41St Annual Meeting in Toronto, Ontario, 2013
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The Front Page First Opened at the Times Square Theatre on August 14, 1928, It Was Instantly Heralded As a Classic
SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP 2 DIRECTOR’S NOTES SCAVENGING FOR THE TRUTH BY GRAHAM ABBEY “Were it left to me to decide between a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.” – Thomas Jefferson, 1787 When The Front Page first opened at the Times Square Theatre on August 14, 1928, it was instantly heralded as a classic. Nearly a century later, this iconic play has retained its place as one of the great American stage comedies of all time. Its lasting legacy stands as a testament to its unique DNA: part farce, part melodrama, with a healthy dose of romance thrown into the mix, The Front Page is at once a veneration and a reproof of the gritty, seductive world of Chicago journalism, firmly embedded in the freewheeling euphoria of the Roaring Twenties. According to playwrights (and former Chicago reporters) Charles MacArthur and Ben Hecht, the play allegedly found its genesis in two real-life events: a practical joke carried out on MacArthur as he was heading west on a train with his fiancée, and the escape and disappearance of the notorious gangster “Terrible” Tommy consuming the conflicted heart of a city O’Conner four days before his scheduled caught in the momentum of progress while execution at the Cook County Jail. celebrating the underdogs who were lost in its wake. O’Conner’s escape proved to be a seminal moment in the history of a city struggling Chicago’s metamorphosis through the to find its identity amidst the social, cultural “twisted twenties” is a paradox in and of and industrial renaissance of the 1920s. -
Smartdraw Document
Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company -
PATH Underground Walkway
PATH Marker Signs ranging from Index T V free-standing outdoor A I The Fairmont Royal York Hotel VIA Rail Canada H-19 pylons to door decals Adelaide Place G-12 InterContinental Toronto Centre H-18 Victory Building (80 Richmond 1 Adelaide East N-12 Hotel D-19 The Hudson’s Bay Company L-10 St. West) I-10 identify entrances 11 Adelaide West L-12 The Lanes I-11 W to the walkway. 105 Adelaide West I-13 K The Ritz-Carlton Hotel C-16 WaterPark Place J-22 130 Adelaide West H-12 1 King West M-15 Thomson Building J-10 95 Wellington West H-16 Air Canada Centre J-20 4 King West M-14 Toronto Coach Terminal J-5 100 Wellington West (Canadian In many elevators there is Allen Lambert Galleria 11 King West M-15 Toronto-Dominion Bank Pavilion Pacific Tower) H-16 a small PATH logo (Brookfield Place) L-17 130 King West H-14 J-14 200 Wellington West C-16 Atrium on Bay L-5 145 King West F-14 Toronto-Dominion Bank Tower mounted beside the Aura M-2 200 King West E-14 I-16 Y button for the floor 225 King West C-14 Toronto-Dominion Centre J-15 Yonge-Dundas Square N-6 B King Subway Station N-14 TD Canada Trust Tower K-18 Yonge Richmond Centre N-10 leading to the walkway. Bank of Nova Scotia K-13 TD North Tower I-14 100 Yonge M-13 Bay Adelaide Centre K-12 L TD South Tower I-16 104 Yonge M-13 Bay East Teamway K-19 25 Lower Simcoe E-20 TD West Tower (100 Wellington 110 Yonge M-12 Next Destination 10-20 Bay J-22 West) H-16 444 Yonge M-2 PATH directional signs tell 220 Bay J-16 M 25 York H-19 390 Bay (Munich Re Centre) Maple Leaf Square H-20 U 150 York G-12 you which building you’re You are in: J-10 MetroCentre B-14 Union Station J-18 York Centre (16 York St.) G-20 in and the next building Hudson’s Bay Company 777 Bay K-1 Metro Hall B-15 Union Subway Station J-18 York East Teamway H-19 Bay Wellington Tower K-16 Metro Toronto Convention Centre you’ll be entering. -
Toronto to Have the Canadian Jewish News Area Canada Post Publication Agreement #40010684 Havdalah: 7:53 Delivered to Your Door Every Week
SALE FOR WINTER $1229 including 5 FREE hotel nights or $998* Air only. *subject to availabilit/change Call your travel agent or EL AL. 416-967-4222 60 Pages Wednesday, September 26, 2007 14 Tishrei, 5768 $1.00 This Week Arbour slammed by two groups National Education continues Accused of ‘failing to take a balanced approach’ in Mideast conflict to be hot topic in campaign. Page 3 ognizing legitimate humanitarian licly against the [UN] Human out publicly about Iran’s calls for By PAUL LUNGEN needs of the Palestinians, we regret Rights Council’s one-sided obses- genocide.” The opportunity was Rabbi Schild honoured for Staff Reporter Arbour’s repeated re- sion with slamming there, he continued, because photos 60 years of service Page 16 sort to a one-sided Israel. As a former published after the event showed Louise Arbour, the UN high com- narrative that denies judge, we urge her Arbour, wearing a hijab, sitting Bar mitzvah boy helps missioner for Human Rights, was Israelis their essential to adopt a balanced close to the Iranian president. Righteous Gentile. Page 41 slammed by two watchdog groups right to self-defence.” approach.” Ahmadinejad was in New York last week for failing to take a bal- Neuer also criti- Neuer was refer- this week to attend a UN confer- Heebonics anced approach to the Arab-Israeli cized Arbour, a former ring to Arbour’s par- ence. His visit prompted contro- conflict and for ignoring Iran’s long- Canadian Supreme ticipation in a hu- versy on a number of fronts. Co- standing call to genocide when she Court judge, for miss- man rights meeting lumbia University, for one, came in attended a human rights conference ing an opportunity to of the Non-Aligned for a fair share of criticism for invit- in Tehran earlier this month. -
Path Network
PATH NETWORK Also available as North and Central posters South Sheraton Centre 3min Yonge-Dundas Square 10min ADELAIDE ST W ADELAIDE ST W Northbridge 100 – 110 VICTORIA ST Place Yonge 11 Dynamic ENTERTAINMENT FINANCIAL Adelaide Funds Tower DISTRICT DISTRICT Scotia Plaza West PEARL ST 200 King 150 King West West Exchange Tower First Canadian Place The Bank Princess Royal of Nova of Wales Alexandra Scotia TIFF Bell Theatre Theatre Royal Bank 4 King Lightbox Building West St Andrew KING ST W KING ST W King 225 King Commerce Commerce West 145 King 121 King TD North Court Court North West West Tower TD Bank West Collins Pavilion Barrow Place EMILY ST EMILY ST One King West Metro Toronto-Dominion Centre Roy Thomson YORK ST COLBORNE ST Metro Hall Centre Design Commerce Court Hall 55 Exchange SCOTTSCOTT STST University TD West Toronto-Dominion 200 Tower Bank Tower Accessible Wellington route through 222 Bay Commerce Level -1 West 70 York Court South WELLINGTON ST W WELLINGTON ST W Bay WELLINGTON ST E Wellington UNIVERSITY AVE Tower CBC North Brookfield The 95 Wellington SIMCOESIMCOE STST Broadcast RBC Tower BAY ST Place JOHN ST JOHN ST Centre Ritz-Carlton Centre West TD South Toronto Tower Royal Bank Plaza 160 Front Fairmont Royal York Street West TD Canada Hockey Hall FRONT ST E under construction Trust Tower South of Fame Simcoe Tower Place Metro Toronto FRONT ST W Meridian Convention Centre YONGE ST Hall North Citigroup Union Place InterContinental Toronto Centre Great Hotel Hall UP Express Visitor THE ESPLANADE SKYWALK Information Centre York -
Uvisno "Acting Is Handed on from Actor to Actor
Inaide the Stratford Festival uviSNO "Acting is handed on from actor to actor. It's the only way to do it... from observing the people who came before you. That is really the way theatre goes" In OFFSTAGE ONSTAGE: Inside the Stratford Festival, Stratford cameras go backstage during an entire season to capture the creative spirit at the heart of a treasured Canadian theatre company. For five decades, the Festival's stage has been home to the world's great plays and performers. Award-winning director John N. Smith (The Boys of St. Vincent), given unprecedented access backstage, offers a fascinating look at the personalities and the production process behind live theatre performance. Peek into William Hutt's dressing room as he does his vocal warm-ups before Twelfth Night. Watch Martha Henry command the stage in Who's Afraid of Virginia Woolf? Observe an up-and-coming generation of young performers who learn from the masters. Meet dozens of artists, craftspeople and technicians who reveal their secrets, from shoemaking, sword fighting and sound effects to makeup and mechanical monkeys. Join us behind the scenes of Canada's premier classical theatre institution ... and discover the love for the stage that drives this artistic company. Resource guide on reverse side, DIRECTOR: John N. Smith PRODUCER: Gerry Flahive 83 minutes Order number: C9102 042 Closed captioned. A decoder is required. TO ORDER NFB VIDEOS, CALL TODAY! -800-267-7710 (Canada) 1-800-542-2164 (USA) © 2002 National Film Board of Canada. A licence is required for any reproduction, television broadcast, sale, rental or public screening. -
Stick Fly Program
theatre.indiana.edu STICK FLY BY LYDIA R. DIAMOND DIRECTED BY LERALDO ANZALDUA A DIGITAL EVENT IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose ancestral homelands and resources PRESENTS Indiana University was built. LIVE STICK FLY PERFORMANCE by Lydia R. Diamond The mission of the Department of Theatre, Drama, and Contemporary Dance is to advance the art, scholarship, and appreciation of theatre and dance and its DIRECTOR Leraldo Anzaldua place in society. We pursue this mission collectively STAGE MANAGER Jorie Miller and as individuals through theatrical productions, scholarship and publication, presentation of our work in national and international venues, formal instruction, and individual mentoring. The Department of Theatre, Drama, and Contemporary Dance is accredited by the National Association of Schools of Theatre and is a member of the University/ Stick Fly is presented by arrangement with Concord Theatricals on behalf of Resident Theatre Association Samuel French, Inc. www.concordtheatricals.com and United States Institute for Theatre Technology. Stick Fly was developed in part at Chicago Dramatists, originally produced by Congo Square Theatre and subsequently produced by McCarter Theatre Center. A further developmental production directed by Kenny Leon, was LIVING produced jointly by Arena Stage and the Huntington Theatre Company. IMPACT The video and/or audio recording of this production is strictly prohibited. A DIGITAL EVENT | FEBRUARY 12–13, 2021 3 Cast Production -
History and Antiquities of Stratford-Upon-Avon
IL LINO I S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Brittle Books Project, 2009. UNIVERSrryOF ILLINOIS-URBANA ' 3 0112 079790793 C) c)J U0 CI 0F 622-5 CV157 111STORY & ANTIQUITIES STR4TF RkDi U]PO~A I1 ONA"r III c iI1Pir . i r M t a r HISTORY AND ANTIQUITIES OF 5TJRATFORDJPONAVON: fO MPRISI N C A DESCRIPTION OF THlE COLLEGIATE CHURCH,7 THE LIFE OF SJL4KSPEAJRJ, AN Copies of several Documents relating to him anti his Pamniy never before printed; WITH A 13IOGt4PII1C4L SKETCH OF OTHER -V MJNENT CILIRACT2PS , Natives of, or who have resided in STRITFORD, To which, is added, a particular Account of THE- JUBILEE, Celebrated at Stratford, in Honour of our immortal Bard, BYT R. B. WIIELER. 0 gratum Musis, 0 nornen. amabile Plwcbo, Qtam sociarn adsciscant, Minicius atque Meles. Ac tibi, cara hospes, si mens divinior, et te Ignea SiKSPEARI muss ciere queat; Siste gradum; crebroquc oculos circum undique liectas, Pierii lae inontes, hec tOb Pindus erit. &ttatfouYon5ivbon: PRTNTED AND~ SOLD BY J. WARD; SOLD ALSO BYVLONGISAN AND CO.PATERNOSTERa ROW, LONDON'S WILKS AND CO. BIRIMINGHAM, AN!) BY MOST OTHER BOOKSELLERS IN TOWN AND COUNTIRY W2,2. Z3 cws;-7 PREFACE., FIE want of a work in some degree sifilar to the. res sent undertaking eatcouraged the publication of the follow4 ilig sheets, the'offspring oft afew leisure hours; and it is hoped that the world will, on an impartial perusal, make aflowanees for the imperfections, by reflecting as well upon the inexperieace of the Jiuvenile author, as that they were originally collected for"his own private information. -
A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Fairmont Royal York Toronto
FAIRMONT ROYAL YORK TORONTO WELCOME TO FAIRMONT ROYAL YORK _______________________________________________________________________________________________ Fairmont Royal York is located in the heart of Downtown Toronto, and is just steps away from the city’s biggest sites and attractions including: The CN Tower, Ripley’s Aquarium of Canada, Air Canada Centre, Rogers Centre, the Eaton Centre, and the Sony Centre for the Performing Arts. )DLUPRQW5R\DO<RUNUHFHQWO\FRPSOHWHGLWVÀYH\HDUPXOWLPLOOLRQGROODUJXHVWURRPUHYLWDOL]DWLRQ0RUH /X[XU\DQG6LJQDWXUH5RRPVDFURVVÁRRUVDUHFXUUHQWO\DYDLODEOHIRUWKHFRPIRUWRIRXUJXHVWV 7KHVHQHZO\UHGHVLJQHGURRPVDUHDIUHVKPRGHUQDGGLWLRQWRWKHUHJDOHOHJDQFHWKDWLVV\QRQ\PRXV with the hotel. :HDOVRLQYLWH\RXWRLQGXOJHLQWKHFXOLQDU\FUHDWLRQVRIRXU([HFXWLYH&KHI·VDZDUGZLQQLQJWHDP Choose from six dining establishments with seasonal herbs from our rooftop garden and honeybee apiary brightening each dish. HISTORY OF THE HOTEL ____________________________________________ On June 11, 1929WKHKRWHORIÀFLDOO\RSHQHG as The Royal York. It was the tallest building in the British Commonwealth and quickly set the KRVSLWDOLW\VWDQGDUGRIWKHGD\7KHPDJQLÀFHQW hotel became known as a city within a city, ULVLQJLQÁRRUVRIDUFKLWHFWXUDOVSOHQGRUDQG replete with mechanical genius and opulence QHYHUEHIRUHVHHQLQ7RURQWR,WERDVWHG URRPVHDFKZLWKUDGLRVSULYDWHVKRZHUVDQG bathtubs. The 1.5 acres of public rooms LQFOXGHGDEHGKRVSLWDOERRN OLEUDU\DQGWHQRUQDWHSDVVHQJHUHOHYDWRUV The Concert Hall featured a full stage and PDPPRWKSLSHRUJDQZHLJKLQJWRQVZKLFK VXUSDVVHGDQ\WKLQJHOVHLQ&DQDGDZLWK -
A Midsummer Night's Dream
Otterbein University Digital Commons @ Otterbein 1983-1984 Season Productions 1981-1990 3-8-1984 A Midsummer Night's Dream Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1983-1984 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "A Midsummer Night's Dream" (1984). 1983-1984 Season. 6. https://digitalcommons.otterbein.edu/production_1983-1984/6 This Book is brought to you for free and open access by the Productions 1981-1990 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1983-1984 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. A MIDSUMMER NIGHT’S DREAM by William Shakespeare with Professional Guest Artist Marcus Smythe March 8 - 10, 1984 — 8:15 p.m. March 11, 1984 - 2:30 p.m. DIRECTOR - Ed Vaughan SCENE DESIGN - Michael Slane LIGHT DESIGN - Fred J. Thayer COSTUME DESIGN - Lucy Lee Reuther OTTERBEIN COLLEGE THEATRE Dept of Theatre & Dance L1 Center for the Arts^ GUEST ACTOR: MARCUS SMYTHE ... is privileged to have the honor of being the first Otterbein graduate (’72) to perform in the annual winter guest artist production. A native of Berea, Ohio, and later of Sylvania, he too worked in the guest artist programs learning much from the likes of Brock Peters in OTHELLO, George Grizzard in TWELFTH NIGHT, and as Mercutio in ROMEO AND JULIET with John Milligan. He first met Pat Hingle at Otterbein and later work ed with him as Happy in DEATH OF A SALESMAN at Buffalo’s Studio Arena. -
DECEMBER 2, 1993 CONCORDIA's THURSDAY REPORT Open House Showcases Students' Work MITE AVISTA Opens the Doors to the Magic of Media Technology EL E
0 N C 0 R D I A,S SDAY ~PORT Proceeds of concerts, bake sales to help needy students Spreading the spirit around group cooking," he said. ers: a decorated tree in the atrium of BY JENNIFER DALES Both the co-op kitchen and food the J.W. McConnell Building. The voucher programme are supported J\ t Campus Ministry, staff and tree's lights were switched on Tues by the Ministry's annual Spirit of r-lstudents are revving up for day afternoon, and since then, it's Christmas Drive. Peter Cote, its co their busiest season of the year. being decorated with fund-raising ordinator, said the drive raised "Our primary concern is social ribbons. $8,091 last year. action," said Father Bob Nagy in an The Drive's roots date back to 'We have used almost all of the interview at Belmore House, the money," he said. "Well over 200 1914, when a collection was taken up home of Concordia's Campus Min students have used our service." at Loyola College to help the some of istry on the Loyola Campus. The the families affected by W odd War I. annual Spirit of Christmas Drive Calls for donations The first drive, organized in 1974, supports a food-voucher pro Drive organizers sent letters was known as the Christmas Basket gramme for needy students and a requesting donations to depart Drive. It provided food baskets to co-op kitchen. ments throughout the University. needy families in the Montreal_com The food voucher programme To supplement the donations, pro munity and helped students who helps students who are temporarily jects are organized by Concordia were having short-term financial broke.