WILLIE COLE CV Oct 2013
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A Bestiary of the Arts
LA LETTRE ACADEMIE DES BEAUX-ARTS A BESTIARY OF THE ARTS 89 Issue 89 Spring 2019 Editorial • page 2 News: Annual Public Meeting of the Five Academies News: Installations under the Coupole: Adrien Goetz and Jacques Perrin News: Formal Session of the Académie des beaux-arts • pages 3 to 7 Editorial The magnificent Exhibition: “Oriental Visions: Cynocephalus adorning the cover of this edition of From Dreams into Light” La Lettre emanates a feeling of peaceful strength Musée Marmottan Monet true to the personality of its author, Pierre-Yves • pages 8 and 9 File: Trémois, the oldest member of the Académie des Beaux-Arts after being elected to Paul Lemangy’s “A bestiary of the arts” seat on 8 February 1978. • pages 10 to 34 Through the insatiable curiosity and astounding energy that he brings to the table at the age of News: “Concerts for a seat” ninety-eight, Pierre-Yves Trémois shows us Elections: Jean-Michel Othoniel, the extent to which artistic creation can be Marc Barani, Bernard Desmoulin, regenerative, especially when it is not seeking to conform to any passing trend. News: The Cabinet des estampes de la In May 2017 we elected forty-three year-old composer Bruno Mantovani to Jean bibliothèque de l’Institut Prodromidès’ seat. Tribute: Jean Cortot Watching the two passionately converse about art, we realized that the half • pages 35 to 37 century separating them was of no importance. The Académie des Beaux-Arts is known for the immense aesthetic diversity Press release: “Antônio Carlos Jobim, running throughout its different sections. highly-elaborate popular music” This reality is in stark contrast with academicism. -
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011 EDUCATION - 1964 : Beaux Arts of California College of Arts and Crafts, Oakland, CA, USA 1967 : Beaux Arts of Stantford University, Palo Alto, CA, US SOLO SHOWS (SELECTION) - 2020 Dennis Oppenheim, Galerie Mitterrand, Paris, France 2019 Dennis Oppenheim, Le dessin hors papier, Musée des Beaux-Arts, Caen, FR 2018 Broken Record Blues, Peder Lund, Oslo NO Violations, Marlborough Contemporary, New York US Straight Red Trees. Alternative Landscape Components, Guild Hall, East Hampton, NY, US 2016 Terrestrial Studio, Storm King Art Center, New Windsor US Three Projections, Art Institute of Chicago, Chicago, US 2015 Collection, MAMCO, Geneva, CH Launching Structure #3. An Armature for Projections, Halle-Nord, Geneva CH Dennis Oppenheim, Wooson Gallery, Daegu, KR 2014 Dennis Oppenheim, MOT International, London, UK 2013 Thought Collision Factories, Henry Moore Institute, Leeds, UK Sculpture 1979/2006, Galleria Fumagalli & Spazio Borgogno, Milano, IT Alternative Landscape Components, Yorkshire Sculpture Park, West Bretton, UK 2012 Electric City, Kunst Merano Arte, Merano, IT 1968: Earthworks and Ground Systems, Haines Gallery, San Francisco US HaBeer, Beersheba, ISR Selected Works, Palacio Almudi, Murcia, ES 2011 Dennis Oppenheim, Musee d'Art Moderne et Contemporain, Saint-Etienne, FR Eaton Fine Arts, West Palm Beach, Florida, US Galerie Samuel Lallouz, Montreal, CA Salutations to the Sky, Museo Fundacion Gabarron, New York, US 79 RUE DU TEMPLE -
Zaynab Abdi, Student
MINNESOTA WOMEN’S PRESS POWERFUL. EVERYDAY. WOMEN. Places & SPaces Nekessa Julia Opoti: The Story of Immigration Green Card Voices: Where Do I Belong? Minnesota Authors Explore Place The Women of Outward Bound: 1965 SPaces Issue womenspress.com July 2018 Issue 34-7 MINNESOTA “In the exhilaration of natural wonders, absorbed in our own WOMEN’S PRESS survival goals, we come through the POWERFUL. EVERYDAY. WOMEN. fog. We find vistas of peace and one- ness with each other, comfort, and acceptance.” — Devvie Cersine What’s inside? Editor Letter 4 Finding Place in the Space We Share COURTESY CRAIG WIKLUND CRAIG COURTESY Reader Response 5 Where Have You Felt at Home? Grounded 6 Smooth Sailing at Age 105 GoSeeDo Calendar 8 Places & Spaces 12-19 • Minnesota: A Place of Refuge? Pat Marble takes Up Kayaking, page 6 • Nekessa Julia Opoti: Arbitrary Borders • Act Now: Immigration Welcome Steps Contact Us MWP team • Green Card Voices: Where Do I Belong? 651-646-3968 Owner/Editor: Mikki Morrissette • Think: Immigration Facts & Data Send a letter to the editor/suggest story idea: Business Development Director: Shelly Damm [email protected] Managing Editor: Sarah Whiting Ism Schism 20 Subscribe: [email protected] Jessica Ostrov: Why Green Spaces Are White Contributors: Zaynab Abdi, Nancy Breymeier, Advertise: [email protected] Devvie Cersine, Maxine Davis, Shannon Drury, Linda BookShelf 25 LeGarde Glover, Kelly Gryting, Nekessa Julia Opoti, Minnesota Authors Explore Place: Wildflowers, Events listings: [email protected] Jessica Ostrov, Kelly Povo, Veronica Quillien, Maya Onigamiising, and Bakken Oil Fields Rao, Erica Rivera, Phyllis Root, Regina Santiago Our vision: There is much to be done, now Learning Life 30 more than ever. -
Chapter 4 Lesson 1: the Media Of
LESSONLESSON 11 The Media of Art Every work of art begins with a thought or Other art is made to be appreciated in idea. Every work ends with a realization of that three dimensions. Statues and most objects of starting concept. What happens in between is applied art fall into this category. They are a result of many choices the artist makes. made to be seen from different sides and an- Some of the most important choices are gles. The same is true of works of architecture. the tools and materials that will be used to Like art itself, the media and processes create the artwork. For some projects, the ma- used in its creation can be categorized as terials may include clay and sculpting tools. being two- or three-dimensional. For others, the tools of choice may be crayons ● Two-dimensional media and processes. and paper. A computer screen and a mouse These include tools and materials used in might be used by others. These and other the various processes of picture making. tools and materials used to create works of art are Among these tools are pencils, pens, known collectively as art media. pastels, and paint brushes. Materials, or It is worth noting that that term—art surfaces, on which the two-dimensional media—is plural. It refers to more than one image appears include paper, parch- material or tool. When referring to a single ment, and canvas. Figure 4–1, which art material or tool, you use the term art opened this chapter on page 66, was medium. -
Frank Big Bear: Nativia
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | bockleygallery.com Frank Big Bear: Nativia Opening Reception: Friday, November 11, 6 to 8 pm Exhibition: November 10 through December 17, 2016 Gallery Hours: Wednesday through Saturday, Noon to 5 pm Bockley Gallery is pleased to announce its upcoming exhibition Nativia by Duluth-based artist Frank Big Bear. In his 12th solo show at the gallery, Big Bear continues to explore the complex issues in force at the intersection of Native American and American popular cultures. Running throughout this offering of new paintings, drawings and a single collage is the broader leitmotif of the human figure and, more specifically, the portrait. Of note is Big Bear’s Multiverse #1, a large-scale collage where the artist utilized 120 gallery exhibition invitations as a support to express his ideas and actions, which he then organized into a grid pattern. Big Bear approached each card individually as if chapters in a book, collageing onto each surface a range of images culled from magazines, books, graphic novels and catalogues. This cacophony of visual information integrates images, signs and symbols drawn from Native culture with those of popular culture figures, objects and events such as famous artists and artworks, celebrities, models, and even animals. The individual cards are then modified as needed and organized into the larger compositional grid. Of note is another collage in the Multiverse series, Big Bear’s monumental The Walker Collage, Multiverse #10 commissioned by Walker Art Center. It will be unveiled at the November 19 celebratory opening of the museum’s redesigned main entrance on Vineland Place. -
March 2008 Cms Public File Report
Minnesota Public Radio - Classical Stations July 2007 - March 2008 KBPR 90.7FM, Brainerd Bemidji Area Chamber of Commerce Charter Fiberlink, LLC/Charter Business Cragun's Golf and Conference Resort Crow Wing Power Evergreen Press/Lake Country Journal Magazine Fifth Avenue Furniture Floor to Ceiling Store Good Samaritan Communities-Brainerd/Pine River Kodiak Investment Management Kurilla Real Estate Legacy Chorale of Greater Minnesota, The Madhatters Community Theatre Minnesota Heritage House Inc./Pequot Lakes Loc. Minnesota Power Nature's Touch Floral & Gift New York Mills Regional Cultural Center Nisswa Tax Service Nor-Son Incorporated Northern PCS Old Wadena Society Rainy Days Bookstore Reif Center, The St. Joseph's Medical Center/Brainerd Medical Ce Staples Area Men's Chorus Staples Motley Area Arts Council The Tree House KCCM Moorhead/Fargo A Center for the Arts Audrey and Dick Kloubec Avis Rent a Car Bemidji Area Chamber of Commerce Bernie's Wines and Liquors Boulger Funeral Home Braaten Cabinets Bursch Travel American Express-2 Celebration of Women Clay County Historical Society Country Insurance & Financial Services Eventide F/M Communiversity Fargo Moorhead Opera Fargo Moorhead Symphony Orchestra Fargo-Moorhead Area Youth Symphonies Harmon Glass Doctor Heritage Hjemkomst Interpretive Center Historic Holmes Theatre, The Hornbacher's Foods Hotel Donaldson ICS Energy Solutions Innovis Health Korsmo Funeral Service Krekelberg & Skonseng, PLLP Life's Footprint Michael J Burns Architects Minnesota Motor Company Moorhead Public Service -
Hank Willis Thomas
Goodman Gallery Hank Willis Thomas Biography Hank Willis Thomas (b. 1976, New Jersey, United States) is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture. Thomas has exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands. Thomas’ work is included in numerous public collections including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; High Museum of Art, Atlanta, and National Gallery of Art, Washington D.C. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), Writing on the Wall, and the artist-run initiative for art and civic engagement For Freedoms, which in 2017 was awarded the ICP Infinity Award for New Media and Online Platform. Thomas is also the recipient of the Gordon Parks Foundation Fellowship (2019), the Guggenheim Foundation Fellowship (2018), Art for Justice Grant (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), and is a member of the New York City Public Design Commission. Thomas holds a B.F.A. from New York University (1998) and an M.A./M.F.A. from the California College of the Arts (2004). In 2017, he received honorary doctorates from the Maryland Institute of Art and the Institute for Doctoral Studies in the Visual Arts. Artist Statement Hank Willis Thomas is an American visual photographer whose primary interested are in race, advertising and popular culture. -
African Collection
calendar African Art from the Permanent Collection Collections of the RMCA: January 1, 2005–December 31, 2008 Headdresses Neuberger Museum of Art, SUNY Purchase December 20, 2006–September 30, 2007 Purchase, NY Royal Museum for Central Africa Tervuren, Belgium African Vision: Highlights from the The Walt Disney-Tishman African Art Collection Continuity and Change: February 15, 2007–September 7, 2008 Three Generations of Ethiopian Artists AFRICAN National Museum of African Art May 25–December 8, 2007 Washington, DC Diggs Gallery, Winston-Salem State University Winston-Salem, NC COLLECTION Afrique Noire: Fotografien von Didier Ruef Eternal Ancestors: Made possible by SunTrust Bank April 25– August 19, 2007 The Art of the Central African Reliquary Völkerkunemuseum der Universität Zürich October 2, 2007–March 2, 2008 Downloaded from http://direct.mit.edu/afar/article-pdf/40/3/95/1816128/afar.2007.40.3.95.pdf by guest on 26 September 2021 Zürich, Switzerland Metropolitan Museum of Art New York, NY Anxious Objects: Willie Cole’s Favorite Brands Inscribing Meaning: June 15–September 2, 2007 Writing and Graphic Systems in African Art Frye Art Museum May 9–September 3, 2007 Seattle, WA National Museum of African Art Washington, DC September 26, 2007–January 7, 2008 Cantor Arts Center at Stanford University October 14, 2007–February 17, 2008 Stanford, CA Fowler Museum at UCLA Los Angeles, CA Art of Being Tuareg: Saharan Nomads in a Modern World Meditations on African Art: May 9–August 19, 2007 Color Cantor Arts Center at Stanford University April 18–August 19, 2007 Stanford, CA Baltimore Museum of Art Baltimore, MD Bamako: African Photographers Meditations on African Art: May 18–September 25, 2007 Pattern Museum of the African Diaspora August 29, 2007–January 13, 2008 San Francisco, CA Baltimore Museum of Art Baltimore, MD Benin—Könige und Rituale. -
A Curriculum Guide
FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This page is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE PART IV Resources FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This section is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE Focus Lesson Plans Fand Actvities INDEX TO FOCUS LINKS Focus Links Lesson Plans Focus Link 1 LESSON 1: Introductory Polaroid Exercises Focus Link 2 LESSON 2: Camera as a Tool Focus Link 3 LESSON 3: Photographic Field -
Raymond Saunders 40 Years: Paris/Oakland
Andrew Kreps Gallery Raymond Saunders 40 Years: Paris/Oakland May 1 - June 12, 2021 657 Howard Street, San Francisco, CA 94105 1275 Minnesota Street, San Francisco, CA Casemore Kirkeby and Andrew Kreps Gallery are pleased to announce 40 Years: Paris/ Oakland, an exhibition of works by Raymond Saunders, presented across two locations in San Francisco. Since the 1960s, Raymond Saunders has developed a singular practice defined by an improvisational approach, as he culls eclectic ephemera, signage, detritus, and other materials from his daily life which reflect his living environment. A cult-like figure in the Bay Area art scene, Saunders’ paintings and installation-based works are loaded with rich swaths of paint, interwoven with found materials and his own notational marks, and white- pencil drawings. Blackboard surfaces, left visible through a heavy accumulation of marks and material, tie Saunders’ works inextricably to his role as an educator, as he handwrites simple equations, lettering, and childlike notes onto the work’s surface. Like jazz, dissonant at first, yet upon closer view, Saunders uses these diverse elements which seem to address the dualities present within life - plight and renewal, lack and abundance, innocence, and despair, as well as the individual and the community. Interweaving his own personal experience and anecdotes, Saunders aims to teach this full reality of the modern environment, the losses and victories, as well as the splendor that exists within the everyday. Spanning four decades of Saunders’ remarkable career, 40 Years: Paris/Oakland spans two locations (657 Howard Street, and 1275 Minnesota Street) and features rarely-exhibited works on canvas from the 1980s and installation-based works from the 1990s. -
2013 MNHS Legacy Report (PDF)
Minnesota History: Building A Legacy JAnuAry 2013 | Report to the Governor and the Legislature on Funding for History Programs and Projects supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Table of Contents Letter from the Minnesota Historical Society Director and CEO . 1 Introduction . 2 Feature Stories on FY12–13 History Programs, Partnerships, Grants and Initiatives Then Now Wow Exhibit . 7 Civil War Commemoration . 9 U .S .-Dakota War of 1862 Commemoration . 10 Statewide History Programs . 12 Minnesota Historical and Cultural Heritage Grants Highlights . 14 Archaeological Surveys . 16 Minnesota Digital Library . 17 FY12–13 ACHF History Appropriations Language . Grants tab FY12–13 Report of Minnesota Historical and Cultural Heritage Grants (Organized by Legislative District) . 19 FY12–13 Report of Statewide History Programs . 57 FY12–13 Report of Statewide History Partnerships . 73 FY12–13 Report of Other Statewide Initiatives Surveys of Historical and Archaeological Sites . 85 Minnesota Digital Library . 86 Civil War Commemoration . 87 Estimated cost of preparing and printing this report (as required by Minn. Stat. § 3.197): $6,413 Upon request this report will be made available in alternate format such as Braille, large print or audio tape. For TTY contact Minnesota Relay Service at 800-627-3529 and ask for the Minnesota Historical Society. For more information or for paper copies of this report contact the Society at: 345 Kellogg Blvd. W., St Paul, MN 55102, 651-259-3000. The 2012 report is available at the Society’s website: legacy.mnhs.org. COVER IMAGE: Kids try plowing at the Oliver H. Kelley Farm in Elk River, June 2012 Letter from the Director and CEO January 15, 2013 As we near the close of the second biennium since the passage of the Legacy Amendment in November 2008, Minnesotans are preserving our past, sharing our state’s stories and connecting to history like never before. -
Finding Aid to the Historymakers ® Video Oral History with Willie Cole
Finding Aid to The HistoryMakers ® Video Oral History with Willie Cole Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Cole, Willie, 1955- Title: The HistoryMakers® Video Oral History Interview with Willie Cole, Dates: February 3, 2017 Bulk Dates: 2017 Physical 6 uncompressed MOV digital video files (2:50:03). Description: Abstract: Sculptor Willie Cole (1955 - ) was most known for his found object assemblages, which featured steam irons, high heeled shoes and plastic water bottles. His work addressed themes of domesticity, femininity and racial identity. Cole was interviewed by The HistoryMakers® on February 3, 2017, in Mine Hill, New Jersey. This collection is comprised of the original video footage of the interview. Identification: A2017_053 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Sculptor Willie Cole was born on January 3, 1955 in Somerville, New Jersey. In 1958, he moved to Newark, New Jersey, where he took art classes at the Newark Museum, and later attended the Arts High School of Newark. Cole went on to receive his B.F.A degree from the School of Visual Arts in New York City, New York. He continued his art education by attending classes at the Art Students League of New York. After graduation, Cole worked as a freelance artist and graphic designer. In 1988, he completed his first major art installation, Ten Thousand Mandellas. The installation led to his first major gallery show, which took place at Franklin Furnace Gallery in New York City, New York in 1989.