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Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
Works in the Kipling Collection "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After"
Works in the Kipling Collection Title Main Author Publication Year Material Type Call Number "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "Collectanea" Rudyard Kipling. Kipling, Rudyard, 1865-1936. 1908 BOOK PR 4851 1908 "Curry & rice," on forty plates ; or, The ingredients of social life at Atkinson, George Francklin. 1859 BOOK DS 428 A76 1859 "our station" in India / : "Echoes" by two writers. Kipling, Rudyard, 1865-1936. 1884 BOOK PR 4854 E42 1884 "Kipling and the doctors" : Bateson, Vaughan. 1929 BOOK PR 4856 B3 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1935 BOOK PR 4854 T26 1935 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1938 BOOK PR 4854 T26 1938 "The Times" and the publishers. Publishers' Association. 1906 BOOK Z 323 T59 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1906 BOOK PR 4854 T35 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1925 BOOK PR 4854 T352 1925 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1926 BOOK PR 4854 T352 1926 [Autograph letter from Stephen Wheeler, editor of the Civil & Wheeler, Stephen, 1854-1937. 1882 BOOK PR 4856 A42 1882 military gazette, reporting his deputy [Diary, 1882]. -
Doc « Watches of the Night (Paperback) \\ Download
UJJ24CIU25 Watches of the Night (Paperback) \ eBook W atch es of th e Nigh t (Paperback) By Rudyard Kipling Createspace Independent Publishing Platform, 2014. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Joseph Rudyard Kipling (30 December 1865 - 18 January 1936 was an English short-story writer, poet, and novelist. He wrote tales and poems of British soldiers in India and stories for children. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling s works of fiction include The Jungle Book (a collection of stories which includes Rikki-Tikki-Tavi ), the Just So Stories (1902), Kim (1901), and many short stories, including The Man Who Would Be King (1888). His poems include Mandalay (1890), Gunga Din (1890), The Gods of the Copybook Headings (1919), The White Man s Burden (1899), and If- (1910). He is regarded as a major innovator in the art of the short story; his children s books are enduring classics of children s literature; and one critic described his work as exhibiting a versatile and luminous narrative gift. Kipling was one of the most popular writers in England, in both prose and verse, in the late 19th and early 20th centuries. Henry James... READ ONLINE [ 8.12 MB ] Reviews It is fantastic and great. This is for those who statte there was not a worth looking at. Its been written in an exceptionally easy way which is only soon aer i finished reading this ebook through which in fact changed me, change the way i really believe. -
Sea Warfare, by Rudyard Kipling
The Project Gutenberg EBook of Sea Warfare, by Rudyard Kipling This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Sea Warfare Author: Rudyard Kipling Release Date: February 6, 2006 [EBook #17689] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK SEA WARFARE *** Produced by Thierry Alberto, Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net SEA WARFARE BY RUDYARD KIPLING MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916 CONTENTS PAGE THE FRINGES OF THE FLEET 1 TALES OF "THE TRADE" 93 DESTROYERS AT JUTLAND 145 THE FRINGES OF THE FLEET (1915) In Lowestoft a boat was laid, Mark well what I do say! And she was built for the herring trade, But she has gone a-rovin', a-rovin', a-rovin', The Lord knows where! They gave her Government coal to burn, And a Q.F. gun at bow and stern, And sent her out a-rovin', etc. Her skipper was mate of a bucko ship Which always killed one man per trip, So he is used to rovin', etc. Her mate was skipper of a chapel in Wales, And so he fights in topper and tails— Religi-ous tho' rovin', etc. Her engineer is fifty-eight, So he's prepared to meet his fate, Which ain't unlikely rovin', etc. Her leading-stoker's seventeen, So he don't know what the Judgments mean, Unless he cops 'em rovin', etc. -
Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
The Kipling Index
ORDER BLA NK Gentlemen Please send me the following books by Rudyar d Nmm A ddr ess f booklets ab (I This is o of a s ri s o out authors and their works . , ne e e in Henr and tewart dwar A re you interested 0. y S E d White A post om an arden i card oubleda a e G C Y . willbri u o to D y, P g C p y, ty, N , ng y of each of the booklets now read . thers are in co r a py y O p eparation . Wher e there ar e r es a ai nstthe cold fi g , Or r oofs agai nst the r ai n Wi th love fourf old and j oy fomfold Take them m son s a ai n y g g . — THE FI RES FOREWORD HI S I ndex h as been compiled from th e A uthoriz ed ’ American trade edi ti on of Rudyard Kipling s work all of W car e li s e D b e a s , hi h pub h d by ou l d y , P age and Company with the exception of the Fir st and ec UNGLE Boox S s and CA P TA I N COURA GEOU c S S w ond J , hi h ar e iss e Th e Ce u d by nt ury Company . T I n e t in (L his d x con a s only such works as Mr . Kipling h as a o iz e and esi e t e e e uth r d d r s o pr s rv . -
A Bibliography of the Works of Rudyard Kipling (1881-1921)
GfarneU UntUKtattjj Siibrarg 3tlrara, Htm $nrk BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT OF HENRY W. SAGE 1891 Cornell University Library Z8465 -M38 1922 Bibliography of the works of Rudyard Kip 3 1924 029 624 966 olin The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://archive.org/details/cu31924029624966 Of this booh 450 copies have been printed, of which £00 are for sale. This is No.M TO MY MOTHER A BIBLIOGRAPHY OF RUDYARD KIPLING c o o o ^ U rS Frontispiece.} A BIBLIOGRAPHY OF THE WORKS OF RUDYARD KIPLING (1881—1921) X ,' ^ BY E. W. MARTINDELL, M.A.IOxon.), F.R.A.I. Bairister-at-Law. LONDON THE BOOKMAN'S JOURNAL 173, FLEET STREET, E.C.4. NEW YORK JAMES F. DRAKE. INC. 1922 z f\5as oz^l — PREFACE To the fact that in the course of many years I gathered tog-ether what became known as the most comprehensive collection of the writings of Rudyard Kipling, and to the fact that no-one has compiled an exhaustive bibliography of these writings is due this work. How great has been the need for a full and up to date bibliography of Kipling's works needs no telling. From Lahore to London and from London to New York his various publishers have woven a bibliographical maze such as surely can hardly be paralleled in the literature about literature. The present attempt—the first which has been made in England, so far as I know, on any extensive scale—to form a detailed guide to this bibliographical maze is necessarily tentative; and despite all errors and omissions, for which, as a mere tyro, I crave indulgence, I trust that the following pages will provide not only a handy record for collectors of the writings of our great imperialist poet and novelist, but a basis for the fuller and more perfect work, which the future will bring forth. -
Proquest Dissertations
Gender and the colonial short story: Rudyard Kipling and Rabindranath Tagore Item Type text; Dissertation-Reproduction (electronic) Authors Khanum, Suraiya Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 03:57:58 Link to Item http://hdl.handle.net/10150/282819 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Edward Elgar's the Music Makers
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2018 Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide David Klement Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Klement, David, "Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide" (2018). Dissertations. 523. https://digscholarship.unco.edu/dissertations/523 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2018 DAVID KLEMENT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School EDWARD ELGAR’S THE MUSIC MAKERS: A CHORAL CONDUCTOR’S ANALYSIS AND SCORE PREPARATION GUIDE A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts David Klement College of Performing and Visual Arts School of Music Choral Conducting May 2018 iii This Dissertation by: David Klement Entitled: Edward Elgar’s The Music Makers: A Choral Conductor’s Analysis And Score Preparation Guide has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Arts and Sciences in School of Visual and Performing Arts, Music Accepted by the Doctoral Committee Dr. Galen Darrough, D.M.A., Research Advisor Dr. Jill Burgett, D.A., Committee Member Dr. Michael Oravitz, Ph.D., Committee Member Dr. Michael Welch, Ph.D., Faculty Representative Date of Dissertation Defense March 27, 2018 Accepted by the Graduate School Linda L. -
Kipling and the Great War Propagtandists
KIPLING AND THE GREAT WAR PROPAGANDISTS by David Alan Richards Newspapers and pamphlets will convey to posterity sufficiently, and even more than sufficiently, the notions and fancies and passions of the moment. Lord Bryce, Presidential Address to the British Academy, 20 June 1915 Have you ever considered what a diabolical weapon that can be―using all the channels of modern publicity to poison and warp men’s minds?...You can use it cleanly―as I think on the whole we did in the War―but you can also use it to establish the most damnable lies. Macgillivray in John Buchan’s The Three Hostages (London: 1924) Wellington House The leading writers of the Edwardian period occupied a pre-eminent position as a specialized elite, and they likewise formed part of a social elite which was unusually cohesive. When the First World War broke out, the prestige of men of letters was set in a context of extraordinary diversity and vitality, ranging from heavyweights like Thomas Hardy, Rudyard Kipling, H. G. Wells, Arthur Conan Doyle, Arnold Bennett, and George Bernard Shaw, through cultured English gentlemen like John Galsworthy, Edmund Gosse, and Arthur Quiller-Couch of the Oxford Book of English Verse. The Edwardian literary establishment, ready to enter the public arena as preachers, debaters, and entertainers, had no competition from radio or television, and its representatives enjoyed tremendous prestige throughout the world among both elite and mass audiences. Noting the strength of belief in the educative and civilizing power of classical and English -
© in This Web Service Cambridge University
Cambridge University Press 978-0-521-19972-8 - The Cambridge Companion to Rudyard Kipling Edited by Howard J. Booth Index More information INDEX Actions and Reactions, 49, 61, 144, 145, 152 Bates, H.E., 1, 141, 142 Afghanistan, 26, 88, 136, 182, 183 Baudelaire, Charles, 145 Alcott, Louisa May Beardsley, Aubrey, 174 Little Women, 44 Beerbohm, Max, 75, 111, 117, 174 Alger, Horatio, 178 Benjamin, Walter allegory, 47, 134, 145, 150, 160, 181 ‘The Storyteller’, 55 national allegory, 45, 158 Besant, Walter, 8 analogy, 4, 24–5, 26, 27, 29, 31, 32, 33, 55, Bhabha, Homi, 196 56 Blake, William, 174 Anand, Mulk Raj, 156, 157, 166 Bok, Edward, 70 Conversations in Bloomsbury, 156 Booth, General William, 8–9 Anglo-Indians, 3, 5, 23, 24, 25, 27, 29, 43, Borges, Jean Luis, 146 113, 128, 137, 143, 156, 158, 196 Boyd, William, 164 anti-Semitism, 2, 48, 138, 146–7 Bragg, Billy, 122 Aquinas, Thomas, 151 Brazilian Sketches, 52 Armstrong, Louis, 181 Brecht, Bertolt, 59 art nouveau, 174 Life of Galileo, 64 Arts and Crafts, 38, 39, 170, 172, 174 British Empire cinema, 177–9, 180, 182 Auden, W.H. Brooke, Rupert, 118 ‘In Memory of W B Yeats’, 122 Browning, Robert, 113, 114 Aung San Suu Kyi, 166 ‘Childe Roland to the Dark Tower Austen, Jane, 120, 147, 148 Came’, 3 Persuasion, 147 ‘Fra Lippo Lippi’, 170 Austin, Alfred, 54 Buddhism, 130, 133–5, 136, 137, 166, 170, Averroes, 151 174, 175 Burne-Jones, Edward, 21, 113, 174 Baden-Powell, Robert, 98, 140 Burne-Jones, Georgina, 113 Scouting for Boys, 102 Burns, Robert Baldwin, Stanley, 63 ‘Holy Willie’s Prayer’, 57 Balestier,