Selfmadehero Spring 2018
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CICE : the Programme We Have Assembled What We Feel Is an Wide and Varied Panel Programme for Your Enjoyment! All Panels Are Held in the Caernarfon Suite 1St Floor
CICE : The Programme We have assembled what we feel is an wide and varied panel programme for your enjoyment! All panels are held in the Caernarfon Suite 1st Floor. Opp the bar area 10.45am Secrets and Lies Live with The Sidekickcast! Join your hosts Gavin Jones and Dan Marshall from the Sidekickcast as they take Secrets and Lies; the comic book news quiz with a twist, on the road again. This time it's WAR with Artist vs Writers vs Cardiff International Comic Expo. Heading up the writer's team is Chris Lynch with Paul Cornell and Rob Williams. Captain on the artist's team is Stuart Tipples with Mike Collins with a special surprise final member. Of course Dan will be getting amongst the people to represent those really in the know, you the fans. Whose Side Are You On? 11.30am Matt Savage : Concepts to Screen Matthew Savage is a concept/storyboard artist and director working in the film and television industry. Matthew concept artist credits included The Dark Knight, Prince of Persia, The Wolf Man, Kick-Ass and the forthcoming X-Men: First Class. Matthew has worked on many projects in Wales including the 2005 re-design of the Daleks for Doctor Who and has directed all his short films in and around Cardiff including Reign of Death starring Noel Clarke. 12.15pm Views from the Forefront: Innovation in Animation and Games with Skillset Media Academy Wales Tutors from the Skillset Media Academy Wales partner institutions reveal new ways of seeing animation and games design in a thought-provoking 45 minute seminar Caroline Parsons, the Animation Programme Coordinator at the University of Wales, Newport, will discuss the course ethos, and outline the packed curriculum which covers all aspects of animation production and direction, from script to screen. -
Graphic Novels
Graphic Novels Teaching Resources Center, Joyner Library A Selective Annotated Bibliography Titles in the Teaching Resources Center are cataloged with Dewey call numbers and are preceded by Curric. Please ask someone at the Teaching Resources Service Desk if you need any assistance. Lexile Title Information Call Score Number EASY 280L Arnold, Tedd. Hi! Fly Guy. New York: Scholastic, 2005. (Nine additional Fly E Guy titles) AR657F01 When Buzz captures a fly to enter in The Amazing Pet Show, his parents and the judges tell him that a fly cannot be a pet, but Fly Guy proves them wrong. GN380L Arnold, Tedd. Noodlehead Nightmares. New York: Holiday House, 2016. E (Also: Noodlehead Sees the Future) AR657NOODN Brothers Mac and Mac star in this collection of bedtime tales inspired by folktales about fools from around the world. GN530L Christelow, Eileen. The Desperate Dog Writes Again. Boston: Clarion E Books, 2010. C4619D When a new girlfriend comes between Emma the dog and her owner George, Emma e-mails "Ask Queenie," an advice column for dogs having problems with difficult humans. 1 310L Coudray, Philippe. Benjamin Bear in Bright Ideas: A TOON Book. New E York: TOON Books, 2013 (Also by author: Benjamin Bear in Fuzzy C83BEB Thinking: A TOON Book) Benjamin Bear, accompanied by his faithful rabbit friend, continues to share his observations and questions about the world around him. 290L Davis, Eleanor. Flop to the Top! New York: TOON Books, 2015. E D2923F Wanda's plan to make herself famous backfires when her floppy-faced dog starts drawing all the attention N/A Farber, Erica. -
Gender and Sexuality in Adaptations of Shakespeare Organizer: Deanne Williams, York University
SAA Seminar: Gender and Sexuality in Adaptations of Shakespeare Organizer: Deanne Williams, York University. 1. The Fiendlike Queen: Recuperating the Feminine in Modern Adaptations of Macbeth William C. Carroll Boston University Terry Eagleton’s notorious comment – “To any unprejudiced reader – which would seem to exclude Shakespeare himself, his contemporary audiences and almost all literary critics – it is surely clear that positive value in Macbeth lies with the three witches. The witches are the heroines of the piece, however little the play itself recognizes the fact” (William Shakespeare, p. 2) – is just one of many attempts in recent decades to recast the witches in a more positive light, an effort that has had considerable success. Lady Macbeth has proven to be a harder case to rehabilitate, at least on the stage (as seen recently in Kate Fleetwood’s harrowing depiction with Patrick Stewart in Rupert Goold’s version). In adaptations of the past century, however, especially those written by women and those for younger readers, a very different picture of the “fiend-like queen” has emerged. These representations move far away from earlier texts in which “Lady Macbeth” is little more than a synonym for a murderous woman. Several recent works instead seek explanation or rationale for her participation in Duncan’s murder through reference to her earlier marriage and son by that marriage (both suppressed in Shakespeare’s play), to her situation as a woman in a culture of Celtic masculinity, and even to a supposed daughter (Klein) with whom Lady Macbeth (not dead in this version!) is ultimately reunited. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
FACE /// Bonnie Prince Billy
/// FACE /// Bonnie Prince Billy a neke ljude Will Oldham/Bonnie Prince Billy je najta- lentovaniji muzi~ar-pesnik svoje generacije Obo`avaju ga PJ Harvey, Nick Cave, Bjork Neki misle da je za ulogu u filmu Old Joy morao da bude nominovan za Oskara Ako je Neil Young bio otac grand`a i uzor Nirvani i Pearl Jamu, onda je Bonnie to isto za tzv fre- ak-folk generaciju, Devendru Banharta i Joannu Newsom Na koncertima ~esto peva pesme koje su proslavili AC/DC, R Kelly, Mariah Carey, Merle Hag- gard i ne skriva da u`iva u tome Taj i takav Bonnie ZPrince Billy u junu dolazi u Beograd Ako `ivite u Srbiji i ako na bilo koji na~in javno ispoljite simpatije prema Americi, izlo`i}ete se realnom riziku da budete neshva}eni da li zbog toga {to je ve}ini ovda{njih ljudi prva asocijacija na Ameriku McDonalds i Coca Cola, tj truli kapitalizam, zli predsednik Bush (Clinton, Reagan ili bilo koji drugi), bombardovanje Srbije, Oprah Winfrey S druge strane, postoje ljudi U I See a Darkness se zaljubila i Bjork, te 2003 godine poziva Oldhama da kojima muzika Boba Dylana i Neila Younga zna~i mnogo vi{e nego Big Mac, joj bude predgrupa na ameri~koj turneji Tada je svirao u Hollywood Bowlu ljudi koji su navu~eni na filmove bra}e Cohen i HBO serije, ili na prozu Jacka pred 25 000 ljudi, {to je najbrojnija publika pred kojom je ikada nastupao Kerouaca i Kurta Vonneguta upravo na sve ono {to `estoko kritikuje malo- Poznanstvo sa Bjork rezultiralo je saradnjom sa njenim producentom Valgei- pre pomenuti sistem vrednosti koji ve}ina poistove}uje s Amerikom raom Sigurdssonom, -
Visualizing the Romance: Uses of Nathaniel Hawthorne's Narratives in Comics1
Visualizing the Romance: Uses of Nathaniel Hawthorne’s Narratives in Comics1 Derek Parker Royal Classic works of American literature have been adapted to comics since the medium, especially as delivered in periodical form (i.e., the comic book), first gained a pop cultural foothold. One of the first texts adapted by Classic Comics, which would later become Classics Illustrated,2 was James Fenimore Cooper’s The Last of the Mohicans, which appeared in issue #4, published in August 1942. This was immediately followed the next month by a rendering of Moby-Dick and then seven issues later by adaptations of two stories by Washington Irving, “Rip Van Winkle” and “The Headless Horseman.”3 As M. Thomas Inge points out, Edgar Allan Poe was one of the first, and most frequent, American authors to be translated into comics form (Incredible Mr. Poe 14), having his stories adapted not only in early issues of Classic Comics, but also in Yellow- jacket Comics (1944–1945) and Will Eisner’s The Spirit (1948).4 What is notable here is that almost all of the earliest adaptations of American literature sprang not only from antebellum texts, but from what we now consider classic examples of literary romance,5 those narrative spaces between the real and the fantastic where psychological states become the scaffolding of national and historical morality. It is only appropriate that comics, a hybrid medium where image and text often breed an ambiguous yet pliable synthesis, have become such a fertile means of retelling these early American romances. Given this predominance of early nineteenth-century writers adapted to the graphic narrative form, it is curious how one such author has been underrepresented within the medium, at least when compared to the treatment given to his contemporaries. -
“Reciprocal Legitimation” Between Shakespeare's Works and Manga
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 14 (29), 2016; DOI: 10.1515/mstap-2016-0019 ∗ Yukari Yoshihara Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga Abstract: In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses. Keywords: Pop culture, Japan, gender, cultural hierarchy, manga, animation Introduction In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film (1 min. 30 seconds) titled Ophelia, not yet. The animation visually cites John Everett Millais’s painting of Ophelia (1852) with cheeky twists: in this animation, Ophelia looks like the Ophelia by Millais, but she does not die because she can swim, being a national backstroke champion.1 My garments were pulling me down deep under the water. Suddenly I remembered, I am a national backstroke champion, am I not? Soaked clothes spread wide were dragging me down, but Not yet, not yet, it is not time for a watery death . ∗ University of Tsukuba. -
No Perfect Heroes. Revisiting the Heroic Ideal in Manga
111 MY KINGDOM FOR A STAGE NO PERFECT HEROES. REVISITING THE HEROIC IDEAL IN MANGA SHAKESPEARE JULIUS CAESAR ANDREEA ŞERBAN West University of Timişoara Abstract: In recent years manga has become a widely appreciated form of graphic adaptation of Shakespeare’s highly complex works into pop culture. Domesticated in the western world, manga adaptations of Shakespearean plays make them more accessible to younger generations and offer readers a sense of immediacy that the written text alone cannot challenge. This paper explores the ways in which two western manga transmediations of Shakespeare’s Julius Caesar offer several (conflicting) perspectives on what makes a man a hero, while also playing with black/darkness and white/light and numerous shades of grey. Heroic conventions and virtues such as dignity and honour, courage and bravery, self-discipline and social responsibility are revised not only by Shakespeare himself, but also by the manga artists in agreement with the medium’s requirements and with their own understanding of the heroic. Keywords: hero, Julius Caesar, manga, Shakespeare, virtue 1. Introduction 1.1. What makes a hero? Although the concept of hero has changed over generations, it is still generally associated with masculinity, bravery, and admiration (cf. Oxford Dictionary 2019), courage and outstanding achievements (cf. Cambridge Dictionary 2019), (semi-)divine origin, nobility of purpose, risk-taking and sacrifice for others (cf. The Free Dictionary 2019). In short, the hero is an ideal man who is other-oriented and willing to sacrifice for a higher cause. Historically, there are two main approaches to heroism before Shakespeare’s time (cf. -
The Vanderbilt Hustler Students Check out the CD Collection at Cool Tunes for a Cool Cause Held Yesterday
www.vanderbilthustler.com WEDNESDAY THE VOICE OF APRIL 12, 2006 VANDERBILT 118th YEAR SINCE 1888 No. 36 TThehe VVanderbiltanderbilt HHustlerustler ACFEE CD profits go to charity Committee releases AcFee allocations Homecoming Committee New groups receiving funds receives substantially less Group ’06-’07 Allocation money for ‘06-’07. Alliance for Cultural Diversity in Research $750 BY SEAN SEELINGER Alternative Winter Break $500 HUSTLER EDITORINCHIEF Brazilian Student Organization $3,000 Seventeen student organizations received AcFee funding for the fi rst Caribbean Student Organization $500 time this year while only two groups Cricket Club $500 lost funding. Emerging Green Builders $200 Aft er several weeks of interviews English Graduate Student Association $500 and deliberations the Student Fi- Kelly Hocutt / The Vanderbilt Hustler Students check out the CD collection at Cool Tunes for a Cool Cause held yesterday. WRVU and Vanderbilt Student Com- nance Committee released its al- FUTURE $500 munications raised $572 for a Mississippi elementary to replace items that were destroyed during Hurricane Katrina. locations of $1.33 million worth of Iranian Students Association $500 Student Activity Fee funds. JUNTOS $100 Engineers without Borders lost funding for failing to use the $500 Korean Students & Scholars Association $500 STUDENT LIFE they were given last year, said senior LOOP $500 Mary Ellen Neighbors, Student Fi- Make-A-Wish $500 nance Committee Chair. Phi Alpha Delta Pre-Law Society $500 Global Health Council lost fund- Senior survey has ing because they told the committee R.E.A.L.I.T.Y $125 that they planned to increase their Rhythm & Roots Performance Company $1,000 involvement in political activism, Scholars Bowl $1,500 Neighbors said. -
Middle Grade Webcomics
Middle Grade Webcomics Audrey’s Magic Nine Written by Michelle Wright and illustrated by Courtney Huddleston, Francesco Gerbino, and Tracy Bailey, this webcomic, now a series of graphic novels published by Farthing Press, centers on a black orphan adopted by a well-meaning but clueless suburban white couple. Breaking Cat News House cats Elvis, Puck, and Lupin report on such breaking news stories as “The people are missing!” and “There’s a box with a towel inside it on the kitchen table.” Georgia Dunn’s hilarious webcomic, with its feline’s-eye view of the world, is also being published by Andrews McMeel as a series of graphic novels. Cucumber Quest In GiGi D.G.’s video game–esque tale, adorable Cucumber the bunny and his sister Almond go up against a series of baddies. A vibrant palette, nonstop action, and a bizarre cast of friends and foes make for immersive reading. Also available as a series of graphic novels published by First Second. Homestuck Andrew Hussie’s wildly popular webcomic follows John Egbert, who on his 13th birthday plays a video game that unleashes the apocalypse. Available in print from Viz Media. Ozy and Millie Two anthropomorphic foxes navigate the world in this sweetly snarky webcomic, now a graphic novel published by Andrews McMeel, by Dana Simpson, creator of the best-selling “Phoebe and Her Unicorn” series. Enjoy the archive, or check out reruns on GoComics! Scared by the Bell Though being the new kid is never easy, it’s especially hard for Peter, an average kid whose classmates include a mummy, a pumpkinhead, and a skeleton. -
{PDF EPUB} Sherlock Holmes Vs. Dracula by Ian Edginton Victorian Undead Ii TP Sherlock Holmes Vs Dracula
Read Ebook {PDF EPUB} Sherlock Holmes vs. Dracula by Ian Edginton Victorian Undead Ii TP Sherlock Holmes Vs Dracula. Written by IAN EDGINTON Art by DAVIDE FABBRI Cover by RYAN SOOK Collected from the six-issue miniseries! A year after the defeat of Professor Moriarty’s horde and the fire-bombing of London, restoration is well under way. Yet, from across the sea, ancient eyes cast their hungry gaze upon the still vulnerable capital. Dracula is coming. "synopsis" may belong to another edition of this title. About the Author : Ian Edginton is a New York Times bestselling author and multiple Eisner Award nominee. His recent titles include the green apocalypse saga Hinterkind for DC/Vertigo. Steed and Mrs Peel for BOOM, The steam and clock-punk series Stickleback , Ampney Crucis Investigates and Brass Sun for 2000 AD . Game properties, Dead Space: Liberation and The Evil Within for Titan Books and the audio adventure Torchwood: Army of One for the BBC. He has adapted books by bestselling novelists Robert Muchamore ( CHERUBS ) and Children’s Laureate, Malorie Blackman ( NOUGHTS & CROSSES ). In addition he has adapted the complete canon of Sherlock Holmes novels into a series of graphic novels for Self Made Hero, as well writing several volumes of Holmes apocrypha entitled The Victorian Undead . He lives and works in England. D’Israeli : Under the pen name D’Israeli, Matt Brooker has been a comic artist since 1988. He is perhaps best known for his collaborations with writer Ian Edginton, including Leviathan, Kingdom of the Wicked, The War of the Worlds, Scarlet Traces, Leviathan and Batman . -
For a Lark the Poetry of Songs
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment.