Fabniii Fsip TEMPLE's Muskie Rejects Mcgovern
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OAKS BRISBANE WOOLLOONGABBA SUITES RECEPTION – DIAL ‘9’ RECREATIONAL FACILITIES Upon Departure
GUEST SERVICES DIRECTORY OAKS BRISBANE WOOLLOONGABBA SUITES RECEPTION – DIAL ‘9’ RECREATIONAL FACILITIES upon departure. If keys are not returned, a replacement fee of International Calls: Dial 8 + 0011 + country code, area code (if Welcome to Oaks Brisbane Woolloongabba Suites. Our friendly The swimming pool, spas, BBQ facilities and steam room are $300 will be imposed. Outside of reception hours please place applicable), then the telephone number. reception team is here to help make your stay more memorable. located on the rooftop (Level R). Open from 6am to 10pm daily. your keys in the Express Check-Out box at reception. Strictly no glass is to be taken into the pool area. Children must be supervised by an adult at all times. Please ensure that you clean the MOVIES / TELEVISION RESTAURANTS HOTEL SERVICES BBQ plate and facilities after use. Additional towels are available A selection of local free-to-air and Foxtel channels is available. We recommend the following restaurants where you can charge from reception (charges apply). Please see reception for gym Please use the ‘Source’ button on your television remote to navigate back to your room. Please contact reception for a menu or further ACCOUNT SETTLEMENT facilities, just a short walk from the property. between Foxtel, free-to-air channels and the DVD player. information; a 10% surcharge applies to all meal charge-backs. Payment can be made by cash, credit card or EFTPOS upon or prior to departure. Company charges or cheque payments will 100 CH 9 500/501 Fox Sports News TRANSPORTATION COFFEE NATURE only be accepted by prior arrangement. -
SI Allocations
Free TV Australia DTTB SI Register Transport Stream Service Information for Television Market Area All values are hexadecimal Issue 15 Date: October 2020 Western Australia Tasmania Northern Territory Remote Remote Queensland, Mandurah (Turner NSW, Vic, SA, Tas Perth Bunbury Albany Remote Hobart Launceston Darwin Alice Springs Northern Territory Hill) (See Note 3) (See Notes 1 and 2) (See notes 1 and 2) LCN Broadcaster Service Name SID SID SID SID SID SID SID SID SID SID SID NID NID NID NID NID NID NID NID NID NID NID TSID TSID TSID TSID TSID TSID TSID TSID TSID TSID TSID ONID ONID ONID ONID ONID ONID ONID ONID ONID ONID (dec) ONID 3201 3239 0261 1010 3256 0263 1010 3256 0263 1010 3256 0263 1010 3256 0263 1010 325B 0271 1010 3257 0273 1010 325C 0281 1010 325B 0283 ABC1 2 02E1 02E1 02E1 02E1 02E1 0271 0291 0281 02F1 ABC News 24 24 02E0 02E0 02E0 02E0 02E0 0270 0290 0280 02F0 ABC ABC1 21 02E3 02E3 02E3 02E3 02E3 0273 0293 0283 02F3 ABC2 / ABC4 22 02E2 02E2 02E2 02E2 02E2 0272 0292 0282 02F2 ABC3 23 02E4 02E4 02E4 02E4 02E4 0274 0294 0284 02F4 ABC Dig Music 200 02E6 02E6 02E6 02E6 02E6 0276 0296 0286 02F6 ABC Jazz 201 02E7 02E7 02E7 02E7 02E7 0277 0297 0287 02F7 3202 3202 0320 3202 3202 03A0 3202 3202 03A0 3202 3202 03A0 3202 3202 03A0 3202 3202 0380 3202 3202 0380 3202 3202 0360 SBS ONE 3 0321 03A1 03A1 03A1 03A1 0381 0381 0361 SBS ONE HD 30 0325 03A5 03A5 03A5 03A5 0385 0385 0365 SBS VICELAND HD 31 0326 03A6 03A6 03A6 03A6 0386 0386 0366 SBS World Movies 32 0327 03A7 03A7 03A7 03A7 0387 0387 0367 SBS Food 33 0323 03A3 03A3 03A3 03A3 0383 -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
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Case 1:17-Cv-02958-GBD Document 5 Filed 04/25/17 Page 1 of 34
Case 1:17-cv-02958-GBD Document 5 Filed 04/25/17 Page 1 of 34 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ----------------------------------------------------------------)( ANDREA TANTAROS, Plaintiff, -- against- Docket No. ------ FO)( NEWS NETWORK, LLC, ROGER AILES, WILLIAM SHINE, IRENA BRIGANTI, PETER COMPLAINT A. SNYDER, DISRUPTOR, INC., and JOHN DOES 1-50. JURY DEMAND Defendants. ---------------------------------------------------------------)( Plaintiff ANDREA T ANTAROS ("Plaintiff or "Ms. Tantaros"), by her attorneys, Judd Burstein, P.C., complaining of the Defendants herein, alleges as follows: INTRODUCTION 1. The criminal conduct described in this Complaint is both highly complex and extremely high-tech - utilizing digital tools and computer/telephony 'hacking', allied media, social media and surreptitious surveillance as replacements for and enhancements to traditional work-place retaliation, extortion, physical threats, and professional/career assassination. Interestingly, this type of professional digital character-assassination (well-known in the political and movie/entertainment industries) is portrayed in a recent episode of the highly popular Showtime Network series, "Homeland." In this episode - entitled "Sock-Puppets" - the techniques described in this Complaint were used to destroy the reputation and public support of a new President-elect. 1 See http://www .newsbusters.org/blogs/culture/lindsay-kornickl20 17 /03/19/homeland-introduces-right- wing-fake-news-accounts Case 1:17-cv-02958-GBD Document 5 Filed 04/25/17 Page 2 of 34 2. For the uninitiated, such criminal activity will seem both bizarre and shocking. But, as shown by the many exhibits annexed to this Complaint, these activities have been long underway at Defendant Fox News, LLC ("Fox News"), and have continued unabated since the departure of Defendant Roger Ailes ("Ailes") from the network. -
SI Allocations
Free TV Australia DTTB SI Register Transport Stream Service Information for Television Market Area All values are hexadecimal Issue 13 Date: September 2019 Western Australia Tasmania Northern Territory Remote Remote Queensland, Mandurah (Turner NSW, Vic, SA, Tas Perth Bunbury Albany Remote Hobart Launceston Darwin Alice Springs Northern Territory Hill) (See Note 3) (See Notes 1 and 2) (See notes 1 and 2) LCN Broadcaster Service Name SID SID SID SID SID SID SID SID SID SID SID NID NID NID NID NID NID NID NID NID NID NID TSID TSID TSID TSID TSID TSID TSID TSID TSID TSID TSID ONID ONID ONID ONID ONID ONID ONID ONID ONID ONID (dec) ONID 3201 3239 0261 1010 3256 0263 1010 3256 0263 1010 3256 0263 1010 3256 0263 1010 325B 0271 1010 3257 0273 1010 325C 0281 1010 325B 0283 ABC1 2 02E1 02E1 02E1 02E1 02E1 0271 0291 0281 02F1 ABC News 24 24 02E0 02E0 02E0 02E0 02E0 0270 0290 0280 02F0 ABC1 21 02E3 02E3 02E3 02E3 02E3 0273 0293 0283 02F3 ABC ABC2 / ABC4 22 02E2 02E2 02E2 02E2 02E2 0272 0292 0282 02F2 ABC3 23 02E4 02E4 02E4 02E4 02E4 0274 0294 0284 02F4 ABC Dig Music 200 02E6 02E6 02E6 02E6 02E6 0276 0296 0286 02F6 ABC Jazz 201 02E7 02E7 02E7 02E7 02E7 0277 0297 0287 02F7 3202 3202 0320 3202 3202 03A0 3202 3202 03A0 3202 3202 03A0 3202 3202 03A0 3202 3202 0380 3202 3202 0380 3202 3202 0360 SBS ONE 3 0321 03A1 03A1 03A1 03A1 0381 0381 0361 SBS ONE HD 30 0325 03A5 03A5 03A5 03A5 0385 0385 0365 SBS VICELAND HD 31 0326 03A6 03A6 03A6 03A6 0386 0386 0366 SBS World Movies 32 0327 03A7 03A7 03A7 03A7 0387 0387 0367 SBS Food 33 0323 03A3 03A3 03A3 03A3 0383 -
Cll12-9032541-246142.Pdf
U.S. Securities and Exchange Commission 100 F Street NE Washington, DC 20549 July 5, 2021 Re. Public Input on Climate Change Disclosures Dear Chair Gensler, Commissioner Lee and Secretary Countryman: Thank you for requesting comments on the Division of Corporation Finance’s March 15, 2021 request for public input on reporting requirements for registrations relating to certain disclosures relating to climate change and ESG. I have co-signed the Shareholder Commons comment letter already and I endorse many of the recommendations you have already received from Scott Stringer and other institutional investors, but I would like to add some additional perspective and a few responses to some of the other comments filed. As a general point, I note that some of the comments are not clear about who is funding them, what is paid advocacy, and how suggested changes would benefit their organizations. This is of particular concern following the "fishy" comments1, sock puppets,2 and CEO- funded dark money fake front groups3 distorting the proxy advisory rulemaking. For example, the comment from the generically-named Texas Public Policy Foundation, which cherry-picks data to pretend climate change is not a problem, does not mention that its funders include energy companies Chevron, ExxonMobil, and other fossil fuel interests.4 1 https://www.bloomberg.com/news/articles/2019-11-19/sec-chairman-cites-fishy-letters-in- support-of-policy-change 2 https://valueedgeadvisors.com/2018/11/06/more-useless-sock-puppet-bluster-from-fake-front- group-main-street-investor-coalition/ and note the overlap in the comments between groups with the same members/funders like the Business Roundtable and the World Business Council. -
The Utilization and Management of Sockpuppets Within Online Communities
THE UTILIZATION AND MANAGEMENT OF SOCKPUPPETS WITHIN ONLINE COMMUNITIES by Melissa Morris A Capstone Project Submitted to the Faculty of Utica College May 2014 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Cybersecurity © Copyright 2014 by Melissa Morris All Rights Reserved ii Abstract The Internet is the principle arena for online communication. Within the online community, individuals can choose who they are. If a member chooses an online identity that is something other than who they are in real life, then the identity created is a sockpuppet. The purpose of this research was to examine the utilization and management of sockpuppets within online communities. What are the ethical and legal boundaries in the use of sockpuppets within civilian online communities? What is the role of sockpuppets in the intelligence community? The intent behind sockpuppet use determines the ethical and legal boundaries within civilian online communities. If the intent is for entertainment and communication, online communities exhibit various levels of tolerance for ethical versus unethical choices of sockpuppets. However, legal boundaries are crossed if the intent is to do harm. The United States is not consistent with legislation involving sockpuppets. The intelligence community uses sockpuppets to assist in maintaining national security. A sockpuppet allows an analyst to infiltrate targeted online communities, and once inside to gather information about the group. Sockpuppets are accepted within the communities and -
ASX RELEASE Appendix 4E for the Year Ended 30 June 2021
ASX RELEASE 18 August 2021 Appendix 4E for the year ended 30 June 2021 Results for Announcement to the Market Key Financial Information $'000 up/down % movement Revenue from ordinary activities 528,649 Down 2.1% Net profit from ordinary activities after tax (including significant items) 48,096 Up 91.6% Net profit from ordinary activities after tax (excluding significant items) 48,096 Up 40.7% Franked Amount amount Tax rate for Dividend Information per per share franking share cents credit cents Interim FY2021 dividend per share - - - Final FY2021 dividend per share 5.00 5.00 30% The dividend reinvestment plan has been suspended and will not apply to the final FY2021 dividend. Final FY2021 Dividend Dates Ex-dividend date 1 September 2021 Record date 2 September 2021 Payment date 1 October 2021 30 Jun 21 30 Jun 20 Net Tangible Assets Per Security $(0.47) $(0.77)1 Additional Appendix 4E disclosure requirements can be found in the directors’ report, financial statements and notes to the financial statements contained in the Southern Cross Austereo Financial Report for the year ended 30 June 2021. This report is based on the consolidated Financial Report for the year ended 30 June 2021 which has been reviewed by PricewaterhouseCoopers with the Independent Auditor's Review Report included in the Financial Report. 1 On 6 November 2020, the Group announced completion of the one for ten share consolidation approved by shareholders at the AGM on 30 October 2020. The comparative has been adjusted accordingly. Southern Cross Media Group Limited Level 2, 257 Clarendon Street, South Melbourne VIC 3205 ABN 91 116 024 536 Southern Cross Media Group Limited ASX release Approved for release by the Board of directors. -
Petrushka Show
Petrushka Show The Study Guide by Vancouver Puppet Theatre 2015 copyright © Contents The Company......................................................................# Set Up Requirements..........................................................# Background on the Production...........................................# Making the Show...............................................................# Synopsis of Petrushka Show..............................................# Discussion Topics..............................................................# Primary Students...............................................................# The Arts Curriculum.........................................................# Working with the Arts Community.....................................# Arts Education K to 7: At a Glance....................................# The Creative Process (Diagram) ..................................# Aknowledgement...................................................................# Dear Teacher: We’re looking forward to presenting Petrushka Show for your students. This Study Guide has a synopsis of the show, information about the production, and some background on the Vancouver Puppet Theatre. If you'd like to know more about our company, visit our website at www.vancouverpuppets.com We hope your students and staff enjoy the show! Kind Regards, Viktor Barkar Artistic Director and founder of the Vancouver Puppet Theatre Opportunities for listening, viewing, and responding to live and recorded performances and exhibitions are integral -
ASX RELEASE Affiliation with Network 10 from 1 July 2021
ASX RELEASE 25 June 2021 Affiliation with Network 10 from 1 July 2021 Southern Cross Media Group Limited (ASX: SXL) (SCA) today announced it has reached agreement with Network 10 to broadcast channels 10, 10 Bold, 10 Peach and 10 Shake in the three aggregated markets of regional Queensland, Southern NSW and regional Victoria for two years commencing 1 July 2021. A copy of a joint media release is attached. The agreement with Network 10 follows constructive and collaborative discussions with Network 10 over the past three months during which the respective sales, technical, and operations teams have worked closely to ensure there will be a seamless transition to Network 10 programming on 1 July 2021. SCA’s sales teams have consistently generated excellent revenue outcomes for its partners. Over the five year period of the Nine affiliation, SCA’s sales power ratio (converting ratings to revenue) in the three aggregated markets improved by nine percentage points from 1.03 in 1H FY17 to 1.12 in 1H FY211. With Network 10’s suite of highly successful programs including MasterChef Australia, Australian Survivor, The Bachelor Australia, The Masked Singer, The Project and live A-League, Westfield W- League, Socceroos, Matildas and FFA Cup matches, SCA looks forward to continuing its superior sales performance to generate strong commercial returns for both SCA and Network 10. Television revenue booked to date for the first quarter of FY22 is in line with SCA’s internal forecasts and is currently pacing ahead of the same time in the current financial year, which was affected by COVID-19. -
Hoonah Schools Newsletter
Hoonah Schools Newsletter !"#$"%&"'()*$+&"',-./0, !"#$%&'()*+%,#*-.(%/#(0*1(23-%/4(%*2#(%3(15%/#6(#7#68%/*-14(%*2#(%3(9##$(0:+8&( !;<%&'("/5-5=()*+.(%/#(23-%/(%3(13(%3(%/#(23:-%5*-+(%3(1#%(23:-%5*-(135%&(( ! ! Welcome to a New Year at Hoonah [(($!.#'8'(!%(($!#.((-(=**W!X"%.!%(9&!.*6!2*4&!%&)&WY:! City Schools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`! A3#,=#$!3(,=6(=&!5)*=)(4!%#=%3#=%$':!(,7!462%!4*)&8!B+!.*6! ! %(9&,C$!3**D&7!($!*6)!'2%**3!-&<'#$&!3($&3.:!#$!#'!+633!*+!&9&,! A%&!2(,*&!3(,7#,=!#,#$#($&7!(!7(.!*+!2&)&4*,#&'!#,!-%#2%!$%&! -
Program Title
MIRACLES A Multigenerational Tapestry of Faith Program BY CHRIS JABLONSKI, SUSAN LAWRENCE, ADRIANNE ROSS, AND MIRIAM SMITH DEVELOPMENTAL EDITORS: JUDITH A. FREDIANI AND JESSICA YORK © Copyright 2015 Unitarian Universalist Association. This program and additional resources are available on the UUA.org web site at www.uua.org/re/tapestry. 1 Table of Contents SESSION 1: Naming Miracles ............................................................................................................ 12 SESSION 2: The Miracle of Close Attention ....................................................................................... 27 SESSION 3: The Miracle of Transformation ....................................................................................... 46 SESSION 4: It’s All in the Timing ........................................................................................................ 60 SESSION 5: A Miracle Inside .............................................................................................................. 71 SESSION 6: The Miracle of Social Change ........................................................................................ 85 SESSION 7: Miracles We Can Make .................................................................................................. 99 SESSION 8: Still a Mystery ............................................................................................................... 120 2 About the Authors The Reverend Chris Jablonski serves South Church, the Unitarian Universalist Church