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Charles Grafly Papers
Charles Grafly Papers Collection Summary Title: Charles Grafly Papers Call Number: MS 90-02 Size: 55.0 linear feet Acquisition: Donated by Dorothy Grafly Drummond Processed by: MD, 1990; JEF, 5-19-1998; MN, 1-30-2015 Note: Related collections: MS 93-04, Dorothy Grafly Papers; MS 93-05, Leopold Sekeles Papers Restrictions: None Literary Rights Literary rights were not granted to Wichita State University. When permission is granted to examine manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Content Note Charles Grafly was an American sculptor whose works include monumental memorials and portrait busts. Dating from the late 19th and early 20th centuries, his correspondence relating to personal, business and other matters is collected here as well as newspaper clippings about his works, sketches and class notes, scrapbooks, photographs of his works, research materials and glass plate negatives. All file folder titles reflect the original titles of the file folders in the collection. For a detained description of the contents of each file folder, refer to the original detailed and incomplete finding aid in Box 76. Biography Born and raised in Philadelphia, Charles Grafly (1862-1929) studied under painters Thomas Eakins and Thomas Anshutz at the Pennsylvania Academy of Fine Arts between 1884-88. -
EJC Cover Page
Early Journal Content on JSTOR, Free to Anyone in the World This article is one of nearly 500,000 scholarly works digitized and made freely available to everyone in the world by JSTOR. Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid-seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non-commercial purposes. Read more about Early Journal Content at http://about.jstor.org/participate-jstor/individuals/early- journal-content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not-for-profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact [email protected]. Annual Exhibition, Pennsylvania Academy By REBECCA H. WHELEN [Fromthe Book News Monthly] A CERTAIN' spirit of progressive rather clever handling of tones of white ness and sturdy strength marked in a high key. A few light and brilliant the work shown this' year at the notes of color occurred in the wall paper, Pennsylvania Academy of the Fine Arts' dressing table and floor surrounding the Annual Exhibition of paintings and two seated women who formed the subject. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
Humphrey Boohit CHARLES LAUGHTON, MARY Hyattsmled MS&Mfc BOLAND
■_. 11 »jn., It10, 3:30, 5:30, 7:40 and "Sons o’ Pun” the team Is now Local Audience to Sec Where and When 9:50 pjn. , ready for a coast-to-coast tour and AMUSEMENTS,_ Likely Ptx—'"Soul of a Monster"; 2:10, are due in Constitution Hall De- • 7 and 9:20 kidney Uit'i Currant Thuatur Attractions 4:35, pm. cember 5. Their company includes Trane-Lax — News and shorts, several additional WASH. GRAND OPERA HIPPODROME NT*Ut*ya Sweet 1 ond Tim* of Spanish dancers, 'Sing Out, Land,’ Jan. Showing continuous from 10 a.m, a guitarist and a pianist. Tickets mu OF TUB “MET.” OTHERS By JAY CARMODT. am opening JAMES STEWART 1:30 pm. are on sale at the Cappel Concert > Walter Kerr’a National—"Iolanthe”; CONSTITUTION HAIX Booking department: Catholic University musical Bureau, 1300 O street N.W. Sweet a Screen. Concerts List & IMVAIME. m. If, 1:31 hits CAROLE LOMBARD triumph, “Sing Out, Land," now Theater Guild production with Cappel /X Alfred is a to come to Capitol—"Something for the Goebbeb called our For- Drake, strong possibility Washington after all. Flying 1 11:06 7:15 Rosario and Antonio The weeks of January 1 and 8 will “very probably" see it at the National Boys"; am., 1:45, 4:30. tresses "Flying Coffins.” We need Martinalli, Svad, RIMa,, "MADE FOR'EACH OTHER" and 10 (hows: Chavlllos Theater, this department is Informed. pm. Stage 1:10, 3:55, Loe is whit they are more of them over Germany. Let’s 6:40 and called in but In RM That will be after its current four-week in 0:20'pm. -
ABSTRACT Title of Document: VISUALIZING AMERICAN
ABSTRACT Title of Document: VISUALIZING AMERICAN HISTORY AND IDENTITY IN THE ELLEN PHILLIPS SAMUEL MEMORIAL Abby Rebecca Eron, Master of Arts, 2014 Directed By: Professor Renée Ater, Department of Art History and Archaeology In her will, Philadelphia philanthropist Ellen Phillips Samuel designated $500,000 to the Fairmount Park Art Association “for the erection of statuary on the banks of the Schuylkill River … emblematic of the history of America from the time of the earliest settlers to the present.” The initial phase of the resulting sculpture project – the Central Terrace of the Samuel Memorial – should be considered one of the fullest realizations of New Deal sculpture. It in many ways corresponds (conceptually, thematically, and stylistically) with the simultaneously developing art programs of the federal government. Analyzing the Memorial project highlights some of the tensions underlying New Deal public art, such as the difficulties of visualizing American identity and history, as well as the complexities involved in the process of commissioning artwork intended to fulfill certain programmatic purposes while also allowing for a level of individual artists’ creative expression. VISUALIZING AMERICAN HISTORY AND IDENTITY IN THE ELLEN PHILLIPS SAMUEL MEMORIAL By Abby Rebecca Eron Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Renée Ater, Chair Professor Meredith J. Gill Professor Steven A. Mansbach © Copyright by Abby Rebecca Eron 2014 The thesis or dissertation document that follows has had referenced material removed in respect for the owner's copyright. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Middleboro Gazette Index: 1940 - 1944
Middleboro Gazette Index: 1940 - 1944 A Accidents (continued) Ralph Howes' ankle broken during rush for gas at Standish station, A. Asia Dry Goods Store 07/24/1942:4 Grand opening, 133 Center St (ad), 01/05/1940:8 Five-year-old Gerald Trinque dragged 75 feet by Anthony Gilli's auto, Abatti, "Bozo" 08/28/1942:1 Member of 1940 Rambler baseball team (p), 10/04/1940:1 Arthur Angell injured by falling tree top, 01/15/1943:3 Abbott, Samuel L., Jr. Gerard Richmond falls on pitchfork while playing, 01/15/1943:6 New principal of School Street School, 08/25/1944:4 James William Thayer accidentally swallows a pin, 01/29/1943:7 Abele, Mannert Judith Caswell gets arm caught in wringer washer, 04/02/1943:4 Awarded Navy Cross for action against Japanese, 05/14/1943:1 Maurice Washburn loses three fingers to saw, 04/02/1943:7 Abele, Mannert L. Alfred Crowther fractures finger while repairing auto, 06/25/1943:3 Commander of submarine Grunion presumed lost, 10/09/1942:1 Arsene Berube treated for compound fracture of right arm, 06/25/1943:3 New destroyer named for commander lost in submarine, 04/21/1944:1 Jean Shores thrown off hayrack, dragged by pony, 07/02/1943:1 Abelson, Mrs Joseph Truesdale’s Jersey cow plunges into well, breaks neck, 10/08/1943:1 Husband finds wife dead on kitchen floor, 08/15/1941:4 Selectmen discuss role of dog who allegedly frighten cow, 10/15/1943:1 Abercrombie, A.V. David Noyer breaks arm in jump from steps, 01/28/1944:2 Daughter born, 03/08/1940:3, 4 Carl Carlson buried by avalanche of sand, 04/28/1944:1 Pastor resigns from Rock Village Church, 08/02/1940:1 Four-year-old Shirley Rea falls into river, carried through flume, Takes up duties in Woburn, 09/06/1940:6 05/19/1944:1 Resides in Woburn, 11/29/1940:6 Mrs Charles Weston suffers crushed finger working in yard, Son born, 03/20/1942:4 12/08/1944:10 Accepts call to Congregational church in Providence, 12/25/1942:5 Young boy knocked unconscious by falling ice, 12/22/1944:8 Abercrombie, Lois Ann Acconsia, Peter S. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
The Cedarville Herald, August 24, 1945
Cedarville University DigitalCommons@Cedarville The eC darville Herald The eC darville Herald 8-24-1945 The edC arville Herald, August 24, 1945 Cedarville University Follow this and additional works at: http://digitalcommons.cedarville.edu/cedarville_herald Part of the Civic and Community Engagement Commons, Family, Life Course, and Society Commons, Journalism Studies Commons, and the Mass Communication Commons Recommended Citation Cedarville University, "The eC darville Herald, August 24, 1945" (1945). The Cedarville Herald. 2175. http://digitalcommons.cedarville.edu/cedarville_herald/2175 This Newspaper is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The eC darville Herald by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. n x i m m ! Americana For America — America For Americana SIXTY-EIGHTH YEAR No. 39 CEDARVILLE, OHIO, FRIDAY, AUGUS PRICE, $1.50 A YEAR MMHIUUmiMMftMtStUUUHm Auto Driver Permit ALONG FARM FRONT ‘WAR STORM’ Agents Named For I&. A. Drake, Co. Agricultural Agent [ HMtttNWIlWlIHUWIHIUIIIIIIIIIUlilllWItllUIIIMUIUIIIIHIIIUI* Greene County SURVIVED BY DIVORCE SUITS IS EGG AUCTION BEGINS Ten Greene Countians have been Isabelle M. Starrett, in her suit for OPERATIONS— named by Frank M. Quinn, acting divorce from Robert H. Starrett, Ft, FOR SCHOOL The Ohio Valley Egg Cooperative, C. COLLEGE state registrar of motor vehicles, to Jackson, S. C., for divorce charges ne For Big Three-Bay I Milford, 0„ -will starts operation sell driver’s licenses for the coming glect, They were married in Dayton hand.ling quality *eggs for 825 rodue- year. August 25,1944. -
A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
The Jewel City
The Jewel City Ben Macomber The Project Gutenberg EBook of The Jewel City, by Ben Macomber Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Jewel City Author: Ben Macomber Release Date: January, 2005 [EBook #7348] [Yes, we are more than one year ahead of schedule] [This file was first posted on April 18, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK THE JEWEL CITY *** Produced by David Schwan Panama-Pacific International Exposition Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. The Jewel City: Its Planning and Achievement; Its Architecture, Sculpture, Symbolism, and Music; Its Gardens, Palaces, and Exhibits By Ben Macomber With Colored Frontispiece and more than Seventy-Five Other Illustrations Introduction No more accurate account of the Panama-Pacific International Exposition has been given than one that was forced from the lips of a charming Eastern woman of culture. -
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM NATIONAL HISTORIC LANDMARK NOMINATION FORM 1. Name of Property historic name: Atalaya and Brookgreen Gardens other name/site number: 2. Location street & number: U.S. Highway 17 not for publication: N/A city/town: Murrells Inlet vicinity: X state: SC county: Georgetown code: 043 zip code: 29576 3. Classification Ownership of Property: private Category of Property: district Number of Resources within Property: Contributing Noncontributing _10_ buildings _1_ sites _5_ structures _0_ objects 16 Total Number of contributing resources previously listed in the National Register: 9 Name of related multiple property listing: N/A USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ req'uest for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet.