Slf21 Sargodha Literary Festival
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Category Wise Lists Private.Xlsx
Provisional Merit List for Open Merit BDS Seats for Private Sector Dental Colleges of Punjab Session 2019-2020 (November 04, 2019) Merit Aggregate Challan ID Name Father's Name Date Of Birth No. Percentage 1 9500607 Momina Ayub Dr. Ayub Ali 13/07/2001 94.3182 2 9505653 Nabeeha Fazeel Fazeel-Ur-Rehman 01/09/2001 93.2045 3 9501750 Aamina Arif Arif Maqsood Ali 30/08/2001 93.1364 Mohammad Younus 4 9512363 Shayan Siddiqui 17/02/2001 92.5455 Siddiqui Qadeer Ahmad 5 9510111 Ismah Minhas 16/09/1999 92.5 Minhas 6 9501249 Aleena Sameen Manzoor Ahmad 19/11/2001 92.5 Shehzina Kainat Muhammad Hassan 7 9509160 11/04/2002 92.5 Hassan Zafar 8 9501237 Hadeerah Afzaal Afzaal Ahmed Tarar 09/03/1999 92.3864 9 9500769 Mueeza Niaz Niaz Maqsood 14/09/2001 92.3182 10 9504119 Abdullah Hashmi Kashif Ali Hashmi 17/07/2002 92.2273 Muhammad Naeem 11 9506705 Eman Naeem 16/08/2002 92.2045 Munawar 12 9504861 Mariam Gul Zulfiqar Ahmed 28/02/2001 92.1591 Muhammad Ahmad 13 9500677 Muhammad Azam 09/11/2001 92.0909 Arsal Mahar Muhammad 14 9512341 Ali Qaizaar 25/04/2002 92.0682 Mohsin 15 9500843 Sarah Arif Arif Anwar Baloch 07/10/2000 92.0455 Errors and omissions are excepted. Page 1 of 281 Provisional Merit List for Open Merit BDS Seats for Private Sector Dental Colleges of Punjab Session 2019-2020 (November 04, 2019) Merit Aggregate Challan ID Name Father's Name Date Of Birth No. Percentage 16 9504077 Wajiha Irshad Khan Irshad Ahmad Shahid 01/09/1998 92 17 9510788 Saba Kainat Azmat Javed 16/11/1997 91.9773 18 9512545 Mohammad Anas Ijaz Ijaz Ahmad 17/12/1999 91.9773 19 9508344 -
Balochistan Review 2 2019
- I - ISSN: 1810-2174 Balochistan Review Volume XLI No. 2, 2019 Recognized by Higher Education Commission of Pakistan Editor: Abdul Qadir Mengal BALOCHISTAN STUDY CENTRE UNIVERSITY OF BALOCHISTAN, QUETTA-PAKISTAN - II - Bi-Annual Research Journal “Balochistan Review” ISSN: 1810-2174 Publication of: Balochistan Study Centre, University of Balochistan, Quetta-Pakistan. @ Balochistan Study Centre 2019-2 Subscription rate in Pakistan: Institutions: Rs. 300/- Individuals: Rs. 200/- For the other countries: Institutions: US$ 15 Individuals: US$ 12 For further information please Contact: Abdul Qadir Mengal Assistant Professor & Editor Balochistan Review Balochistan Study Centre, University of Balochistan, Quetta-Pakistan. Tel: (92) (081) 9211255 Facsimile: (92) (081) 9211255 E-mail: [email protected] Website: www.uob.edu.pk/journals/bsc.htm No responsibility for the views expressed by authors and reviewers in Balochistan Review is assumed by the Editor, Assistant Editor, and the Publisher. - III - Editorial Board Patron in Chief: Prof. Dr. Javeid Iqbal Vice Chancellor, University of Balochistan, Quetta-Pakistan. Patron Prof. Dr. Abdul Haleem Sadiq Director, Balochistan Study Centre, UoB, Quetta-Pakistan. Editor Abdul Qadir Mengal Asstt Professor, International Realation Department, UoB, Quetta-Pakistan. Assistant Editor Dr. Waheed Razzaq Assistant Professor, Brahui Department, UoB, Quetta-Pakistan. Members: Prof. Dr. Andriano V. Rossi Vice Chancellor & Head Dept of Asian Studies, Institute of Oriental Studies, Naples, Italy. Prof. Dr. Saad Abudeyha Chairman, Dept. of Political Science, University of Jordon, Amman, Jordon. Prof. Dr. Bertrand Bellon Professor of Int’l, Industrial Organization & Technology Policy, University de Paris Sud, France. Dr. Carina Jahani Inst. of Iranian & African Studies, Uppsala University, Sweden. Prof. Dr. Muhammad Ashraf Khan Director, Taxila Institute of Asian Civilizations, Quaid-i-Azam University Islamabad, Pakistan. -
Saturday, 26 April 2014 Friday, 25 April 2014
Friday, 25 April 2014 5.00 – 9.00 p.m. Margala Hall Inauguration Welcome Speeches by Ameena Saiyid and Asif Farrukhi Keynote Speeches by Zehra Nigah and Aamer Hussein Performance by Sheema Kermani Dastangoi by Danish Husain and Darain Shahidi of India and Fawad Khan and Nazrul Hasan of NAPA Saturday, 26 April 2014 Margala Hall Sangam Hall Central Lawn Board Room Consulate Room In Conversation with Novel kay Nayay Rung: Children’s Literature is Book Launch: Feryal Ali-Gauhar Readings and Conversation with No Child’s Play! I’ll Find My Way: An Anthology Moderator: Ritu Menon Mirza Athar Baig and Launch of Saman Shamsie, Rumana Husain, of Short Stories Hassan ki Soorat-e-Haal: Khaali and Fauzia Minallah Edited by Maniza Naqvi Jaghain Pur Karo Moderator: Amra Alam Rehana Hyder and Framji Minwalla 10.00 – 11.00 a.m. Moderator: Irfan Javed Moderator: Irshad Abdul Kadir The De Factor: Jis Tarha Sookhay Huay Phool Afghanistan: The Next Chapter Book Launch: Labyrinth of Reflections: In Conversation with Shobhaa De Kitabon main Milay: Faraz ko Rashed Rahman, Sarwar Naqvi, The Waters of Lahore In Conversation with Rashid Rana Moderator: Aliya Iqbal-Naqvi Yaad Karnay kay Bahanay Tariq Osman Hyder, and by Kamal Azfar Moderator: Quddus Mirza Screening of Short Film on Faraz Najmuddin Shaikh Riaz H. Khokhar 12.15 p.m. and Discussion – Moderator: Rasul Bakhsh Rais Moderator: Shaheen Khattak Presented by ArtNow Shibli Faraz, Zehra Nigah, Kishwar Naheed, and Abid Hasan Minto 11.15 a.m. Moderator: Muhammad Ahmed Shah Drama and the Small Screen In Conversation with Intizar Mission Possible: Book Launch: Sultana Siddiqui, Sarmad Khoosat, Husain and Launch of Reforming State Schools What’s Wrong with Pakistan? Sahira Kazmi, and Apni Danist Main and Mosharraf Zaidi, Ameena Saiyid, by Babar Ayaz Asghar Nadeem Syed Safar kay Khush Naseeb Abbas Rashid, Nauman Naqvi, and Moderator: Zahid Hussain 1.30 p.m. -
Emergent Cinema of Pakistan
Bāzyāft-30 (Jan-Jun 2017) Urdu Department, Punjab University, Lahore 13 Emergent Cinema of Pakistan Ahmad Bilal ABSTRACT: Pakistan and India shared a common history, language and cultural values, so the form of the film is also similar. The biggest challenge for Pakistan film industry (Lollywood), since partition in 1947, was to achieve a form that can formulate its unique identity. Indian films had been facing an official ban from 1960s to 2007, which initially had helped the local film industry, as, in 1970s and 80s, it was producing more than 100 films per year. However, the ban had diminished the competition and become the biggest reason of the decline of Pakistani film. The number of films and their production value had been deteriorating in the last two decades. In 2007, the official screening Indian films have been allowed by Pakistani authorities. It, on the one side, has damaged the traditional films, “established cinema”, of Pakistan, and on the other side, it has reactivated the old question of distinctive cultural face of Pakistan. Simultaneously, the technology has been shifted from analogue to digital, which have allowed young generation of moviemakers to experiment with the medium, as it is relatively economical. The success of Khuda Kay Liay (2007) and Bol (2011) have initiated a new kind of cinema, which is termed as “emergent cinema” by this research. This paper investigates emergent cinema to define its elements and to establish its relation with the established cinema of Pakistan. It also discloses the link of emergent cinema with the media liberation Act of 2002, which has allowed a range of subjects. -
S. No. Folio No. Security Holder Name Father's/Husband's Name Address
Askari Bank Limited List of Shareholders without / invalid CNIC # as of 31-12-2019 S. Folio No. Security Holder Name Father's/Husband's Name Address No. of No. Securities 1 9 MR. MOHAMMAD SAEED KHAN S/O MR. MOHAMMAD WAZIR KHAN 65, SCHOOL ROAD, F-7/4, ISLAMABAD. 336 2 10 MR. SHAHID HAFIZ AZMI S/O MR. MOHD ABDUL HAFEEZ 17/1 6TH GIZRI LANE, DEFENCE HOUSING AUTHORITY, PHASE-4, KARACHI. 3,280 3 15 MR. SALEEM MIAN S/O MURTUZA MIAN 344/7, ROSHAN MANSION, THATHAI COMPOUND, M.A. JINNAH ROAD, KARACHI. 439 4 21 MS. HINA SHEHZAD MR. HAMID HUSSAIN C/O MUHAMMAD ASIF THE BUREWALA TEXTILE MILLS LTD 1ST FLOOR, DAWOOD CENTRE, M.T. KHAN ROAD, P.O. 10426, KARACHI. 470 5 42 MR. M. RAFIQUE S/O A. RAHIM B.R.1/27, 1ST FLOOR, JAFFRY CHOWK, KHARADHAR, KARACHI. 9,382 6 49 MR. JAN MOHAMMED S/O GHULAM QADDIR KHAN H.NO. M.B.6-1728/733, RASHIDABAD, BILDIA TOWN, MAHAJIR CAMP, KARACHI. 557 7 55 MR. RAFIQ UR REHMAN S/O MOHD NASRULLAH KHAN PSIB PRIVATE LIMITED, 17-B, PAK CHAMBERS, WEST WHARF ROAD, KARACHI. 305 8 57 MR. MUHAMMAD SHUAIB AKHUNZADA S/O FAZAL-I-MAHMOOD 262, SHAMI ROAD, PESHAWAR CANTT. 1,919 9 64 MR. TAUHEED JAN S/O ABDUR REHMAN KHAN ROOM NO.435, BLOCK-A, PAK SECRETARIAT, ISLAMABAD. 8,530 10 66 MS. NAUREEN FAROOQ KHAN SARDAR M. FAROOQ IBRAHIM 90, MARGALA ROAD, F-8/2, ISLAMABAD. 5,945 11 67 MR. ERSHAD AHMED JAN S/O KH. -
Feminism, Hegemony and Empowerment in Pakistani Selected Films Pjaee, 18(8) (2021)
FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS PJAEE, 18(8) (2021) FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS Qaisar Khan1, Kalimullah Khan2, Mudassir Hussain3, Sher Akbar4, Sundus Khan5 1Senior Assistant Professor, Department of Media Studies, Bahria University Islamabad. 2Department of Business Administration, Kardan University, Kabul, Afghanistan. 3,5MS Research Scholar, Department of Media Studies, Bahria University, Islamabad. 4Department of Management Sciences, COMSATS University Islamabad. Qaisar Khan , Kalimullah Khan , Mudassir Hussain , Sher Akbar , Sundus Khan , Feminism, Hegemony And Empowerment In Pakistani Selected Films , Palarch’s Journal Of Archaeology Of Egypt/Egyptology 18(8). ISSN 1567-214x. KeyWords: Urdu Cinema, Gender Roles, Feminism, Hegemony, Empowerment. Abstract: This paper examines hegemony and women empowerment in three selected Pakistani films produced in 2011 onwards. Why the films break and mend masochism at a time with a portrayal of socio-politically dominated women that challenge patriarchy after 2011. To find out how these films portray socio-politically dominated women that challenge Patriarchy. Quantitative methods used to find out how significantly the role of female characters assigned and what the statistics and frequencies indicate women empowerment and hegemony. The paper found women empowerment as 7.8% women out of 13.3% are decision makers, self-expression as 3.4% followed by education and demand for justice as 1.1% each. While hegemony found as out of 84.8% scenes 23.6% women are oppressed due to the class system which is 3.0% where injustice is 19.8% due to patriarchy which is 18.4%. The paper recommends that the male run entertainment industry that targets male audiences should avoid masochism for commercial 1205 FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS PJAEE, 18(8) (2021) purposes for the sake of the essence of cinematic norms and spirits, so that women's portrayal of empowerment can help socio-political and culture awareness. -
Effects of Patriotic Movies on Public Behavior in Pakistan: a Survey Study of Lahore City
Journal of Business and Social Review in Emerging Economies Vol. 5, No 2, December 2019 Volume and Issues Obtainable at Center for Sustainability Research and Consultancy Journal of Business and Social Review in Emerging Economies ISSN: 2519-089X (E): 2519-0326 Volume 5: No. 2, December 2019 Journal homepage: www.publishing.globalcsrc.org/jbsee Effects of Patriotic Movies on Public Behavior in Pakistan: A Survey Study of Lahore City 1 Jam Sajjad Hussain, 2 Sadaf Ejaz, 3 Ghulam Shabir 1 Lecturer and PhD Scholar , School of Media and Communication Studies, University of Management and Technology & University of the Central Punjab, Lahore-Pakistan: [email protected] 2M.Phil. Scholar, School of Media and Communication Studies, University of Management and Technology, Lahore: [email protected] 3Professor, Faculty of Media and Communication Studies,University of the Central Punjab, Lahore-Pakistan: [email protected], [email protected] ARTICLE DETAILS ABSTRACT History Film offers different trends, ideas and traditions. Overall, a film has great Revised format: November 2019 impact on public minds and can change their behavior towards a specific Available Online: December 2019 issue. Film has the power to create and shape ideas, customs, and styles of viewers on a range of various subjects Accordingly, the contents presented Keywords in films including good audio-visual elements can instill better influence Lollywood, Patriotic Movies, on different communities across the globe. Thus, film can form and Public Behavior, Cinema reform opinion of its publics. The basic objective of the study underhand Industry, Film Viewers is to observe the dominant belief among educated audience towards patriotism as learnt from patriotic films. -
Hoek S 2016 Mirrorofmovement
Edinburgh Research Explorer Mirrors of Movement Citation for published version: Hoek, L 2016, 'Mirrors of Movement: Aina, Afzal Chowdhury’s cinematography and the interlinked histories of the cinema in Pakistan and Bangladesh', Screen, vol. 57, no. 4, pp. 488-495. https://doi.org/10.1093/screen/hjw052 Digital Object Identifier (DOI): 10.1093/screen/hjw052 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced version of an article accepted for publication in Screen following peer review. The version of record for 'Mirrors of movement: Aina, Afzal Chowdhury’s cinematography and the interlinked histories of cinema in Pakistan and Bangladesh' Lotte Hoek Screen (2016) 57 (4): 488-495 is available online at:https://doi.org/10.1093/screen/hjw052 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 Mirrors of movement: Aina, Afzal Chowdhury’s cinematography and the interlinked histories of cinema in Pakistan and Bangladesh LOTTE HOEK In 1977 a film was released in Pakistan that broke all box-office records. -
The Final Report on GEM4
CONTENTS COMMISSION EVENTS 2 National Women Basketball Championship-2009 HEC Launches Anti-plagiarism Service in 60 Universities Farewell Ceremony for HEC-USAID Fulbright Scholars HEC INITIATIVES BEARING FRUIT Scholar Wins Cambridge's Most Innovative Idea Prize HEC Scholar Determined to Eliminate Avian Influenza, Bird Flu 1st PhD in Total Quality Management Honour for HEC Scholar International Science Olympiads-2009 Research Workshop at QUEST British Delegation Calls on In-Charge HEC Training for HEC Employees Workshop on Quality Assurance and Programme Accreditation Universities' Research Output Increasing Training for Resource Persons of North Region HEC News & Views is published every 6-day Research Methodology Course month. No part of this publication may be NCRC Reviews Social Work Curriculum reproduced in any form without prior HEC Wins 8-Medals in Wrestling Championship written permission of the publisher. PSB to Train University Student Players Bodybuilding Championship The views expressed by authors in the articles is their sole responsibility and not of HEC. The Commission would like to thank ARTICLE 17 all the institutions and individuals who contributed information and photographs Attestation of Degrees, Diplomas and Certificates for this Magazine. By Muhammad Javed Khan Director General (Attestation and Accreditation)HEC UNIVERSITY NEWS 1911 Arid University Takes Over Hydroponics Plant Employees Donate Salary for IDPs Editor RCCI Delegation Visits AAUR LCWU Symposium on Medicinal Plants Aayesha Ikram -
Bibliography
Bibliography INDIAN CINEMA: GOVERNMENT REPORTS Report of the Film Enquiry Committee, New Delhi, Government of India Press, 1951 Report of the Film Enquiry Committee on Film Censorship, New Delhi, Gov- ernment of India, 1969 Report of the Indian Cinematograph Committee 1927–28, Calcutta, Govern- ment of India, Central Publications Branch, 1928 Report of the Working Group on National Film Policy, New Delhi, Govern- ment of India, Ministry of Information and Broadcasting, 1980 NEWSPAPERS AND PERIODICALS (SELECT ISSUES) Business Standard Economic Times Hindustan Times Frontline Indian Express Pioneer Sunday Times of India Vanity Fair FILM PERIODICALS, INCLUDING TRADE MAGAZINES (SELECT ISSUES) Filmindia Filmfare Indian Film Quarterly Indian Film Review Indian Film Quarterly Screen, Indian Express Publications Screen International Screen Digest 416 Bibliography WEBSITES Government Institutions www.lalitkala.gov.in (Lalit Kala Akademi) www.sahitya-akademi.org (Sahitya Akademi) http://www.gopio.org (People of Indian Origins) Educational Institutions http://www.leedsmet.ac.uk (Leeds Metropolitan University) Online Film Content http://www.darkmatter101.org/site/2007/03/12/coventry-ritz-cinema Nirmal Puwar’s film Coventry Ritz Cinema, produced by AV Frontline http://www.youtube.com Online Periodicals and Entertainment-Related Journalism http://www.variety.com (Variety Entertainment Weekly) http://123india.santabanta.com/cinema (Indian-Punjabi website for enter- tainment services) http://www.rediff.com/movies/(portal for online service) www.screenindia.com -
The Islamia University of Bahawalpur Notification No
The Islamia University of Bahawalpur Notification No. 20/CS M.A. English (Composite) First Annual Examination, 2019 It is hereby notified that the result of the following External/Private candidates of the Master of Arts Composite First Annual Examination, 2019 held in August, 2019 in the subject of English has been declared as under:- Maximum Marks in this Examination : 1100 Minimum Pass Marks : 40 % This notification is issued as a notice only. Errors and omissions excepted. An entry appearing in it does not in itself confer any right or privilege independently to the grant of a proper Certificate/Degree which will be issued under the Regulations in due Course. -1E -2E Appeared 1128 Passed: 228 Pass Percentage: 20.21 % Roll# Regd. No Name and Father's Name Result Marks Div Papers to reappear and chance 2015-NICR-181 Naila Muzaffar 9687 RL Muzaffar Ali 2013-WBDR-134 SHAISTA ASLAM VI VII IX X 10001 Fail MUHAMMAD ASLAM BHUTTA R/A till S-20 2016-SE-646 SHARAL ALFRED 10002 Pass 566 2nd ALFRED KHALIQ SALEEM 2010-WB-174 SAMINA YASEEN 10003 Pass 546 2nd GHULAM YASEEN 2013-WBDR-54 KALSOOM SHAHZADI VII IX 10004 Fail FAYYAZ HUSSAIN R/A till S-20 2014-WBDR-421 SANIA SHARIF IV IX 10005 Fail QAZI SHARIF U DIN R/A till S-20 13-WST-295 HINA IRUM II IV IX 10006 Fail AMANAT ALI R/A till S-20 2014-WST-256 SYEDA AMBREEN FATIMA 10007 Pass 547 2nd DIWAN SAJJAD AHMAD 2014-WST-354 SOBIA ASLAM IX 10008 Fail MUHAMMAD ASLAM R/A till S-20 2014-WLP-104 AYESHA AKMAL 10009 Pass 571 2nd MUHAMMAD AKMAL NADEEM 2014-WST-307 SUMAIRA NAZ IX 10010 Fail ALLAH BACHAYA R/A till S-20 2016-JCB-188 TEHMINA ANJUM IX 10011 Fail ABDUL JABBAR ANJUM R/A till S-20 13-WST-243 SADIA PERVEEN 10012 Pass 506 2nd ABDUL RAZZAQ 2014-WBDR-207 SARA MARYAM 10013 Pass 570 2nd TARIQ HABIB KHAN Prepared By--------------- Checked By-------------- Page 1 of 67 Roll# Regd. -
Lollywood - Pakistani Cinema Through a Transitional Lens
Lollywood - Pakistani Cinema Through A Transitional Lens Dr. Erum Hafeez Aslam1 ABSTRACT The 68-year long history of Pakistani films has had its story of successes and failures. It has been a long time since films, as an industry, have been struggling to carve a niche for themselves. Recuperating from the blow of partition, films produced in Pakistan indicate that despite all odds, the local film industry has a lot of potential in every area of production: be it actors, directors, technicians, poets or script writers. Yet, for some reasons, successful combinations have not been able to sustain themselves long enough to contribute significantly. As a consequence, we have only been exposed to a few glimpses of rare productions. The objective of this study is to archive the historical evolution of Pakistani Cinema and give an overrview of the factors that have supposedly contributed to the rise and fall of the local film industry in different eras. This study follows the two-pronged approach. Both Qualitative Content Analysis and Literature Review are used as the methods of study. Firstly, five top grossing Pakistani films are sampled and content analyzed through popularity charts from each of the six decades under study. Subsequently, relevant literature, including newspapers and magazines articles, reviews and books are referred through online database to complement the analysis of the films. Convenient random sampling technique is used for the selection of the mainstream literature, reviewed. It is evident from the study that the lack of vibrant ideas, repetitive themes, the absence of modern facilities, industry's infighting besides illegal screening of Indian films on cable, new electronic channels and availability of pirated foreign films have led to the downfall of the Pakistani film industry.