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6 Self-Expression and the Materiality of Cowrie Shell Snuff Boxes
BOXING VENUS: COWRIE SHELL SNUFF BOXES IN THE BRITISH EMPIRE, 1680-1800 by Alexandra Ward A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in American Material Culture Spring 2017 © 2017 Alexandra Ward All Rights Reserved BOXING VENUS: COWRIE SHELL SNUFF BOXES IN THE BRITISH EMPIRE, 1680-1800 by Alexandra Ward Approved: __________________________________________________________ Monica Dominguez Torres, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ J. Ritchie Garrison, Ph.D. Director of the Winterthur Program in American Material Culture Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts & Sciences Approved: __________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS When I began this project I had no idea where it would lead me or whom I would meet along the way, but I am incredibly appreciative for the support and enthusiasm I received during the thesis process. I am grateful to Leah Lane who first showed me these boxes. I am deeply indebted and grateful to my advisor, Monica Dominguez Torres. Her unwavering guidance, dynamic perspective, and constructive feedback helped shape my thesis from its inception. Ann Wagner warmly shared her time and expertise. Her boundless knowledge was instrumental in thinking through the boxes as objects of material culture and understanding how the shell boxes were constructed. I am grateful to Bruno Pouliot for examining Winterthur’s boxes with me and for our discussion on the materiality of the shells. -
MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
18Th Viking Congress Denmark, 6–12 August 2017
18th Viking Congress Denmark, 6–12 August 2017 Abstracts – Papers and Posters 18 TH VIKING CONGRESS, DENMARK 6–12 AUGUST 2017 2 ABSTRACTS – PAPERS AND POSTERS Sponsors KrKrogagerFondenoagerFonden Dronning Margrethe II’s Arkæologiske Fond Farumgaard-Fonden 18TH VIKING CONGRESS, DENMARK 6–12 AUGUST 2017 ABSTRACTS – PAPERS AND POSTERS 3 Welcome to the 18th Viking Congress In 2017, Denmark is host to the 18th Viking Congress. The history of the Viking Congresses goes back to 1946. Since this early beginning, the objective has been to create a common forum for the most current research and theories within Viking-age studies and to enhance communication and collaboration within the field, crossing disciplinary and geographical borders. Thus, it has become a multinational, interdisciplinary meeting for leading scholars of Viking studies in the fields of Archaeology, History, Philology, Place-name studies, Numismatics, Runology and other disciplines, including the natural sciences, relevant to the study of the Viking Age. The 18th Viking Congress opens with a two-day session at the National Museum in Copenhagen and continues, after a cross-country excursion to Roskilde, Trelleborg and Jelling, in the town of Ribe in Jylland. A half-day excursion will take the delegates to Hedeby and the Danevirke. The themes of the 18th Viking Congress are: 1. Catalysts and change in the Viking Age As a historical period, the Viking Age is marked out as a watershed for profound cultural and social changes in northern societies: from the spread of Christianity to urbanisation and political centralisation. Exploring the causes for these changes is a core theme of Viking Studies. -
Thebaltimore Museumof Art Presents Ellenlesperance
THE BALTIMORE MUSEUM OF ART PRESENTS ELLEN LESPERANCE: VELVET FIST Members of the public invited to borrow artist-knit sweater for a personal act of courage BALTIMORE, MD (January 13, 2020)—The Baltimore Museum of Art (BMA) presents Ellen Lesperance: Velvet Fist, a solo exhibition of works by the Portland, Oregon-based artist known for paintings inspired by the attire of women activists, warriors, and cultural figures. On view January 26–June 28, 2020, the exhibition features seven works from Lesperance’s ongoing Greenham Common Women's Peace Camp series, as well as a new artist book of archival sources. Also featured is Lesperance’s participatory project, Congratulations and Celebrations, through which members of the public can borrow a hand-knit sweater depicting a labrys battle axe to perform a personal act of courage. These acts—big and small, public and private—will be documented on Instagram, with some becoming part of the exhibition “Ellen Lesperance’s vivid and masterfully rendered works have immortalized the legacy of brave women activists who recognized that creativity itself can lead to mobilizing acts of nonviolence. I am proud to recognize both her achievements and theirs in this powerful exhibition of socially engaged art,” said Christopher Bedford, BMA Dorothy Wagner Wallis Director. Ellen Lesperance: Velvet Fist is curated by BMA Associate Curator of Contemporary Art Cecilia Wichmann. The exhibition is generously supported by the Estate of Margaret Hammond Cooke. For over a decade, Ellen Lesperance has collected imagery of life at Greenham Common Women’s Peace Camp (1981– 2000), the separatist feminist camp that formed in protest of U.S. -
An Old Turkic Statue from Borili, Ulytau Hills, Central Kazakhstan: Issues in Interpretation
THE METAL AGES AND MEDIEVAL PERIOD DOI: 10.17746/1563-0110.2018.46.1.059-065 L.N. Ermolenko1, A.I. Soloviev2, and Zh.K. Kurmankulov3 1Kemerovo State University, Krasnaya 6, Kemerovo, 650043, Russia E-mail: [email protected] 2Institute of Archaeology and Ethnography, Siberian Branch, Russian Academy of Sciences, Pr. Akademika Lavrentieva 17, Novosibirsk, 630090, Russia E-mail: [email protected] 3A.K. Margulan Institute of Archaeology, Committee of Science of the Ministry of Education and Science of the Republic of Kazakhstan, Pr. Dostyk 44, Almaty, 050010, Republic of Kazakhstan E-mail: [email protected] An Old Turkic Statue from Borili, Ulytau Hills, Central Kazakhstan: Issues in Interpretation We describe an unusual Old Turkic statue from Borili (Ulytau, Central Kazakhstan), distinguished by a peculiar position of the hands and holding an unusual object––a battle axe instead of a vessel. Stylistic features and possible prototypes among actual battle axes suggest that the statue dates to the 7th to early 8th centuries AD. The composition attests to the sculptor’s familiarity with Sogdian/Iranian art and with that of China. Several interpretations of the statue are possible. The standard version regarding Old Turkic statues erected near stone enclosures is that they represent divine chiefs––patrons of a specifi c group of the population. Certain details carved on the statue indicate an early origin of the image. It is also possible that such statues are semantically similar to those of guardians placed along the “path of the spirits” near tombs of members of the Chinese royal elite. Keywords: Old Turks, statues, Central Kazakhstan, Sogdian art, China, “path of the spirits”, bladed weapons. -
The Genomic Ancestry of the Scandinavian Battle Axe Culture People and Their Relation to the Broader Corded Ware Horizon
Malmström, H., Günther, T., Svensson, E. M., Juras, A., Fraser, M., Munters, A. R., Pospieszny, Ł., Tõrv, M., Lindström, J., Götherström, A., Storå, J., & Jakobsson, M. (2019). The genomic ancestry of the Scandinavian Battle Axe Culture people and their relation to the broader Corded Ware horizon. Proceedings of the Royal Society B: Biological Sciences, 286(1912), [20191528]. https://doi.org/10.1098/rspb.2019.1528 Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.1098/rspb.2019.1528 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via The Royal Society at https://doi.org/10.1098/rspb.2019.1528 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ The genomic ancestry of the Scandinavian royalsocietypublishing.org/journal/rspb Battle Axe Culture people and their relation to the broader Corded Ware horizon Research Helena Malmström1,2,†, Torsten Günther1,†, Emma M. Svensson1, Anna Juras3, Cite this article: Malmström H et al. 2019 Magdalena Fraser1,4, Arielle R. Munters1, Łukasz Pospieszny5,6, Mari Tõrv7, The genomic ancestry of the Scandinavian 8 9 10 Battle Axe Culture people and their relation to Jonathan Lindström , Anders Götherström , Jan Storå the broader Corded Ware horizon. -
Early Globalization Cowries As Currency, 600 BCE-1900
PETER BOOMGAARD Early globalization Cowries as currency, 600 BCE-1900 Shell money Unless you are a shell collector or a specialist in pre-modern and early modern monetary history of Asia (or Africa), chances are that you have never heard of cowries. Cowries are (usually) relatively small, pretty shells which look as if they are made out of porcelain. They can be found in many tropical seas. There are over 250 recognized species of cowrie (also spelled ‘cowry’), but this article deals mainly with two of them, Cypraea moneta and Cypraea annulus. The first and main protagonist is C. moneta, the money cowrie, as the scien- tific name already indicates. However, C. annulus (the ring cowrie), also used locally as money, is a good second, the more so as primary sources and litera- ture do not always make a distinction between the two. The two species were (and are) to be found in large sections of the Indian and Pacific Oceans, includ- ing areas along the shores of eastern Africa, Arabia, Persia, India, Southeast Asia, China, Oceania, and Australia.1 Cowries have served as ornaments and jewellery in countless societies, past and present. They have been valued by many civilizations since prehistoric times. They were given by rulers as prestige items to individuals, or donated to religious institutions. In addition to all this, the money cowrie and the ring cowrie have circulated as currencies in a number of economies, either alone, or in combination with precious and base metals, coined and uncoined. In historical times, the value of one single cowrie shell was usually very low, and people in those societies where they were legal tender walked around with strings of them, or even entire baskets. -
Fuglesang Til Trykk.Indd
Ornament and Order Essays on Viking and Northern Medieval Art for Signe Horn Fuglesang Edited by Margrethe C. Stang and Kristin B. Aavitsland © Tapir Academic Press, Trondheim 2008 ISBN 978-82-519-2320-0 This publication may not be reproduced, stored in a retrieval system or transmitted in any form or by any means; electronic, electrostatic, magnetic tape, mechanical, photo-copying, recording or otherwise, without permission. Layout: Tapir Academic Press Font: 10,5 pkt Adobe Garamond Pro Paper: 115 g Multiart Silk Printed and binded by 07-gruppen as This book has been published with founding from: Professor Lorentz Dietrichson og hustrus legat til fremme av kunsthistorisk forskning Department of Culture Studies and Oriental Languages, University of Oslo Fritt Ord – The Freedom of Expression Foundation, Oslo Tapir Academic Press NO–7005 TRONDHEIM Tel.: + 47 73 59 32 10 Fax: + 47 73 59 84 94 E-mail: [email protected] www.tapir.no Table of Contents Preface . 7 Tabula Gratulatoria . 9 Erla Bergendahl Hohler Signe Horn Fuglesang – an Intellectual Portrait . 13 Eloquent Objects from the Early Middle Ages David M. Wilson Jellinge-style Sculpture in Northern England . 21 Anne Pedersen and Else Roesdahl A Ringerike-style Animal’s Head from Aggersborg, Denmark . 31 James Graham-Campbell An Eleventh-century Irish Drinking-horn Terminal . 39 Ornament and Interpretation Ulla Haastrup The Introduction of the Meander Ornament in Eleventh-century Danish Wall Paintings. Thoughts on the Symbolic Meaning of the Ornament and its Role in Promoting the Roman Church . 55 Kristin B. Aavitsland Ornament and Iconography. Visual Orders in the Golden Altar from Lisbjerg, Denmark . -
Cowry Shell Money and Monsoon Trade: the Maldives in Past Globalizations
Cowry Shell Money and Monsoon Trade: The Maldives in Past Globalizations Mirani Litster Thesis submitted for the degree of Doctor of Philosophy The Australian National University 2016 To the best of my knowledge the research presented in this thesis is my own except where the work of others has been acknowledged. This thesis has not previously been submitted in any form for any other degree at this or any other university. Mirani Litster -CONTENTS- Contents Abstract xv Acknowledgements xvi Chapter One — Introduction and Scope 1 1.1 Introduction 1 1.2 An Early Global Commodity: Cowry Shell Money 4 1.2.1 Extraction in the Maldives 6 1.2.2 China 8 1.2.3 India 9 1.2.4 Mainland Southeast Asia 9 1.2.5 West and East Africa 10 1.3 Previous Perspectives and Frameworks: The Indian Ocean 11 and Early Globalization 1.4 Research Aims 13 1.5 Research Background and Methodology 15 1.6 Thesis Structure 16 Chapter Two — Past Globalizations: Defining Concepts and 18 Theories 2.1 Introduction 18 2.2 Defining Globalization 19 2.3 Theories of Globalization 21 2.3.1 World Systems Theory 21 2.3.2 Theories of Global Capitalism 24 2.3.3 The Network Society 25 2.3.4 Transnationality and Transnationalism 26 2.3.5 Cultural Theories of Globalization 26 2.4 Past Globalizations and Archaeology 27 2.4.1 Globalization in the Past: Varied Approaches 28 i -CONTENTS- 2.4.2 Identifying Past Globalizations in the Archaeological 30 Record 2.5 Summary 32 Chapter Three — Periods of Indian Ocean Interaction 33 3.1 Introduction 33 3.2 Defining the Physical Parameters 34 3.2.1 -
THE Vikings the VIKINGS
THE vikings THE VIKINGS 1 TABLE DES MATI RES TABLE OF CONTENTS Artistic Direction WHO WERE THE VIKINGS? Sylvain Lapointe Who were they? .............................................................................................. 4 Where did they come from? ...................................................................... ... 5 Text Pier-Luc Lasalle When did they live? .................................................................................... ... 5 Sailors ................................................................................................................ 6 Music Explorer-pirates and bandit-tradesmen ................................................ ... 7 Enrico O. Dastous How did one turn Viking? ......................................................................... ... 7 Mode of government ..................................................................................... 8 Staging Eloi ArchamBaudoin Trade ................................................................................................................. 8 Viking currency ............................................................................................... 9 Authorship of the Pedagogical Document Agriculture ....................................................................................................... 9 Aude Le Dubé DAILY LIFE IN THE VIKING ERA Translation Gaëtan Chénier Tasks ............................................................................................................. ... 10 Housing Cover Illustration Food -
Phenetic Relationship Study of Gold Ring Cowry, Cypraea Annulus
Aquacu nd ltu a r e s e J i o r u e r h n s a i l F Fisheries and Aquaculture Journal Laimeheriwa, Fish Aqua J 2017, 8:3 ISSN: 2150-3508 DOI: 10.4172/2150-3508.1000215 Research Article Open Access Phenetic Relationship Study of Gold Ring Cowry, Cypraea Annulus (Gastropods: Cypraeidae) in Mollucas Islands Based on Shell Morphological Bruri Melky Laimeheriwa* Department of Water Resources Management, Faculty of Fisheries and Marine Science, Unpatti, Center of Marine and Marine Affairs Pattimura University Ambon, Maluku, Indonesia *Corresponding author: Bruri Melky Laimeheriwa, Department of Water Resources Management, Faculty of Fisheries and Marine Science, Unpatti, Center of Marine and Marine Affairs Pattimura University Ambon, Maluku, Indonesia, Tel: +62 911 322628; E-mail: [email protected] Received date: July 17, 2017; Accepted date: August 08, 2017; Published date: August 15, 2017 Copyright: © 2017 Laimeheriwa MB. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract This study aims to construct taxonomic character of Cypraea annulus based on shell morphological; analyzed the developmental stages of the snail shell and investigated the similarities and phenotypic distances of snails with numerical taxonomic approaches. This research lasted four years on island of Larat and Ambon. The sample used was 2926. Construction of morphological taxonomic characters using binary data types with 296 test characters and ordinal types with 173 test characters; and 32 specimens of operational taxonomic units. The data is processed and analyzed on Lasboratory of Maritime and Marine Study Centre, University of Pattimura. -
Amber Battle-Axe and the Find Location the Battle-Axe Is 4.4 Cm Long and 1.4 Cm Wide (Fig
A miniature in amber of a battle-axe from the Battle-Axe Culture Larsson, Lars Published in: Adoranten 2017 Link to publication Citation for published version (APA): Larsson, L. (2017). A miniature in amber of a battle-axe from the Battle-Axe Culture. Adoranten, 2017, 48-54. http://www.rockartscandinavia.com/images/articles/a17larsson.pdf Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Lars Larsson A miniature in amber of a battle- axe from the Battle-Axe Culture Abstract In the mid 1930s an amber object shaped like a miniature battle-axe was found in the northern part of Öland, an island in the Baltic Sea.