINISTRATIVE BOARD OF CONTROL \VILLIAM K. BIXBY President SAMUEL L. SHERER Vice-President DANIEL CATLIN DAVID R. FRANCIS MAX KOTANY WILLIAM H. LEE EDWARD MALLINCKRODT CHARLES PARSONS PETTUS THOMAS H. WEST R. A. HOLLAND Director MADELEINE BORGGRAEFE Secretary CHARLES PERCY DAVIS Curator he present Exhibition of French and Belgian Art which is being sent to various museums is the greater T part of the French exhibit which was shown in the Palace of Fine Arts at the Panama-Pacific Exposition, and represents in a most instructive manner the general trend of French art at the present time. It was the desire of those responsible for the collection to exhibit chiefly works produced within the last fifteen years and by men of recog- nized ability of every school. The major portion of the works here assembled was selected from the Fine Arts Section; but a few judiciously chosen additions, including the Belgian paintings, were made from the retrospective exhibition in the French Pavilion. It is fair to assume that all of the works presented are characteristic examples by the artists represented, and that they afford the American public an opportunity to study the typical, present-day art of France, the sort of art that one would expect to find assembled in the annual exhibitions of the Salon.