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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008
RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo. -
Peggy Holmes Film
Peggy Holmes Film: Tinkerbell: The Pirate Fairy Director Walt Disney Animation Tinkerbell: Secret of the Director Walt Disney Animation Wings Tinkerbell: A Winter Movie Director Walt Disney Animation Little Mermaid 3 Director Walt Disney Animation Mickey's Twice Upon A Xmas Segment Director Walt Disney Animation Freaky Friday Choreographer Walt Disney Pictures / Casual Friday Prods. The Country Bears Co-Choreographer Walt Disney Pictures Heartbreakers Choreographer MGM / Dir. David Mirkin Beautiful Choreographer Destination Films / Dir. Sally Field Rock Star Choreographer Mark Wahlberg / Dir. Steve Harrick Deep End Of The Ocean Choreographer Michelle Pfeiffer / Mandalay Ent. A Very Brady Sequel Choreographer Paramount Father of the Bride II Choreographer Touchstone I Love Trouble Choreographer Caravan Pictures Hocus Pocus Co-Choreographer Co-Chor. Kenny Ortega / Walt Disney Pictures Wayne's World Choreographer Paramount Pictures Newsies Co-Choreographer Co-Chor. Kenny Ortega / Walt Disney Pictures The Fabulous Baker Boys Choreographer Michelle Pfeiffer / 20th Century Fox Cinderella 2 Choreographer Walt Disney Animation The Emperor's New Groove 2 Choreographer Walt Disney Animation Jungle Book II Choreographer Walt Disney Pictures Mulan II Choreographer Walt Disney TV Animation Television: American Idol Seasons 1 & 2 Choreographer FOX These Old Broads Choreographer ABC / Dir. Matthew Diamond 2000 Academy Awards Assoc. Choreographer ABC Houdini - Believe Choreographer TNT / Trilogy Fame LA Series Choreographer MGM / Trilogy Gypsy Choreographer CBS George Burns 95th Birthday Choreographer CBS Hull High Series Choreographer NBC The Tracey Ullman Show Assoc. Choreographer FOX Commercials: Coca-Cola Choreographer RSA Films Web TV Choreographer HKM Films Kenmore Choreographer RSA Films Mercedes Choreographer Bruce Dowad Assoc. Freixenet Champagne Choreographer w/ Kim Basinger Concerts/Tours/Events: Barbra Streisand Millennium Asst. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Fight for Net-Profits Payments from Blockbuster Hollywood Productions
JOURNAL OF LAW, TECHNOLOGY& THE INTERNET· VOL. 4 ·No. 2 · 2013 JouRNALOFLAw, TECHNOLOGY&THElNTERNET · VoL.4 · No.2 · 2013 Personal Health Information Shared Via Social Networking HIT LOSERS: THE GOOD (FAITH) the problem until information is inappropriately disclosed results in little opportunity for a meaningful remedy. FIGHT FOR NET-PROFITS PAYMENTS Federal regulations would protect the value placed on control of PHI by attaching protection to the information itself. It is more FROM BLOCKBUSTER HOLLYWOOD realistic to place restrictions on what can be done with acquired PRODUCTIONS information than to attempt detailed regulation of this rapidly evolving industry.209 While users should also participate in the protection of their personal information through use of the privacy Max Bialystock: You were saying that, under the right settings afforded, deceptive privacy advertisement and obtuse privacy circumstances, a producer could make more money with a flop policies should not render this participation meaningless. than he could with a hit. Preemptively establishing a set of federal regulations as a benchmark Leo Bloom: Yes. It's quite possible. for addressing these kinds of issues before they arise will help mitigate Max Bialystock: You keep saying that, but you don't say how! 1 the harms that are otherwise sure to follow. Federal regulations Leo Bloom: Well, it's simply a matter of creative accounting. requiring meaningful privacy disclosures and truthful advertising, Gould: I think conservatively, you and me, we build ourselves establishing guidelines for use of PHI, and providing causes of action in to split, ten percent. (Pause.) with precedential value would keep pace with reality of the evolution Fox: Of the net. -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
Los Angeles Mission 2019
EC7.7 REPORT FOR ACTION Los Angeles Mission 2019 Date: August 13, 2019 To: Economic and Community Development Committee From: General Manager, Economic Development and Culture Wards: All SUMMARY On May 9, 2019, Mayor John Tory, alongside Deputy Mayor Michael Thompson, Councillor Paula Fletcher and key City staff led a delegation of 30 Toronto screen industry companies and organizations to Los Angeles to strengthen existing relationships and foster new ones with Los Angeles’ leading film, television and digital media companies in order to secure more investment in Toronto. The delegation, the largest to date for this mission, presented a unified voice for the jurisdiction and showcased Toronto’s commitment to growing the industry beyond the $2 billion it contributed to the city in 2018. Messaging from Mayor Tory, Deputy Mayor Thompson, Councillor Fletcher, City staff and delegates was focused on infrastructure growth, workforce development and customer service during this unprecedented golden age of content creation. This report provides an overview of the Mayor’s Los Angeles Mission including key activities and outcomes. RECOMMENDATIONS The General Manager, Economic Development and Culture recommends that: 1. City Council receive this report for information. FINANCIAL IMPACT The total cost of the trade mission was $152,822.42. The net cost after sponsorship contributions of $133,193.16 was $19,629.26. This amount was included in Economic Development and Culture's 2019 Approved Operating Budget, under the Film and Entertainment Industries activity. Future investments in Toronto by companies met in Los Angeles will result in benefits to the City. Los Angeles Mission 2019 Page 1 of 9 The Chief Financial Officer and Treasurer has reviewed this report and agrees with the financial impact information. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
1999 Satellite Copyright Claims Final List No. Claimants Name City State Date Rec
1999 Satellite Copyright Claims Final List No. Claimants Name City State Date Rec. 1 Broadcast Music, Inc. New York New York 7/5/00 2 MacNeil/Lehrer Productions Arlington Virginia 7/5/00 3 Wombat Productions, A Division of New York New York 7/6/00 Avenue Entertainment Group, Inc. 4 Warner Bros., Inc. Burbank California 7/6/00 5 Public Broadcasting Service Alexandria Virginia 7/7/00 6 Firing Line New York New York 7/10/00 7 Galán Productions Inc. Austin Texas 7/10/00 8 S & S Productions Inc. Burlington, Ontario Canada 7/10/00 9 Cinenova Productions Inc. Toronto, Ontario Canada 7/11/00 10 Educational Film Center Annandale Virginia 7/11/00 11 Sony Music Entertainment Inc. New York New York 7/11/00 12 Entrée Communications Ltd. Surrey, British Canada 7/11/00 Columbia 13 The American Documentary, Inc. New York New York 7/11/00 14 Fred Friendly Seminars Inc. New York New York 7/11/00 15 Screen Media Ventures, LLC New York New York 7/11/00 16 Consortium for Mathematics and Its Lexington Massachusetts 7/11/00 Applications Inc. 17 Public Affairs Television, Inc. New York New York 7/11/00 18 CNBC, Inc. Fort Lee New Jersey 7/11/00 19 The Welk Group D/B/A/ Lawrence Welk Santa Monica California 7/11/00 Syndication 20 Intelecom Intelligent Pasadena California 7/11/00 Telecommunications 21 Larry Harmon Pictures Corporation Hollywood California 7/11/00 22 Paramount Pictures, a Viacom Company Los Angeles California 7/11/00 No. Claimants Name City State Date Rec. -
DOWN PERISCOPE Robert Lawrence / Stanley Wilson, Prods
RANDY EDELMAN AWARDS & NOMINATIONS LONG ISLAND FILM FESTIVAL LIFETIME ACHIEVEMENT AWARD (2015) GOLDSPIRIT AWARD (2014) LEAP YEAR Best Comedy Score BMI SPOTLIGHT AWARD (2014) NBC OLYMPICS THEME BMI FILM MUSIC AWARD (2009) THE MUMMY: TOMB OF THE DRAGON EMPORER INTERNAT’L FILM MUSIC CRITICS AWARD THE TEN COMMANDMENTS NOMINATION (2006) Best Original Score for Television BMI FILM MUSIC AWARD (2003) xXx RICHARD KIRK CAREER ACHIEVMENT AWARD (1999) BMI FILM MUSIC AWARD (1998) SIX DAYS AND SEVEN NIGHTS FMCJ AWARD NOMINATION (1998) SIX DAYS AND SEVEN NIGHTS SATURN AWARD NOMINATION (1997) DRAGON HERAT BMI FILM MUSIC AWARD (1996) ANACONDA BMI FILM MUSIC AWARD (1995) WHILE YOU WERE SLEEPING BMI FILM MUSIC AWARD (1994) THE MASK BAFTA AWARD NOMINATION (1993) LAST OF THE MOHICANS *Best Original Film Score (Shared) GOLDEN GLOBE AWARD NOMINATION (1993) LAST OF THE MOHICANS Best Original Score – Motion Picture (Shared) BMI FILM MUSIC AWARD (1992) LAST OF THE MOHICANS BMI FILM MUSIC AWARD (1991) KINDERGARTEN COP BMI TV MUSIC AWARD (1990) MACGYVER 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 RANDY EDELMAN BMI FILM MUSIC AWARD (1989) GHOSTBUSTERS II MOTION PICTURES BACKDRAFT 2 Raffaella De Laurentiis, prod. Universal 1440 Entertainment Gonzalo Lopez-Gallego, dir. MAX 2: WHITE HOUSE HERO Karen Rosenfelt / Matt Bierman / Ken Blancato, MGM prods. Brian Levant, dir. LEAVES OF THE TREE Ante Novakovic / Kresh Novakovic / Joanna Lu, Gogi Productions Donna McKenna / Perla Montemayor, prods. Ante Novakovic, dir. BACK IN THE DAY William DeMeo, prod. The Movie Group Paul Borghese, dir. THE BOY NEXT DOOR Jennifer Lopez / Jason Blum / Elaine Goldmsith- Universal Pictures Thomas / John Jacobs / Benny Medina, prods.