Brockhampton Venerdì 9 Aprile Uscirá

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BROCKHAMPTON VENERDÌ 9 APRILE USCIRÁ IL NUOVO ALBUM: “ROADRUNNER: NEW LIGHT, NEW MACHINE” contiene i featuring con DANNY BROWN, A$AP ROCKY, CHARLIE WILSON, JPEGMAFIA, A$AP FERG e altri 03/04/2021 Uscirà venerdì 9 aprile “ROADRUNNER: NEW LIGHT, NEW MACHINE” (Question Everything/RCA Records/Sony Music), il sesto album del gruppo hip hop BROCKHAMPTON, da oggi disponibile in pre-order (https://brockhampton.lnk.to/Roadrunner).Il disco include il primo brano estratto “BUZZCUT” feat. DANNY BROWN e il nuovo singolo “COUNT ON ME” già in digitale. Contiene i featuring con artisti del calibro di A$AP Rocky, A$AP Ferg, Charlie Wilson e JPEGMAFIA accanto ai nuovi Baird e SoGone SoFlexy (il collega rapper di Corpus Christi, che ha firmato con Kevin Abstract e Romil La nuova etichetta di Hemnani, Video Store). I BROCKHAMPTON presenteranno il nuovo album con uno show in live streaming dai celebri Shangri-La Studios di Rick Rubin a Malibu. Lo spettacolo si svolgerà il 10 aprile in collaborazione con la piattaforma live digitale premium Moment House, i biglietti sono ora in vendita su www.momenthouse.com/brockhampton. “ROADRUNNER: NEW LIGHT, NEW MACHINE” segue il grande successo del precedente album “GINGER” e del singolo “SUGAR” (414 milioni di stream).Le difficoltà del 2020 dovute all’emergenza COVID-19 sono servite come un potente promemoria della forza e dell’amicizia che lega i componenti del gruppo, che, ritrovatosi sempre più lontani gli uni dagli altri, hanno dovuto combattere e affrontare il senso di isolamento. “ROADRUNNER: NEW LIGHT, NEW MACHINE”, nato proprio in questo periodo delicato, è un album sfrontato ed empatico che racconta la crescita della band che da giovane e quasi innocente è diventata più consapevole e matura..

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Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
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View / Open OURJ Spring 2018 Lelkins.Pdf
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