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Rock Guitar Heroes Rock Guitar Heroes Die Tricks der großen Rock-Gitarristen! (inkl. CD) Bearbeitet von Bert M. Lederer 1. Auflage 2007. Buch. 96 S. ISBN 978 3 936807 90 5 Format (B x L): 21 x 29,7 cm Gewicht: 325 g schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Bert M. Lederer Rock Guitar Heroes artist ahead Bert M. Lederer Rock Guitar Heroes artist ahead 50150 091 Trackliste Titel Fulltrack Playback Playback White Chamber (w/ harmonies) Electric Landlady ?> Black Heaven ?? Jalisco ?@ Highway Shuffl e C E Lovers‘ End D F Mr Erik Skynherd E C Backward Situation F D ?G Stimmtöne E A d g h e‘ C Erste Aufl age 2007 ISBN 978 3 936807 90 5 ISMN M 50150 091 8 All songs and text written by Bert M. Lederer © 2007 Bert M. Lederer und artist ahead Musikverlag Alle Rechte vorbehalten. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografi e, Mikrofi lm oder andere Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden. Band: Bert M. Lederer (Gitarren, Keyboard), Rolf Breyer (Bass), Jochen Schnautz (Schlagzeug), Karl Kempf (Percussion) Recording / Mastering: Bert M. Lederer Transkriptionen: Bert M. Lederer Fotos: Bert M. Lederer Umschlagentwurf: Peter Quintern Notensatz und Layout: Udo Tschira Druck und Bindung: Hubert & Co., Göttingen Hergestellt in der EU artist ahead Musikverlag GmbH · Beethovenstraße 2 · 69168 Wiesloch · Germany tel. +49 (0)6222 380870 · fax +49 (0)6222 380867 · [email protected] · www.artist-ahead.de INHALTSVERZEICHNIS Einführung Über den Autor .......................................................................................................................................D Vorwort ..................................................................................................................................................D Die Stücke White Chamber .....................................................................................................................................?> Noten ...........................................................................................................................................?A Lead Sheet ....................................................................................................................................F Electric Landlady .................................................................................................................................?G Noten ...........................................................................................................................................@@ Lead Sheet ....................................................................................................................................A> Black Heaven ........................................................................................................................................A@ Noten ...........................................................................................................................................AB Lead Sheet ....................................................................................................................................AG Jalisco ...................................................................................................................................................B? Noten ...........................................................................................................................................BA Lead Sheet ....................................................................................................................................C Highway Shuffl e ...................................................................................................................................C? Noten ...........................................................................................................................................C Lead Sheet ....................................................................................................................................D Lovers’ End ...........................................................................................................................................DC Noten ...........................................................................................................................................DE Lead Sheet ....................................................................................................................................E Mr Erik Skynherd ..................................................................................................................................E@ Noten ...........................................................................................................................................E Lead Sheet ....................................................................................................................................E Backward Situation ..............................................................................................................................F> Noten ...........................................................................................................................................F Lead Sheet ....................................................................................................................................FF Anhang .......................................................................................................................................................90 50150 091 5 EINFÜHRUNG Über den Autor Vor seinem Studium war Bert M. Lederer Autodidakt. In seiner Jugend beschäV igte er sich mit Vorliebe mit den „großen“ Gi- tarristen Jimi Hendrix, Eric Clapton, Rit- chie Blackmore und Carlos Santana. Er tourte bereits mit Jahren mit der ameri- kanischen Country-Blues-Rock Formation „Texas State Line“ und ist seitdem leiden- schaV licher Blues und Rockgitarrist. Nach dem Abitur studierte er am Münchner Gi- tarren Institut und beendete sein Studium am Guitar Institute of Technology (lny) in Hollywood/zxf mit Honors. Seitdem ist er Der Autor beim Erzeugen der (sehr lauten) auf vielen Session und Studioproduktio- Santana-Feedbacks … nen zu hören. Er spielte und jammte unter anderem mit Sco Henderson, Tim Bogert (Beck, Bogert & Appice), Trevor Sco (Jimi Hendrix), Nic Hopkins (Jeff Beck /The Who) und vielen mehr. Vorwort Rock Guitar Heroes widmet sich den großen Gitarristen der Der und Eer Jahre und ist mein zwei- tes Buch einer Gitarren-Improvi- sationsreihe, die ich weiter kom- ple ieren will. Diese Sammlung von Instrumental-Stücken bietet nicht nur dem ambitionierten Gi- tarristen die Gelegenheit, sich mit dieser bluesorientierten Rockmu- sik vertraut zu machen, es soll auch all jene ansprechen, die sich … und beim Komponieren des Hendrix-Tracks 6 50150 091 um mehr Bandbreite und neue Anregungen bemühen. Zahlreiche große Gitar- risten aus den Der Jahren haben sich mit Bluesvorbildern wie Muddy Waters, Buddy Guy, Robert Johnson, B.B. und Albert King und anderen beschäV igt, und daraus Ihren einzigartigen, unverkennbaren Stil entwickelt. Weitgehende harmonische Einfachheiten der Soloparts stehen ebenso für diesen Musikstil, wie auch Bluesein- fl üsse oder die „stundenlangen“, ausgedehnten Improvisationen. Die Musik wird zum exzessiven Ausdrucksmi el der Solokünstler! Die Gitarre wird traktiert, hinter dem Kopf oder mit der Zunge gespielt, völlig zer- stört, ja sogar auf der Bühne angebrannt. Neuartig ist auch der Einsatz von Eff ekten wie „Wah-Wah“, „Uni-Vibe“, „Fuzz“ bis hin zum „Octavia“, um den Sound zu verfremden und zu verzerren. Die Leadgitarren stehen schon bereit! großen Verstärker mit bis zu Wa bringen neben der unglaublichen Lautstärke einen neuartigen Eff ekt zum Vorschein: Das Feedback – eine Rückkopplung zwischen Gitarre und Verstärker, die sich zu einem langanhaltenden Ton aufschaukelt. (s. Jimi Hendrix – „Star Spangled Banner“). Eine zu diesem Zeitpunkt noch fast unentdeckte Gitarrenform erweist sich hier als besonders günstig: die „Stratocaster“. Durch den extremen Einsatz des Vib- ratos lassen sich ebenfalls Töne völlig verfremden, bis hin zu den sogenannten „Divebombs“, die den Einsatz von Fliegerangriff en simulieren. So wird der Sologitarrist, meist neben dem Sänger, zum Star der Band. Der sich überschlagende Erfolg schlägt sich bei den Künstlern auf unterschiedliche Weise nieder: „Clapton is God“ wird an Wände gemalt, Hendrix und Page werden vor Millionen Fans zum Idol einer neuen Musikkultur. Nächtelange Drogenexzesse – auch der Einsatz von Drogen wird als Ausdrucksmi el benutzt – und das Ze- lebrieren der Sologitarre kündigen einen neuen Zeitgeist an, der die zukünV ige Entwicklung des E-Gitarren-Spiels bahnbrechend beeinfl usst und auch heute noch einzigartig ist. Dieses Buch soll dir eine große Hilfe beim Erlernen dieses Musikstils sein, und dir viele Ideen der genialen Vorbilder wie Jimi Hendrix, Eric Clapton, Jeff Beck, Rit- chie Blackmore, Jimmy Page und Carlos Santana in authe ntischem Sound näher bringen. Darüber hinaus kannst du selbst zu den von einer richtigen Band gespielten Be- gleitstücken
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