Amber Battle-Axe and the Find Location the Battle-Axe Is 4.4 Cm Long and 1.4 Cm Wide (Fig
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MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
Thebaltimore Museumof Art Presents Ellenlesperance
THE BALTIMORE MUSEUM OF ART PRESENTS ELLEN LESPERANCE: VELVET FIST Members of the public invited to borrow artist-knit sweater for a personal act of courage BALTIMORE, MD (January 13, 2020)—The Baltimore Museum of Art (BMA) presents Ellen Lesperance: Velvet Fist, a solo exhibition of works by the Portland, Oregon-based artist known for paintings inspired by the attire of women activists, warriors, and cultural figures. On view January 26–June 28, 2020, the exhibition features seven works from Lesperance’s ongoing Greenham Common Women's Peace Camp series, as well as a new artist book of archival sources. Also featured is Lesperance’s participatory project, Congratulations and Celebrations, through which members of the public can borrow a hand-knit sweater depicting a labrys battle axe to perform a personal act of courage. These acts—big and small, public and private—will be documented on Instagram, with some becoming part of the exhibition “Ellen Lesperance’s vivid and masterfully rendered works have immortalized the legacy of brave women activists who recognized that creativity itself can lead to mobilizing acts of nonviolence. I am proud to recognize both her achievements and theirs in this powerful exhibition of socially engaged art,” said Christopher Bedford, BMA Dorothy Wagner Wallis Director. Ellen Lesperance: Velvet Fist is curated by BMA Associate Curator of Contemporary Art Cecilia Wichmann. The exhibition is generously supported by the Estate of Margaret Hammond Cooke. For over a decade, Ellen Lesperance has collected imagery of life at Greenham Common Women’s Peace Camp (1981– 2000), the separatist feminist camp that formed in protest of U.S. -
The Shared Lexicon of Baltic, Slavic and Germanic
THE SHARED LEXICON OF BALTIC, SLAVIC AND GERMANIC VINCENT F. VAN DER HEIJDEN ******** Thesis for the Master Comparative Indo-European Linguistics under supervision of prof.dr. A.M. Lubotsky Universiteit Leiden, 2018 Table of contents 1. Introduction 2 2. Background topics 3 2.1. Non-lexical similarities between Baltic, Slavic and Germanic 3 2.2. The Prehistory of Balto-Slavic and Germanic 3 2.2.1. Northwestern Indo-European 3 2.2.2. The Origins of Baltic, Slavic and Germanic 4 2.3. Possible substrates in Balto-Slavic and Germanic 6 2.3.1. Hunter-gatherer languages 6 2.3.2. Neolithic languages 7 2.3.3. The Corded Ware culture 7 2.3.4. Temematic 7 2.3.5. Uralic 9 2.4. Recapitulation 9 3. The shared lexicon of Baltic, Slavic and Germanic 11 3.1. Forms that belong to the shared lexicon 11 3.1.1. Baltic-Slavic-Germanic forms 11 3.1.2. Baltic-Germanic forms 19 3.1.3. Slavic-Germanic forms 24 3.2. Forms that do not belong to the shared lexicon 27 3.2.1. Indo-European forms 27 3.2.2. Forms restricted to Europe 32 3.2.3. Possible Germanic borrowings into Baltic and Slavic 40 3.2.4. Uncertain forms and invalid comparisons 42 4. Analysis 48 4.1. Morphology of the forms 49 4.2. Semantics of the forms 49 4.2.1. Natural terms 49 4.2.2. Cultural terms 50 4.3. Origin of the forms 52 5. Conclusion 54 Abbreviations 56 Bibliography 57 1 1. -
An Old Turkic Statue from Borili, Ulytau Hills, Central Kazakhstan: Issues in Interpretation
THE METAL AGES AND MEDIEVAL PERIOD DOI: 10.17746/1563-0110.2018.46.1.059-065 L.N. Ermolenko1, A.I. Soloviev2, and Zh.K. Kurmankulov3 1Kemerovo State University, Krasnaya 6, Kemerovo, 650043, Russia E-mail: [email protected] 2Institute of Archaeology and Ethnography, Siberian Branch, Russian Academy of Sciences, Pr. Akademika Lavrentieva 17, Novosibirsk, 630090, Russia E-mail: [email protected] 3A.K. Margulan Institute of Archaeology, Committee of Science of the Ministry of Education and Science of the Republic of Kazakhstan, Pr. Dostyk 44, Almaty, 050010, Republic of Kazakhstan E-mail: [email protected] An Old Turkic Statue from Borili, Ulytau Hills, Central Kazakhstan: Issues in Interpretation We describe an unusual Old Turkic statue from Borili (Ulytau, Central Kazakhstan), distinguished by a peculiar position of the hands and holding an unusual object––a battle axe instead of a vessel. Stylistic features and possible prototypes among actual battle axes suggest that the statue dates to the 7th to early 8th centuries AD. The composition attests to the sculptor’s familiarity with Sogdian/Iranian art and with that of China. Several interpretations of the statue are possible. The standard version regarding Old Turkic statues erected near stone enclosures is that they represent divine chiefs––patrons of a specifi c group of the population. Certain details carved on the statue indicate an early origin of the image. It is also possible that such statues are semantically similar to those of guardians placed along the “path of the spirits” near tombs of members of the Chinese royal elite. Keywords: Old Turks, statues, Central Kazakhstan, Sogdian art, China, “path of the spirits”, bladed weapons. -
The Genomic Ancestry of the Scandinavian Battle Axe Culture People and Their Relation to the Broader Corded Ware Horizon
Malmström, H., Günther, T., Svensson, E. M., Juras, A., Fraser, M., Munters, A. R., Pospieszny, Ł., Tõrv, M., Lindström, J., Götherström, A., Storå, J., & Jakobsson, M. (2019). The genomic ancestry of the Scandinavian Battle Axe Culture people and their relation to the broader Corded Ware horizon. Proceedings of the Royal Society B: Biological Sciences, 286(1912), [20191528]. https://doi.org/10.1098/rspb.2019.1528 Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.1098/rspb.2019.1528 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via The Royal Society at https://doi.org/10.1098/rspb.2019.1528 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ The genomic ancestry of the Scandinavian royalsocietypublishing.org/journal/rspb Battle Axe Culture people and their relation to the broader Corded Ware horizon Research Helena Malmström1,2,†, Torsten Günther1,†, Emma M. Svensson1, Anna Juras3, Cite this article: Malmström H et al. 2019 Magdalena Fraser1,4, Arielle R. Munters1, Łukasz Pospieszny5,6, Mari Tõrv7, The genomic ancestry of the Scandinavian 8 9 10 Battle Axe Culture people and their relation to Jonathan Lindström , Anders Götherström , Jan Storå the broader Corded Ware horizon. -
Book Review Essay
Cliodynamics: the Journal of Theoretical and Mathematical History Indo-Europeans Were the Most Historically Significant Nomads of the Steppes Ricardo Duchesne University of New Brunswick This paper contrasts the historical significance of the Indo- European to the non-Indo-European nomads. The impact of such nomadic peoples as the Scythians, Sogdians, Turks, and Huns never came close to the deep and lasting changes associated with the ‘Indo-Europeanization’ of the Occident. While Indo- Europeans were not the only people of the steppes organized as war bands bound together by oaths of aristocratic loyalty and fraternity, they thoroughly colonized Europe with their original pastoral package of wheel vehicles, horse-riding, and chariots, combined with the ‘secondary-products revolution.’ In contrast, the relationship between the non-Indo-European nomads with their more advanced sedentary neighbours was one of ‘symbiosis,’ ‘conflict,’ ‘trade,’ and ‘conquest,’ rather than dominion and cultural colonization. In this essay I don’t wish to question the great merits of Martin Hewson’s long review, “Multicultural vs. Post-Multicultural World History: A Review Essay,” of The Uniqueness of Western Civilization (2011). Hewson poses a very important question about the exceptionality of Indo-Europeans vis-à-vis other pastoral peoples from the steppes that I would like to address. I will also clarify why my explanation on the aristocratic spirit of Europeans does not, as Hewson says, abjure “a materialist conception of history.” By ‘Indo-Europeans’ (IE) I understand a pastoral people from the Pontic-Caspian steppes who initiated the most mobile way of life in prehistoric times, starting with the riding of horses and the invention of wheeled vehicles in the fourth millennium BC, together with the efficient exploitation of the ‘secondary products’ of domestic animals (dairy products, textiles, harnessing of animals), large-scale herding, and the invention of chariots in the second millennium. -
The Reconstruction of a Bronze Battle Axe and Comparison of Inflicted
Journal of Imaging Article The Reconstruction of a Bronze Battle Axe and Comparison of Inflicted Damage Injuries Using Neutron Tomography, Manufacturing Modeling, and X-ray Microtomography Data Maria Mednikova 1,* , Irina Saprykina 1,2, Sergey Kichanov 2 and Denis Kozlenko 2 1 Department of Theory and Methods, Institute of Archaeology RAS, 117036 Moscow, Russia; [email protected] 2 Frank Laboratory of Neutron Physics, Joint Institute for Nuclear Research, 141980 Dubna, Russia; [email protected] (S.K.); [email protected] (D.K.) * Correspondence: [email protected]; Tel.: +7-916-714-4625 Received: 14 April 2020; Accepted: 3 June 2020; Published: 8 June 2020 Abstract: A massive bronze battle axe from the Abashevo archaeological culture was studied using neutron tomography and manufacturing modeling from production molds. Detailed structural data were acquired to simulate and model possible injuries and wounds caused by this battle axe. We report the results of neutron tomography experiments on the bronze battle axe, as well as manufactured plastic and virtual models of the traumas obtained at different strike angles from this axe. The reconstructed 3D models of the battle axe, plastic imprint model, and real wound and trauma traces on the bones of the ancient peoples of the Abashevo archaeological culture were obtained. Skulls with traces of injuries originate from archaeological excavations of the Pepkino burial mound of the Abashevo culture in the Volga region. The reconstruction and identification of the injuries and type of weapon on the restored skulls were performed. The complementary use of 3D visualization methods allowed us to make some assumptions on the cause of death of the people of the Abashevo culture and possible intra-tribal conflict in this cultural society. -
Analysis of Late Mid-Neolithic Pottery Illuminates the Presence of a Corded Ware Culture on the Baltic Island of Gotland
Documenta Praehistorica XLII (2015) Analysis of late mid-Neolithic pottery illuminates the presence of a Corded Ware Culture on the Baltic Island of Gotland Erik Palmgren 1, Helene Martinsson-Wallin 2 1 Visby, SE [email protected] 2 Department of Archaeology and Ancient History, Uppsala University, SE [email protected] ABSTRACT – In this paper, we discuss variations seen in the ornamentation and modes of manu- facturing pottery from the end of the mid-Neolithic 4600–4300 BP on the Island of Gotland in the Baltic Sea. The Pitted Ware cultural groups have been discussed as a western influence from the Swe- dish mainland, but the aDNA on skeletal remains point to eastern influences. We analyse and dis- cuss pottery from the well-investigated Ajvide Pitted Ware site and what these variations mean in term of intra- and inter-island relationships, ethnicity and change, and we suggest the development of what could be described as a hybrid culture. IZVLE∞EK – V ≠lanku predstavljamo razlike v ornamentih in izdelavi lon≠enine s konca srednjega neolitika, 4600–4300 BP na otoku Gotland na Baltskem morju. Kulturne skupine jami≠aste kerami- ke so bile tu interpretirane kot zahodni vpliv s celinske πvedske, vendar stara DNK v neolitskih ≠lo- ve∏kih kostnih ostankih ka∫e na vzhodne vplive. Analiziramo lon≠enino z dobro raziskanega najdi- ∏≠a jami≠aste keramike Ajvide in pojasnjujemo, kaj te razlike pomenijo na otoku in med otoki, kako so povezane s populacijskimi premenami in kulture opi∏emo kot hibridne. KEY WORDS – Pitted -
Aarne Michaël Tallgren and the International Discussion on the Bronze Bofulletin Age of Russia
Salminen, T 2017 Aarne Michaël Tallgren and the International Discussion on the Bronze Bofulletin Age of Russia. Bulletin of the History of Archaeology, 27(1): 2, pp. 1–17, DOI: https://doi. the History of Archaeology org/10.5334/bha-553 RESEARCH PAPER Aarne Michaël Tallgren and the International Discussion on the Bronze Age of Russia Timo Salminen This paper is on international scholarly discussion on the Bronze Age of Russia from 1908 until 1939, and in particular on the related role of the internationally renowned Finnish archaeologist Aarne Michaël Tallgren (1885–1945). How did a social network of researchers produce new interpretations and what were the key factors that distinguished the participants in the discussion? Was it a continuous process or a series of sudden changes? How did different ideological backgrounds influence the interpretations? In Western Europe, Tallgren’s most important interlocutors were Gero von Merhart, V Gordon Childe and Ellis H Minns, and in Russia V A Gorodcov and A A Spicyn. The paper is mainly based on correspondence between Tallgren and his colleagues. Introduction how? What were the main dividing factors between west- The chronology and cultural connections of the ern and eastern scholars? What was Tallgren’s position? Bronze Age have played a key role in European What was the relationship of this discussion to earlier archaeology since the 1870s. The earliest cultures interpretations of the eastern Bronze Age and their ideo- that could be linked through typological series logical backgrounds? In what kind of historical context to Mediterranean cultures documented in writ- did archaeologists discuss their problems (more exten- ing were specifically of the Bronze Age. -
Interdisciplinary and Linguistic Evidence for Palaeolithic Continuity
Interdisciplinary and linguistic evidence for Palaeolithic continuity of Indo-European, Uralic and Altaic populations in Eurasia, with an excursus on Slavic ethnogenesis by Mario Alinei Expanded version of a paper read at the Conference Ancient Settlers in Europe, Kobarid, 29-30 May 2003. – Forthcoming in “Quaderni di semantica”, 26. 1 Introduction This contribution is based on my recent work on the problem of the origins of Indo- European (= IE) languages (Alinei 1996, 1998, 2000ab, 2001, 2002) – and lately on Etruscan (Alinei 2003) –, and is divided in five parts: (A) the first outlines the three presently competing theories on the origins of IE languages; (B) the second summarizes the converging conclusions reached by different sciences on the problem of the origin of language and languages in general; (C) the third surveys recent theories on the origins of non IE languages in Europe; (D) the fourth illustrates examples of how the IE linguistic record can be read in the light of the Paleolithic Continuity Theory, and in comparison with the two competing theories; (E) the fifth concerns the specific problem of the Slavic ethnogenesis. 2 The three main paradigms for the origins of Indo-European languages At present, the international debate on the origins of IE languages and peoples concentrates on three different theories: the traditional theory and two new, quite recent ones. 2.1 Copper Age theory = warlike invasion by Proto-Indo-Europeans as pastoral nomads (kurgan) (Gimbutas, Mallory etc.) As we know, until recently, the received doctrine for the origins of Indo-Europeans in Europe was centered upon the assumption of an Indo-European Invasion in the Copper Age (IV millennium b.C.), by horse-riding warrior pastoralists (fig. -
2. the Sarmatians. Motives in the Epos 'Ural-Batir' About Ancient Migrations
BEHP «Suyun»; Vol.4, June 2017, №7 [1,2]; ISSN:2410-1788 THE DESCENDANTS OF THE YAMNAYA CULTURE'S POPULATION — 2. THE SARMATIANS. MOTIVES IN THE EPOS 'URAL-BATIR' ABOUT ANCIENT MIGRATIONS B. A. Muratov * According to research on DNA-archeology made in 2015, a whole complex of archaeological burials from Yamnaya culture, then to Poltavka culture and finally to part of the Early Sarmatian culture, proves their direct genetic succession to each other [1]. Scheme 1. The descendants of Z2103 on the tree of haplogroup R1b, June 29, 2017 Those, according to the data of paleo-DNA, we are talking about ancestors — Yamnaya culture and their descendants — Poltavka culture and part of the early Sarmatians. 719 БЭИП «Суюн»; Том.4 Июнь 2017, №7 [1,2]; ISSN:2410-1788 Reprint 1. Paleo-DNA data of Yamnaya culture and their descendants 720 BEHP «Suyun»; Vol.4, June 2017, №7 [1,2]; ISSN:2410-1788 The scheme of Atanas Kumbarov and Sergey Malyshev[2] clearly shows which snps were characteristic of the ancient bearers of these archaeological cultures, and who is now by the male line the direct descendants of the Yamnaya culture, Poltavka and part of the early Sarmatians of Pokrovka. These data from DNA-archeology show us that the Yamnaya culture (R1b-Z2103, Z2106 +, Z2108 +, KMS67 +, KMS75 +) are the direct genetic ancestors of Poltavkinians (R1b-KMS75 +), while the Poltavkinians are in turn the direct ancestors of part of the early Sarmatians of Pokrovka (R1b-KMS88 +). This all sequence of snps Z2103 +> Z2106 +> Z2108 +> KMS67 +> KMS75 +> KMS88 + — is found among Bashkirs, Lezgins and Iraqis. -
BUECHE GROUP NE¼ Section 28, T. 8 S., R. 5
BUECHE GROUP Location NE¼ Section 28, T. 8 S., R. 5 E. The main workings consist of drifts located on both sides of Battle Axe Creek, a few feet above the water line. History Fred and Herman Bueche located 40 claims in thisarea in 1929. A 145-foot tunnel is reported on the north side of the creek, along with three short tunnels on the south side of Battle Axe Creek (Oregon Metal MinesHandbook, 1951). Current Conditions The adit on the north bank of Battle Axe Creekwas found to be open when this area was inspected. Ore cart tracks could be seen running from the portal to the creek bank. Two adits were located on the south side of the creek, roughlyacross from the one on the north bank. The eastern-most adit was collapsed, although timbering around the portal was still standing. Ore cart tracks also ran from this mine to the edge of the creek bank. The western adit lies 10 feet higher than the eastern one. It was open and had no track associated with it. A board and bat shack stands 60 feet west of the adit on the north side of Battle Axe Creek. This is 6 feet square, with a corrugated metal roof. Further west, another 120 feet, is a pile of boards and a few sheets of metal roofing. These appear to be the remains of a structure similar to theextant shack. The remains of a small structure are located between the two aditson the south bank. All that is left are some deteriorated boards and a few cast iron stove parts.