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The Front Page First Opened at the Times Square Theatre on August 14, 1928, It Was Instantly Heralded As a Classic
SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP 2 DIRECTOR’S NOTES SCAVENGING FOR THE TRUTH BY GRAHAM ABBEY “Were it left to me to decide between a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.” – Thomas Jefferson, 1787 When The Front Page first opened at the Times Square Theatre on August 14, 1928, it was instantly heralded as a classic. Nearly a century later, this iconic play has retained its place as one of the great American stage comedies of all time. Its lasting legacy stands as a testament to its unique DNA: part farce, part melodrama, with a healthy dose of romance thrown into the mix, The Front Page is at once a veneration and a reproof of the gritty, seductive world of Chicago journalism, firmly embedded in the freewheeling euphoria of the Roaring Twenties. According to playwrights (and former Chicago reporters) Charles MacArthur and Ben Hecht, the play allegedly found its genesis in two real-life events: a practical joke carried out on MacArthur as he was heading west on a train with his fiancée, and the escape and disappearance of the notorious gangster “Terrible” Tommy consuming the conflicted heart of a city O’Conner four days before his scheduled caught in the momentum of progress while execution at the Cook County Jail. celebrating the underdogs who were lost in its wake. O’Conner’s escape proved to be a seminal moment in the history of a city struggling Chicago’s metamorphosis through the to find its identity amidst the social, cultural “twisted twenties” is a paradox in and of and industrial renaissance of the 1920s. -
JUNGLE CAT WORLD > IU A,N1,10<
16 The Canadian Statesman, Bowmanvillc, Wednesday, August 2,1995 ------------------------------------------------------------- -— ^ * Family Fun Day at Harmony Valley Cons. Area Sunday August 13,1995 Sunday, August 13 from 11:00 happening at the following stration (Gemini Gymnastic 11:00 a.m. to 4:00 p.m. a.m. to 4:00 p.m. times: Club) Tired of looking for new Family Fun Day will have 12:30 - Stunt Kite Flying Food and refreshments will and exciting tilings to do with something for everyone. All (Toronto Kite Flyers Club) be available for sale. your family? Well, look no fur day events include horse- 1:30 - Picnic Games and Directions: Exit Harmony ther, conic to the Family Fun drawn wagon rides, inflatable Scavenger Hunt Rd. (Oshawa) from Hwy #401, Day at Harmony Valley Con playground, hay maze, kite dis 2:30 - Fighting Kite Tour travel north to Corbett Road. servation Area for some good play, face painting and crafts nament (Toronto Kite Flyers Turn right and travel to Grand old fashion fun. for the kids. Club) view Street. Turn left on The event will be held on Special events will also be 3:00 - Gymnastic Demon Grandview and follow around to area entrance. 5th Annual Janefville 4X4 OFF ROAD THE ROYAL Canadian air farce • Roger Abbott • Luba coy • Don Ferguson • John Morgan JAMBOREE 4 Air Farce Coming to Port Hope Theatre They're a huge hit on televi in Lcnnoxvillc, Quebec (popu for broadcast September 9/10. TRUCK PULL sion, but they still like to begin lation 4,046). Tickets will go on sale at the the season where it all began: Mixing television and radio Capitol Box Office starting on CBC Radio. -
Uvisno "Acting Is Handed on from Actor to Actor
Inaide the Stratford Festival uviSNO "Acting is handed on from actor to actor. It's the only way to do it... from observing the people who came before you. That is really the way theatre goes" In OFFSTAGE ONSTAGE: Inside the Stratford Festival, Stratford cameras go backstage during an entire season to capture the creative spirit at the heart of a treasured Canadian theatre company. For five decades, the Festival's stage has been home to the world's great plays and performers. Award-winning director John N. Smith (The Boys of St. Vincent), given unprecedented access backstage, offers a fascinating look at the personalities and the production process behind live theatre performance. Peek into William Hutt's dressing room as he does his vocal warm-ups before Twelfth Night. Watch Martha Henry command the stage in Who's Afraid of Virginia Woolf? Observe an up-and-coming generation of young performers who learn from the masters. Meet dozens of artists, craftspeople and technicians who reveal their secrets, from shoemaking, sword fighting and sound effects to makeup and mechanical monkeys. Join us behind the scenes of Canada's premier classical theatre institution ... and discover the love for the stage that drives this artistic company. Resource guide on reverse side, DIRECTOR: John N. Smith PRODUCER: Gerry Flahive 83 minutes Order number: C9102 042 Closed captioned. A decoder is required. TO ORDER NFB VIDEOS, CALL TODAY! -800-267-7710 (Canada) 1-800-542-2164 (USA) © 2002 National Film Board of Canada. A licence is required for any reproduction, television broadcast, sale, rental or public screening. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Ring in the New Year with Air Farce New Year's Eve on Cbc
For Immediate Release: December 13, 2018 Tweet this Release: www.airfarce.com/press RING IN THE NEW YEAR WITH AIR FARCE NEW YEAR’S EVE ON CBC, DECEMBER 31 TROUPE CELEBRATES 45TH ANNIVERSARY Tommy Chong, Lauren Lee Smith, and Natalie Spooner guest star Justin Trudeau, Donald Trump, Chrystia Freeland, Mark Zuckerberg, Theresa May, and the Royal Family are in the hot seat Toronto (December 13, 2018) – AIR FARCE, one of the most acclaimed homegrown comedy troupes, is turning 45. The Farce will be celebrating this landmark anniversary skewering the biggest news stories, events, people, and pop culture phenomena of the year with its longstanding year-end ritual AIR FARCE NEW YEAR’S EVE, premiering Monday, December 31 at 8 p.m. (8:30 NT) on CBC, with an encore broadcast later the same evening at 12:10 a.m. (12:40 NT). AIR FARCE NEW YEAR'S EVE is one of the highest-rated entertainment specials in the country. An average audience of 1.8 million Canadians watched AIR FARCE NEW YEAR’S EVE last year on CBC, with a total reach of 3.7 million viewers over the course of the show.* Click on the link for AIR FARCE Photos and Bios AIR FARCE NEW YEAR’S EVE looks back at the year that was and takes aim at climate change, the fallout of the #MeToo movement, Brexit, the Trans Mountain Pipeline, the legalization of marijuana and the Queen welcoming a new royal great-grandchild. Black Panther battles America’s latest threat – extreme racism – and PM Justin Trudeau is #sorrynotsorry in a special musical tribute set to Maroon 5 chart-topper Girls Like You. -
DECEMBER 2, 1993 CONCORDIA's THURSDAY REPORT Open House Showcases Students' Work MITE AVISTA Opens the Doors to the Magic of Media Technology EL E
0 N C 0 R D I A,S SDAY ~PORT Proceeds of concerts, bake sales to help needy students Spreading the spirit around group cooking," he said. ers: a decorated tree in the atrium of BY JENNIFER DALES Both the co-op kitchen and food the J.W. McConnell Building. The voucher programme are supported J\ t Campus Ministry, staff and tree's lights were switched on Tues by the Ministry's annual Spirit of r-lstudents are revving up for day afternoon, and since then, it's Christmas Drive. Peter Cote, its co their busiest season of the year. being decorated with fund-raising ordinator, said the drive raised "Our primary concern is social ribbons. $8,091 last year. action," said Father Bob Nagy in an The Drive's roots date back to 'We have used almost all of the interview at Belmore House, the money," he said. "Well over 200 1914, when a collection was taken up home of Concordia's Campus Min students have used our service." at Loyola College to help the some of istry on the Loyola Campus. The the families affected by W odd War I. annual Spirit of Christmas Drive Calls for donations The first drive, organized in 1974, supports a food-voucher pro Drive organizers sent letters was known as the Christmas Basket gramme for needy students and a requesting donations to depart Drive. It provided food baskets to co-op kitchen. ments throughout the University. needy families in the Montreal_com The food voucher programme To supplement the donations, pro munity and helped students who helps students who are temporarily jects are organized by Concordia were having short-term financial broke. -
KALEIDOSPORT to KRAZY HOUSE
KALEIDOSPORT to KRAZY HOUSE Kaleidosport Sat 4:00-5:00 p.m., 18 Feb-29 Apr 1967 Sat 2:00-4:00 p.m., 6 May-15 Jul 1967 Sat 2:00-4:00 p.m., 9 Dec 1967-7 Sep 1968 Sat 2:00-4:00 p.m., 4 Jan-29 Jun 1969 Sun 2:30-4:00 p.m., 29 Jun-14 Sep 1969 Sat 3:00-4:00 p.m., 10 Jan-2 May 1970 Sun 2:30-4:00 p.m., 5 Apr-13 Sep 1970 Sat 4:00-5:00 p.m., 9 Jan-11 Apr 1971 Sun 2:30-4:00 p.m., 25 Apr-12 Sep 1971 Sun 2:30-4:00 p.m., 2 Jul-3 Sep 1972 A CBC Sports presentation, produced by Don Brown, Kaleidosport provided coverage of a wide variety of athletic events, from highlights of the Canadian Winter Games, which opened the broadcast in February 1967, to harness racing at Greenwood Race Track in Toronto. Most programs would include features on more than one event. The show's host was Lloyd Robertson. Keep Canada Singing Sun 10:00-10:30 p.m., 5 Jun-12 Jun 1955 On two consecutive Sunday nights, for thirty mintes each, the CBC presented the proceedings of the S.P.E.B.S.Q.S.A. (Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America) from the Queen Mary Veterans' Hospital in Montreal. The host was Johnny Rice and the musical director Harry Fraser. Keynotes Sun 1:00-1:15 p.m., 5 Jan 1964 Sun 3:00-3:15 p.m., 5 Apr-28 Jun 1964 Sat 6:30-6:45 p.m., 4 Jul-27 Sep 1964 Keynotes, a quarter-hour musical variety program from Edmonton, featured show tunes and standards sung by Buddy Victor or Dorothy Harpell, who appeared on alternating weeks, backed by Tommy Banks on piano and Harry Boon on organ. -
2016 Study Guide
2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis .............................................................................................................. -
BACKGROUND to by INVITATION
BACKGROUND to BY INVITATION Background Sun 11:15-11:40 p.m., 5 Jul 1959-26 Jun 1960 Sun 11:20-11:40 p.m., 9 Oct 1960-1 Jan 1961 Sun 10:00-10:30 p.m., 19 Feb-25 Jun 1961 Various times, 1962 Background, produced by Cliff Solway, replaced This Week as a late Sunday night analysis of issues in the news. The change in format and title reflected a change in the audience that the CBC projected for the series. This Week had attracted growing numbers of viewers, and the Talks and Public Affairs Department explained, "Of these new viewers, we thought there must be a number who are not as well versed on the background of the topics selected." Background tried to outline a topic in the news and discuss the events leading to the current situation. Most programs concerned immediate issues. Some involved more advance planning, such as segments on international business mergers, atomic fallout, and political situations in Poland, Bulgaria, and Portugal. The host and narrator for the series was Rick Hart, a thirty-eight year old political science graduate of the University of Saskatchewan, who had spent seventeen years in the army and had little broadcasting experience. In the 1960 season Hart was replaced with a number of commentators, who included Alistair Cooke, Malcolm Muggeridge, Philip Deane, Arnold Beichman, Robert, McKenzie, Robert Fulford, and Michael Maclear, and in January 196l, Background moved into prime time. Cooke, the U.S. correspondent for the Manchester Guardian, had appeared frequently on the previous season of Background, and offered reports on the U.S. -
Three Tall Women: Director’S Notes Four Fortunate Women (And One Man)
PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY SYLVIA D. CHROMINSKA, DR. DESTA LEAVINE IN MEMORY OF PAULINE LEAVINE, SYLVIA SOYKA, THE WESTAWAY CHARITABLE FOUNDATION AND BY JACK WHITESIDE LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Canadian Humour
Canadian humour Canadian humour is an integral part of the Canadian Identity. There are several traditions in Canadian humour in both English and French. While these traditions are distinct and at times very different, there are common themes that relate to Canadians' shared history and geopolitical situation in North America and the world. Various trends can be noted in Canadian comedy. One thread is the portrayal of a "typical" Canadian family in an on-going radio or television series. Examples include La famille Plouffe, with its mix of drama, humour, politics and religion and sitcoms such as King of Kensington and La Petite Vie. Another major thread tends to be political and cultural satire: television shows such as CODCO, Royal Canadian Air Farce, La Fin du monde est à 7 heures and This Hour Has 22 Minutes, monologuists such as Yvon Deschamps and Rick Mercer and writers, including Michel Tremblay, Will Ferguson and Eric Nicol draw their inspiration from Canadian and Québécois society and politics. Another trend revels in absurdity, demonstrated by television series like The Kids in the Hall and The Frantics, and musician-comedians such as The Arrogant Worms, Three Dead Trolls in a Baggie and Bowser and Blue. Satire is arguably the primary characteristic of Canadian humour, evident in each of these threads, and uniting various genres and regional cultural differences. Humber College in Toronto and the École nationale de l'humour in Montreal offer post-secondary programmes in comedy writing and performance. Montreal is also home to the bilingual (English and French) Just For Laughs festival and to the Just for Laughs museum, a bilingual, international museum of comedy. -
Celebrating 60 Years: the ACTRA STORY This Special Issue Of
SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve