2018 Tamil Movies Box Office Collection Report
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Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST of the MONTH © 2018 WARNER BROS
80 FILM REVIEWS 81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST OF THE MONTH © 2018 WARNER BROS. PICTURES. ALL RIGHTS RESERVED. AQUAMAN May 2019_GPE.indd 79 18/04/2019 12:44 PM FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE MOVIES. with his politics, but his movies are invariably a directing and acting masterclass. goingplacesmagazine.com THE MULE THE NAMESAKE Clint Eastwood has acted in 72 movies and One of the great things about flying is that TV shows since 1955 and directed 40 movies it gives one a chance to catch up on classic (Quentin Tarantino has only directed nine), movies. Indian-American director Mira Nair including Unforgiven and Million Dollar Baby, GLASS does not make enough movies, but she both of which won Oscars for Best Picture Director M. Night Shyamalan is a rarity because has a unique quality because of her Indian and Best Director. The Mule might be his last since his remarkable 1999 debut The Sixth Sense heritage and interests and because she | as an actor (he hasn’t decided yet; it depends (“I see dead people”), he has created his own is a rare female director. Her movies have 80 if there is a good script for an 89-year-old). genre. His movies have elements of horror and shown a great interest in the Indian diasporic | May 2019 Beginning his long career in Sergio Leone’s thrillers, but they are also unsettling, sinister experience and generational change. -
Tirupathi Priyasakhi Kanaa Kanden Sachein Chellame Thirutta Payale
Thirutta Payale Kanaa Kanden STARRING : Jeevan, Abbas,Sonia Agarwal, Vivek STARRING : Srikanth, Gopika,Prithviraj DIRECTOR : Susi Ganeshan MUSIC : Vidyasagar YEAR OF PRODUCTION : 2003 DIRECTOR : K.V Anand YEAR OF PRODUCTION : 2005 SYNOPSIS : The story revolves around Manickam, a good for nothing youth, who throws his weight around his house with his violent attitude. One day in a fit of rage, he injures his younger brother, following which he is sent SYNOPSIS :The movie begins with Bhaskar (Srikanth) visiting his village for his friend off to Madras to his maternal uncle's house. Archana's (Gopika) wedding. But he ends up in returning to city with Gopika herself for His uncle an upright policeman loves Manickam very much and welcomes him home hoping to change him with she comes to know of the bridegroom's bad past in the village just before the marriage. his soft approach. At his uncle's place, Manickam whiles away his time on the terrace with a pair of binoculars in Friends since their childhood days, the couple begins to live in a small house owned by hand. A young couple, Roopini and Santosh playing golf everyday catch his fancy while surveying the Vivek in Chennai. Meanwhile, Bhaskar, a research scholar in Chemistry, succeeds in neighbourhood through the binoculars. The duo is in a clandestine relationship carried on behind their spouses coming out with a prototype of a desalination plant which he wants to give to the back and this is closely followed by Manickam everyday. government and solve the water crisis in Chennai. One evening, he video records their intimate relationship and with that he begins to blackmail Roopini, who is married to a young He eventually gets discouraged by the government authorities and even the State Minister. -
Retrospective Analysis of Plagiaristic Practices Within a Cinematic Industry in India – a Tip in the Ocean of Icebergs
Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs Item Type Article Authors Sivasubramaniam, Shiva D; Paneerselvam, Umamaheswaran; Ramachandran, Sharavan Citation Umamaheswaran, P., Ramachandran, S. and Sivasubramaniam, S.D., (2020). 'Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India–a Tip in the Ocean of Icebergs'. Journal of Academic Ethics, pp.1-11. DOI: 10.1007/ s10805-020-09360-7 DOI 10.1007/s10805-020-09360-7 Publisher Springer Journal Journal of Academic Ethics Download date 27/09/2021 02:43:07 Link to Item http://hdl.handle.net/10545/624527 Journal of Academic Ethics https://doi.org/10.1007/s10805-020-09360-7 Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India – aTip in the Ocean of Icebergs Paneerselvam Umamaheswaran1 & Sharavan Ramachandran2 & Shivadas D. Sivasubramaniam3 # The Author(s) 2020 Abstract Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is extremely popular amongst the public. Since the expectations of the public for songs that are enjoyable are high, many music directors are seeking elsewhere to “borrow” tunes. Whilst a vast majority of Indian cinemagoers may not have noticed these plagiarised tunes, some journalists and vigilant music lovers have noticed these activities. This study has taken the initiative to investigate the extent of plagiaristic activities within one Indian cinematic music industry. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Tamil Nadu Public Service Commission Bulletin
© [Regd. No. TN/CCN-466/2012-14. GOVERNMENT OF TAMIL NADU [R. Dis. No. 196/2009 2017 [Price: Rs. 156.00 Paise. TAMIL NADU PUBLIC SERVICE COMMISSION BULLETIN No. 7] CHENNAI, THURSDAY, MARCH 16, 2017 Panguni 3, Thunmugi, Thiruvalluvar Aandu-2048 CONTENTS DEPARTMENTAL TESTS—RESULTS, DECEMBER 2016 Name of the Tests and Code Numbers Pages Pages Departmental Test For officers of The Co-operative Departmental Test For Members of The Tamil Nadu Department - Co-operation - First Paper (Without Ministerial Service In The National Employment Books) (Test Code No. 003) .. 627-631 Service (Without Books)(Test Code No. 006) .. 727 Departmental Test For officers of The Co-operative The Jail Test - Part I - (A) The Indian Penal Code (With Department - Co-operation - Second Paper (Without Books) (Test Code No. 136) .. .. 728-729 Books) (Test Code No. 016) .. .. 632-636 Departmental Test For officers of The Co-operative The Jail Test - Part I - (B) The Code of Criminal 729-730 Department - Auditing - First Paper (Without Procedure (With Books) (Test Code No. 154) .. Books)(Test Code No. 029) .. .. 636-641 The Jail Test - Part Ii -- Juvenile Justice (Care And Departmental Test For officers of The Co-operative Protection.. of Children) Act, 2000 (Central Act 56 of Department - Auditing - Second Paper (Without 2000).. (With Books) (Test Code No. 194) .. 730 Books)(Test Code No. 044) .. 641-645 The Jail Test -- Part I -- (C) Laws, Rules, Regulations Departmental Test For officers of The Co-operative And Orders Relating To Jail Management (With Department - Banking (Without Books) (Test Code Books)(Test Code No. 177) .. .. 731-732 No. -
NT All Pages 2019.Indd
MEDLEY MONDAY 2 25 FEBRUARY 2019 SPPORTSORTS & FIITNESSTNESS CHENNAI 25 KANNE LKG TO LET FEBFEB BIG KALAIMAANE SCREEN BBashBaasshh GAUTHAM VASUDEV MENON Jothi Cinema Hall, Luxe, Kasi Theatre, Udhayam Theatres, Jothi Cinema Hall, Luxe, Kasi Theatre, AGS Cinemas, Albert Theatres, PVR Velacheri, Kumaran Udhayam Theatres, Sri Murugan Carnival Cinemas EVP, Devi Cineplex, Theatre, Kamala Cinemas, INOX Cinemas, PVR, Kumaran Theatre, AVM Ega Cinema, INOX, Kasi Talkies, Virugambakkam, Aradhana Rajeswari Theatre, Kamala Cinemas, Luxe Cinemas, Mayajaal, PVR, Rakki Theatre, PVR Grand Galada, Sri INOX Virugambakkam, Aradhana Theatre, Multiplex, Sangam, Sivasakthi Theatre, Lakshmi Theatre, PVR Skywalk. GK Cinemas. SPI Cinemas, Udhayam Theatre. Gautham Vasudev Menon, also known as GVM, is a film director, screenwriter and producer who predominantly works in little hands, Tamil cinema. He has also directed Hindi and Telugu fi lms, which are remakes of his own Tamil fi lms. Many of his fi lms have been critically acclaimed, most notably his romantic fi lms Minnale, Vaaranam Aayiram, Vinnaithaandi Varuvaayaa and his thrillers Kaakha Kaakha, Vettaiyaadu Vilaiyaadu and Yennai Arindhaal. Vaaranam Aayiram won the National Film Award for Best Feature Film in Tamil. mighty strength Menon produces fi lms through his Photon Kathaas fi lm production company. His production Thanga Meengal won the National Film Award for Best Feature Film in Tamil. 6-year-old Chennai lad excels in karate, aims to become boxer PREMJI AMARAN | PRAVEEN KUMAR S | pair, the minor now has a bronze Premji and a silver medal to his name. Amaran is onviction, a word to describe The latter was acquired recently a playback singer, the drive people have in at a tourney held in Royapettah. -
In the High Court of Karnataka at Bangalore
1 IN THE HIGH COURT OF KARNATAKA AT BANGALORE DATED THIS THE 03 rd DAY OF APRIL 2014 BEFORE: THE HON’BLE MR. JUSTICE ANAND BYRAREDDY WRIT PETITION Nos.51937-51938 OF 2013 (EDN-EX) CONNECTED WITH WRIT PETITION Nos.26338-26364 OF 2013 (EDN-AD) WRIT PETITION Nos.24702 AND 25191 AND 25192-25478 AND 25829 OF 2013 WRIT PETITION Nos.26124-26128 of 2013 (EDN-AD) WRIT PETITION Nos.25650-25716 OF 2013 (EDN-AD) WRIT PETITION Nos.25837-25844/2013 (EDN-AD) WRIT PETITION Nos.25867-25914 OF 2013 (EDN-AD) WRIT PETITION Nos. 24610-24674 and 24675 OF 2013 (EDN- AD) IN W.P.Nos.51937-51938/2013 BETWEEN: 1. Miss. Srinija Dasari, Daughter of Sri. D. Ranga Rao, Aged about 19 years, 2 2. Miss. Patel Mansi Suresh Bhai, Daughter of Suresh Bhai Patel, Aged about 18 years, Both are the students studying in BDA Course in Oxford Dental College, Bommanahalli, Hosur Road, Bangalore – 560 068. …PETITIONERS ( By Shri. Vinod Prasad, Advocate ) AND: 1. Rajiv Gandhi University of Health Sciences, 4th ‘T’ Block, Jayanagar, Bangalore -560 011, Represented by its Registrar. 2. The Oxford Dental College, Bommanahalli, Hosur Road, Bangalore – 560 068. By its Principal. 3. The State of Karnataka, By its Secretary, to Health and Family Welfare (Medical Education Department) M.S.Building, Vidhana Soudha, Bangalore – 560 001. …RESPONDENTS (By Shri. N.K.Ramesh, Advocate for Respondent No.1 3 Shri. B. Veerappa, Additional Government Advocate for Respondent No.3 Respondent No.2 served and unrepresented) ***** These Writ Petitions filed under Article 226 of the Constitution of India, praying to direct the first respondent, Rajiv Gandhi University of Health Sciences to approve the admission of the petitioners for the BDS course for which they have taken admission during the academic year 2012-2013 in the second respondent Oxford Dental College, Bangalore. -
List of Candidates on the Basis of NEET-MDS-2020 Data Provided by National Board of Examination (NBE) Through Health Department, Govt
Page No:- 1 / 678 List of Candidates on the basis of NEET-MDS-2020 data Provided by National Board of Examination (NBE) through Health Department, Govt. of Bihar for Admission to PG Degree Courses of Bihar State Government / Private Dental Colleges. Application Seq. Score All India NEET- S.NO Roll No Number Name Father's Name BDS Passed State (Out of 960) MDS-2020 Rank 1 1955202095 MD006059 EZHILARASI S SUNDARAM K Tamil Nadu 779 1 2 1955226759 MD007020 MELETI VENKATA SOWMYA MELETI CHINNA RAO Andhra Pradesh 776 2 3 1955202490 MD003354 AMRIN RIZWANA AYUB AHMED Tamil Nadu 759 3 4 1955221253 MD002158 COSTA REACHEL KIMI SOCORRO FRANCISCO COSTA OTHERS 756 4 5 1955221211 MD001334 GUPTA VEENITA VINOD GUPTA VINOD KUMAR OTHERS 752 5 6 1955204660 MD007582 TEH MIN CHOU YINCHAI CHOU Madhya Pradesh 751 6 7 1955217298 MD000716 ASWATHI KRISHNAN V. RADHAKRISHNAN NAIR Kerala 750 7 8 1955206555 MD004354 J VINUTHA JAGANATHAN K Tamil Nadu 748 8 9 1955206865 MD002975 MOHANA N NETHIVALAVAN K Tamil Nadu 748 9 10 1955206410 MD001478 ANANDA RAJ S SOMASUNDARAM R Tamil Nadu 747 10 11 1955205954 MD001312 AISHWARYA.P PREMKUMAR.P Kerala 747 11 12 1955222528 MD002830 MAHAJAN ARJUN DEEPAK MAHAJAN DEEPAK SHRIDHAR Maharashtra 746 12 13 1955216484 MD001859 PARDIWALA ARWA FAYYAZ FAYYAZ FAIZULLABHAI PARDIWALA Maharashtra 743 13 14 1955204160 MD004485 POOJA SREE V N VASUDEV Tamil Nadu 741 14 15 1955203814 MD001973 ASHMITA K B N KANNAN Tamil Nadu 741 15 16 1955225206 MD000741 POOJA.K.P K.M.PURUSHOTHAMAN Kerala 738 16 17 1955225524 MD011420 KANAGADURGA R RAJAGOPAL S Tamil Nadu -
81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST of the MONTH © 2019 WALT DISNEY STUDIOS MOTION PICTURES
80 FILM REVIEWS 81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST OF THE MONTH © 2019 WALT DISNEY STUDIOS MOTION PICTURES. ALL RIGHTS RESERVED. CAPTAIN MARVEL June 2019_GPE.indd 79 16/05/2019 12:35 PM FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE MOVIES. Captain Marvel is an excellent extension of city), director Marielle Heller treats her wilfully a story universe that has come to dominate unlikable characters with the unshakeable movies for the last 10 years, and it doesn’t love of a parent and sees them through to a look like it will stop soon. I don’t know what’s redemption of realism and understanding. more dazzling: This new Captain Marvel movie or the genius of the long-term thinking that has been put into plotting out the whole Marvel universe. CAPTAIN MARVEL goingplacesmagazine.com Stung by the criticism that its top superheroes are all men (Scarlett Johansson’s Black Widow doesn’t have any super powers), Marvel has answered the enormous success of DC’s Wonder Woman with Captain Marvel, the story of a regular human given super THE ACCOUNTANT powers so enormous that they could dwarf Perhaps because I come from a family of anything that has come before. The movie | accountants, it was hard for me to imagine 80 barely scratches the surface of what she that a movie called The Accountant could be a | June 2019 could potentially do, but from what I’ve seen CAN YOU EVER FORGIVE ME? high-octane thriller about a savant, Bond- already, she completely up-ends everything I Based on the true story of how celebrity like, ninja-like assassin who happens to also thought I knew about the superhero laws of biographer Lee Israel (Melissa McCarthy) be incredibly good at doing sums. -
Chidambaram Sent to Tihar Jail Till Sept 19
Follow us on: RNI No. TELENG/2018/76469 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From ANALYSIS 9 CELEB TALKS 14 SPORTS 16 HYDERABAD DELHI LUCKNOW BHOPAL NO VAGUE FEELS UNREAL: SATNAM SINGH RAFAEL NADAL RAIPUR CHANDIGARHBHUBANESWAR SPACES ONLINE ON HIS BIOPIC INTO LAST FOUR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 1 ISSUE 333 HYDERABAD, FRIDAY SEPTEMBER 6, 2019; PAGES 16 `3 *Air Surcharge Extra if Applicable WE GOT CARRIED AWAY BY THE HYPE: VISHNU ON NTR BIOPIC FAILURE { Page 13 } www.dailypioneer.com Bring law on live-in Chidambaram sent to ‘Odd-even rule' mooted relationships: for Cyberabad IT corridor Rajasthan HRC Tihar jail till Sept 19 JAIPUR: The Rajasthan l L&T, HMRL and RTC working on smart commute app Human Rights Commission PNS n NEW DELHI has recommended that the NAVEENA GHANATE state government enact a law A court here on Thursday Ambani rolls n HYDERABAD on live-in relationships in sent former Union Minister P. which terms and conditions Chidambaram to 14 days judi- out JioFiber As a way to ease traffic conges- regarding the relationship cial custody in the INX Media tion in the Cyberabad area, the are clearly chalked out. case. The senior Congress PNS n NEW DELHI authorities propose to imple- The commission on leader, who was arrested by the ment Delhi-style 'Odd-even Wednesday said women suf- CBI in the case last month and Billionaire Mukesh Ambani's rule'. At a high-level meeting on fer the most out of live-in had undergone interrogation, Jio on Thursday announced Wednesday, in which officials of relationships as they fail to will be lodged in the Tihar Jail launch of fiber-based broad- GHMC, Traffic police, TSIIC, live a dignified and respect- till September 19.