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American Eagle Outfitters and the Black Eyed Peas Get Serious About ''Monkey Business''
NEWS RELEASE American Eagle Outfitters and The Black Eyed Peas Get Serious About ''Monkey Business'' 5/25/2005 WARRENDALE, Pa.--(BUSINESS WIRE)--May 25, 2005-- AE Launches In-store and Online Nationwide Promotion with DMX MUSIC and Interscope Records to Debut The Black Eyed Peas' New Album American Eagle Outfitters, Inc. (AE) (NASDAQ:AEOS) along with DMX MUSIC and Interscope Records today announced an innovative, cross-promotional marketing campaign to launch The Black Eyed Peas' new album, "Monkey Business." The partnership brings together one of today's hottest bands and one of the nation's leading lifestyle retailers for an initiative that is unprecedented in size and scope. Kicking off Saturday, May 28th, the promotion features exclusive listening parties in AE's 847 stores throughout the United States and Canada and is highlighted by a sweepstakes on ae.com in which one lucky person can win a trip for two to AE's new flagship store in Seattle for a shopping spree with The Black Eyed Peas on June 25th. This comprehensive program, designed and implemented by DMX MUSIC and AE with the support of Interscope Records, gives shoppers in American Eagle Outfitters stores a preview of The Black Eyed Peas' forthcoming release between the hours of 1 and 4pm on May 28th. In addition, selected AE stores in 13 major markets (New York, Los Angeles, Seattle, Chicago, Washington D.C., Philadelphia, Boston, Dallas, Atlanta, Miami, Detroit, San Francisco, and Pittsburgh) will host special events that day which will include exciting giveaways such as gift bags for the first 50 people to arrive plus tickets for local Black Eyed Peas concerts and AE merchandise. -
Crossroads of Courage Season Two Fiction
COURAGE AT THE CROSSROADS Season 2: Here Dead We Lie By Matt Goetz The blond youth ran over the muddy soil, sliding down one side of a The haze drifted, and Holden spotted the shooter. A woman amid the wet crater and clambering up the opposite side. When he emerged, he trees on the Khadoran side of the battlefield pointed her scoped rifle darted from the soot-black trunk of one tree to the next in short, erratic at Planter’s running form. sprints. The trencher helmet he wore was too big, and jostled on his “I see her,” Holden said. head so much he was forced to hold it in place with a free hand. “Shoot! He’s almost there!” Holden kept his rifle trained on the boy, just above the heavy bouncing pack he wore. The occasional lump of coal spilled out of Holden was aiming when something emerged from the rolling the pack’s top when he hurdled a stone or fallen tree. clouds. It looked like a soldier in a disheveled uniform, but its face was wrong. Its skin was papery and grey, its eyes and mouth “Come on,” Holden whispered. three black and withered holes. It lurched forward like a drunken The boy, Planter, wove toward the inert form of a Sentinel warjack. puppeteer’s marionette. Despite its lack of eyes, it fixed Holden with Planter was within fifteen yards of the warjack’s steel and brass body those black pits, and with one hand it made an entreating gesture to when the Khadorans took their first shot. -
Massachusetts Driver's Manual
$5.00 COMMONWEALTH OF MASSACHUSETTS DRIVER’S MANUAL MASSACHUSETTS OF DRIVER’S COMMONWEALTH Commonwealth of Massachusetts DRIVER’S MANUAL PASSENGER VEHICLES Revised 2/2018 REVISED 2/2018 The policies in this Driver’s Manual include changes that take effect on March 26, 2018. All other information you need to study for a learner’s permit exam and road test (such as safety laws and rules of the road) is current both before and after March 26, 2018. A Message to Massachusetts Motorists from Erin C. Deveney, Registrar of Motor Vehicles Dear Motorist, The MassDOT Registry of Motor Vehicles recognizes that the work we perform impacts you and nearly every person in the Commonwealth of Massachusetts. We give our customers the joy of getting their first license. We register vehicles that take people all over the state for work, school, to access medical care and for exciting and important events in their lives. We also have the very serious responsibility of making sure all drivers, as well as the vehicles on our roadways, are safe and fit to operate. The RMV is committed to providing you with efficient, reliable and professional customer service. The Driver’s Manual prepares you for your driving career and also for doing business with the Registry. It includes requirements for transactions we provide, as well as service options and RMV Service Center location information. To serve you better, we offer 28 transactions and services via our website, www.mass.gov/rmv. Online services bring the RMV to you. We have expanded the number of AAA locations offering Registry renewal services through an innovative public-private partnership. -
The Coach Tells Her Girls Aren’T Allowed
Julie is dealing with big changes... 1 . since her parents’ divorce. When she finds out that her new school has a basketball team, life starts looking up—until the coach tells her girls aren’t allowed. Julie decides to fight for a place on the team, and almost loses her best friend in the process. Meanwhile, a school project forces her to face some hard truths about her family—and herself. Julie Growing up in San Francisco in the 1970s, Julie learns that sometimes the best way to cope with change is to make a few changes of her own. The Big Break The Big Break Abridged Edition 8 $7.99 U.S. GGB04-AB1A ™ MADE IN CHINA Discover online games, HECHO EN CHINA quizzes, activities, and more at FABRIQUÉ EN CHINE americangirl.com/play Published by American Girl Publishing No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For my Richard, for my sisters, 19 20 21 22 23 24 QP 10 9 8 7 6 5 4 3 2 1 and for Louise, Annie, and Eliza This book is a work of fiction. Any similarity to real persons, living or dead, is coincidental and not intended by American Girl. References to real events, people, or places are used fictitiously. Other names, characters, places, and incidents are the products of imagination. All American Girl marks, Julie™, Julie Albright™, Ivy™, and Ivy Ling™ are trademarks of American Girl. Cover image by Mike Heath and David Roth Illustrations by Mike Heath and Chris Hynes Vignettes by Daniel Crisp, Robert Hunt, and Susan McAliley Cataloging-in-Publication Data available from the Library of Congress PICTURE CREDITS About the Author The following have provided permission to reprint images: covers—iStock.com/Valeriy_G; iStock.com/encrier; title page—iStock.com/TerraXplorer; MEGAN MCDONALD grew up in a iStock.com/vectorplusb; p. -
DANNY COLLINS by Dan Fogelman
DANNY COLLINS by Dan Fogelman White Shooting Draft - 05/21/13 Blue Draft - 06/07/13 Pink Pages - 06/18/13 Yellow Pages - 06/20/13 Green Pages - 06/28/13 Goldenrod Pages - 07/01/13 Salmon Pages - 07/08/13 Buff Pages - 07/30/13 Cherry Pages - 08/01/13 This material is the property of Danny Collins Productions, LLC and access and use of this material is intended solely for use by Danny Collins Productions, LLC, its personnel and other authorized persons. Dissemination or disclosure of the material in any form to any unauthorized persons or the sale or copying of this material in whole or in part is strictly prohibited. 1. OVER BLACK we hear the sounds of a TURNTABLE turning on. We hear a NEEDLE drop. The record plays a SONG. The SONG is pure, innocent, and simple... the kind of thing great singer-songwriters are made of. TEXT: “The following is kind-of based on a true story a little bit.” The words are lifted away in a haze of CIGARETTE SMOKE. 1 INT. CHIME IN MAGAZINE OFFICES - DAY (1971) 1 We listen to the song as we pick up snapshots from an office of an early 70’s music magazine: - Cigarettes are smoked indoors, everywhere. Smoke wafts over cubicles, everywhere. - Women wear mini-skirts. Really “mini” mini-skirts. - Music POSTERS and SIGNAGE line cubicle walls. Hendrix. Dylan. Simon and a Jew-fro’d Garfunkel. - A poster of a young RICHARD NIXON. Someone has drawn a MUSTACHE on Nixon’s face as well as a “SPEECH BUBBLE” which reads “I’m an asshole.” - We hone in on a SINGLE CIGARETTE. -
Black Eyed Peas They've Transcended Their Vigilant Hip-Hop Roots And
Black Eyed Peas They've transcended their vigilant hip-hop roots and have become a global phenomenon, the likes of which the music world has rarely seen. Ever-curious and ever-confident, that group is The Black Eyed Peas, and after energizing crowds 'round the globe with the monster-stomp of Elephunk, it's time for the quartet – William, Fergie, apl.de.ap and Taboo to get down to business – Monkey Business, that is. 2003’s Elephunk was a breakthrough album for The Black Eyed Peas, vaulting them to a level of success unparalleled by any other hip-hop group. The accolades are quick to recite: 7.5 million albums sold worldwide, 4 Grammy nominations, 1 Grammy award, and an unforgettable performance on the 2005 broadcast. But fitted with loose rhymes, buoyant anthemic funk and an ebullient live spirit, the album also heralded a new sound for the modern age – one that is inspired by hip-hop, eschews boundaries and inhibitions, and cuts across ages, races and backgrounds. It is a sound that can be described only as One Nation Under A Black Eyed Peas Groove. But if Elephunk was the group being crowned prince of the castle, then Monkey Business, their fourth album, is The Black Eyed Peas conquering the throne to become King. It is an album that further intensifies their passion for making music together, for connecting with their audience through the most fundamental ways: making people have a good time. It is a credo that has inspired the group since they formed in the late 1990s, earning their keep in the nurturing environment of Los Angeles' vibrant hip-hop underground. -
I See You Try to Dis Our Function by Statin' That We Can't Rap/ Is It
BlackEyedPeas "I see you try to dis our function by statin' that we can't rap/ Is it because we don't wear Tommy Hilfiger or baseball caps/ We don't use dollars to represent/ We just use our inner sense and talent/ Don't try to represent no set just so we could get some respect." - "Fallin' Up" Black Eyed Peas are keeping it real, real. Real how they see it. With hip hop music influenced by soul, jazz and Latin rhythms. With a live band. With pumpin' live shows that inspire Black Eyed Peas to bust into acrobatic movements and that drive audiences to a frenzy. "Just cuz we dress the way we do and perform with a band doesn't mean we're not hip hop", begins Will.I.Am, Black Eyed Peas' co-founder and lead rapper. "That's who we are and we're not about fronting. This isn't about an image; this is about the music, whether it fits in the current scene or not." Behind (as in beyond) the fronting, behind (as in to the rear of in) the surface skin, behind (as in advocating) the music are three MC's: main mic man Will.I.Am, acrobatic Apl.de.Ap (apple-d-ap) and hypnotizing Taboo. And four-piece band plus one stunning back-up singer. And it's all laid out on Behind the Front, Black Eyed Peas' Interscope Records debut produced by Will.I.Am.; the 16 song collection turns positive words and phrase into refreshingly novel styles. Styles that set them apart from their peers and leaves them accessible to fans of music of all genres. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A. -
Toy Story 4 Written by Andrew Stanton Stephany Folsom
Toy Story 4 Written by Andrew Stanton Stephany Folsom ON BLACK Lightning flash! Torrential rain. Dark skies. CHYRON: Nine Years Ago The tone is ominous and quiet. Too quiet. We PULL BACK to reveal...ANDY’S ROOM JESSIE and BULLSEYE stare out the window. Worried. JESSIE Whoa! It’s raining cats and dogs out there! I hope they make it back alright... FOOTSTEPS. Coming fast. The few toys littered about the room race back to their places. HAMM Heads up! Andy’s coming! ANDY (8) bursts in. Slightly wet, but triumphant. Dumps an arm-full of toys on his bed: WOODY, BUZZ, REX, SLINKY, THE POTATO HEADS, THE ALIENS. Equally wet. Stained with grass and dirt. ANDY’S MOM (O.S.) Andy! Time for dinner. ANDY Yes! I’m starving! Andy runs out, leaving the door ajar. We LISTEN TO THE FOOTSTEPS descend...fade away...and... THUNDER -- THE TOYS JUMP TO LIFE IN A COMPLETE PANIC!! Woody’s already at the windowsill, searching. Buzz is close behind. BUZZ Do you see him? WOODY No. SLINKY DOG Well, he’s done for. ©2019 DISNEY•PIXAR 2. REX He’ll be lost! Forever! WOODY Jessie. Buzz. Slink. Molly’s room. Woody is already on the move. WOODY (CONT'D) The rest of you stay put. ON UPSTAIRS HALLWAY Woody checks the coast is clear...sneaks fast across the exposed expanse to MOLLY’S OPEN DOOR. Peers in... BO PEEP (+ SHEEP) stands on HER LAMP. The rotating lampshade casting POINTS OF LIGHT, like stars, around the room. Woody smiles at the sight of her. -
2019 Argentum
ARGENTUM The Art & Literary Magazine of Great Basin College 2019: A Modernistic View of the 1940 s Notes on 2019 Argentum At a 2018 summer wedding, a group of Argentum supporters were left unattended at a guest table during the reception, and the subject of the 2019 theme just happened to come up. From that discussion to this final version, the 1940s theme was set, as was the idea of prizes for the student winners. The most exciting aspect was the work and thought individuals put into their submissions, and we thank all those who submitted sincerely. The publication would not exist without you. As with any publication of this type, the work into making it happen doesn’t happen in a void. Special thanks are made to Angie de Braga, Dr. Josh Webster, Jennifer Bean, Patty Fox, and Ursula Stanton for their efforts in encouraging submissions and helping in every way possible from photographing submissions to reviewing material. We hope you enjoy this issue, and consider submitting to the 2020 issue of the publication. Our website is www.gbcnv.edu/argentum and we can be emailed at [email protected]. Dori Andrepont 2019 ARGENTUM EDITOR 1940 Beauty Contest Medium: Photography with background digital editing Susanne Reese Argentum 2019 Typography Notes Baskerville and Baskerville Italic date from 1750s, and variations were a particular favorite of hot typesetting systems of the twentieth century through the early 1960s. Futura was developed in 1927, and is known for its distinctive geometric shapes. was designed based on the work of calligrapher Ross Frederic George as it was depicted in the Advertising Script Speedball 1947 Textbook Manual. -
The Black Eyed Peas from Wikipedia, the Free Encyclopedia
Log in / create account Article Discussion Read View source Search The Black Eyed Peas From Wikipedia, the free encyclopedia This article is about the American hip hop group. For the legume, see Black-eyed pea. Main page The Black Eyed Peas is an American hip hop group, formed in Los Angeles, Contents California, in 1995. The group includes rappers will.i.am, apl.de.ap, and Taboo, The Black Eyed Peas Featured content and singer Fergie. They are inactive as of 2011.[1] Since the release of their third Current events album, Elephunk, in 2003, the group has sold an estimated 56 million records Random article worldwide.[2] Their first worldwide song was "Where Is the Love?" in 2003, which Donate to Wikipedia topped over ten charts worldwide. Another single was the European hit "Shut Interaction Up". Their next album, Monkey Business, was also a worldwide success, Help certified 4× Platinum in the U.S., and spawning two singles, "My Humps" and About Wikipedia "Don't Phunk with My Heart". Community portal In 2009, the group became one of only 11 artists to have ever simultaneously Recent changes held the No. 1 and No. 2 spots on the Billboard Hot 100, with their singles Contact Wikipedia "Boom Boom Pow" and "I Gotta Feeling", with the next single "Meet Me Toolbox Halfway" achieving similar success, from the album The E.N.D. Combined, The Black Eyed Peas, from left to right: Taboo, will.i.am, these three singles also topped the chart for an unprecedented 30 consecutive apl.de.ap, and Fergie Print/export weeks in 2009. -
Only Visiting This Planet" (Album)—Larry Norman (1972) Added to the National Registry: 2013 Essay by David W
1 "Only Visiting This Planet" (album)—Larry Norman (1972) Added to the National Registry: 2013 Essay by David W. Stowe (guest post)* Original album Original label Larry Norman Contemporary Christian Music, or CCM, might be American pop music’s least respected genre, with disco a close second. Both styles came of age at roughly the same time (as did punk rock, interestingly), in what someone called that “armpit of a decade,” the Seventies. Unlike CCM, though, and while its stock has gone up, disco remains frozen in time, a historic artifact trapped forever in the years of President Jimmy Carter. CCM has continued to evolve musically and expand commercially. Larry Norman is often regarded as the patriarch of Christian rock. What does it mean to be the Elvis of a genre that gets so little respect? The best place to start would be his second album, and his best, “Only Visiting This Planet,” released in 1972. The first song, “I’ve Got to Learn to Live Without You,” begins with piano chords reminiscent of the Beatles’ “Hey Jude.” Recorded at George Martin’s AIR studio in London, where Norman moved in 1971, the album was released by MGM. It featured a stable of crack studio musicians, including John Wetton of King Crimson. Probably the album’s best known song is the shuffle-boogie anthem “Why Should the Devil Have All the Good Music?,” a catchy manifesto for Christian rock with a title often attributed to Martin Luther. “I ain’t knockin’ the hymns,” Norman sings, “just give me a song that moves my feet.